logo
Memphis postpones Mud Island Amphitheater over safety issues

Memphis postpones Mud Island Amphitheater over safety issues

Yahoo13-03-2025
MEMPHIS, Tenn. — One group is working to resuscitate the Mud Island Amphitheater by staging a Comeback Concert Series in April.
Jerred Price heads Save the Amphitheater and is the president of the Downtown Neighborhood Association.
'I think that it's 1 of the greatest assets that we have in this city, and it's been neglected long enough,' said Price.
Woman accused of fatally shooting pastor due in court
This week, the City of Memphis said the shows wouldn't go on right now, citing multiple safety hazards and liability issues.
'I think that there's some minor repairs that need to be done,' said Price. 'And that was listed in the ADA consultant's report that I was there walking with her, and even our engineers said, There's some trip hazards and some minor things that need to be done.'
The city hired an outside architectural firm to produce a report on the amphitheater. Some of the concerns are 'obstructions to critical life safety elements, noncompliance with the Americans with Disabilities Act and notable structural displacement.'
Man accused of throwing newborn in dumpster pleads not guilty
'Look, we have to put the safety of our citizens and our visitors first, so we're going to make sure that when and if we reactivate Mud Island, it's a safe place for people to go,' said Mempis City Councilwoman Jerri Green.
Amphitheater supporters believe that after repairs are made, the pop-up concerts will eventually happen.
Price said the repairs could not be done by April, and that's what the decision from Wednesday was, but the answer was the event could still happen sometime in the future.
Woman arrested for stabbing roommate in the head
'But we are at an inflection point where we can re imagine and we can do things new and different just like we did with Tom Lee (Park) and make it better, so we definitely need to upgrade and invest,' said Green.
'Our downtown is hurting right now for businesses. We're missing the tourism. We're missing concerts, people,' said Green. 'We're missing patrons downtown. And an event like this would really benefit our downtown economy and our overall city.'
The Mud Island Amphitheater opened in 1982 as part of the larger Mud Island River Park.The amphitheater hasn't hosted a major concert there since 2018.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Biden's State spokesman rips Gabbard's ‘conspiratorial fiction' in op-ed
Biden's State spokesman rips Gabbard's ‘conspiratorial fiction' in op-ed

The Hill

time2 hours ago

  • The Hill

Biden's State spokesman rips Gabbard's ‘conspiratorial fiction' in op-ed

Former Biden State Department spokesperson Ned Price went after Director of National Intelligence Tulsi Gabbard on Wednesday in an opinion piece for Fox News following her recent claims about the 2016 election. 'Director of National Intelligence (DNI) Tulsi Gabbard, like much of official Washington, has recently focused on what she describes as a sordid and far-reaching scandal and cover-up reaching the highest levels,' Price said in his piece. 'She has described how a cabal of some of the world's most powerful engaged in a shocking criminal conspiracy and then deceived their fellow Americans in an effort to cover their tracks.' Price stated that Gabbard was 'not talking about Jeffrey Epstein, the convicted sex offender whose connections to global elites have gripped much of the country six years after his death.' 'Instead, Gabbard's supposed bombshell centers on, of all things, the 2016 election. Hers is an effort to re-write history, overturning established facts with conspiratorial fiction, while also directing focus away from the current scandal engulfing her administration,' Price continued. On Wednesday, Gabbard unveiled a previously classified House report, her second such disclosure after she accused the intelligence community of a 'treasonous conspiracy' in its review of 2016 election foreign influence. The 2020 House Intelligence Committee report raises doubts on Russian President Vladimir Putin's interest in the 2016 election, as well as his desire to assist President Trump in the race. Gabbard also released a report last week alleging officials with the Obama administration manipulated intelligence related to Russian interference in the 2016 election.

