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Two-day music event proposed to save Cambridge Folk Festival

Two-day music event proposed to save Cambridge Folk Festival

BBC News10 hours ago
One of the country's oldest folk festivals has confirmed it will return next year after this year's hiatus, but the event is set to only last two days. Cambridge City councillors will consider the scaled-down schedule as part of proposals for Cambridge Folk Festival to try to make it more sustainable and financially resilient.The proposed event at Cherry Hinton Hall would have two medium-sized stages, as well as more basic camping, to "significantly reduce the infrastructure costs".The festival lost £320,000 in 2024, council officers said.
Cambridge City Council has been reviewing the future of the event, which would have celebrated its 60th anniversary this year.Instead it has organised free and ticketed Folk in the City events at the same venue this summer.Cambridge Folk Festival began in 1965 and in the past has seen performances from international stars such as Van Morrison, Billy Bragg and Sinead O'Connor.The local authority said Cherry Hinton Hall would remain the anchor venue.It hoped the new format would "protect" the festival while making it "more inclusive and affordable" to more people across different parts of Cambridge.Rising stars both locally and nationally would still be supported.The council officers' review indicated it would have to find £500,000 to support the festival in its current form, at a time it is already having to find annual savings of £11.5m.
Labour's Antoinette Nestor, cabinet member for culture, economy and skills, said "protecting its legacy" was essential, adding: "We need to address the changes in audience behaviour – such as the decline in people wanting to pay for weekend camping tickets – and ensure the festival returns in a financially-resilient way".But Lib Dem leader Tim Bick was less happy, and said Labour had not encouraged enough views on the matter. He said in a statement: "The in-depth review that they've published doesn't inspire confidence. "It highlights a big weakness in the way the festival has been marketed and a leadership short on vision."He said the line-up, a calendar clash with Latitude festival and inflation had impacted sales this year.Councillors will consider the new proposals on 15 July.
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Life Cycle of a Moth by Rowe Irvin review – captivating story of maternal love and male violence
Life Cycle of a Moth by Rowe Irvin review – captivating story of maternal love and male violence

The Guardian

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  • The Guardian

Life Cycle of a Moth by Rowe Irvin review – captivating story of maternal love and male violence

In the woodland, beyond the fence, inside the old forester's hut, Maya and Daughter live in a world of rituals. The fence is secured with 'Keep-Safes' – fingernails, Daughter's first teeth, the umbilical cord that once joined them – to protect them from intruders. While their days are filled with chores, setting traps for rabbits and gathering firewood, every night they play a game they call 'This-and-That', in which they take it in turns to choose an activity – hair-brushing, dancing, copying – before saying their 'sorrys and thank yous' in the bed they share. From the beginning of British author Rowe Irvin's captivating debut novel, it is clear that Maya has created this life for herself and her daughter – who calls her mother 'Myma' – as a refuge from the brutality of the world beyond the fence's perimeter. Irvin's tale switches between two narrative strands: present-day chapters narrated by Daughter, a naive, spirited girl who is as much woodland creature as she is person; and more distant sections detailing Maya's rural upbringing with an alcoholic father and withdrawn mother, and the acts of male violence that led her to flee. Maya has taught Daughter only the words she needs for their existence, so although Daughter is 15, her language is childlike: 'Sweat dries in the furry unders of my arms.' Later, Daughter is out in the woods: 'Touch finger and thumb together now to make a circle for peering through. Move slow, pointing my seeing-hole at ground and tree and sky.' It's a feat that Irvin maintains this playful, almost incantatory voice in all Daughter's sections across these 300 pages. Maya tells Daughter that their rituals protect them against 'Rotters', people living beyond the fence, who are 'empty on the inside … hollow'. If a Rotter were to intrude on their sanctuary, they would be eaten away like 'gone-bad apples'. 'Shudder with the thought of it,' Daughter thinks. But as the novel progresses, the manner in which Maya controls Daughter's understanding of the world grows more frightening. When Daughter finds a glove in the woods – she thinks it is a 'blue hand blanket', and laughs at 'the way the long fingers flap empty at the ends' – she takes it to show her mother, thinking it will make her laugh too. It doesn't. 'It came from a Rotter,' Maya says. 'One must have got in during the dark and left it as a trick … You shouldn't have touched it.' Later, she is warned against being too inquisitive when she meets Maya in the ash copse, a rope around her neck and a stump beneath her feet. Maya tells her: 'If I step off my neck will snap and I'll be dead … The questions you ask, she says then, they can do damage, Daughter'. Daughter only has more questions when she finds the Rotter who dropped the glove. The intruder, a man named Wyn, is the first human she has ever seen apart from Maya. Her mother rages against Wyn, until a strange force stops her killing him. Once Maya convinces Daughter she has 'cut the Rot' from him, he is invited inside their dwelling, first roped-up and kept on the floor, and then given a seat at the table. More and more, Daughter questions Maya's logic. How did Wyn get over the fence, with all their Keep-Safes? And why is it suddenly OK for them to be around a Rotter? Wyn's outside perspective further reveals the extent to which the belief system they live by is simply Maya's coping mechanism for personal trauma. We know she has created this world out of a desire to protect herself and her kin. But with her love, she has also been deceptive, sometimes cruel. In impish yet tender style, Irvin thoughtfully explores what it means for a mother to care for a daughter in a world where male violence is everywhere. Life Cycle of a Moth is the very best kind of fiction: with the book open, you feel utterly transported; once you close it, you see how cunningly it holds a mirror up to reality. I can't wait to read whatever Irvin writes next. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion Life Cycle of a Moth by Rowe Irvin is published by Canongate (£16.99). To support the Guardian buy a copy at Delivery charges may apply.

