logo
17 Times Someone Took A Picture Of Something So Deeply Terrifying It Probably Sent Them Into Another Dimension

17 Times Someone Took A Picture Of Something So Deeply Terrifying It Probably Sent Them Into Another Dimension

Yahoo3 hours ago
Howdy, folks. I hate to inform you that it's time for another roundup of the most grotesque, creepiest, and skin-crawliest images that r/oddlyterrifying and r/Weird have to offer. Here we go:
1."I used to read gas meters. Some were in basements. This was in the basement of a museum, the only thing down there besides junk":
—redgr812
2."Abandoned kayak. Secluded lake":
—Sad_Doughnut9806
Related:
3."This display at a port recently":
—helpIcandrawfurries
4."My brother is in Berlin for a few days, and this woman is on the wall in multiple rooms of his hotel":
—ate50eggs
5."This dog with a pinecone":
—bubbleweed
6."Panda chair at local thrift store":
—Sherylize
Related:
7."This seed pod":
—prampsler
8."My aunt went away on a business trip — only to find this freakish nun figurine INSIDE of her fireplace":
—cheekyleaf
9."Great grandfather's home dentist setup":
—AYO416
Related:
10."Deer skull cross outside my town":
Far-Development-6970 / Via reddit.com
—Far-Development-6970
11."Sat on beanbag stuffing. The result is horrifying":
—ussy-dictionary
12."Found this on my phone":
—SwiftD6
13."Playground structure or child prison?":
—mcparksky
14."Someone marked my car with mustard packets...":
—xoitsharperox
Related:
15."I found this red target in my basement":
—SnooBananas6894
16."I can grab things backwards. A lot of people did not like this":
—ace_inthe_hole
17.And finally, "My attempt at a meat baby":
machoflacodecuyagua / Via reddit.com
Which one will you see when you close your eyes tonight? LMK in the comments.
Also in Internet Finds:
Also in Internet Finds:
Also in Internet Finds:
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Lotus to join show of F1 championship winning cars
Lotus to join show of F1 championship winning cars

Yahoo

time22 minutes ago

  • Yahoo

Lotus to join show of F1 championship winning cars

A "legendary" Formula 1 team will showcase some of its former world championship winning race cars at a motorsport festival, organisers said. The Silverstone Festival in Northamptonshire, due to be held over the August bank holiday weekend, has announced four cars from the former Norfolk-based Team Lotus will be part of display featuring F1 cars raced by all 34 of the sport's world champions. The showcase is part of a special celebration to mark the 75th anniversary of the Formula 1 World Championship. Nick Wigley, the event's director, said the display was an "ambitious challenge that no one has ever attempted before". He said: "Now, the star-studded collection is not only nearly complete, but it also features an incredible number of title-winning cars. McLaren, Mercedes, Red Bull, and Williams have already confirmed their support for the showcase, contributing title-winning cars driven by illustrious champions including Ayrton Senna, Nigel Mansell, Fernando Alonso, Sir Lewis Hamilton and Max Verstappen. Team Lotus was founded by Colin Chapman and recorded its first F1 entry in 1958. Based at Hethel, near Norwich, the team counted world champions Jim Clark, Jochen Rindt, Emerson Fittipaldi, and Mario Andretti among its drivers. British driver Clark was intrinsically linked with Team Lotus in its formative years, winning titles in 1963 and 1965 and the "iconic" Lotus 25/R4 in which he won his first crown will join the display, alongside those driven by Rindt, Fittipaldi and Andretti. The festival will also feature performances from Natasha Bedingfield and Craig David presents TS5. The Silverstone Festival runs from 22-24 August. Follow Northamptonshire news on BBC Sounds, Facebook, Instagram and X. More on this story Festival to showcase biggest display of Senna cars Related internet links Formula 1

'28 Years Later' Is Now Streaming. Is It as Good as the Original?
'28 Years Later' Is Now Streaming. Is It as Good as the Original?

Yahoo

timean hour ago

  • Yahoo

'28 Years Later' Is Now Streaming. Is It as Good as the Original?

