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Smoke Episode 8 Preview: Release Date, Time & Where To Watch

Smoke Episode 8 Preview: Release Date, Time & Where To Watch

The Review Geek3 days ago
Smoke
Smoke is a gritty crime drama set in the rain-soaked forests of the Pacific Northwest. Taron Egerton plays Dave Gudsen, an arson investigator with a haunted past and a flair for storytelling. He's working on a novel, but it's the fires that won't leave him alone.
Alongside him though is Michelle Calderone (Jurnee Smollett) who plays a sharp, no-nonsense detective and ex-Marine who doesn't tolerate ego or excuses.
Together, they're pulled into a string of escalating fires that point to not just one—but two serial arsonists. As the pair dig deeper, personal baggage starts to surface.
If you've been following this one, you may be curious to find out when the next episode is releasing. Well, wonder no more!
Here is everything you need to know about Smoke Episode 8, including its release date, time and where you can watch this.
Where Can I Watch Smoke?
Smoke is available to stream on Apple TV+. This is an exclusive original series, meaning this is the only place you're going to be able to watch this show. However, now that Apple is available as an extension on Amazon Prime Video, you can also get a subscription to Apple TV+ that way too!
Smoke Episode 8 Release Date
Smoke episode 8 will release on Friday 8th August at approximately 12am (ET/PT) / 5am (GMT). Of course, it's really dependent on how quickly Apple upload new episodes. Expect this to be pretty close to the release time though.
Smoke episode 8 is also available with subtitles from release, with the chapters scheduled to clock in at around 53 minutes long.
How Many Episodes Will Smoke Have?
Season 1 of Smoke is scheduled for 9 episodes, so we've got 1 more episode to go after this one. Expect the story to continue developing, with plenty of drama still to come!
Is There A Trailer For Smoke?
There is indeed! You can find a trailer for Smoke Season 1 below:
What do you hope to see as the series progresses? What's been your favourite moment of Smoke so far? Let us know in the comments below!
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Inside the downfall of Bobbi Althoff as viral sensation quits her podcast following divorce drama and backlash
Inside the downfall of Bobbi Althoff as viral sensation quits her podcast following divorce drama and backlash

Daily Mail​

time31 minutes ago

  • Daily Mail​

Inside the downfall of Bobbi Althoff as viral sensation quits her podcast following divorce drama and backlash

She's the monotone momfluencer who became an internet sensation thanks to her awkward interviews with rap royalty. But now, Bobbi Althoff's brand of blasé humor may have finally run its course. Last week, the 27-year-old announced the end of her once-popular podcast, The Really Good Podcast. 'I didn't know I'd fall off as quickly as I did. To be honest, I did think this was going to last a bit longer,' she admitted in the final episode. 'But nevertheless, it lasted a minute and I'm proud of the accomplishments I had and I'm pretty sad that it has to end like this but it's okay.' It comes just over two years after Althoff's deadpan interview with Drake turned her into one of the biggest stars on the internet. The interview, which was released in July 2023, racked up close to 10 million views in just one month and turned the mom-of-two into social media's most viral comedian. Interviews with Mark Cuban, Offset, Scarlett Johansson, Shaquille O'Neal soon followed, as well as lucrative brand deals and a spot on Forbes' 30 Under 30 list. However, Bobbi's rise to fame has been far from smooth sailing, with the influencer sparking waves of backlash almost immediately after her breakout moment. The first hiccup was a public falling out with Drake, which led to their viral episode being wiped from Althoff's channel. The pair unfollowed each other on social media and in 2024 Althoff was allegedly removed from the rapper's after party at the South by Southwest festival in Texas. Around the same time, she was accused by critics of being an 'industry plant,' due to the fact that she'd been able to start booking A-list guests on her podcast so soon. Althoff jokingly confirmed to Keke Palmer that she was an industry plant in a podcast interview last year, and has also made light of the accusations on TikTok before. Her personal life then took a serious hit in February 2024 when her husband Cory filed for divorce after four years of marriage, citing irreconcilable differences. He listed their official separation date as July, 2023, which aligned with the timing of her viral Drake interview. The split led to the star being trolled on social media, which she addressed in a fiery post last year. 'Do you really believe that it was my dream in life to be a divorced mom of two kids by 25? Obviously not,' she wrote. 'I'm obviously insecure about it and wish things played out differently in my life. But that's life, things don't always end up how we expect them to.' Around the same time, she was seen partying in a Nashville nightclub with comedian Ben Da Donnn, just moments before being carried out slumped over the shoulder of an NFL star. 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Man Ray and Max Dupain surrealism
Man Ray and Max Dupain surrealism

The Guardian

time31 minutes ago

  • The Guardian

Man Ray and Max Dupain surrealism

Max Dupain made a swift transition from pictorialism to modernist values in his photography in the mid-1930s. Light, pattern and relationship became more important to his work, as did cropping, framing and technical experimentation. His use of solarisation and photomontage in Homage to Man Ray synthesises a curious but compelling image that hovers between reality and otherworldliness. Photograph: Max Dupain Eyes are a key motif in surrealist iconography as a symbol of inner vision and Man Ray believed they 'give forth an image of invisible thought'. While Glass Tears has the stylised, melodramatic appearance of a still from a silent film, the image poses questions of permanence and transience and the sentimentality of human sorrow. Photograph: Man Ray Max Dupain was drawn to notions of the known and unseen and the way that portraiture could be a vehicle for both exposure and discretion. His portrayal of art critic Leon Gellert invites speculation on the opportunistic nature of the photographic portrait and the studied nature of its sculptural equivalent. Photograph: Max Dupain Man Ray maintained that it was through the gaze of the old masters that he understood how to portray people: 'they knew drawing, perspective, staging … I admired the respect with which they reproduced the proportions of human features'. Yet Man Ray's own contribution to the genre was his willingness to set the model free from traditional representation and play with the effects of light and imagination—to imbue a sense of poetry or mystery. Photograph: Man Ray The advancements of 'new photography' presented Max Dupain with an 'exciting array of options' for his practice, both technical and attitudinal. He experimented widely with its favoured techniques, but also with transposing imagery to create pictures that transcended the rational and everyday, as seen in this photomontage. Photograph: Max Dupain The 1920s and 30s saw a significant shift for photography across the globe as artists pioneered new ways of looking through the viewfinder and exaggerated formal relationships, fragmented imagery, and relied less on narrative or naturalism. The cropped hand of this image, disassociated from its body or any graspable context, at once recalls the incompleteness of a broken classical sculpture and the surreality of a dream. Photograph: Man Ray In 1922 Man Ray published an album of 12 plates featuring a 'new procedure' he called 'rayography'. It involved placing objects on top of photosensitive paper and then exposing the paper to light very briefly in the darkroom. The white and paler areas of the print are where the objects rested, the darkest being the areas of space around them, creating an inverse image. Photograph: Man Ray Max Dupain's investigations with camera-less photography honored Man Ray's—he even titled several of his prints 'rayographs'—but he also investigated extensions of the method by bringing figurative imagery into the photogram's abstract field, and further exploring ambiguous scale and depth. Photograph: Max Dupain Max Dupain was one of the first Australian artists to take a serious interest in Surrealism. Shattered Intimacy adopts three revered surrealist tropes: the motif of the displaced classical figure — here a miniature replica of Discobolus — the discordant tableaux of unconnected objects, and the mysterious possibilities of unnatural lighting effects. The result is a glimpse into an alternative dimension. Photograph: Max Dupain

Stephen Colbert: ‘What you thought you knew is just history'
Stephen Colbert: ‘What you thought you knew is just history'

The Guardian

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