Who Is Javy Baez's Wife? Irmarie's Relationship History Explained
So, here's all the information fans should know about Baez's spouse, including her professional background and the couple's relationship history.
Javy Baez is married to Irmarie Baez. (née Marquez)
Irmarie Baez is a Puerto Rican beauty influencer and content creator who shares videos on travel, lifestyle, and motherhood, and also offers beauty product advice to her 168k followers on Instagram. Through her posts on the social media platform, she shares insights into her family life, fashion choices, and personal achievements. Irmarie also serves as an inspiration for many young women as they navigate motherhood and relationships in the spotlight.
Javy Baez and his wife Irmarie Baez first met in middle school, when they were in seventh grade.
As per USA Today, the two were initially friends and began dating six years later. Irmarie later joined him in Chicago, where he played for the Chicago Cubs. Moreover, the couple would spend the winter in their native Puerto Rico.
In April 2018, Javy proposed to Irmarie, and they tied the knot in January 2019 with a lovely ceremony in San Juan, Puerto Rico. The duo welcomed their first child, a son named Adrián, in July 2018. Meanwhile, their younger son, Aiden, arrived in December 2020.
Speaking about the importance of family after their engagement, Javy told the outlet, 'It's like it doesn't matter what happens on the baseball field, your family is always there for you. That's the most important thing for you in life.'
Over the years, Javy Baez and his wife have supported each other through everything, with Irmarie being a constant pillar of strength for the MLB star. The couple recently celebrated their sixth wedding anniversary and are going steady as of writing.
The post Who Is Javy Baez's Wife? Irmarie's Relationship History Explained appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More.
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Yahoo
10 minutes ago
- Yahoo
Baseball, and the Vanishing Art of Forgiveness
In this long national moment of plummeting societal trust, institutional collapse, and life-and-death political acrimony, can something so gloriously frivolous as baseball teach us a thing or two about the lost art of forgiveness? That's an intriguing subplot to this weekend's annual Hall of Fame induction ceremony in Cooperstown, New York. Two of the most controversial and polarizing players of their generation, Dick Allen and Dave Parker, will be enshrined there Sunday (both posthumously, alas), just 10 weeks after Major League Baseball (MLB) removed from its "permanently ineligible list" the two most famous players on the outside of the Hall looking in: Pete Rose and Shoeless Joe Jackson. The cases of Rose and Jackson—both banned for life after violating the MLB's ultimate taboo against gambling on baseball—are well-known even to nonfans at this point, having been subject to numerous books, documentaries, and feature films. The lesser-known cases of Allen and Parker suggest a different moral calculation: How do we treat and assess players who sabotaged their own massive talent, sowing division within their clubhouses and wreckage among their teammates? Dick Allen in 1964 had the best rookie season of any player in the 20th century, propelling the previously lackluster Philadelphia Phillies to within a game of the National League pennant. From then until 1974, there was no better hitter in baseball, not even such Hall-bound sluggers as Hank Aaron, Frank Robinson, and Willie McCovey. An intimidating presence who swung the game's heaviest bat, Allen won a Most Valuable Player award, made seven All-Star teams, and led his league at various points in runs, homers, RBIs, walks, triples, on-base percentage, slugging percentage, and more. That's the nice way of talking about Dick Allen. Less-flattering details would include: regularly skipping practices, showing up late to games, refusing to play when managers asked, boozing and smoking at work, hanging out at the racetrack, and on three separate occasions skipping out on his team in mid-season for weeks at a time. He was a part-time player by age 33, out of baseball by 35, and never once received as much as 20 percent of the Hall of Fame vote (you need 75 percent to get in) by the Baseball Writers' Association of America. (His election this past December was by the ex-player-voting Veterans Committee.) As the baseball analyst/historian Bill James wrote in a notorious passage of a 1994 book, "He did more to keep his teams from winning than anybody who ever played major league baseball. And if that's a Hall of Famer, I'm a lug nut." Hyperbole, yes; but that was also the majoritarian view of Allen's career for three decades after his retirement. So what changed? Time, and forgiveness. As James wrote in a prescient 2009 essay (which accurately predicted that "sometime between 2020 and 2030, Dick Allen will be elected to the Hall of Fame"), "History is forgiving. Statistics endure." "Dick Allen