
Carla Zampatti runway launches new look Fashion Week
Not-for-profit peak body the Australian Fashion Council is running the event in 2025, having taken hold of the reins after long-time owners IMG pulled out in late 2024.
Sydney's week of high style kicked off Monday night with the Zampatti opening runway show at the Museum of Contemporary Art forecourt by the harbour.
The new collection marks 60 years since the Carla Zampatti label was founded in 1965.
An icon of the Australian fashion scene, Zampatti died in 2021 at the age of 78.
The brand returned to Fashion Week last year after a four-year break.
The Zampatti show is the first in a reduced schedule of runways, with the number of shows pared back by about a third on 2024.
But there's been no reduction in ambition: the stated aim of the event is to reconfirm Australia as a global leader in fashion, creativity and innovation.
That's against a backdrop of fast fashion and a cost-of-living crisis, when many designers choose to promote their collections via Instagram rather than expensive runway shows.
Still, labels making a return to Fashion Week include not only Zampatti, but also Aje, Romance Was Born, Gary Bigeni and Iordanes Spyridon Gogos.
During its two decades under IMG, the event shifted from targeting overseas buyers to attracting the general public, keen to see ready-to-wear collections available for instant purchase.
That division between industry and the merely fashion-enthused is still evident, with industry delegates invited to shows, and fashion pass holders able to access a public area called The Studio instead.
AFC Australian Fashion Week runs until Friday at Carriageworks in Redfern, Sydney.
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Courier-Mail
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- Courier-Mail
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The Age
an hour ago
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Described as Severance meets customer service centre, the performance piece is an invitation for anyone to air their frustrations, so long as they have direct experience and knowledge of the issue they are complaining about. López said the project was born out of an 'intense' legal housing situation in New York. 'I had to complain so much through city agencies and through a lawyer,' she explains. 'So I got interested in complaining and learning how to complain, and what makes a good complaint.' Kaechele is no stranger to complaints, and has welcomed criticism of her work, including during her legal dispute with Lau. 'He's the Ladies Lounge's Prince Charming. He kissed the work and brought it to life,' she says. 'If it wasn't for Jason Lau, the work would have had a much smaller life.' And if she's worried about how a feminist work might land in a once-detested destination teeming with hypermasculity, she certainly doesn't show it. 'It's the most uncomfortable piece I've ever done, [and] for the questioning visitor, there are many problematic layers,' Kaechele says. 'But a key part of the work, and maybe my favourite part, is that I really enjoy myself. I'm a hedonist, so I love going in, getting my feet massaged, looking at these handsome men, watching them strip down and having them serve me … it's truly beautiful and transformative.'