logo
Permission sought to retain Lord Nelson statue in Chichester

Permission sought to retain Lord Nelson statue in Chichester

BBC News30-05-2025

Permission is being sought to keep a statue featuring Lord Nelson in place in a West Sussex city for another year.The statue of the famous naval commander alongside his friend Sir George Murray was erected in 2020 outside Murray's former home in North Street in Chichester. Planning permission was given for five years and an extension is being sought from Chichester District Council while "allowing time to decide on, and arrange, a permanent placement for it".The statue, by sculptor Vincent Gray, was awarded a Public and Community Award by Sussex Heritage Trust in 2022.
George Murray was born in Chichester in 1759 and joined the Royal Navy when he was 11, according to the Local Democracy Reporting Service. A plaque next to the sculpture reads: "He rose swiftly through the ranks and first served under Admiral Nelson in 1801 when the two men became close friends. Murray was Nelson's Captain of the Fleet but had to miss the Battle of Trafalgar in 1805 as he was sorting out the estate of his late father-in-law."Had he been there, it was likely that he would have been at Nelson's side when he died, rather than Hardy," the plaque reads.
George Murray became Mayor of Chichester in 1815, the year he was knighted, and died in the city in 1819.Horatio Nelson led the Royal Navy to one of its most famous victories at the Battle of Trafalgar on 21 October 1805.He was killed during the battle aged 47 after being shot by a French sniper.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Middle class youngsters chanting for death shows how sick Britain now is
Middle class youngsters chanting for death shows how sick Britain now is

Telegraph

time25 minutes ago

  • Telegraph

Middle class youngsters chanting for death shows how sick Britain now is

The spectacle of massed crowds calling for the blood of Jews is more associated with Islamist dictatorships than our own democracies. On October 7, however, something foul awoke in the West. Less than two years later, we find thousands of white youngsters from the leafy suburbs of Middle England chanting 'death, death to the IDF' at the Glastonbury Festival of a Saturday afternoon. Would that be the same IDF that delivered us from the spectre of a nuclear-armed Iran with remarkably few civilian casualties? Which rescued us from the regime described by the head of MI5 as 'the state actor which most frequently crosses into terrorism' on our shores? Why, yes. Yes it would. Your average Glasto fan, it seems, would have no objection if Tehran's thugs brought the 'intifada' over here, perhaps with a nuclear bomb on London, so long as they brought death to Israel first. Such is the way with brainless trends, even when the fashion is for bloodlust. What Jewish festival-goers must have felt amidst that display of depravity is enough to make you ashamed of our country. Don't forget, this gory chapter began with a massacre of revellers at the Nova music festival; in a sane world, you'd have expected Glastonbury to fly the Israeli flag in solidarity and chant for the demise of Hamas. The cleanness of the Iran campaign shows how the IDF can operate when its enemy does not push civilians into harm's way for the benefit of the international media. Clearly, Israel is not trying to kill the innocent. Has that thought occurred to any of the Glasto cultists? Of course not. As transparent as it may be, Hamas propaganda is a roaring success when people get their kicks out of believing it. Depressingly, this has become the new normal. There literally is no evil so dark that it cannot find enthusiastic support on the Western Left, so long as that evil first wishes death upon the Jews. Astonishingly, that principle holds even if the evil happens to wish death upon us second. It's true what they say: antisemitism is a sickness and at bottom it is a hatred of ourselves. Whether Bob Vylan, the dreadlocked rapper who led Saturday's version of Orwell's Two Minutes Hate, was breaking the law is beside the point. Legislation is limited when the culture moves beyond it. Even the BBC's attempts at decorum – they had refused to broadcast the performance by Kneecap, the Irish band which has supported Hamas and Hezbollah and demanded that people kill their local Tory MPs – collapsed when put to the test. Shamefully, the 'death to the IDF' chant was beamed out by our national broadcaster into millions of homes. On Thursday, Sir Michael Eavis, the founder of Glastonbury, defiantly insisted that people should 'go somewhere else' if they did not like the politics of his festival. By Saturday, we saw what those politics meant: a carnival of bloodthirsty radicalism that would have been unrecognisable in the Britain of our parents. Jeremy Corbyn may have epitomised the vacuity of the Gaza Left by praising a banner saying 'build bridges not walls' that was literally pinned to a wall, but the joke is wearing thin. In May, a Palestine activist murdered two Israeli diplomats in Washington DC. Last week, Palestine activists sabotaged RAF aircraft vital to our national security. Yet still the simpering BBC fawns over the Eavis clan. For years, sensible people have scratched their heads at how the Left can have come to support jihadis. At the Glastonbury festival of narcissism, however, it has become difficult to tell them apart.

