
Armani Exchange links to electronic music through a new partnership with Amnesia in Ibiza
The musical partnership debuted on May 10 in the world-famous club, as the collaboration officially kicked off the Mediterranean island's summer season.
Going forward, every Sunday throughout June and July, Armani Exchange will offer an immersive experience into its universe in Amnesia, which has a 5,000 people capacity. Set against the backdrop of one of the most iconic Spanish nightclubs which attracts visitors from all over the world, these nights will highlight the Italian brand's core values of community and inclusivity.
This collaboration is a natural extension of Armani Exchange's long-standing partnering with the most high-profile electronic music events globally. After participating in festivals such as DGTL Amsterdam or Glitch Festival in 2024, Armani Exchange is now joining forces with Amnesia during their renowned 'Pyramid Ibiza' nights, the Amnesia format that has become a staple in the electronic music scene.
To mark the brand's presence in the 5,000-capacity nightclub, Armani Exchange plans on bringing a distinct style and energy to the dancefloor. Billboards and projections will showcase its visual identity, rooted in fun and freedom.
The first edition of this alliance already made an impression with major artists such as Seth Troxler, Adam Beyer, and Luciano present. The upcoming Sundays are just as highly anticipated, featuring celebrated underground DJs like Ricardo Villalobos, Nina Kraviz, Richie Hawton and Chris Stussy – ensuring this partnership continues to resonate within the music scene.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

LeMonde
14 hours ago
- LeMonde
As World War II ended, the French Riviera became a 'GI's heaven'
Blues, pinks, reds… Multicolored sparks lit up the sky over Nice on the evening of July 4, 1945. Ten days before the traditional Bastille Day festivities, the city was celebrating on the Baie des Anges. The war already seemed far away, even though fighting had continued into the spring near the Italian border. Food was still scarce, reconstruction was slow to begin and the atmosphere remained heavy with purges and calls for vengeance, just as they did across France. Though perhaps more intensely in Nice, a city that in 1940 had inherited the grim nickname "Eldest Daughter of the National Revolution" from Philippe Pétain. But on this night of July 4, as firecrackers echoed, the mood along the Promenade des Anglais was relaxed. The famous seaside boulevard had not regained its former glory. Mines still littered parts of the coast, swimming was not entirely safe and bunkers still lined the beach – sometimes disguised with fake shopfronts painted by the Germans. As a result, sea bathing was not really part of daily life for "long-established Niçois, who were generally not very receptive to this semi-Baudelairean invitation," read a column in La Liberté de Nice et du Sud-Est. So, no swimming for the people of Nice, but the entertainment was still plentiful. One year after the city's liberation, on August 28, 1944, audiences at the Paris-Palace cinema applauded Charlie Chaplin's masterpiece The Great Dictator – "remarkable in every respect," according to one local critic. Next to the Rationing section, newspapers listed daily "Feasts and banquets." Bars and dance halls regained their clientele and enjoyed certain privileges that were not universally appreciated: "Since the Liberation, they have invested several tens of millions to renovate their establishments. (...) It seems to us that raw materials should go not to places of pleasure, but rather to schools, hospitals and workers' housing," lamented La Liberté de Nice et du Sud-Est.


Local France
19 hours ago
- Local France
France museum-goer eats million dollar banana taped to wall
Italian artist Maurizio Cattelan -- whose provocative creation entitled "Comedian" was bought for $6.2 million in New York last year -- said he was disappointed the person did not also eat the skin and the tape. After the hungry visitor struck on Saturday last week, "security staff rapidly and calmly intervened," the Pompidou-Metz museum in eastern France said. The work was "reinstalled within minutes", it added. "As the fruit is perishable, it is regularly replaced according to instructions from the artist." Cattelan noted the banana-eater had "confused the fruit for the work of art". "Instead of eating the banana with its skin and duct tape, the visitor just consumed the fruit," he said. Cattelan's edible creation has sparked controversy ever since it made its debut at the 2019 Art Basel show in Miami Beach. He has explained the banana work as a commentary on the art market, which he has criticised in the past for being speculative and failing to help artists. The New York Post said the asking price of $120,000 for "Comedian" in 2019 was evidence that the market was "bananas" and the art world had "gone mad". It has been eaten before. Advertisement Performance artist David Datuna ate "Comedian" in 2019, saying he felt "hungry" while inspecting it at the Miami show. Chinese-born crypto founder Justin Sun last year forked out $6.2 million for the work, then ate it in front of cameras. As well as his banana work, Cattelan is also known for producing an 18-carat, fully functioning gold toilet called "America" that was offered to Donald Trump during his first term in the White House. A British court in March found two men guilty of stealing it during an exhibition in 2020 in the United Kingdom, from an 18th-century stately home that was the birthplace of wartime prime minister Winston Churchill. It was split up into parts and none of the gold was ever recovered.

LeMonde
a day ago
- LeMonde
Museum-goer eats million-dollar banana taped to wall
A visitor to a French museum bit into a fresh banana worth millions of dollars taped to a wall last week, exhibitors said on Friday, July 18, in the latest such consumption of the conceptual artwork. After the hungry visitor struck on Saturday last week, "security staff rapidly and calmly intervened," the Pompidou-Metz museum in eastern France said. The work was "reinstalled within minutes," it added. "As the fruit is perishable, it is regularly replaced according to instructions from the artist." Italian artist Maurizio Cattelan – whose provocative creation entitled "Comedian" was bought for $6.2 million in New York last year – said he was disappointed the person did not also eat the skin and the tape. Cattelan noted the banana-eater had "confused the fruit for the work of art." "Instead of eating the banana with its skin and duct tape, the visitor just consumed the fruit," he said. Cattelan's edible creation has sparked controversy ever since it made its debut at the 2019 Art Basel show in Miami Beach. He has explained the banana work as a commentary on the art market, which he has criticized in the past for being speculative and failing to help artists. It has been eaten before. Performance artist David Datuna ate "Comedian" in 2019, saying he felt "hungry" while inspecting it at the Miami show. Chinese-born crypto founder Justin Sun last year forked out $6.2 million for the work, then ate it in front of cameras. As well as his banana work, Cattelan is also known for producing an 18-carat, fully functioning gold toilet called "America" that was offered to Donald Trump during his first term in the White House. A British court in March found two men guilty of stealing it during an exhibition in 2020 in the United Kingdom, from an 18 th -century stately home that was the birthplace of wartime prime minister Winston Churchill. It was split up into parts and none of the gold was ever recovered.