Upon its release in 2003, Danny Boyle's 28 Days Later instantly and forever rewrote the rules of the zombie genre. After decades of lumbering undead, Boyle introduced us to the fast-moving zombies that would soon proliferate in Zack Snyder's remake of Dawn of the Dead (2004), The Walking Dead, World War Z, and countless less worthy imitators. (Boyle's monsters are technically 'the infected' rather than zombies, having been afflicted with a bloodthirsty rage virus.) Twenty-two years after his first film, which was followed by 2007's unofficial, C-grade sequel 28 Weeks Later, Boyle and original screenwriter Alex Garland are back with 28 Years Later. It's the first in a planned trilogy of films, the second installment of which is set to hit cinemas in January. So, how does this late-era sequel stack up to Boyle's singular original? Can the filmmaker, once again, rewrite the rules of the genre? Nominally, 28 Years Later follows the same structure and formula as the original, though with some small but effective tweaks. In the years since the virus originally spread, the infection has been eradicated from Europe and much of Britain. Only a small pocket of the Scottish Highlands remains quarantined, in which thrives a community which has managed to stay clear of the infected. Twelve-year-old Spike (newcomer Alfie Williams) is one of the village's youngest members. The opening passage of the film finds him embarking, along with his father Jamie (Aaron Taylor-Johnson), upon his first trip out of the community and onto 'the mainland,' where the infected still run amok. Though younger than most who trek to the mainland, Jamie is bullish that Spike notch his first kill and, effectively, enter into manhood. The opening passage chronicling Spike and Jamie's journey is a breathlessly paced sequence featuring more zombie action than an entire season of The Walking Dead and at least five white-knuckle moments of unadulterated suspense and fear. Can you remember the last time a horror movie actually made you care about its characters so much that you were hiding behind your hands and humming, 'Oh no, oh no, oh no…'? There are roughly three films' worth of those moments in 28 Years Later, each sweatier than the last. But then, about 40 minutes into the picture, Boyle and Garland pivot the narrative and effectively switch genres, with Spike's ailing mother (an awards-worthy Jodie Comer) taking center stage. Chances are you're aware of this twist, because it's provoked a certain amount of disagreement amongst audience members, but we won't spoil it here if you've managed to avoid it up until now. There's no point in being coy: 28 Years Later is a masterpiece. It's not only the best movie of the summer by a country mile, but one of this year's very finest films. In a season where the major releases have teetered between pleasantly all right and totally joyless, few of them possessing even the slightest hint of originality or risk, it's a pulsating thrill to see a summer blockbuster which functions as a proper, old-fashioned great movie. This is a picture made with great skill and care, but at this point, we should expect that from Danny Boyle. The Oscar-winning British filmmaker of Trainspotting (1996) and Slumdog Millionaire (2008) has never made a boring movie, and he seems to grow more confident with age. He's the consummate filmmaker, one who has remained throughout his career rooted in arthouse, European, and American popcorn influences in equal measure. His films consistently reflect a thrilling the movie functions as a breakneck adventure, an emotional family drama, and a teen coming-of-age story without the disparate genres ever betraying or overtaking each other. Just when you think the movie is settling down, Boyle gives us a naked 'Alpha' zombie (with one notable, swinging appendage) ripping the spines from some unlucky army cadets, or a completely over-the-top zombie baby birthing scene. This is a terrifically weird movie, one of Boyle's most brazenly experimental in years, but its weirdness is also one of its greatest attributes and largely why the whole thing works so effortlessly. Surprisingly, this bears a strong resemblance to Boyle's equally odd and rapturous Millions (2005), a crime caper/domestic drama/religious allegory aimed at a pre-teen audience which is as peculiar as it is beautiful. Garland and Boyle indulge some surprisingly dark horror, but they also aren't afraid to challenge their audience. (What a delight!) The chemistry between Williams and Comer, both of whom give scorching performances, is estimable. Comer, in a precarious balance act, is at once heartbreaking and fearsomely formidable. The final passage, which sees the introduction of a Kurtz-like doctor played by Ralph Fiennes, is vibrantly, unexpectedly affecting. It's also so ghoulish that it verges on very black comedy. Knowing Boyle, that's probably exactly what he intended. Jon Harris' inspired, deeply unsettling editing adds immeasurably to the nightmarish atmosphere, while Anthony Dod Mantle brings a nail-biting immediacy to each scene (the film was shot partially on iPhones). Most notable is the brilliant, unexpected score from Scottish hip-hop group Young Fathers. Their work brings to the film an epically ethereal quality which fits the material like a glove. It's an uncommon type of score for a thriller, but it works beautifully and is one of the best cinematic compositions of this year. With 28 Years Later, Boyle has delivered a perfect follow-up to his original. (The events of the dismal 28 Weeks Later, with which Boyle had little creative involvement, are ignored here.) 28 Days Later, which was being shot when the September 11 attacks occurred, uncannily and perhaps accidentally reflected the world's collective confusion and horror at the time of its release. Years is a much more positive and redemptive film, though it's just as savage in its evisceration of modern social maladies. As much as it's a down-and-dirty horror picture, 28 Years Later functions as a rather heartbreaking rebuke to isolationism and the power of fear. It's a pure Danny Boyle film, one which is entertaining and horrifying and thrilling and, above all, big-hearted. It's a movie which deserves to be seen by all, even those who might not normally watch horror films, so powerful is its construction and impact. Where can I watch 28 Years Later?'28 Years Later' Is Now Streaming. Is It as Good as the Original? first appeared on Men's Journal on Jul 30, 2025 Solve the daily Crossword

