
Gaza documentary report finds BBC misled viewers
Turness's apology comes after a rather controversial Gaza documentary – titled 'Gaza: How to Survive a Warzone' – was first released by the corporation and then pulled from streaming services after it emerged the narrator was not only the son of a Hamas minister but was paid for his part in the film. At the time, Turness sent an email around her staff taking aim at the production company Hoyo Films before confessing that the institution was partly responsible for the problems with the documentary. 'Nothing is more important than the trust that audiences have in our journalism,' she wrote. 'This incident has damaged that trust. While the intent of the documentary was aligned with our purpose – to tell the story of what is happening around the world, even in the most difficult and dangerous places – the processes and execution of this programme fell short of our expectations.'
Today's report slammed the Beeb for not being 'sufficiently proactive', noting that there was a 'lack of critical oversight' of unanswered questions over the identity of the film's narrator. However the probe concluded that payments to the boy and his family of £1,817 were in fact 'reasonable'. When quizzed today on the BBC's own World At One show, Turness admits that staff at the BBC 'should have known'. She added that 'their questions should have been answered at the many times of asking' by the production company and says that the Beeb 'should have investigated more'. You can say that again!
And even Culture Secretary Lisa Nandy waded in, pressing the Beeb on why no one has been fired yet. When quizzed on this today, Turness responded cagily: 'I just think it's not right and not appropriate for me to pre-judge and pre-determine a process that needs to have its time.' Could heads roll over the whole debacle? Watch this space…

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Evening Standard
18 minutes ago
- Evening Standard
John Torode ‘blindsided' by MasterChef sacking 'he learnt about off BBC News'
Torode alluded to not having been told prior to media reports appearing in a lengthy statement on Instagram on Tuesday evening, saying: 'Although I haven't heard from anyone at the BBC or Banijay - I am seeing and reading that I've been 'sacked' from MasterChef and I repeat that I have no recollection of what I'm accused of.


Daily Mirror
18 minutes ago
- Daily Mirror
Downton Abbey cast now from Hollywood fame, co-star romance and tragic death
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Michelle Dockery - Lady Mary Josephine Talbot At first, Lady Mary was a petulant and frosty young woman, but as the series unfolded, she displayed more vulnerability and kindness. Tragically, she lost her husband Matthew following the birth of their son, and later married racing driver Henry. Since her Downton days, Michelle Dockery has taken on roles in Anatomy of a Scandal, This Town, Godless, Good Behaviour and the films The Gentlemen and Here. Michelle is currently wed to Jasper Waller-Bridge, brother of Fleabag creator Phoebe Waller-Bridge. Dame Maggie Smith - Violet Crawley Dame Maggie Smith had already cemented her status as acting royalty with her portrayal of Professor Minerva McGonagall in the Harry Potter series and her dual Oscar wins for The Prime of Miss Jean Brodie and California Suite. In her later years, she was honoured in the documentary Nothing Like a Dame alongside Judi Dench, Eileen Atkins and Joan Plowright. 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Dan Stevens - Matthew Reginald Crawley Matthew Reginald Crawley, a middle-class distant relative of the Crawleys, became the heir to the estate in the first episode and subsequently moved to Downton. He was paralysed from the waist down during the First World War but recovered and married Lady Mary. Tragically, he died in a car accident while driving home from the hospital. He left his share of Downton to Mary. Dan has since carved out a successful career in film and TV, with roles in Eurovision Song Contest: The Story of Fire Saga, FX series Legion, animated series Solar Opposites and Godzilla x Kong: The New Empire. Elizabeth McGovern - Cora Crawley Known as the Countess of Grantham, she was the wealthy American heiress who helped save Downton. Compassionate Cora opened up Downton to soldiers during the First World War and served on the hospital board. The American actress reprised her role for the Downton Abbey films and also appeared in the film The Chaperone. Elizabeth has also pursued her musical interests with band Sadie and the Hotheads. Elizabeth is wed to British film director and producer Simon Curtis, who helmed the 2022 film and its yet-to-be-named sequel slated for release in 2025. Lily James - Lady Rose Aldridge/MacClare Audiences witnessed Lady Rose frequently at odds with others and maintaining a strained relationship with her mother. As the series unfolded, Rose matured and tied the knot with Atticus Aldridge, son of Lord and Lady Sinderby, and they have a daughter together. Lily, who initially rose to fame during her time on Downton Abbey, later received nominations for a Golden Globe and a Primetime Emmy Award for her depiction of Pamela Anderson in Pam and Tommy. The British actress has also featured in films such as The Dig, The Iron Claw, Baby Driver, Yesterday and Mamma Mia! Here We Go Again. Jim Carter - Charles Carson As the butler in Downton, audiences quickly warmed to Charles' professionalism, charisma and loyalty to the family. He was an invaluable aid to the family, particularly supporting Lady Mary through her period of mourning over Matthew. The seasoned actor, known for his stage and TV roles before joining Downton Abbey, saw his career continue to flourish after the series. He appeared in Transformers: The Last Knight, The Good Liar, The Sea Beast and Wonka. Jim has also lent his voice to numerous historical documentaries about Stonehenge, the Royal family, World War II and the National Trust. Joanne Froggatt - Anna Bates Anna Bates, portrayed by Joanne Froggatt, was a central character in Downton Abbey, involved in some of the most emotional and gripping storylines, including love, marriage, and loss, all while serving Lady Mary Crawley and her family. Joanne's heartfelt performance earned her three Emmy nominations and a Golden Globe award. Since leaving Downton, Joanne has voiced the character Wendy in Bob the Builder and appeared in TV shows such as Liar, Angela Black, Sherwood, and North Shore. She also reprised her role for the Downton Abbey films.


