
New-Age Cultural Insights and Global E&M Forecast
Welcome to your weekly dose of insights from the dynamic world of media and entertainment! This week, we're diving into how industry giants stay relevant, the rising importance of cultural understanding for brands, and the booming digital advertising landscape in India.
Let's get into the top stories:
Why cultural insight—not just ads—powers modern brands
Rajiv Gopinath, CSO of
Publicis Media India
, argues that traditional advertising alone is no longer enough. Modern brands thrive by deeply integrating into culture, understanding its language, rituals, and values to build authentic connections, not just customers. This shift from "seen" to "felt" leads to organic, sustainable growth.
Why you should care:
In today's competitive landscape, simply showing up isn't enough. This piece reveals how decoding cultural nuances transforms brand perception from transactional to relational, enabling deeper consumer engagement and long-term loyalty. It's essential reading for anyone looking to build a truly resonant and successful brand.
PwC report: India's E&M sector soars, driven by internet advertising
The global entertainment and media (E&M) industry is set to hit $3.5 trillion by 2029, largely propelled by surging advertising spend and AI's transformative impact. While connectivity remains key, advertising is becoming the primary growth driver, especially in digital formats. India is a standout, leading developing markets with rapid growth fueled by its booming internet advertising sector, driven by increased internet access and 5G.
Why you should care:
This article reveals India's E&M sector is soaring, driven by a 15.9% CAGR in internet advertising. Understanding this shift is crucial for businesses aiming to thrive. With AI transforming content and ad models, and digital formats dominating, knowing these trends from PwC's latest outlook helps you identify opportunities and strategise effectively in this dynamic market.
KBC season 17: A silver jubilee milestone navigating a flat advertising landscape?
As Kaun Banega Crorepati (KBC) celebrates its 25th anniversary with Season 17, the iconic show continues to attract robust advertiser interest despite a flat advertising market. While revenues are projected to remain similar to last year (INR 400-450 crore), KBC's strength lies in its deep connection with aspirational, mass-market audiences (SEC B and C), unique brand integration opportunities often endorsed by Amitabh Bachchan.
Why you should care:
This article offers valuable insights into how established media properties can maintain their allure in a challenging economic climate. It highlights the importance of understanding target demographics, creating bespoke brand solutions beyond traditional ad spots, and leveraging unique host appeal for impactful campaigns.
More stories from this week:
ZEEL's ad revenue declines by 16.7% in Q1FY26
ESPN viewership soars as it targets $2B NFL media deal and major streaming debut
I&B panel OKs 'Udaipur Files', but no SC nod yet
Talent winning out at Indian gaming cos as focus shifts to high-end titles
DTH signals fade, but FM radio turns up the volume for MIB
And that concludes this edition of our Media & Entertainment Weekly! We hope you found this deep dive into KBC's enduring appeal, the power of cultural insights, and India's digital ad boom both informative and inspiring.
What M&E trends are you watching? We'd love to hear your thoughts! Connect with us on LinkedIn and tag @ETBrandEquity to share your perspective.
Until next Friday, stay curious and creative.
Team ETBrandEquity.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Pink Villa
19 minutes ago
- Pink Villa
Box Office: Saiyaara nears the Rs 400 crore club globally; Collects Rs 377 crore worldwide in 10 days
The Mohit Suri directed Saiyaara is on a record-breaking spree at the box office in India, as the launch pad of Ahaan Panday and Aneet Padda is a force to reckon with. At the end of second weekend, the 10-day total collections of Saiyaara in India stand around Rs 300 crore (GBOC), as the film continued with its extraordinary run in India scoring Rs 90 crore (GBOC) in the second weekend. The film has shown a minimal drop of less than 20 percent over the first weekend, and this trend suggests that the romantic saga is not looking to stop anytime soon. Saiyaara scores bigger second weekend than the first in Overseas Saiyaara's winning streak is not limited to India, as the film is scaling new heights in the international markets too. The Ahaan Panday and Aneet Padda starrer has collected USD 9 million (INR 77 crore) through the 10-day run, and is headed for a finish in the vicinity of USD 15 million in the international markets. Interestingly, the second weekend business of Saiyaara in the overseas is higher than the first weekend biz, which is historic for a film in the modern era. The 10-day global total of Saiyaara stands in the vicinity of Rs 375 crore to Rs 380 crore, and the film will top the Rs 400 crore mark on second Monday. The theatrical trend of this Mohit Suri directorial is historic to say the least, and the film will be looking to not just hit the Rs 500 crore mark globally, but also enter the Rs 600 crore mark with ease. It's difficult to put a number at the moment, but Saiyaara is on track for a finish around the Rs 625 crore to Rs 650 crore mark at the worldwide box-office, with the scope to go higher too, depending on the legs it shows in week four and week five. The India closing gross is expected to be in the range of Rs 480 crore. All said and done, Saiyaara is a blockbuster of epic proportions, and the biggest launch film for actors in the modern era. Saiyaara Worldwide Box Office Collection Report India Gross: Rs 300 crore (NBOC: Rs 248 crore) Overseas Gross: Rs 77 crore (USD 8.90 million) Worldwide Gross: Rs 377 crore (Estimates)