Ed Sheeran reveals surprising new career tangent after being inspired by his parents
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Ed Sheeran reveals surprising new career tangent after being inspired by his parents

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Ozzy Osbourne 'could return to the stage but with a twist' - despite playing his last ever live show
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timean hour ago

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Ozzy Osbourne 'could return to the stage but with a twist' - despite playing his last ever live show

could be set to return to the stage but with a twist, according to reports on Tuesday. The Black Sabbath frontman, 76, performed his final gig at Birmingham 's Villa Park this weekend as he reunited with his bandmates one last time. Ozzy has spoken openly about his health in recent years after undergoing seven surgeries in the past five years, including a fourth spinal operation in 2023. The band - Tony Iommi, Geezer Butler, Bill Ward and Ozzy - are said to have trademarked their name in virtual reality. It would allow for Black Sabbath to be beamed out in arenas in digital form - allowing them to perform gigs from thousands of miles away. According to The Mirror, the papers 'trademark use of production and presentation of animation and other special effects.' The move to trademark their virtual being follows the estates of George Michael and Freddie Mercury, who also filed documentation showing they plan to branch out into live events - inspired by ABBA Voyage. MailOnline has contacted Ozzy's representative for comment. Bands like Oasis have also taken similar plans, while rockers KISS have unveiled 'immortal' digital avatars that will carry on their performances when band members are no longer able to tour. The rash of projects involving holograms of pop stars has been fuelled by the success of London's ABBA Voyage show, which sold more than a million tickets in the first year, and is one of London's most visited attractions. ABBA Voyage, launched in 2022, has holographic avatars of Bjorn Ulvaeus, Agnetha Faltskog, Anni-Frid Lyngstad and Benny Andersson singing crowd favourites such as Dancing Queen and Waterloo. Ozzy closed out his final ever live performance with some emotional words at Birmingham's Villa Park Stadium on Saturday night. He reunited with his Black Sabbath bandmates for their first performance in their original line-up since 2005 - and their final ever show as a band. The heavy metal singer had some poignant words for Villa Park as he brought the show to an emotional close in his hometown, Birmingham - where Black Sabbath formed some 56 years ago. Closing the band's final gig, Ozzy said: 'It's the last song ever. Your support has enabled us to live an amazing lifestyle, thank you from the bottom of our hearts.' A message on screen then read: 'Thank you for everything, you guys are f***ing amazing. Birmingham Forever,' before the sky lit up with fireworks. The band's final performance was overwhelming for frontman Ozzy, who repeatedly thanked fans for their ongoing support over his five decades in the music industry. As the 42,000-strong crowd cheered him on, Ozzy admitted at one point: 'You have no idea how I feel.' Ozzy previously said he was unsure whether he was going to stand or sit down to perform due to his spinal operations, and he made an epic arrival on stage in a black quilted throne with a huge bat on top.

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