For Smriti Irani, Kyunki Saas Bhi Kabhi Bahu Is ‘A Shared Memory'
Smriti Irani, who became a household name as Tulsi Virani, shared, 'Kyunki Saas Bhi Kabhi Bahu Thi isn't just a show, it's a shared memory."
Some stories feel so personal, they reflect our own lives like a mirror. Exactly 25 years ago, Indian television experienced a turning point. On July 3, 2000, Kyunki Saas Bhi Kabhi Bahu Thi premiered, not just launching a mega-hit serial but sparking a cultural phenomenon that would shape generations to come.
Even after going off-air in 2008, the Ektaa Kapoor-produced show remains a household name and was remembered for its gripping drama, emotional arcs, and, of course, the unforgettable characters of Tulsi and Mihir. Starring Smriti Irani and Amar Upadhyay in the lead roles, the show not only ruled the TRP charts for years but also became a daily ritual for millions of Indian families.
As the show completes 25 glorious years, the buzz surrounding its potential return is already thrilling fans. And on this milestone, producer Ektaa Kapoor and lead stars Smriti Irani and Amar Upadhyay have come forward to reflect on the legacy that continues to shape Indian television.
In a heartfelt conversation with The Times of India, Smriti Irani, who became a household name as Tulsi Virani, shared, 'Kyunki Saas Bhi Kabhi Bahu Thi isn't just a show — it's a shared memory. For those who created it and the millions who embraced it, it was a story of families, faith and the fabric that binds us across generations. Twenty-five years later, it still lives in our hearts. My gratitude to those who made the journey possible."
Producer Ekta Kapoor, who created a revolution in Indian soap operas with the show, recalled, 'Kyunki Saas Bhi Kabhi Bahu Thi still lives in every beat of my heart. When we started, we never imagined Tulsi would become a family to millions. Even today, people remember the title track, the tears and the emotion it sparked. This milestone belongs to every writer, actor, crew member, and most of all, every viewer who made it a part of their lives. We didn't just make a show, we created a bond that still feels like a home."
Amar Upadhyay, who played the iconic role of Mihir Virani, spoke with equal emotion: 'Twenty-five years ago, we began a journey that was more than just a show-it was a mirror to a million households, a reflection of traditions, love, trials and the changing face of Indian families. Being part of Kyunki Saas Bhi Kabhi Bahu Thi wasn't just a role, it was a responsibility, a privilege and a turning point not just for me but for everyone who lived and breathed this world with us."
He added, 'Even today, when someone calls me 'Mihir,' there's a warmth and familiarity in it– like a long-lost family member greeting you after years. That's the kind of love you can't manufacture; it can only be lived."
The actor also shared a candid moment from their recent reunion that hints at the unchanged chemistry between the cast. Amar recalled with a smile, 'Smriti hasn't changed a bit. She looked at me and said, 'Tu buddha kab hoga?'" And this is a hint that the offscreen camaraderie between them is still the same, and that's what will make their return even stronger.
Addressing the growing excitement around the show's grand comeback, he shared, 'The love story between Tulsi and Mihir has only deepened. Our characters have evolved, and so have we."
As the whispers of Kyunki Saas Bhi Kabhi Bahu Thi returning to television grow louder, fans across all generations are holding on to hope to see the Virani family once again grace their screens. While key details of the comeback are still under wraps, speculations are rife: Will the entire Virani clan return? Will the story pick up from where it left off? Or will it offer a fresh take on the saga that once ruled living rooms across India?
