
THE HOUSE WITHIN: Trailer & Release Date Revealed For Acclaimed Dame Fiona Kidman Documentary
Ahead of its nationwide theatrical release on July 17, the highly anticipated trailer for The House Within, a documentary film on the life and work of internationally acclaimed New Zealand writer Dame Fiona Kidman, premiered on Saturday to a sold-out audience at the Auckland Writers Festival.
Directed by Joshua Prendeville, The House Within is the first-ever documentary to explore the personal and literary legacy of Dame Fiona Kidman – one of New Zealand's most respected and influential writers. At 84, Kidman remains a towering figure in the country's literary and cultural history.
' The House Within is a project very close to my heart, ' says Prendeville. 'I t's one that I feel was really important to do now, given Fiona's immense contribution to the arts, and social causes over her lifetime. Fiona has spent her life standing up for the rights of others and carving out a space for herself in industries where she was often the only woman in the room. '
' The film is more than a portrait of a literary icon,' the director adds. 'It's about the courage to speak one's truths, and the personal toll of doing so. '
The House Within shines a light on a truly maverick writer who overcame innumerable obstacles to establish her voice and place in the world of literature, and the cost of standing by those values over a lifetime.
THE HOUSE WITHIN, A PORTRAIT OF DAME FIONA KIDMAN,
IN CINEMAS ACROSS NEW ZEALAND FROM THURSDAY JULY 17, 2025
Written & Directed by Joshua Prendeville
Produced by Kerry Prendeville, Victoire Maderou & Joshua Prendeville
Vendetta Films is managing the NZ distribution
About the Film
The House Within is a documentary on the internationally celebrated New Zealand writer Dame Fiona Kidman (Chevalier de l'Ordre des Arts et des Lettres, Chevalier of the French Legion of Honour). The film explores the profound ways in which life and fiction become inextricably braided over time, tracing the deeply personal experiences that have shaped her voice and vision. Offering an intimate window into Kidman's fascinating and often tumultuous journey, the film captures her reflections on private losses, formative struggles, and the fire that drove her to tell stories that have resonated with readers around the world. It's a portrait of a literary maverick – and the emotional truths that made her fiction unforgettable.
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I met Fiona Kidman for the first twice. Firstly, fittingly, through her words on paper and secondly, gratefully and intimately, through her words spoken out loud in her light-filled living room. My documentary portrait of her, The House Within, explores my desire to collate these two experiences. Although I'm hesitant to labour that idea for fear of painting a portrait of Fiona that feels somewhat schizophrenic. I guess she's simply double, rather than split in two. She's an author of the highest calibre, a true humanist in every sense of the word, and she's written extensively about her own life in a manner that's both directly biographical, and not so directly. I remember her jokingly telling me that she wrote her memoirs so that someone else didn't. I'm enamoured by the contradictory nature of writers. Many have a thin veil of deception and reveal. A tentative tipping from one to the other. Fiona is no different. 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I flew down to Wellington the following week and started a conversation that has continued, daily, ever since. She didn't owe me anything and I had little to offer. But she believed in me; saw me for all the things I was rather than the things I wasn't. Shortly after this initial meeting in her Hataitai home I dived deeper into her work and found myself more and more fascinated by the way in which her stories and her life intertwined and intersected; how they collided and coagulated. The pieces of a very different film than the one I originally proposed began to take shape in my mind. One that was something of a portrait both of Fiona the person and Fiona the writer. Being rightfully cautious, and of a more humble disposition than I, she said 'no' when I suggested it to her. But the next day she said 'maybe', and then day after she said 'we could talk more about it'. 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