
Most Controversial Song Lyrics Ever Released
Let's cut to the chase: So many artists have penned controversial and outrageous song lyrics over the years. Like, horrific. Here's a look back at some of the most shocking:
1. 'Playin' with the pussy ain't enough / Imma treat it like Rihanna, bitch / Call me Chris Brown' — Glasses Malone on '#Rihanna'
2. 'In about three years, holla at me Miley Cyrus' — Mack Maine on Young Money's 'Every Girl'
3. 'Put Molly all in her champagne / She ain't even know it / I took her home and I enjoyed that / She ain't even know it' — Rick Ross on Rocko's 'U.O.E.N.O'
4. "I be fuckin' broads like I be fuckin' bored / Turn a dyke bitch out, have her fuckin' boys" — A$AP Rocky on "Fuckin' Problems"
5. "How I'm antisemitic? I just fucked a Jewish bitch" — Kanye "Ye" West on "VULTURES" with Ty Dolla $ign
6. 'I hate these blurred lines / I know you want it' — Robin Thicke on 'Blurred Lines'
7. 'First you find a house and scope it out / Find a Chinese neighbourhood, 'cause they don't believe in bank accounts' — YG on 'Meet the Flockers'
8. 'Age ain't nothing but a number / Throwing down ain't nothing but a thing / This loving I have for you / It'll never change' — Aaliyah on "Age Ain't Nothing But A Number," which was written by R. Kelly
9. 'Don't touch what you can't grab / End up with two backhands / Put anthrax on a Tampax / And slap you 'til you can't stand' — Eminem on 'Superman'
10. 'I don't care if you're just 13 / You look too good to be true / I just know that you're probably clean / There's one little thing I got to do to you / Jailbait, you look so good to me' — Ted Nugent on 'Jailbait'
11. 'I'm a runaway slave master / Shittin' on the past, gotta spit it like a pastor' — Iggy Azalea on 'D.R.U.G.S'
12. 'At break of day when that man drove away I was waiting / I crossed the street to her house and she opened the door / She stood there laughing / I felt the knife in my hand and she laughed no more' — Tom Jones on 'Delilah'
13. 'She's only seventeen (Seventeen) / Daddy says she's too young / But she's old enough for me' — Winger on 'Seventeen'
Feel free to share other examples in the comments.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Times
15 minutes ago
- New York Times
Jonathan Anderson Sets a New Dressing Agenda at Dior
A photo of Christian Dior's original salon stretched the width of the Invalides, the gold-domed palace where Napoleon is buried, offering a fish-eye view of the past to the throngs shrieking outside — and a sign of just where Dior believes it belongs in the pantheon of French power. Inside, dove-gray velvet lined the walls of a temporary event space and displayed two rare 18th-century oils by Jean Siméon Chardin on loan from the National Galleries of Scotland and the Louvre. Robert Pattinson gossiped with Josh O'Connor. Donatella Versace schmoozed with Roger Federer. A pregnant Rihanna arrived with ASAP Rocky a mere 45 minutes after the official start time. That's how much anticipation there was for the Dior men's show. The filmmaker Luca Guadagnino was even trailing around to document the moment. It was Jonathan Anderson's debut as the creative director/savior of the house, the first designer to be put in charge of both men's and women's wear. And under all the buzz, a giant question mark hovered: Could the former Loewe wunderkind reignite excitement not just in the brand but in fashion? Want all of The Times? Subscribe.