Taxpayer cash spent on studying whiteness and helping women called ‘witches'
Taxpayer cash spent on studying whiteness and helping women called ‘witches'

The Sun

time25 minutes ago

  • The Sun

Taxpayer cash spent on studying whiteness and helping women called ‘witches'

TAXPAYERS' cash is being blown on studying whiteness in South America and helping women called 'witches' to sing, a dossier reveals. An investigation found £16.5 million is being spent on 21 'woke' research projects at UK unis. They include almost £85k on a Newcastle University project called 'Combating Witchcraft-Related Violence through Song'. It looks at how singing helps elderly women in South Africa abused for being a 'witch' due to their ageing features. Over £1million has been earmarked for a University of Nottingham project 'decolonising' photos from British Malaya. A further £246k has been put aside for Sheffield University to develop a city tour app exploring 'whiteness' in statues and monuments in Chile. Nearly £783k is being spent by Queen Mary University of London on a scheme looking at 'Military Decarbonisation'. And £379k is going towards a Birkbeck College programme on children's crafting in West Africa. Cash was handed out by quango UK Research and Innovation. They were uncovered by founder of Doge UK Charlotte Gill, who said taxpayers will be 'fuming' to see where their cash goes. She said: 'Unfortunately this is just the tip of the iceberg, with thousands of similar taxpayer-funded grants being awarded under the UKRI - never mind the vast sums spent on the rest of the public sector.' A UKRI spokesperson said: 'International research collaboration is vital to help us tackle global challenges in a complex and interconnected world, improving security and prosperity in the UK and internationally. "Projects are prioritised for funding through independent expert peer review, as set out in the Higher Education and Research Act.'

Kneecap at Glastonbury review – sunkissed good vibes are banished by rap trio's feral, furious flows
Kneecap at Glastonbury review – sunkissed good vibes are banished by rap trio's feral, furious flows

The Guardian

time39 minutes ago

  • The Guardian

Kneecap at Glastonbury review – sunkissed good vibes are banished by rap trio's feral, furious flows

It is perhaps worth recalling Kneecap's appearance at last year's Glastonbury, a lunchtime set in the Woodsies tent that saw the band widely acclaimed as bringers of boozy, edgy hilarity, complete with songs called Get Your Brits Out and Rhino Ket. Twelve months and some provocative onstage comments about Palestine and Conservative MPs later, they're both folk devil and cause celebre, whose appearance at the festival is the most hotly debated of 2025 – both the prime minister and the leader of the opposition have had strong opinions about it. It's a perfect example of how quickly stories can become overheated in the 21st century: vastly more people now have a opinion about Kneecap than have ever heard their music, which is, traditionally, a tricky and destructive position for a band to find themselves in. Invoking a name one probably shouldn't invoke under the circumstances, you might want to ask the surviving members of the Sex Pistols how that worked out for them. Still, the West Holts area is so packed, it has to be closed down to prevent a crush. The stage is barely visible for flags, most, but not all of them, Palestinian (there's still room for WE LIKE TO MOVE IT MOVE IT, SMITHY'S ON A BENDER and indeed I EAT ASS – THAT'S AMORE). Kneecap themselves seem happy to lean into the controversy: their appearance is preceded by a montage of voices condemning the band – Sharon Osbourne figures heavily – and much booing from the audience. Their ongoing travails are regularly referenced – 'everyone in that fucking tent agreed with me', protests Mo Chara (real name Liam Óg Ó hAnnaidh) about the Coachella appearance that intensified the whole business. Bandmate Móglaí Bap suggests that the audience should attend Ó hAnnaidh's forthcoming court hearing – he's been charged with what Bap calls a 'trumped up' terrorism-related offence for allegedly displaying a Hezbollah flag at a London gig, for which Mo Chara has been unconditionally bailed – and 'start a riot outside the courts … the Daily Mail will love that! Fuck the Daily Mail! Fuck Keir Starmer!' The latter is among a longer list of enemies that also includes Rod Stewart, who's made the impressively ballsy choice to preface his Glastonbury appearance with an expression of support for Nigel Farage. It's probably too late to say that it would be a shame if said controversy completely drowned out Kneecap's actual music, but the point stands. Behind the furore, the trio are really good at what they do. Chara and Bap are impressive rappers – raw-throated but dextrous, far funnier than you might expect if the only stuff you heard about Kneecap revolved around recent events. And live, their sound comes into its own, a fizzing stew with a bassy intensity that has a hint of the Prodigy about it: Fine Art's sudden lurches from dubstep to four-to-the-floor pounding; Get Your Brits Out's warped take on classic Chicago house. As the crowd break into circle pits and moshing, with a degree of encouragement from the band, it feels genuinely exciting, a feral moment in a festival that's thus far tended towards sunkissed good vibes. What happens next – whether Kneecap's ongoing notoriety turns out to be a brief flashpoint, something more lasting, or indeed ultimately the undoing of them – remains to be seen. For now, for this audience, they are triumphant.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store