First Published:
July 03, 2025, 19:21 IST
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
India Today
13 minutes ago
- India Today
The Hunt review: A bold, unflinching thriller digging deep into Rajiv Gandhi case
The assassination of former Indian Prime Minister Rajiv Gandhi in May 1991 leads to a high-profile investigation in 'The Hunt'. The Criminal Investigation Department (CBI) Director, DR Karthikeyan (Amit Sial), forms a Special Investigation Team (SIT) to probe the case. Based on Anirudhya Mitra's book '90 Days: The True Story of the Hunt for Rajiv Gandhi's Assassins', 'The Hunt' depicts Karthikeyan and his team's race against the political pressure, media scrutiny and national security concerns, the SIT team must track down the elusive mastermind, Sivarasan (Shafeeq Mustafa), responsible for the deadliest assassination in Indian history. Director Nagesh Kukunoor, who has also co-written the investigative-thriller alongside Rohit Banawalikar and Sriram Rajan, brings a riveting series on one of India's secret fight against in a while, storytellers dare to attempt brave, hard-hitting narratives about real-life events and grounded characters. At times, the story itself elevates the dramatisation of scenes while serving as an emotional anchor for the actors as they portray their characters. 'The Hunt' brings forth the unspoken historical truth of Indian politics unabashedly without indulging in conspiracy theories or political Banawalikar and Rajan compel the audiences to think with their well-woven characters and perfectly executed screenplay. The series is a masterclass in cinematic adaptations of documented facts about politically sensitive, unsettling efforts at narrating the politics and conspiracy behind Rajiv Gandhi's assassination as it happened is a landmark precedent for Indian filmmakers. Perhaps the best utilisation of digital platforms, devoid of censorship, is to take names of real individuals and unravel the truth, rather than suppressing it. However, what makes for a compelling watch is the sheer dedication of every single actor on board to the director and screenwriters' Shoojit Sircar and John Abraham attempted in 'Madras Cafe', laid the foundation for a much bolder cinematic adaptation which honours the soul of artistry, which is truth. It's the honesty in the script and the buried truth about a political injustice which empowers the actors to bring out intense emotions with subtle nuances.'The Hunt' brings out the human side of the characters without delving much into their personal lives. The creators and actors hit the bull's eye by getting into the psyche of their on-screen roles. The character of Karthikeyan, played by Sial, the righteous chief of the SIT team, bound by law, methodical and visionary, yet confined by the political ecosystem, is a reflection of every law-abiding citizen in a the CBI director's well-planned setup and a highly competent team of experts both in the field and at the desk job, one gets a glimpse of socio-political limitations on public as Karthikeyan, gives one of the most unique and impressive performances of his career, showcasing his versatility. He does a commendable job in portraying the vigilant mindset, calm demeanour, composure amid chaos and human sensitivity of a CBI show is especially meant for those who have invested enough time in getting into the truth behind the assassination of India's youngest political leader. The series has historical anecdotes in-store for investigative journalists and students of political science and brief yet crucial depiction of then-Indian Prime Minister Chandra Shekhar by actor Vishwajeet Pradhan is convincing and adds up to the political tension in the espionage-driven narrative. Pradhan embodies the PM's character in limited screen moments precisely as to responsibly reflect on the sanctity and integrity of the government's highest character of Deputy Inspector General (DIG), SIT, Amod Kanth, is yet another defining role in 'The Hunt'. Even though Sial as Karthikeyan leads the show, crime journalists, government officials and scholars are familiar with Kanth's relevance in high-profile political Iqbal as Kanth delves deeper into the personality of an investigative official linked to the most defining moments of Indian political history. Iqbal doesn't impersonate the body language of Kanth, but gets into the mindset of the character. The actor reveals true chameleon traits in his acting prowess as he is unrecognisable throughout the this high-stakes, documentary-themed series, the audiences also get certain light-hearted moments, which go down well with the accuracy of cultural references. The conspirators and suspects are huge Rajinikanth fans, smitten by the larger-than-life swagger, while imitating the signature cigarette style of the mysterious and vicious Sivasaran's parallels to Marlan Brando's 'One-Eyed Jack '(1961), serves well as a pop-culture anecdote in a rather serious setup. Mustafa brings a lot of weight and believability to Sivasaran's cunningness and commitment to a violent viewers get a glimpse of human follies, led by misguided, divisive politics, promoting hate and discrimination. Sivasaran and Nalini are the embodiment of insensitive and cruel individuals. Anjana Balaji amicably adapts the cold-blooded traits and rage within Nalini. The performances and characters justify the narrative with the utmost conviction.'The Hunt' also gives a subtle contrast between good and evil without judging the characters. Sub-Inspector Anusuya (Snehal Shrivastava) and Dhanu (Shrutie Jayan) are the two repelling forces of human thought process. The former diligently takes accountability for her actions and defends humanity; the latter lacks empathy, blinded by hatred. Shrivastava and Jayan in their brief roles, are able to deliver the best of their artistry. The varying aspects of human emotions and ideologies are well presented in this investigative Vaid, Bhagavathi Perumal, Girish Sharma, Vidyut Garg, Anjana Balaji, B Sai Dinesh and Gouri Menon have also given noteworthy performances. 