At MoMA, designs for living
At MoMA, designs for living

Boston Globe

time7 hours ago

  • Boston Globe

At MoMA, designs for living

Fun has its limits, though, as does familiarity. An even greater value afforded by 'Pirouette' has to do with unfamiliarity. The first thing a visitor sees on entering the exhibition is a 7-foot-tall ball. This remarkable device is a Mine Kafon wind-powered deminer. Designed by Massoud Hassani in 2011, it's made of nothing more elaborate than bamboo and biodegradable plastics. Its purpose is to roll over land where mines are suspected to be so as to detonate them. It's hard to imagine an object of greater, or sadder, utility — unless it's the Middle Upper Arm Circumference measuring device, or Bracelet of Life, developed by Doctors Without Borders in response to the Sudanese famine of 1998. Unlike the deminer, it's easy to miss among the the more than 100 items in 'Pirouette.' Slipped over a young child's upper arm, its color-coding gives an immediate indication of the degree he or she might be malnourished. The Bracelet of Life is at once a testament to human ingenuity and indictment of human indifference. Advertisement Apple, Inc., Steve Jobs, Jerry Manock. Macintosh 128K Home Computer, 1983. The Museum of Modern Art, New York. © Apple, Inc. Advertisement Both the deminer and Bracelet of Life leave considerations of mere aesthetics far behind. They're a reminder that good design can be a literal matter of life and death. The earliest design in 'Pirouette' dates from the 1870s, flat-bottomed paper bags. The most recent are from last year: Flaxwood Tiles, primarily made out of linseed oil, and the Monobloc Chair, made out of polypropylene. Materials can matter as much as appearance and purpose. Even when a design can be credited to a single individual, as with Hassani's, or small group the designer or designers aren't likely to be famous. You've likely heard of Spanx. It's far less likely you've heard of the woman who invented them, Sara Blakely. Décolletage Plastique Design Team, which was responsible for the Bic Cristal ballpoint pen — the world's best-selling writing implement — has a very cool name. But who can identify any of its members? Good design doesn't have to be anonymous, but it often is. Milton Glaser, I ♥ NY concept sketch, 1976. The Museum of Modern Art, New York. © 2024 NYS Dept. of Economic Development Some famous names do figure in 'Pirouette.' Ray and Charles Eames appear twice, with a rocking armchair and with a design for the nose of a military glider. Virgil Abloh is here (transparent DJ equipment), as is Milton Glaser, with several sketches for his 'I ❤ NY' logo. The most famous design name doesn't belong to a designer, per se. It's Steve Jobs. Along with Jerry Manock, who is credited for the design of Apple's Macintosh 128K home computer. What looked so futuristic then, looks so clunky now. Yes, there's a lesson in that. Sometimes design begins with appearance — Swatches, say. Sometimes it begins with function — the Sony Walkman. Ultimately, any successful design involves both. Good design never sleeps, though bad design can induce yawns. Advertisement Installation view of "Pirouette: Turning Points in Design." Jonathan Dorado/The Museum of Modern Art, New Yo Apple is also here with Susan Kare's sketches for Mac OS icons. Some of the most striking and/or highest-profile designs in 'Pirouette' are incorporeal: Glaser's logo; Kare's sketches; examples of signage from the Boston-based In a category of its own are emojis. The term derives from the Japanese words e (meaning 'picture') and moji ('character'). Shigetaka Kurita, who designed them in the late '90s, was influenced by manga, the Ed Hawkins. "Warming Stripes 1850-2023," 2018-ongoing. © Ed Hawkins Depending on how you look at it, Ed Hawkins's PIROUETTE: Turning Points in Design At Museum of Modern Art, 11 W. 53d St., New York, through Nov. 15. Advertisement Mark Feeney can be reached at

Cat Kreidich Stepping Down as President of ADA, Warner Music's Independent Distribution Company
Cat Kreidich Stepping Down as President of ADA, Warner Music's Independent Distribution Company

Yahoo

time10 hours ago

  • Yahoo

Cat Kreidich Stepping Down as President of ADA, Warner Music's Independent Distribution Company