THE LIBRARIANS: THE NEXT CHAPTER Season Finale Recap: (S01E12) And the Unfinished Business
THE LIBRARIANS: THE NEXT CHAPTER Season Finale Recap: (S01E12) And the Unfinished Business

Geek Girl Authority

timean hour ago

  • Geek Girl Authority

THE LIBRARIANS: THE NEXT CHAPTER Season Finale Recap: (S01E12) And the Unfinished Business

The first season of The Librarians: The Next Chapter has been an exhilarating, fantastical ride, culminating with its most ambitious adventure yet in its season finale, 'And the Unfinished Business.' As foreshadowed in the previous episode, Gregor (Adnan Haskovic) is back and more dangerous than ever. RELATED: Catch up with our recap of the penultimate The Librarians: The Next Chapter episode of the season, 'And the Graffiti of the Gods' Finales are held to a higher standard than regular episodes. They must provide a satisfying conclusion to the season's long arc narrative, demonstrate characters' growth, highlight how relationships have deepened, and provide a tantalizing lure for future hijinks. On every point, The Librarians: The Next Chapter 'And the Unfinished Business' delivers. Gold star, friends. The goldest. Image Credit: Aleksandar Letic/TNT The Librarians: The Next Chapter, 'And the Unfinished Business' Vikram runs through Belgrade to the rock-covered entry of the tomb, where he prevented Gregor from acquiring The Sword of Mars in 1847. With a crystal and a tuning fork, he magically opens the entryway. Inside, he finds the tomb empty and the sword gone. On the ground, he finds a guitar pick with the logo of Gregor's Hammer. In the Annex, Connor and Lysa prepare to leave. The six months Jacob Stone gave them to help Vikram contain the magic he released into the world are over. Mrs. A. explains that the Main Library will absorb the Belgrade Annex. Charlie brings her equipment in to pack for the barracks. Connor shares that he got a teaching job, but he's not allowed to mention magic on the job. RELATED: TV Review: The Librarians: The Next Chapter Season 1 Jacob Stone (Christian Kane) arrives via magic door. He congratulates them on a job well done. He thanks them and gives them each a first-class plane ticket. Vikram bursts in to tell them there's some unfinished business. Before he can explain, the pendulum goes nuts, then explodes. They all rush to the table, identifying the map as Caucasylvia and the location of the magical event as the Capitol Building. Despite Jacob's protests, the team activates the magic door and leaves. He follows. Image Credit: Aleksandar Letic/TNT Gregor the Conqueror In the Caucasylvian Capitol Building, the President addresses the government and announces that he is stepping down. He presents the new leader, General Bogdan Gregor. Gregor enters, wearing the Sword of Mars at his waist. When he turns to face the room, he grips the hilt, magic swirls around him, and his eyes glow with it. Jacob glares at Vikram. Vikram admits that this is the unfinished business he mentioned. Back at the Annex, they debrief the situation. The Sword of Mars makes the wielder unbeatable in battle. Mrs. A. cuts through the squabbling to point out that Gregor's got the sword, making him incredibly dangerous. In Caucasylvia, Gregor, escorted by his heavy metal band/sorcerers brigade, returns to his chambers where he stores the sword in a magical safe. He turns to his top minions and directs them to organize a meeting where he can address the world's leaders. RELATED: Dean Devlin Dishes on The Librarians: The Next Chapter 's Magical Homecoming At the Annex, Lysa wonders why Attila the Hun's tomb was empty. Jacob explains that when the sword's wielder is defeated, they are assimilated, body and soul, into the sword, increasing its power. As the team tries to puzzle out why Caucasylvia is so important to Gregor's plan, Jacob's phone rings. DOSA (The Department of Statistical Anomalies) requests that he report to the U.N. immediately. The team argues that he should let them help on this mission. He agrees to let Vikram and Charlie come with him and directs Lysa and Connor to start researching anything that might help beat Gregor. New York City When Jacob, Vikram, and Charlie arrive at the UN, Janis Copeland (Monica Lacy) immediately briefs them. Defence systems around the world have stopped working. In the main room, Gregor appears on the screen and tells them that while they are all defenceless, Caucasylvia has long-range nuclear missiles. He gives them 12 hours to surrender and swear fealty to him. If they don't, he'll hit their major cities with the missiles. The team breaks into the Caucasylvia Palace using the magic door, with Jacob in the lead. They have under 11 hours to get the sword away from Gregor and into the