'The Hunt' is explosive and fearlessly names controversial political figures. Kukunoor, known for his raw characterisation and transparent revelation of realities, once again defies creative censorship. The director, who earlier disrupted cinema with 'Rockford', 'Hyderabad Blues', 'Iqbal' and 'Lakshmi', is uninhibited while documenting a former PM's show is a testament to the fact that filmmaking goes beyond entertainment and has a vital role to play in social consciousness. Such stories break the Western notion of Indian cinema meant for amusement, similar to the land of snake-charmers stereotype. Banawalikar and Rajan also make the effort to introduce audiences to India's diplomatic the Kukunoor-directorial maintains pace, in most of the parts, the investigation and Sivasaran's conspiring scenes become slightly longer and redundant to the viewers. However, the minute detailing of the time period in terms of costumes, set design and mannerisms makes up for the cinema to be a force to reckon with as soft-power, it is pivotal to be honest and genuine with historical events instead of hiding or neglecting them. While OTT has definitely liberated the storytellers in terms of intense and powerful cinema, there is also a need for well-intended artistry rather than politically influenced propaganda.'The Hunt' doesn't dehumanise or demean any individual, community or group even though it refrains from changing real names. However, the actions and events in the series are a byproduct of the circumstances and human conditioning. The well-crafted narrative leaves no room for the audience to judge the show is meant for all media professionals, academicians and those inquisitive about politically sensitive events. It also needs to be on the binge-watch list of individuals seeking the truth about India as concerned citizens.'The Hunt' provokes and shakes up your conscience by unravelling the harsh socio-political realities. It uncovers the challenges government officials go through in matters relating to national security. The show also makes one question about the disconnect of citizens from the external and internal threats linked to national unity and an enriching and engaging cinematic experience, the series has everything expected from a perfectly executed investigative-thriller with well-woven characters.'The Hunt' is streaming on SonyLIV.- Ends4 out of 5 stars for 'The Hunt'.Must Watch
News18
15 minutes ago
- News18
Taarak Mehta Ka Ooltah Chashmah Rules TRP Chart Amid Dilip Joshi, Munmun Dutta's Exit Rumours
Last Updated: TMKOC is followed by Yeh Rishta Kya Kehlata Hai, whereas Rupali Ganguly's Anupamaa has slipped to the third spot on the TRP list this week. For the second week in a row, Taarak Mehta Ka Ooltah Chashmah has managed to top the TRP chart. Reportedly, the current track has managed to impress the audience and therefore, for the second consecutive week, TMKOC is in the first spot of the TRP chart. It is followed by Yeh Rishta Kya Kehlata Hai, whereas Rupali Ganguly's Anupamaa has slipped to the third spot this week. On the fourth spot is Kanwar Dhillon and Neha Harsora starrer Udne Ki Aasha. It is followed by Laughter Chefs 2, which is now heading for its season finale. Interestingly, this comes days after rumours of Dilip Joshi and Munmun Dutta's exit from TMKOC made headlines. It all started after fans noticed that Jethalal and Babita Ji had been missing from the 'Bhootni' plot for a long time. All the members of the Gokuldham society were on vacation in a haunted bungalow. While other characters like Bapu ji, Popatlal, Sodhi and others joined Taarak Mehta and Anjali on this vacation, Jethalal and Babita Ji were missing in action. This left everyone wondering if Dilip Joshi and Munmun Dutta were planning to quit the show. However, the show's maker, Asit Kumarr Modi, later issued a statement and clarified that Dilip Joshi and Munmun Dutta were still a part of his popular sitcom. 'As you know, social media these days has become so negative that you should try to keep a positive mindset. And Taarak Mehta Ka Ooltah Chashmah is a completely positive show. It's a family show that spreads happiness. So some people should think positively about it. It's not right to spread rumours over small things or say anything inappropriate. That's not a good thing," he told Money Control. Explaining why the two actors have been absent from the recent episodes, Asit added, 'Lekin kuch nahi hai, sab log hamari team ka part hai. Kuch unke personal reasons the to us time nahi the. To aise koi baat nahi hai." (But there's nothing like that, everyone is part of our team. They were not present at that time due to some personal reasons. So, there's no such issue.) First Published:
India.com
17 minutes ago
- India.com
Kaun Banega Crorepati Completes 25 Years , A Show That Boosted Amitabh Bachchans Stardom
Mumbai: Bollywood legend Amitabh Bachchan, who was recently seen in the Tamil film 'Vettaiyan', is celebrating 25 years of his iconic television show 'Kaun Banega Crorepati'. On Thursday, the veteran megastar took to his Instagram, and shared a post for the show. However, his choice of picture was something that didn't sit well with the post. The AI-generated picture was far from the show or its theme. The actor nevertheless wrote in the caption, 'Today 3rd July , 2025 , as I work on this years season KBC prep, I am told by the KBC team - 3rd July 2000, the first broadcast of KBC happened .. 25 years , the life of KBC (sic)'. 'Kaun Banega Crorepati' is one of India's most iconic television shows. It is also responsible for reviving the career of Big B, who back in time was facing a severe financial crunch. During the late 1990s, Big B's production house, Amitabh Bachchan Corporation (AB Corp) had gone belly up, given its overly corporate approach in times when the industry followed a very traditional way of making movies. In a bid to pay off the creditors, Big B took to the medium of television with 'KBC' in 2000. Suddenly, a megastar, who earlier was only accessible on the silver screen, reached millions of Indian households through television. With the strength of a new medium by his side, Big B not just booked the primetime of India for himself but also made a place in the heart of every Indian family. The Indian audience gave an overwhelming response to Big B in 'Kaun Banega Crorepati' which is based on the UK show 'Who Wants to Be a Millionaire?' The show was also hosted by Bollywood megastar Shah Rukh Khan for one of its seasons but it didn't get as much a good response from the audience compared to Big B's stint.