Cat Kreidich, who has been president of Warner Music's distribution company ADA for the past four years, is stepping down from her post, the company announced on Tuesday. In the course of her tenure, she has secured deals with the Three Six Zero and Rostrum labels; signed artists including Paris Hilton, Banks and first-ever distro deals for Kesha and Flume; expanded the company's presence worldwide, via Sua Musica (Brazil), Qanawat and Rotana (in the Middle East) and Africori (in Africa); and brought in a largely female staff. She was an honoree at Variety's Power of Women New York celebration in 2023. More from Variety Warner Music and Bain Capital Announce $1.2 Billion Joint Venture to Invest in Music Catalogs Warner Music Posts Tough Quarterly Earnings, Revenue Down 1% Warner Music Group Teams With Anjula Acharia on South Asian Music Label Kreidich was previously at senior VP at Sony Music's catalog division and the Orchard, along with roles at Ultra Records, EMI Music and Warner Music Group's marketing division. Below are Kreidich and WMG CEO Robert Kyncl's notes to the staff on the transition. To the ADA Team, I wanted you to hear this news directly from me: After four transformative years proving that Warner Music Group and ADA can truly be the best home for independent artists and labels, I have made the decision to leave the company. While organizational change is a constant in our industry, I believe the foundation we've established will continue to serve independent artists effectively. We built an exceptional global team and expanded our global release volume, revitalized our brand identity, and developed a digital platform specifically designed for independent artists and labels within the Warner supply chain. We made strategic acquisitions like RSDL, which Warner will go on to use to help fuel their entire recorded music business. This journey represents my second chapter with ADA. My first began during the early years of digital transformation, when I transitioned from a music tech startup. Having completed one of the first of its kind 'New Media' degrees at Emerson College, I was drawn to the possibilities of digital disruption and the independent music scene. When I came across ADA in the '00s, it was supporting breaking independent acts at an unprecedented scale, pioneering new approaches while music was being democratized globally through emerging digital platforms like iTunes, eMusic, and mobile entertainment. When I returned four years ago as an executive from The Orchard and Sony, I brought a vision to recapture that pioneering spirit and transform ADA to better compete in an increasingly crowded landscape of innovative music technology companies. We didn't aspire to be the biggest distribution company, but rather the most valuable—valuable to our artist and label partners by offering expert guidance and measurable results, and valuable to Warner Music Group by helping build its ecosystem and reputation for supporting independent artists. We believed that Warner Music Group and ADA were better together, each strengthening the other's capabilities and reach, and I think we've proven that out. As the company begins its next chapter, WMG is committed to continuing to expand the depth and range of ADA's services. To the ADA labels and artists who keep the heart of this industry beating: thank you for your dedication, creativity, and passion. I've been inspired by your relentless drive and your vision. You champion creativity, and prove that independence doesn't mean going it alone—it means doing it your way. You are shaping the future of music, and I remain passionate about the independent music community and will continue to champion its growing importance. While I'm not ready to announce my next chapter, I look forward to sharing those plans when appropriate — it will be consistent with the work I have been grateful to do for the last 20 years as an indie advocate. With gratitude and appreciation, CAT *** Hi everyone, As some of you will have just heard from Cat, after four years leading ADA, she has made the decision to leave WMG. You can read her note below. Cat is a class act. A bold thinker and decisive leader, she's always focused on what's best for the indie community – its artists, its labels, and its spirit. Under her leadership, ADA has grown its relationships across the creative ecosystem, expanded its global reach, and strengthened its team and tech. She's helped guide us through some major shifts, staying agile, and delivering results. We'll give an update on ADA leadership this week. For now, a huge thank you to Cat for helping set us up for success. We wish her all the best. Thanks, Robert Best of Variety New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? Final Emmy Predictions: Talk Series and Scripted Variety - New Blood Looks to Tackle Late Night Staples

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store