did not have imaginary sins or imaginary failings as a player," James noted. "He had very real offenses. But as time passes, the details of these incidents (and eventually the incidents themselves) are forgotten, and it becomes easier for Allen's advocates to re-interpret them as situations in which Allen was the victim, rather than the aggressor or offender. The people who were there die off….For very good reasons, we do not nurture hatred. We let things pass. This leads history to be forgiving. Perhaps it is right, perhaps it is wrong, but that is the way it is." Speeding the reconciliation was the fact that a chastened, post-retirement Allen, however improbably, became a beloved figure among the same Philadelphia fans who used to hurl so many objects at his head that he wore a batting helmet while playing the field. Redemption arcs help. Dave Parker's failings not only showed up more noticeably on the field than Allen's, but they also likely injured others as well. From 1975 to 1979, Parker was as electrifying a young player as you're ever going to see; a mix of imposing size (6'5", 220 pounds), startling speed (he averaged 17 stolen bases and 9 triples over those five years), and a laser cannon for a right arm. He won two batting titles, three Gold Gloves, a Most Valuable Player award (finishing in the top 20 MVP voting the other four seasons), and then crowned that five-year run with a stirring come-from-behind World Series victory in 1979 for the raucous, "We Are Family" Pittsburgh Pirates. Parker had the coolest nickname ("Cobra"), wore the floppiest hats…and developed one of the most consequential cocaine habits in Major League history. He was front and center of the headline-generating Pittsburgh drug trials of 1985, at which 15 or so current and former players, including a half-dozen Pirates, were summoned by a grand jury to testify in what would eventually be convictions of seven Pennsylvania-based drug dealers; six from Pittsburgh, one from Philadelphia. Granted immunity from prosecution, Parker testified that he used cocaine from 1976-1982, arranged for his main dealer to sell in the Pirates clubhouse and travel on the team plane, and facilitated transactions with at least a half-dozen players on other teams, including star L.A. Dodgers relief pitcher Steve Howe, who would go on to be the most hopeless drug addict in MLB history before dying at age 48 in a solo car crash with methamphetamine in his system. Among the Pirates teammates Parker used with, Rod Scurry died at age 36 of a cocaine-related heart attack. The drug trials, which led to 11 MLB suspensions (including Parker's) that were lifted in exchange for community service and hefty salary diversions toward drug treatment programs, constituted the largest baseball scandal since the infamous 1919 Chicago Black Sox (of Shoeless Joe fame) tanked the World Series after taking payoffs from gamblers. Parker admitted at trial what we all saw with our eyes—the cocaine, along with the booze, smokes, and lack of conditioning, made him a shell of his former on-field self. After having been one of the best four players in baseball from 1975-79, the Cobra between the usually productive ages of 29 and 32 was, shockingly, below average. The Pirates, who had been a model franchise for two decades, fell into disarray, and eventually sued Parker for breach of contract. So…what do you do with such information? In the Hall's case, you eventually forgive and maybe even forget, or at least compartmentalize Parker's drug detour as the prelude for a much more respectable third act, in which the big man transitioned into an elder statesman who could still drive in 100 runs a year, earn MVP votes, and win a second championship. Here, too, redemption helped. But not only. The human drama of athletic competition draws eyeballs to excellence, with bonus points for flair. At their peaks, Allen and Parker were not only in the conversation for best player in the game, they each had a claim on being the sport's biggest badass. Clips from their physics-defying All-Star game exploits go viral each July—Allen in 1967 golfing a low and outside pitch well over the center field fence, Parker in 1979 rifling not one but two baserunners out from right field. Despite baseball's periodic spasms of pious moralizing, the truth about fandom of all kinds is that we love our flawed characters. The late, great Ozzy Osbourne unable to successfully pour orange juice; Robert Downey, Jr., rebounding from a Steve Howe-like start to become the highest-paid actor in history; Michael Jordan being so fanatical in his competitiveness that he would bet team employees on who could throw a quarter closest to the wall. We are all fallen beings; there's some comfort in knowing that our idols can periodically transcend deep flaws. Such warts-and-all appreciation is foundational to some of the brighter corners of 21st-century cultural criticism: the fight breakdowns at Jomboy Media, the music writing of Steven Hyden, the long-form podcasting of Cocaine & Rhinestones. Listen to the music of The Baseball Project, or peruse the inductees at the Baseball Reliquary's Shrine of the Eternals, for a reminder that while character counts, sometimes characters count, too. So are we rewarding these scofflaws for their crimes against decorum? Not quite. Allen would have made the Hall long ago had his on-field citizenship resembled that of Kirby Puckett rather than Albert Belle. Parker had to wait in line behind such contemporaries as Harold Baines, Paul Molitor, and Jim Rice, whose peaks were not nearly as high. If and when Pete Rose and Joe Jackson get their plaques, it will only come after having served out their lifetime bans. There are cases aplenty that none of these men should be rewarded with what amounts to baseball immortality. But count me firmly on the other side. There's a reason why reconciliation is a sacrament. Too much human error, particularly of the political variety, leads in this age of disenchantment to irrevocable condemnation, to alienation even from family; ultimately to self-isolation. No baseball player died for our sins (thankfully, Jesus De La Cruz still walks among us). But this weekend in Cooperstown, I will happily raise a toast not just to the two fallen badasses, but to a closer famous for failing in the postseason, a starting pitcher who tipped the scales at 300 pounds, and a Japanese fitness lunatic who by all accounts delivers the best broken-English profanity this side of Stripes. Baseball allows us to love humanity in all its fullness. May we some day remember that in the less sunny corners of life. The post Baseball, and the Vanishing Art of Forgiveness appeared first on
NBC News
13 minutes ago
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Women are anonymously spilling tea about men in their cities on viral app
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News24
13 minutes ago
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From hustle to luxury: Boity Thulo reflects on 13-year journey
Lubabalo Lesolle This article was previously published in the print edition of Drum Soft Life. There are multihyphenates – and then there's her. She's a media personality, rapper, businesswoman and an all-around inspiration for young women who are still trying to break into the business. She has worked hard for every job, often coming in as an underdog who was underestimated, and she has shown she can always. After spending her 20s grinding, she's now living her best life. If you ask her, she'll tell you she's living in all her eras. Her soft-girl era, her confidence era, her Jesus year. Wuz Dat? It's Boitumelo Thulo, known to her 6,2 million Instagram, 3,9 Twitter (or X) and countless Facebook followers simply as Boity. She's been working for 13 years and counting. Her first job? A Wimpy advert, and she's been in the spotlight since then. 'I deserve my Gucci bags,' she says with pride as we talk about her many accomplishments. 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Boity is speaking to us via a Zoom call from her Johannesburg home. With a light glam face beat and her braided hair tied away from her face, she puts everything on the table. Her confidence is clear and shines through the screen. Throughout her career, she has had to grow a thick skin, as people who watched her transition in life had opinions about her life, her appearance, as well as her success; they weren't afraid to share. View this post on Instagram A post shared by Boity Thulo (@boity) Now that she is older, she's come to understand that not every opinion needs her reaction, which has been good for her mental health. 'Some people would say I don't belong on screen, I sound terrible, my presenting is bad. I had to ignore all of that and do it regardless of what people said. It takes family, friendships and support to help you through it. I had to learn self-belief and patience. Having been in the industry for this long, I had to be patient.' And the patience has paid off. She has won an award as a media personality, was listed as part of Forbes Africa's 30 under 30, and she keeps adding accolades to her name. 'At the very beginning of my career, I was known as the underdog. It took a lot of patience, self-belief, and I spent time trying to shut down the self-sabotage. It took a long time to step into myself and be confident of the fact that I am that girl. It hasn't been an easy journey.' There were many moments where she questioned whether she should be in the entertainment industry, but her passion and talent kept her going when she felt like giving up. 'Earlier on in my career, I received so many no's as opposed to yeses that I started doubting myself. There have been moments where it was fruitless; it's not what people think it is. People think the moment you're in, you are swimming in money, and of course, it's made to look that way, but it is far from it. 'My 20s went by so fast because of being a public figure. I used to ask God, Why not me? 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