Spectator
an hour ago
- Spectator
MasterChef must die
As Oscar Wilde didn't quite put it, for one MasterChef presenter to depart because of a scandal may be regarded as a misfortune, to lose both looks like carelessness. After Gregg Wallace received his P45 from the long-running BBC cookery show, his co-presenter John Torode has also been given the boot, having allegedly made a racist remark during filming in 2018 – a claim Torode denies. It is clear that all is not well behind the stove. Wallace and Torde's antics have made MasterChef a joke. The stories about Wallace that have dominated the headlines over the last week have long since veered into ridiculousness – not least the piquant detail that he is apparently unable to wear underpants because of his autism. But when Torode put out a statement saying: 'Personally I have loved every minute working on MasterChef, but it's time to pass the cutlery to someone else. For whoever takes over, love it as I have', it became clear that, whatever the future incarnation of the show, it will not be the same. You do not have to be the greatest fan of either Wallace or Torode to acknowledge that the reason for MasterChef's success in recent years was in large part because of their on-screen chemistry and how well they interacted with their guests. Each had their clearly defined persona. Wallace was the cheeky-chappie costermonger, ever ready with a quip or tension-deflating gag. Torode was the straight man, bringing a calming sense of order and confidence to proceedings. The two began hosting the show in 2005, after Torode was chosen instead of the higher-profile and more acerbic food critic, the late AA Gill. An especially notable feature of MasterChef in the Wallace-Torode era was its kindness to contestants, some of whom made a veritable pig's ear of the dishes that they were preparing. Gill, you imagine, would have made sneering, sarcastic comments about their ineptitude. But Torode and Wallace managed to bring a humanity and jocularity to proceedings that kept matters light and forever entertaining. Since it was invented in 1990 by Franc Roddam, who film buffs may remember was the director of the Who film Quadrophenia, MasterChef has been one of the BBC's most lucrative and beloved shows. The format has been sold to 65 other territories worldwide, where it is said to be watched by as many as 300 million people. Some of its most high-profile winners include the likes of Thomasina Miers, Dhruv Baker and Shelina Permaloo, who became the first woman of colour to win the show in 2012. It has, undeniably, been a great British success story, and the BBC will now be trying to find two permanent presenters who can replace Wallace and Torode and make viewers forget the scandals that have tainted the show in recent times. This is understandable, but it is also tempting to suggest that it is time that MasterChef takes a break from television, perhaps an extended one. Thirty-five years is a very long time for any show to be on air, and the format was beginning to flag at times in recent years, despite the continued energy that its presenters brought to the screen. While I don't believe that anyone will be put off watching a revived incarnation of the show because of the opprobrium directed towards its former hosts – 'Oh, John Torode said something dodgy seven years ago, I won't watch the series that he used to present' – now might be a valuable opportunity for its makers to pause and reflect what it could be in the future. Axing MasterChef is not an easy decision. Should a Gill-esque host be hired to dispense haughty quips and withering put-downs? Or should the programme double down on hugs and tears, no doubt accompanied by would-be inspirational music? There are arguments for both, or an entirely different approach. But rather than the producers insisting on 'business as usual' and reaching for the contacts book of the usual suspects, recent events might lead them to take a step back. They should reconsider whether this show, now well into its fourth decade, could do with a proper rethink to keep it relevant and interesting and to ensure that the recent unflattering headlines are soon forgotten. Otherwise, this particular kitchen might end up shutting down, possibly for good.