Library. In a nearby hall, Gregor berates the event organizers, insisting on black roses with lots of thorns as decor. He's not wearing the sword. Lysa whips out her magic detector app. Jacob's impressed with how she scienced the magic, commenting how Cassandra would love that. He sends Lysa, Connor, and Vikram to find the sword. He and Charlie will keep an eye on Gregor. Image Credit: Aleksandar Letic/TNT Vikram distracts two staff members while Lysa and Connor sneak up behind them and knock them out with chloroform. They steal the uniforms. In the event hall, Jacob and Charlie watch as Gregor demands his new flag be unfurled and to begin the wine tasting. RELATED: 5 Great Books About Libraries and Librarians Lysa's app leads her, Connor, and Vikram to the guarded doors to Gregor's chambers. Lysa tricks the guard into going in. When he opens the door, they glimpse the safe inside. The staff they stole the uniforms from raise an alarm, and they must run. Meanwhile, Jacob and Charlie overhear Gregor's plan to fire his nuclear weapons after that evening's ball, even if the countries surrender. Before they can go, a security guard challenges them. Jacob's Librarian intro doesn't work on him, and Charlie throat-punches him so they can escape. Things Get Worse Jacob gets another call from Copeland when the team returns to the Annex. He has to meet her alone. Charlie reminds him he has to tell her what Gregor plans to do. Jacob directs the team to find a solution. Image Credit: Aleksandar Letic/TNT Connor and Mrs. A. find some information on how wielders of The Sword of Mars were defeated. In each instance, the wielder was 'defeated by love.' Vikram realizes they need Lysa to masquerade as Anya and convince Gregor so the sword won't recognize her as an attack. While Charlie works making Lysa look like Anya, Vikram insists she adopt a cultured accent and tone to impersonate Anya. When he sees her, he's dumbstruck by the resemblance. Lysa has second thoughts, and Vikram reassures her that the plan will work. He reviews Anya's personality traits in detail. RELATED: On Location: The Belgrade Fortress on The Librarians: The Next Chapter When Jacob finds Copeland, she tells him he needs to shut down the Library before Gregor can get in and take all the magical items he wants. Jacob protests that they don't give up like that. Copeland insists they're out of time, and he should protect the Library while he can. Anya Besson Lysa arrives at Gregor's ball. Connor and Charlie are planted in the crowd while Vikram watches from overhead. Using in-ear communication devices, he plans to coach her through her subterfuge. She approaches Gregor, who can't believe she's real. They dance. Gregor interrogates her. When she claims Vikram brought her through time using magic, he calls her bluff, stating he saw her weeks ago through the scrying glass and she wasn't Anya then. Vikram tells her to tell Gregor that she was bewitched into believing she was someone else. As she spins the tale, Gregor pulls her close, and she picks his pocket for the key to the safe. Connor breezes by and takes it from her. Connor, Charlie, and Vikram break into Gregor's chambers through an air vent (à la Leverage: Redemption 's Parker). When they try to use the key, the lock sparks. They realize the sword's defences are only down for the object of the wielder's love. Vikram lets Lysa know. RELATED: Read our Leverage: Redemption recaps In the hall, Gregor leaves Lysa on the dance floor. Charlie gives her back the key and tells her she needs to get Gregor to open the safe. Lysa's terrified, but Charlie reminds her that she's Lysa's Guardian as well. Gregor returns and hands Lysa a glass, declaring it Anya's favorite drink. He waits for her to identify it. Vikram panics. He has no idea what Anya's favorite drink was. Lysa takes a sip and identifies sugar, bitters, cognac, and absinthe. It's a Sazerac. Gregor is ecstatic and truly believes she is Anya now. When Vikram asks how she knew over the coms, Lysa says it's a family recipe that her grandmother used to make at Christmas. Gregor sweeps her up in his embrace. As they stroll away, she gets him to brag about having The Sword of Mars. She refuses to believe him, accusing him of teasing her. When he insists he does, she tells him she must see it with her own eyes. He agrees. Sword in Hand In his chambers, Gregor opens the safe and presents Lysa with The Sword of Mars. She convinces him to let her hold it and then asks him to close his eyes for a surprise. Expecting a kiss, he closes his eyes. She slips out of the room where Charlie and Connor knock out the guards and jam the door. Lysa runs for the magic door. Inside, Gregor realizes the sword is gone, and he's trapped. The