Mint
2 hours ago
- Mint
Sri Lotus Developers IPO opens soon: GMP, price band, dates, other details you may like to know
Sri Lotus Developers IPO: Real estate development firm, Sri Lotus Developers Limited's initial public offering (IPO) is set to open this week on Wednesday, 30 July 2025, as the company aims to raise ₹ 792 crore from the Indian stock markets. The Mumbai-based real estate firm focuses on both residential and commercial properties, particularly in the ultra-luxury and luxury segments within the city's western suburbs. According to Mint's earlier report, the realty firm had successfully developed a cumulative area of 0.93 million square feet, comprising both residential and commercial properties, as of 30 June 2025. Bollywood icons such as Shah Rukh Khan, Amitabh Bachchan, and prominent investor Ashish Kacholia are backing the company as investors. As of Sunday, 27 July 2025, the grey market premium (GMP) of Sri Lotus Developers IPO stood at ₹ 32 per share. With the upper price band for the public issue at ₹ 150, the stocks are expected to be listed at ₹ 182, including a premium of 21.33%, according to Investorgain data. Grey market premium (GMP) is an investor's willingness to pay more for a public issue. The GMP has remained flat at its current levels for the last two days, dropping to ₹ 32 on Friday, 25 July 2025, compared to ₹ 34 on Thursday last week. Sri Lotus Developers IPO is offering an entire book-built issue of fresh equity shares with a face value of ₹ 1 apiece, amounting to a total of ₹ 792 crore, according to the data collected from the official draft papers. There is no offer for sale (OFS) component in this public issue. According to Mint's earlier report, the company aims to use ₹ 550 crore to fund investments into its subsidiaries, namely Richfeel Real Estate Private Limited, Dhyan Projects Private Limited, and Tryksha Real Estate Private Limited. This will partly finance the development and construction expenses of ongoing projects: Amalfi, The Arcadian, and Varun, respectively. Sri Lotus Developers IPO is set to open on Wednesday, 30 July 2025 and is scheduled to close on Friday, 1 August 2025. The company has fixed the price band for the IPO in the range of ₹ 140 to ₹ 150 per equity share of the face value of Re 1. The IPO is offering investors a lot size of 100 equity shares per lot. Monarch Networth Capital and Motilal Oswal Investment Advisors are the book-running lead managers of the public issue, while Kfin Technologies Ltd is the advisor to the offer. Read all stories by Anubhav Mukherjee Disclaimer: This story is for educational purposes only. The views and recommendations made above are those of individual analysts or broking companies, and not of Mint. We advise investors to check with certified experts before making any investment decisions.


Indian Express
2 hours ago
- Indian Express
Amitabh Bachchan was replaced by Vinod Khanna in Shaque after 16 flops, reveals director Aruna Raje: ‘The producer just didn't want him'
Megastar Amitabh Bachchan had his share of struggles in the Hindi film industry before becoming one of the biggest actors in Indian cinema. The actor delivered 16 consecutive flops before writers Salim Khan and Javed Akhtar (Salim-Javed) saved his career by offering him Zanjeer in 1973. During his flop streak, Big B was replaced in several films. In a recent interaction, renowned director-editor Aruna Raje Patil shared one such incident when Amitabh was replaced by Vinod Khanna in the 1976 film Shaque. Recalling the incident, Aruna shared that the producer was adamant about not casting Big B in the film due to his poor box office record at the time. She said during an appearance on the YouTube channel Bollywood Crypt, 'Our first casting was Amitabh Bachchan and Waheeda Rehman. (Around that time) Amitabh's films flopped and the producer NB Kamat just didn't want him. He told us, 'The film won't happen'. So we said, 'All right, who else then?' He asked us to look for another actor, and a known one. So, we thought of Vinod Khanna and Kamat got a meeting with him for us and he agreed to do the film straight off.' In an old interview with The Filmy Charcha, veteran actor Raza Murad had also shared a similar incident when Amitabh Bachchan was ousted from the film Duniya Ka Mela due to his string of flops. He said, 'Amitabh Bachchan was thrown out of Duniya Ka Mela. The makers replaced him with Sanjay Khan. 16 of his films had flopped. Distributors said, 'nobody will turn up to theatres if he stars in a film'. At that time, his luck was not with him. But when the luck was in his favour, everything fell in place.' It was indeed luck that led Amitabh to bag Zanjeer, as all the other superstars of that time had refused to star in the film. Raza recalled the same and said, 'When director Prakash Mehra wanted to make Zanjeer, he went to Dilip Kumar, Dharmendra, Dev Anand, Rajkumar, and they all refused for some or the other reason. The subject was extremely hero-oriented, yet these superstars rejected it. Nobody knows why, but one can say that the luck wanted Amitabh Bachchan to lead the film. When nobody wanted him, and Prakash Mehra had no option, Jaya Bachchan (then Jaya Bhaduri) recommended that the director take Amitabh Bachchan, and the rest is history.' After Zanjeer, Amitabh went on to deliver many iconic films with Salim-Javed, including Deewaar, Sholay, Kaala Patthar, Trishul, Majboor, Shakti, and Don, cementing his place as the leading star of Indian cinema.