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This report confirms what we knew. The BBC has an Israel problem

This report confirms what we knew. The BBC has an Israel problem

Spectator6 hours ago
The BBC has not had a 'good war' since 7 October. Whether it is the smug anti-Israel tone of its reporters, or its use of casualty numbers and narratives dished out by a terror group, it has been pretty shameful stuff. And I say that as someone who generally has a lot of time for the corporation.
Today, things reached a new low. We finally got the full report into the documentary 'Gaza: How to Survive a Warzone'. The show was broadcast on BBC Two and iPlayer in February before being pulled. It emerged that the 13-year-old narrator just happened to be the son of the deputy minister of agriculture in the Hamas government, something the audience were never told. The investigation, carried out by Peter Johnston, Director of Editorial Complaints and Reviews, found that 'regardless of how the significance or otherwise of the narrator's father's position was judged, the audience should have been informed about this'.
You reckon?
The BBC insists that it was not told who the narrator's father was, although three people at HOYO Films, the independent production company who made the documentary, knew. Worse, it seems that nobody at the Beeb was that interested in finding out. As the report puts it, the BBC team was not 'sufficiently proactive'.
That is pathetic, at best, and deliberately negligent at worse. Given we know that Hamas, a proscribed terror organisation, runs all aspects of the Gaza Strip, why did nobody think to check what connections this child had?
The answer is obvious. Why question anything too much if it makes Israel look bad?
While the BBC insists that nobody subject to financial sanctions received money as part of the production process, the narrator was paid £795 for his time. So, money did go to a Hamas minister's family and it's hard to believe it stayed in this child's piggy bank. I wonder how much concrete for a terror tunnel you can get for £795 these days. Maybe you can get it cheap via the UN.
The report also found no evidence 'to support a suggestion that the narrator's father or family influenced the content of the programme in any way'. Terrorist organisations are, of course, well known for their lack of influence on family members and so even in something scripted, as this narrator's contribution was, this seems a nonsensical argument. It seems to me that terrorists don't need to be explicit to influence someone's behaviour, especially if it is a close family member.
Commenting on the latest scandal engulfing his ex-employer, former director of BBC Television Danny Cohen said:
The serious journalistic failings of this documentary have severely damaged public trust in the BBC. This is not an isolated incident but part of a pattern of systemic bias in the BBC's coverage of the war.
Cohen is right. This is far from the only such incident during this terrible war. Remember when correspondent Jon Donnison announced live on air that it was 'hard to see' that anyone but the IDF could have bombed a hospital in Gaza? It subsequently emerged that that the missile had been fired from inside Gaza i.e. it had been fired by Hamas or another terror group in the territory. That was 10 days after Hamas conducted its massacre.
We've also had Jeremy Bowen suggest that a hoard of weapons found by the IDF in a hospital might have simply been the armoury of the site's security team, not terrorists using civilian infrastructure to hide their arms. It's all so ridiculous that it would be laughable if it were not so dangerous.
Cohen believes that 'the BBC's failure to recognise this [pattern] and take real action is a serious leadership failure,' adding that 'statements from the BBC that it takes antisemitism seriously have become utterly meaningless'. It is hard to disagree.
The BBC leadership will no doubt continue to highlight that the only breach of its editorial guidelines found was not declaring who the narrator was, as if that is not serious enough. The fact that this report found no impartiality issues will be of no comfort to most of the UK's Jewish population, who have felt let down by the national broadcaster for almost two years – including during its nonsensical coverage of Glastonbury recently.
In its response to today's report, the BBC also flags that it and other journalistic organisations are not allowed into Gaza. That's a serious issue, one worthy of separate discussion and that I have mixed feelings about. However, in this instance it is a deflection that has nothing to do with the sheer incompetence by the corporation in this and other instances. Just because you cannot go into a complex, dangerous warzone, it doesn't mean you need to regurgitate propaganda put out by terrorists or hide key facts from your viewers.
After this latest fiasco, the BBC needs to take a good hard look at itself. But it probably won't.
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BBC adviser asked ‘is documentary clean of Hamas'? Bosses never bothered to reply
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The BBC's Gaza documentary was declared to be 'all clean of Hamas', despite its narrator being the son of a Hamas minister, a report has found. Gaza: How to Survive a Warzone was categorised as a 'high risk' project by the BBC, yet was broadcast without crucial questions being answered. A month before the broadcast, an editorial policy adviser at the BBC asked: 'Has due diligence been done on those featured to ensure, e.g. the lead boy doesn't have links in any way to [Hamas]? I'm sure it has…' The question was never answered, but the programme went ahead. Three members of Hoyo Films, the independent production company that made the documentary, knew the narrator's family background but did not tell the BBC about it, the report found. They paid Abdullah Alyazouri's family £795 for his contribution, and also gave him a gift card for a computer game and a second-hand mobile phone, to a total value of £1,817. The day after the documentary was broadcast, it emerged that Abdullah, the 13-year-old narrator, was the son of Ayman Alyazouri, a deputy minister for agriculture in the Hamas-led government. An internal review conducted by Peter Johnston, the BBC's director of editorial complaints, ruled that the documentary breached editorial guidelines on accuracy by failing to disclose 'critical information' about Abdullah's family history. But it cleared the BBC of breaching impartiality guidelines, despite Samir Shah, the BBC chairman, earlier saying that the row was a 'dagger to the heart' of the broadcaster's reputation for impartiality. Ofcom announced that it was launching an investigation into the BBC 'under our rule which states that factual programmes must not materially mislead the audience'. Deborah Turness, the chief executive of BBC News and Current Affairs, apologised for the 'mistake' but refused to say whether anyone would face the sack. She viewed the documentary at a special screening ahead of its television broadcast, but defended her role. She said: 'I didn't know then what I know now.' 