team is blocked from the magic door by a group of Gregor's security. Gregor's guards unblock the door. He comes out and calls for the sword, which flies into his hand. He sees Vikram and gloats, ordering the team arrested with plans to hang them for treason. Vikram challenges him, calling Gregor a coward. RELATED: Olivia Morris Shares How The Librarians: The Next Chapter Hooked Her From Page One Gregor waves off the men holding Vikram and accepts Vikram's challenge. Vikram approaches him, unsheathing the sword in his walking stick. They duel. The Sword of Mars snaps Vikram's blade. Vikram continues to battle, but Gregor destroys his weapon completely. Before he can strike a final blow, Jacob steps out of the magic door and interrupts, stating it doesn't seem like a fair fight. He calls for Cal and tells Vikram to whistle to call the sword to him. Gregor realizes Cal is Excalibur with shock. A Fair Fight Armed with Excalibur, Vikram prepares to face Gregor again. The duel begins again in earnest. As Vikram draws Gregor down a stairwell, Mrs. A. arrives, and the team dispatches the guards. The duel moves into the ballroom, scattering guests. Gregor's still feeling triumphant until Vikram reveals that he and the real Anya were in love. Gregor loses his focus as Vikram describes the power of their love for each other, and Vikram disarms him. With Vikram's blade at his throat, Gregor asks if he'll strike the killing blow. Vikram puts his sword down and reminds Gregor that The Sword of Mars consumes its wielder once they're defeated. Magic emerges from the sword on the ground and pulls Gregor in. RELATED: TV Review: Leverage: Redemption Season 3 The team rushes forward to see if Vikram's okay. He hands Cal to Connor. With his hand wrapped in a cloth, Jacob picks up The Sword of Mars to transport it to the Library. The Next Chapter Back at the Annex, Vikram's disappointed when Jacob insists on sending Cal back to the Library. Jacob explains that Cal's more than an artifact, he's a Guardian. Lysa thanks Jacob for letting them help with one last mission. Jacob commends them for their work. Vikram asks if Jacob would let them stay a team if it were up to him. Jacob reminds him it's up to the Library. Just then, the Annex lights surge. Jacob, Mrs. A., and Vikram all realize that something's changed. Image Credit: Aleksandar Letic/TNT Jacob tells the others they should probably check their plane tickets. Lysa, Connor, and Charlie open the folders to find invitations to join the Library. Jacob offers them a life of mystery and misery, a life of loneliness and adventure, but most importantly, a chance to make a difference, a chance to save the world, every day of the week and twice before Friday. They all accept. RELATED: Read our recaps of The Librarians: The Next Chapter Vikram double-checks that this means he can stay, too. Jacob welcomes him back as an active Librarian… as long as he's not hiding any more artifacts in the Annex. Vikram promises and immediately pulls out the scrying glass from his pocket. He uses it on the portrait of Anya. It opens a portal to her, and they share a final farewell. He apologizes for leaving her alone. She shows him their son to prove he didn't leave her alone. Lysa steps up next to him. He introduces her to Anya as their great-great-great-great-granddaughter. The rest of the team fan out behind them. Anya is pleased that he is not alone either. The portal closes, and the portrait disintegrates. Behind them, the pendulum reforms, and the team gathers round to see where they're needed next. Epilogue Out in the woods, a wisp of magic finds its way to a tree as a voiceover states, 'This is not the end of the story. Does a story ever truly end? Old characters leave the stage. New characters step into the light. Sometimes, old characters return. You may not recognize us at first, but you know my name. I am Merlin.' The magic breaks open the tree, and Merlin (Dominic Monaghan) emerges. All The Librarians: The Next Chapter Season 1 episodes stream on TNT . Season 2 premieres in 2026. THE LIBRARIANS: THE NEXT CHAPTER Stacks Season 2 With Guest Stars Diana lives in Vancouver, BC, Canada, where she invests her time and energy in teaching, writing, parenting, and indulging her love of all Trek and a myriad of other fandoms. She is a lifelong fan of smart sci-fi and fantasy media, an upstanding citizen of the United Federation of Planets, and a supporter of AFC Richmond 'til she dies. Her guilty pleasures include female-led procedurals, old-school sitcoms, and Bluey. She teaches, knits, and dreams big. You can also find her writing at The Televixen, Women at Warp, TV Fanatic, and TV Goodness.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store