Beyonce narrowly avoids fall after 'flying car' malfunctions; Houston concert STOPPED to bring singer to safety
Beyonce
had fans at the Cowboy Carter tour in Houston on edge when her prop malfunctioned mid-performance, putting her life at risk.
The singer, who was performing '16 Carriages' while suspended above the audience in a red, car-shaped stage prop, found herself in a dangerous position as the prop suspension malfunctioned mid-performance, causing her to slowly slide off.
In a startling moment that saw the vehicle suddenly tilting to one side, was captured on-camera by fans, who quickly began screaming and alerting the concert crew member. "Get her down" they shouted before the singer was heard saying, "Stop! Stop! Stop!"
Despite the unexpected malfunction, Beyonce was seen keeping her composure and putting on a smile as the team worked on getting the car down.
She then quickly exited the vehicle and made her way to the stage to continue the gig.
Once on stage, the star disappeared momentarily through the stage floor before re-emerging to resume her set. Addressing the audience, she smiled and said with confidence, 'If I ever fall, I know y'all would catch me.'
Videos of the scary incident soon went viral online with fans saying, "The way she was saying 'Stop Stop Stop' Beyoncé immediately take this off the set list.. no more cars we don't even play like that this is scary."
Another pleaded with the star saying, "The way she was trying to smile through it and keep her composure don't get back in that car again beyoncé and i'm SERIOUS!"
Still another said, "Not her car getting stuck and almost tipping over! Beyonce we gone catch you girl!"
The concert came just days after Beyonce concluded the European leg of her tour in France. She also made a high-profile appearance at the Louis Vuitton fashion show alongside husband Jay-Z.
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Fans criticize Beyoncé for shirt calling Native Americans 'the enemies of peace'
The T-shirt worn during a concert in Paris featured images of the Buffalo Soldiers, who belonged to Black U.S. Army units active during the late 1800s and early 1900s read more A T-shirt worn by Beyoncé during a Juneteenth performance on her 'Cowboy Carter' tour has sparked a discussion over how Americans frame their history and caused a wave of criticism for the Houston-born superstar. The T-shirt worn during a concert in Paris featured images of the Buffalo Soldiers, who belonged to Black U.S. Army units active during the late 1800s and early 1900s. On the back was a lengthy description of the soldiers that included 'their antagonists were the enemies of peace, order and settlement: warring Indians, bandits, cattle thieves, murderous gunmen, bootleggers, trespassers, and Mexican revolutionaries.' STORY CONTINUES BELOW THIS AD Images of the shirt and videos of the performance are also featured on Beyoncé's website. As she prepares to return to the U.S. for performances in her hometown this weekend, fans and Indigenous influencers took to social media to criticize Beyoncé for wearing a shirt that frames Native Americans and Mexican revolutionaries as anything but the victims of American imperialism and for promoting anti-Indigenous language. A spokesperson for Beyoncé did not respond to a request for comment. Who were the Buffalo Soldiers? The Buffalo Soldiers served in six military units created after the Civil War in 1866. They were comprised of formerly enslaved men, freemen, and Black Civil War soldiers and fought in hundreds of conflicts — including in the Spanish-American War, World War I, and World War II — until they were disbanded in 1951. As the quote on Beyoncé's shirt notes, they also fought numerous battles against Indigenous peoples as part of the U.S. Army's campaign of violence and land theft during the country's westward expansion. Some historians say the moniker 'Buffalo Soldiers' was bestowed by the tribes who admired the bravery and tenacity of the fighters, but that might be more legend than fact. 'At the end of the day, we really don't have that kind of information,' said Cale Carter, director of exhibitions at the Buffalo Soldiers National Museum in Houston. Carter and other museum staff said that, only in the past few years, the museum made broader efforts to include more of the complexities of the battles the Buffalo Soldiers fought against Native Americans and Mexican revolutionaries and the role they played in the subjugation of Indigenous peoples. They, much like many other museums across the country, are hoping to add more nuance to the framing of American history and be more respectful of the ways they have caused harm to Indigenous communities. 'We romanticize the Western frontier,' he said. 'The early stories that talked about the Buffalo Soldiers were impacted by a lot of those factors. So you really didn't see a changing in that narrative until recently.' There has often been a lack of diverse voices discussing how the history of the Buffalo Soldiers is framed, said Michelle Tovar, the museum's director of education. The current political climate has put enormous pressure on schools, including those in Texas, to avoid honest discussions about American history, she said. STORY CONTINUES BELOW THIS AD 'Right now, in this area, we are getting pushback from a lot of school districts in which we can't go and teach this history,' Tovar said. 