
Thug Life's early OTT release may cost producers Rs 25 lakh fine
The film faced critical and commercial disappointment, alongside controversy in Karnataka over Kamal's remarks on the Kannada language, resulting in a ban.
Now, the film is expected to stream on Netflix within four weeks, violating the standard eight-week OTT window in North India. This move may cost Raaj Kamal Films International a Rs 25 lakh penalty from multiplex chains.
Netflix, which initially valued the film at Rs 130 crore, has allegedly revised the deal to Rs 110 crore. The film features Kamal Haasan as a gangster and Silambarasan as his adopted son.
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Time of India
an hour ago
- Time of India
Souza's 4 rare works to be auctioned this week
Panaji: A rare collection of four distinctive artworks by modernist painter of Goan origin, F N Souza, collectively valued at over Rs 1 crore, is set to lead the upcoming online auction by AstaGuru Auction House on July 29 and 30. The artworks include two pieces from his 'Head' series periods (1964 and 1985), a dynamic 1990 landscape, and a 1987 nude inspired by Khajuraho sculptures. 'Souza was a pioneering force in the Indian modernist art movement,' said Sneha Gautam, the director of client relations at AstaGuru Auction House. 'As a founding member of the Progressive Artists' Group in the 1940s, he was instrumental in challenging conventional Indian artistic traditions and introducing a bold modernist sensibility, especially at a time when the country was finding its distinct artistic voice. ' Gautam said, 'His work played a key role in shaping the trajectory of modern Indian art, bringing modernist styles and ideas to the forefront.' The artworks span various styles and themes that the artist concerned himself with throughout his career. The curation also showcases Souza's command of and proficiency in varied mediums. Lot No. 37 and Lot No. 42 showcase his different takes on portraiture and are reminiscent of his 'Head' series. The series featured portraits influenced by European art movements that displayed the artist's inner turmoil through the depiction of distorted faces. While Lot No. 37 is a colourful untitled work executed using acrylic on paper in 1985, Lot No. 42 is a charcoal-on-canvas work from 1964. Lot No. 56 belongs to Souza's vast oeuvre of landscapes. Executed in 1990, the oil-on-canvas work exemplifies his visceral approach to environment and structure. With a dense web of jagged lines and rhythmic brushstrokes, the composition collapses foreground and background into a frenetic tangle of green, ochre, and blue. Lot No. 84 is an untitled pen-on-paper work executed in 1987. It reveals Souza's fascination with creating nude works and the inspirations he took from the erotic sculptures of the Khajuraho temples. Captivated by the uninhibited expression of human desire found in these ancient carvings, Souza drew from their raw physicality and symbolism, particularly in his depictions of the female nude and intertwined couples. 'Characterised by assertive lines, striking colours, and a fusion of abstraction and figuration, Souza's art drew inspiration from Cubism, Expressionism, and other European movements,' Gautam said. 'His paintings frequently explored existential and religious concerns, while also offering sharp critiques of social and political structures.' She said, 'With a distinctive visual language, his use of line and colour imbued his work with dynamic tension, often evoking both intensity and unease. Souza left behind an unrivalled legacy of rebellion, paving the way for generations of artists to come.'