'Unflinching' documentary Gaza: How To Survive A War Zone was billed as an 'unflinching' documentary narrated by Abdullah, a Palestinian boy living in the so-called 'safe zone'. It was broadcast on Feb 17. 'My name is Abdullah. I'm 13 years old. I'm stuck here in Gaza. Have you ever wondered what you'd do if your world was destroyed?' he asks, leading viewers through the rubble. He explains that he attended 'the best school in Gaza, the British school' but now lives in a tent. Other children featured in the film include Renad, a young girl who presents a TikTok cookery show, and Zakaria, an 11-year-old who works as a fixer at one of Gaza's hospitals. The documentary includes scenes from inside the hospital, including a doctor in an operating theatre holding up a severed arm and shouting: 'Look what the Israelis are doing to the children of Gaza.' Jamie Roberts and Yousef Hammash, the film's two directors, remotely directed two Gazan cameramen, as Israel does not allow foreign journalists to operate inside Gaza. What the filmmakers knew Hoyo Films, the production company engaged by the BBC, spotted Abdullah on Channel 4 in April 2024 and approached him to become a contributor. Two months later, they submitted a 'taster' tape to the BBC in which he appeared prominently. By July, three members of the production company – the director, the co-director and one crew member in Gaza – had become aware that Abdullah's father was Ayman Alyazouri, according to the report. They met the father in August to gain permission to film Abdullah. But Hoyo did not at any stage share Abdullah's family background with the BBC. Interviewed for the report, they claimed to have reached a view that Abdullah's father was in 'a civilian or technocratic position', rather than a political or military one. This was supported by the fact that, when they met him, Mr Alyazouri was moving openly around Gaza and not taking security precautions. In addition, the Gazan civil government – other than the health ministry – had not been functioning since 2023, so they considered him to be 'no longer in employment'. The report noted: 'The production company was also under the impression, whether rightly or wrongly, that there was a clear distinction between officials and ministers working for the Gazan civil government and Hamas.' BBC failures The BBC identified early on in the production that the documentary carried 'reputational risk' and a 'due impartiality challenge', adding it to the internal managed risk programme list. One of the commissioning editors sought advice from BBC colleagues who identified the need for due diligence and background checks on the contributors and crew, including potential links or affiliations to Hamas. The editorial policy unit was consulted for advice, and provided notes. One adviser from the unit asked on Dec 19 last year: 'I presume we have checked out the bona fides of the people we use?' On Jan 8, a BBC commissioning editor sent a WhatsApp to Hoyo asking if there was a paper trail on the background checking of contributors. Hoyo replied: 'No – we did a social media check with those that are online and [a] check with local community members – all clean of Hamas.' On Jan 12, they asked: 'Has due diligence been done on those featured to ensure e.g. the lead boy doesn't have links in any way to [Hamas]? I'm sure it has…' And on Jan 15, a note from a member of the BBC commissioning team asked if anyone had checked Abdullah's family background. But at a zoom meeting on Jan 22 to address any outstanding issues, these last two questions were not answered. The report found that the production company carried most of the responsibility for the failure to inform the BBC but that it did not intentionally mislead the broadcaster. However, it added that putting Abdullah forward as the narrator – given his background – was wrong. But it also said the BBC 'bears some responsibility', first for being 'insufficiently proactive' in failing to scrutinise the role of the narrator at an early stage, and then for its 'lack of critical oversight of unanswered or partially answered questions'. The BBC should not have signed off on the film without having the answer to every question, the report concluded. Narrator's payment Abdullah's adult sister was paid a £795 'disturbance fee' for his participation in the programme, while Abdullah was given a second-hand mobile phone and a gift card for a computer game – together, this amounted to a total value of £1,817. The production company said the money was intended for Abdullah's mother, as his legal guardian, but was paid via the sister as the mother did not have a Bank of Palestine account. In his report, Mr Johnston concluded: 'I do not consider the amount or purpose of any of these payments to have been outside of the range of what might be reasonable.' The fallout Lisa Nandy, the Culture Secretary, previously asked why nobody had been fired over the documentary, although her language on Monday was noticeably calmer. Tim Davie, the BBC director-general, said he was sorry for the 'significant failing' in relation to accuracy. Ofcom launched its own investigation into whether audiences were misled. The BBC promised 'accountability' but Ms Turness refused to be drawn on whether anyone would lose their job over the mistakes. She apologised for the error but sought to blame Hoyo Films, saying: 'The questions should have been answered by the independent production company at the many times of asking.' As for the future of the documentary, it may be re-edited into shorter films that could be made available on iPlayer.

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