'We are a museum where we can at least be a hub, where we can invite the community regardless of what districts say, invite them to learn it and do what we can do the outreach to continue to teach honest history.' Historians scrutinize reclamation motive Beyoncé's recent album 'Act II: Cowboy Carter' has played on a kind of American iconography, which many see as her way of subverting the country music genre's adjacency to whiteness and reclaiming the cowboy aesthetic for Black Americans. Last year, she became the first Black woman ever to top Billboard's country music chart, and 'Cowboy Carter' won her the top prize at the 2025 Grammy Awards, album of the year. 'The Buffalo Soldiers play this major role in the Black ownership of the American West,' said Tad Stoermer, a historian and professor at Johns Hopkins University. 'In my view, (Beyoncé is) well aware of the role that these images play. This is the 'Cowboy Carter' tour for crying out loud. The entire tour, the entire album, the entire piece is situated in this layered narrative.' STORY CONTINUES BELOW THIS AD But Stoermer also points out that the Buffalo Soldiers have been framed in the American story in a way that also plays into the myths of American nationalism. As Beyoncé's use of Buffalo Soldiers imagery implies, Black Americans also use their story to claim agency over their role in the creation of the country, said Alaina E. Roberts, a historian, author and professor at the University of Pittsburgh who studies the intersection of Black and Native American life from the Civil War to present day. 'That's the category in which she thought maybe she was coming into this conversation, but the Buffalo Soldiers are even a step above that because they were literally involved in not just the settlement of the West but of genocide in a sense,' she said. Online backlash builds ahead of Houston shows Several Native influencers, performers, and academics took to social media this week to criticize Beyoncé or decry the shirt's language as anti-Indigenous. 'Do you think Beyoncé will apologize (or acknowledge) the shirt?' an Indigenous news and culture Instagram account with more than 130,000 followers, asked in a post Thursday. STORY CONTINUES BELOW THIS AD Many of her critics, as well as fans, agree. A flood of social media posts called out the pop star for the historic framing on the shirt. 'The Buffalo Soldiers are an interesting historical moment to look at. But we have to be honest about what they did, especially in their operations against Indigenous Americans and Mexicans,' said Chisom Okorafor, who posts on TikTok under the handle @confirmedsomaya. Okorafor said there is no 'progressive' way to reclaim America's history of empire building in the West, and that Beyoncé's use of Western symbolism sends a problematic message: 'That Black people, too, can engage in American nationalism.' 'Black people, too, can profit from the atrocities of (the) American empire,' she said. 'It is a message that tells you to abandon immigrants, Indigenous people, and people who live outside of the United States. It is a message that tells you not only is it a virtue to have been born in this country, but the longer your line extends in this country, the more virtuous you are.' STORY CONTINUES BELOW THIS AD
Mint
7 hours ago
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Beyoncé halts Cowboy Carter show at Houston midair as floating car tilts during ‘16 Carriages' performance
A dramatic moment during Beyoncé's Cowboy Carter Tour concert in Houston on Saturday night sent waves of concern through the packed NRG Stadium, as a mid-performance stunt malfunctioned midair. The global superstar was performing '16 Carriages' while seated in a suspended, velvet-wrapped red Cadillac when the vehicle began to tilt dangerously as it hovered above the crowd. Fan-captured footage of the incident shows the car slowly tipping sideways as it turned over one section of the stadium. Mid-song, Beyoncé is heard calling out, 'Stop, stop, stop,' as the vehicle's instability became apparent. The stunt, intended to give fans an intimate, overhead view while a montage of her career played on the big screen, had been executed without issue in previous shows. Swift action was taken by her team as stage and security personnel rushed to lower the Cadillac safely and help unbuckle the singer. Cheers of relief rang out from the audience as Beyoncé was carefully escorted back to the stage. Once safely on solid ground, Beyoncé seamlessly resumed her set. 'I know if I fall, y'all will catch me,' she told the roaring crowd, reaffirming the strong bond she shares with her hometown fans. Her company, Parkwood Entertainment, released a statement hours after the show, describing the event as a 'technical mishap.' No injuries were reported, and the remainder of the show proceeded without further incident. The Houston performance was one of the final stops of her critically acclaimed tour, which celebrates her 2025 Album of the Year win. Beyoncé is slated to return for a second Houston show on Sunday, followed by a Fourth of July performance in Washington, D.C. The Cowboy Carter Tour is set to conclude on July 26 in Las Vegas.