The Hindu
an hour ago
- The Hindu
‘Su From So': How an unheralded Kannada film broke marketing norms to set box office records
Three days ago, Su From So was an unheralded film. Today, it has shaken the Kannada film industry, reiterating the importance of quality content and prompting filmmakers to reassess their promotional strategies. Su From So, released during the cataclysmic run of Saiyaara, the Hindi love story that has revived the romance genre in Bollywood. The entertaining F1, which had crossed the ₹100 crore-mark in India, was still a hot property in Bengaluru. And Telugu star Pawan Kalyan's much-awaited Hari Hara Veera Mallu was expected to score big. However, three days after its theatrical release, Su From So has conquered every hurdle in its path to break box office records. It's a surprise hit of 2025. 'Three days ago, Su From So was an unknown project. Today, you have made it one of the most exciting films of the year,' Raj B Shetty, who co-produced the movie, wrote on social media. The numbers associated with Su From So are mind-boggling. The film created history when one lakh twenty-seven thousand tickets got sold on the ticketing app BookMyShow on Saturday (July 26, 2025). No Kannada film has enjoyed this amount of ticket sales in a single day on the online platform. On Sunday, Su From So enjoyed more than 550 housefull shows across India, a terrific number considering the prolonged lull in the Kannada film industry in 2025. Raj, apart from co-producing the movie, plays a prominent character in Su From So, but his role was kept a secret. The director of acclaimed films like Ondu Motteya Kathe and Garuda Gamana Vrishabha Vahana could have been the face of the film, but chose not to hog the limelight of a movie filled with fresh faces in Kannada. One video message from Raj proved to be game-changing. 'We know that you are tired of pre-release interviews and reactions from celebrity shows. We aren't doing them for our movie. We want you all to be our honest promoters. Watch our film and spread the word,' the actor-director had urged, as he announced paid-premiere shows in Shivamogga, Mysuru, Mangaluru, and Bengaluru. Bharath Sudhama, co-founder of film marketing company The Big Little, feels Raj pulled off a coup with his statement. 'Saying you won't promote a film is itself a promotion. It means that you are telling the audience you are completely confident about your content. People walk into the theatres wanting to like the movie because of the bold step from the makers,' he analyses. 'It's like Upendra saying his film is only for the intelligent ones (bhuddivantharige maatra). Everybody would want to be known as intelligent to watch his movies.' After avoiding the customary YouTube appearances, Su From So banked on their content to do the talking. The hilarious trailer and the peppy dance number, called 'Dank Anthem', had given the movie some advantage. Post its release, the outstanding word of mouth has bolstered ticket sales. 'We are getting requests for more shows,' Raj told reporters. On Sunday, 72 early-morning shows (EMS, before 9:00 am) were added in Bengaluru theatres, an unprecedented development. Bharath says the industry must be cautious and not see this low-key promotion strategy as a formula. 'Minimal promotions might not work for another movie because it may not garner exceptional word-of-mouth in the initial phase. You can't criticise a team that opts for vibrant promotional methods just because one movie tasted success without promotional activities. Every film team has to find a unique option to suit its content,' explains Bharath. Just like Kirik Party (2016), Kantara (2022), and 777 Charlie (2022), it's a team from the coastal Karnataka region that has resurrected a struggling industry with a refreshing subject aimed at entertaining the family audience. Su From So, directed by popular Tulu theatre artiste and film actor JP Thuminad, is a rip-roaring horror comedy set in a village in Dakshina Kannada. Marked by excellent performances, the film makes for a great community viewing, as it weaves an important message with a rooted presentation, maintaining the flavour of the backdrop. ALSO READ: 'Ekka' movie review: Yuva Rajkumar gives his all to a script that doesn't reward his effort 'The film reminded me of my Sarkari Hiriya Prathamika Shaale Kasaragodu (2018),' said Rishab Shetty on X, referring to his third directorial, which was also a fine amalgamation of message and entertainment. Su From So, following a stupendous start, is set to go places. Dulquer Salman's Wayfarer Films will distribute the Malayalam dubbed version of the movie in Kerala from August 01, 2025. Anil Thadani's AA Films has bagged the North India distribution rights for the movie. Phars Film Co. LLC is in talks to release the movie overseas.


Time of India
an hour ago
- Time of India
Your comments are proof why Renukaswamy's family needs justice: Ramya slams Darshan fans
Actress Ramya is once again facing a wave of online trolling for speaking out in support of Renukaswamy's family — the victim in the ongoing murder case linked to actor Darshan . Last week, the Supreme Court strongly criticised the Karnataka High Court's decision to grant bail to Darshan, questioning the rationale behind the order and suggesting it nearly amounted to an acquittal. Sharing a screenshot of this development, Ramya took to Instagram to demand justice for Renukaswamy's death, and wrote: 'SC is a ray of hope for the common people of India- justice for the family of Renukaswamy.' However, her post did not sit well with Darshan's fanbase, many of whom flooded her comments section with abusive and hateful messages. Unfazed, Ramya responded with a sharply worded Instagram Story that read: 'To all the DBoss fans — Welcome to my Instagram :) Your comments are proof why Renukaswamy's family needs justice!' This isn't the first time Ramya has been targeted. Last year, shortly after Darshan's arrest, she had posted, 'No one is above the law. No one should take the law into their hands.' That too had triggered a wave of trolling from his supporters. Meanwhile, Darshan — currently out on bail — has been on a temple run, recently spotted visiting multiple temples across Karnataka. He had also traveled to Thailand last week to shoot portions of his upcoming film Devil, and returned to Bengaluru two days ago. Ramya and Darshan have shared the screen in two Kannada films — Datta and Snehana Preethina.