Los Angeles Times
4 hours ago
- Los Angeles Times
Jake Brasch's ‘The Reservoir' suffers from arrested character development at the Geffen Playhouse
All unhappy families of addicts are unhappy in their own way. Unless, of course, you're a stage family, overrun with 'characters' who don't so much speak as deliver laugh lines and dispense nuggets of moral wisdom. Those families tend to be all alike, regardless of the superficial differences among them. Grandparents play a larger role than usual in Jake Brasch's 'The Reservoir,' which opened Thursday at the Geffen Playhouse under the direction of Shelley Butler. But the theater's ability to turn family dysfunction, be it alcoholism, Alzheimer's or just garden-variety existential agony, into entertainment and instant illumination, has long been a staple of the American stage. My tolerance for the artificiality of the genre may be lower than most theatergoers. Some take comfort in hoary comic patterns, souped-up eccentricity and reassuring pieties. Overexposed to this species of drama, I slump in my seat. Indeed, my patience was as thin for 'The Reservoir' as it was for 'Cult of Love,' Leslye Headland's drama about a family breakdown during the holidays that made it to Broadway last season after its 2018 premiere at L.A.'s IAMA Theatre. Neither play is beyond pandering to its audience for an easy laugh. Serving as protagonist and narrator, Josh (Jake Horowitz), the queer Jewish theater student on medical leave from NYU who wakes up one morning after an alcoholic bender at a reservoir in his hometown of Denver, exhibits the snappy, manic banter of a drunk not able to face up to his problem. Patricia (Marin Hinkle), his long-suffering mother, has had it with Josh's relapses, but how can she turn away her son who lies bleeding on her couch? With his mother's help, Josh gets a job as a clerk at a bookstore as he tries once again to pull his life together. Fortunately, Hugo (Adrián González), his manager, is quick to overlook his lax performance. Apparently, drinking has so scrambled Josh's brain that alphabetizing books takes every ounce of his strength. I didn't quite feel as indulgent toward Josh, but not because I didn't sympathize with his struggles. My beef was that he sounded like an anxious playwright determined to string an audience along without forced exuberance and sitcom-level repartee. (Compare, say, one of Josh's rants with those of a character in a Terrence McNally, Richard Greenberg or Jon Robin Baitz comedy, and the drop off in verbal acuity and original wit will become crystal clear.) What gives 'The Reservoir' a claim to uniqueness is the way Josh's four grandparents are conscripted not just into the story but into the staging. Seated in a row onstage, they serve as chorus to their grandson's travails, chiming in with their own opinions and acting out his description of the way his thoughts compulsively take over his mind, like an unstoppable train or a raging river. Each also has an individual role to play in Josh's recovery. Patricia's mother, Irene (Carolyn Mignini), for example, has been transformed by dementia since Josh has seen her last. She's always been his favorite grandparent. He fondly recalls baking cookies, playing Uno and singing along to 'The Sound of Music' with her. Even when she pulled away after he came out in high school, his affection has remained steadfast. He would like to connect with her again and fears he has lost his chance. At the bookstore, he reads up on Alzheimer's disease and hatches a plan to build up the cognitive reserve of all his grandparents by feeding them spinach and keeping them mentally engaged. He's trying, in effect, to save himself by saving them, but they're too feisty to be corralled by their unstable grandson. Irene's fiercely protective husband, Hank (Geoffrey Wade), an arch religious conservative, is too grumpy. As for Josh's paternal Jewish grandparents, Shrimpy (Lee Wilkof) is too much of a practical joker with sex on his mind. And Beverly (Liz Larsen), an electrical engineer who doesn't mince words, is too gimlet-eyed not to see that Josh is focusing on his grandparents to avoid doing the hard work of recovery. Having been sober for many decades herself, Bev recognizes the narcissism of addiction, the way addicts have a tendency to put themselves at the center of the universe. She offers Josh the tough love that he needs, forcing him to see that a grandparent isn't just a grandparent but a human being with a complicated history that needn't be worn like a Kleenex visible from under a sleeve. Josh sets out to be a savior but ends up getting an education in the reality of other people. Brasch's intentions are noble, but 'The Reservoir' doesn't plunge all that deep. The play draws out the distinctiveness of the grandparents by ratcheting up their zingy eccentricities. How easily these characters fall into a punch-line rhythm. Larsen has the most consequential role and she imparts just the right note of astringency. But the staginess of the writing makes it difficult for any of the actors to transcend the shtick that's been assigned to them. Hinkle brings a depth of realism to her portrayal of Patricia, but the character isn't fully developed. Whole dimensions of Patricia's life are veiled to us. Both Hinkle and Gonazález gamely play other characters, but these sketched presences compound the general impression of a comic world drawn without much nuance. The staging is frolicsome but visually monotonous — a problem for a play that is much longer than it needs to be. More than two hours of looking at the fey-preppy outfit costume designer Sara Ryung Clement prepared for Horowitz's Josh becomes a kind of fashion purgatory for audience and protagonist alike. I'm not sure why a production that doesn't take a literal approach to settings has to repeatedly trot out the front seat of a car. The spry assistance of stagehands, who not only move set pieces but help flesh out the world of the play, is a jaunty touch. But the sound and lighting effects get rather heavy-handed during Josh's hallucinatory meltdowns. Blame for the inexcusably clunky dream scenes, a writing fail, can't be pinned on the designers. Horowitz had the Geffen Playhouse's opening-night audience in the palm of his hand, but I heard an actor playing his comic lines more than his character. Horowitz, however, is only following the direction of a playwright, who has a harrowing story to tell and needs you to enjoy every tricked-up minute of the zany-schmaltzy telling.