Mint
11 hours ago
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Paris, Jun 29 (AP) If any force swept through the fashion industry this season — and sent shockwaves around the globe — it wasn't a new silhouette or a daring colour. It was the spectacle of celebrity. Star power eclipsed fabric and form, transforming the runways of Paris Fashion Week into arenas where A-list icons, K-pop idols, and digital megastars didn't just attend — they became the main event. As the week wraps up Sunday, it's clear: the world is watching not for what's worn, but for who's wearing it. Beyoncé and Jay-Z didn't just attend Louis Vuitton's blockbuster show — they became the story. As they swept into the Pompidou Centre, the entire mood shifted. Cameras flashed. Phones shot skyward. Even before the first look hit the runway, images of the couple rocketed around the globe. The scene encapsulated a truth that every major brand — from Louis Vuitton to Dior, Hermès to Saint Laurent — now understands: The real front row isn't in Paris, but on Instagram, TikTok and Weibo. And nothing sells quite like a star. Beyoncé's head-to-toe denim look — a custom Louis Vuitton creation by Pharrell Williams — sparked headlines worldwide and instantly set the tone for the season. Her ensemble, complete with a cowboy hat and Western belt, became one of the most shared images of fashion week, underlining just how quickly a star's wardrobe can ignite trends far beyond the runway. Her Cowboy Carter tour, however, hasn't been without controversy — a T-shirt worn in Paris referencing Buffalo Soldiers drew criticism online this week from some Indigenous and Mexican communities. And when Williams presented her with a Speedy bag straight from the runway, the moment went viral — striking a powerful note that Beyoncé isn't just an attendee, but the face of Louis Vuitton's creative vision. This is the new dynamic of luxury: The most coveted runway seat is now in your hand, and what matters most isn't just what you see, but who you see wearing it. It's a story that's been told before — celebrity eclipsing fashion — but in a year of global uncertainty, the urge for escapism and the power of star-driven fantasy have reached a new intensity. Show, not just tell: Fashion as spectacle What once was a private preview for buyers and editors is now a worldwide entertainment event. Designers don't just stage shows — they produce spectacles. Williams, Louis Vuitton's showman-in-chief, turned his runway into a snakes-and-ladders fantasy with a guest list to match: Beyoncé, Jay-Z, K-pop royalty J-Hope and Jackson Wang, reggaeton star Karol G, and Hollywood names like Bradley Cooper and Mason Thames. Each arrival triggered waves of posts and stories — making the crowd as newsworthy as the collection itself. The modern runway has become a stage for celebrity, where the applause is measured in views and viral moments, and the line between performer and spectator disappears. No other force is shifting menswear trends faster than K-pop. This season, stars like J-Hope, Jackson Wang, GOT7's Bambam, and NCT's Yuta were everywhere, livestreaming shows and igniting fashion frenzies from Seoul to Sao Paulo. These idols are both tastemakers and trend translators, instantly transmitting what they see in Paris to millions of fans. Their attendance has become a commercial event in itself, driving the adoption of new styles on a global scale. Beyoncé effect Even the clothes themselves now chase celebrity. Beyoncé's 'Cowboy Carter' moment and Louis Vuitton's nod to Western style sent cowboy hats, flared denim, and rhinestone shirts trending worldwide. Brands scramble to turn these viral moments into wearable trends — knowing that what Queen Bey wears in Paris will be copied in malls and on apps within weeks. 'We make fashion, but we're a house of travel,' Williams told reporters. In truth, it's the celebrity's journey through fashion that matters most. The old fashion cycle is gone. It's been said before. Where trends once took months to trickle down, now a celebrity-worn look can reach the high street soon after the show lights dim. TikTok and fast fashion brands move at the speed of the repost. At Hermès, even the discreet luxury of woven leather tees and wide trousers took on new meaning as athletes and music stars documented their attendance. Their posts quickly turn exclusive details into mass-market 'must-haves'. It's a process that global platforms like Shein and Temu have weaponised — transforming a viral runway or celebrity moment into affordable, shoppable trends in a matter of days. The result: What debuts on the Paris catwalk can show up in online shopping carts from Atlanta to Addis Ababa almost instantly. Beneath the celebrity glow, classic trends endure. Streetwear is still king, with oversized silhouettes, soft tailoring and activewear influences everywhere from Dior to Dolce and Gabbana. The Hermès 'cool city guy' and Dolce's pajama dressing — rumpled but rich — are direct answers to how men want to live and move now. But even these trends go mainstream through star power, not just design. The models might debut the look, but it's the front-row faces who make it stick. Williams' very appointment as Louis Vuitton's menswear creative director — a chart-topping musician handpicked by LVMH chief Bernard Arnault in 2023 — was itself a statement: In today's industry, celebrity doesn't just influence fashion, it leads it. Everyone's invited now All this spectacle reflects a bigger shift. Fashion isn't just about what's in — it's about who's in the room, and who's watching. At Armani in Milan, at Saint Laurent in Paris, at every show, a galaxy of K-pop, Hollywood, and music stars now drive the narrative. For Gen Z and Alpha, the runway is no longer about aspiration — it's about participation, sharing, and living in the moment. The 'show' has become the product. In 2025, the biggest trend in men's fashion isn't a garment at all — it's the show itself. And in a season defined by heat, hype and headlines, it's clear: celebrity is the new couture, and we're all in the front row. (AP) PY PY