Yahoo
5 hours ago
- Yahoo
Jonathan Anderson's Dior Debut Draws Daniel Craig, Robert Pattinson, TXT and Rihanna
JUST THE TICKET: Jonathan Anderson's debut at Dior was the hottest ticket in town — and that's saying something when temps are hitting the hundred-degree mark. There was rare AC in the venue; never mind that it was installed to protect the artworks on display in the museum-like set. But either way, it benefited the audience. Some stars have perfected the art of arriving 'fashionably' late (see Beyoncé Knowles-Carter at Louis Vuitton), Rihanna and A$AP Rocky among them. Their entrance caused a commotion when the doors reopened for the couple and sent guests into a frenzy. More from WWD Sabrina Carpenter Goes Classic in Pleated Skirt and Satin Peep-toe Louboutin Pumps Dior Homme's Spring 2026 Show Summer 2025 Fashion: City Escape Lauren Sánchez Has an Audrey Hepburn Style Moment on Her Wedding Day Robert Pattinson admitted he had a preview of the collection the day before the show. 'I've known Jonathan for years, so I'm really happy for him,' he said. Even though he's been to many shows, Pattinson, a Dior brand ambassador for 14 years, expressed his excitement for the energy surrounding fashion week. 'I love the entire process,' he added. Pattinson also shared that he'll begin shooting the next 'Batman' film next year. 'The costume is iconic,' he said, though he noted it wouldn't be making an appearance at fashion week. Instead, he praised Anderson's new collection. Many looks were anchored with Regency-style collars, cravats and capes, alongside modern knitwear and jeans. 'It's all super wearable, which is great and exciting,' Pattinson declared. Mike Feist was deep in discussion with Joe Alwyn and Alison Oliver. Turning the tables during a chat with WWD, Feist grabbed the mic and played reporter, asking Oliver what she thought of the show. 'I'm delighted and very warm, but I have no intention of taking this jacket off,' she said, referring to her Dior look adorned with military-style buttons. Feist, who previously told WWD in Cannes that he's 'not a fashion guy,' kept his look casual and was there to support Anderson. 'I'm a big fan of him. We're good friends,' he said. Currently taking a break from film to focus on writing a screenplay, Feist said that he's preparing to return to the stage in a new play. 'I'm feeling very Sgt. Pepper,' said Drew Starkey, referencing his military-inspired jacket. The British actor is another longtime friend of Anderson's. 'He's one of the hardest-working people I've ever met — and one of my favorite people. This is well deserved,' he said. Starkey recently wrapped 'Onslaught' with Rebecca Hall and Dan Stevens but remained completely tight-lipped about the project. Instead, he revealed that he flew in for the show during a quick break from filming the next season of 'Outer Banks' in South Carolina, where production will continue for seven months. He also had a front-row reunion with his 'Queer' costar Daniel Craig. Craig joked that he didn't have anything intelligent to say about fashion but was seen chatting with Soobin, Yeonjun, Beomgyu and Taehyun — four out of five members of Tomorrow x Together who attended the show (Heuningkai was absent). Craig asked about their recent tour, music-making and writing process before posing for photos with both the group and Pattinson. With Anderson's Dior debut being the hottest ticket in town, many fellow designers came out in support. Jack McCollough and Lazaro Hernandez, recently named as Anderson's successors at Loewe, were enthusiastic about being there. 'We're big fans of him,' Hernandez said. 'We have a lot of love for him.' The duo said they're settling in well. 'We're having so much fun. I don't know how else to describe it. Everything feels possible — it's a dream.' However, they admitted they're still adjusting to Paris. 'We're really just between the office and home, not going out much. We're focused on the job. September will be the big one,' Hernandez added of their upcoming debut at the other LVMH Moët Hennessy Louis Vuitton-owned house. Donatella Versace, seated front row, was there for Anderson's big moment. 'For me, I'm so emotional because I worked with Jonathan when he was very young. We did the Versus show together,' she recalled of the 2013 collection. 'So, you know, I consider him like my little baby now.' The show also brought out fashion's best in class. Former Dior Homme artistic director Kris Van Assche, Courrèges' Nicolas Di Felice, Silvia Venturini Fendi, Rabanne's Julien Dossena, Jacquemus designer Simon Porte Jacquemus, newly-apponted Balenciaga creative director Pierpaolo Piccioli, Stefano Pilati, and Louis Vuitton Men's artistic director Pharrell Williams were just a few of the many notable creatives in the crowd. Launch Gallery: Celebrities Front Row at Dior Homme Men's Spring 2026 Ready-to-Wear Show Best of WWD Why Tennis Players Wear All White at Wimbledon: The Championships' Historic Dress Code Explained Kate Middleton's Looks at Trooping the Colour Through the Years [PHOTOS] Young Brooke Shields' Style Evolution, Archive Photos: From Runway Modeling & Red Carpets to Meeting Princess Diana