
Destination Venice: 9 Romantic Wedding Venues in Italy's ‘Floating City'
The city is full of beautiful venues, from ornate palazzos to gardens that feel like secrets. We pulled together six of our favorites—each one special in its own way. Some are grand, some more low-key, but all of them have that unmistakable Venetian atmosphere that makes a wedding feel like a moment out of a grand and historic fairy tale.
Aman Venice occupies Palazzo Papadopoli, one of the eight grand palazzos lining the Grand Canal, combining Rococo frescoes and Murano crystal chandeliers with Jean-Michel Gathy's refined minimalist interiors. It's the only hotel in Venice to feature two private canal-side gardens—the Canal Garden and the Pergola Garden—which serve as rare outdoor ceremony or reception spaces.
The historic double piano nobile houses grand event rooms, including a luminous ballroom, salon, library, and multiple dining spaces, each retaining frescoed ceilings and elegant period details ideal for both intimate and larger wedding celebrations. With just 24 suites, direct Grand Canal access, and fully tailored celebration services, it offers luxury couples a rare blend of exclusivity, heritage, and discreet Aman hospitality—all steps from Piazza San Marco
Hotel Locanda Vivaldi is housed in the historic home of composer Antonio Vivaldi, rebuilt into a boutique hotel perched on the Riva degli Schiavoni with views across St. Mark's Basin—just steps from Piazza San Marco. Its panoramic rooftop terrace offers sweeping vistas of iconic landmarks like San Giorgio, the bell tower, and the lagoon, making it a stunning setting for a sunset reception.
The hotel organizes full wedding packages, from ceremony coordination to vintage boat transfers and traditional Venetian catering. With fewer than 30 rooms—including suites with private balconies and lagoon views—it's well-suited to couples seeking an intimate celebration framed by genuine Venetian history.
Hotel Palazzo Stern is a 15th-century, neo-Gothic palazzo turned boutique hotel, standing directly on the Grand Canal in Dorsoduro with a terrace offering sweeping canal views. Its intimate, art-filled interiors—complete with frescoes, mosaics, carved wood, and antique mosaics—create a refined, historical atmosphere perfect for an elegant small wedding.
The rooftop terrace can host welcome drinks or a reception against the backdrop of Venice's waterways, while on-site event planning includes vintage boat transfers and customized menus. With under 70 rooms, valet parking, and concierge-arranged logistics via water taxi, it strikes a balance between relaxed exclusivity and Venetian grandeur.
The Gritti Palace is a 15th-century noble residence turned luxury hotel, set directly on the Grand Canal across from Santa Maria della Salute. Its richly decorated interiors feature antique Murano glass chandeliers, original frescoes, and period furnishings, creating an opulent backdrop for wedding celebrations. The Redentore Terrace and canal-side Gritti Terrace offer panoramic views ideal for elegant outdoor receptions or sunset toasts.
With in-house floral and culinary teams, a private Riva boat for arrivals, and just 82 rooms, the hotel specializes in intimate events with unmistakable Venetian character. Couples can host ceremonies in the ornate Longhi Room or reserve the Club del Doge restaurant for a formal seated dinner. Located just minutes from St. Mark's Square, the property also offers easy access to Venice's most iconic photo backdrops.
Palazzo Nani Bernardo is a private 16th-century Renaissance palace on the Grand Canal, blending historical grandeur with an intimate, residential feel. Its second piano nobile features a long hall and five side salons, ideal for refined indoor ceremonies and seated dinners. The crowning jewel is its hidden Italian-style garden—one of the largest in Venice—complete with climbing roses, jasmine, century-old trees, and the city's tallest palm, providing a lush outdoor backdrop for cocktails, vows, or sunset gatherings.
Fully accessible by water, the venue includes its own dock and two private guest apartments, enabling exclusive multi-day celebrations. The palace remains family-owned and is rarely open to the public, making it one of Venice's most discreet and coveted wedding venues.
Ca' Sagredo is a beautifully restored 15th-century palace turned boutique hotel, adorned with opulent Baroque art and grand frescoed ceilings overlooking the Grand Canal. Its elegant reception rooms—such as the Sala Maggiore and Sala del Camino—are ideal for intimate ceremonies or refined seated dinners, each set within original gilt frames and marble fireplaces. The rooftop terrace offers a romantic cocktail setting with sweeping canal views, perfect for sunset toasts or small receptions.
With just 42 rooms and suites, many featuring painted ceilings and period furnishings, the atmosphere feels like hosting your own private Venetian celebration. Couples can arrive by private boat at the hotel's water entrance before retreating to discreet event planning services and chef-crafted Venetian tasting menus.
Palazzo Zeno is a rare gem nestled in Venice's Dorsoduro district—a 14th-century residence thoughtfully transformed into an intimate boutique hotel. Its courtyard and charming rooftop terrace offer private outdoor ceremony settings with views of hidden canals and historic rooftops. The interior salons, with antique furnishings, exposed timber beams, and family heirlooms, create a warm, lived-in atmosphere ideal for small wedding gatherings. Couples can coordinate water-taxi arrivals directly at the front entrance and enjoy personalized service in a venue that feels like a well-loved Venetian family home.
The St. Regis Venice is a lavish waterfront palace hotel set on the Grand Canal, offering sweeping views and a sense of aristocratic splendor. Its Meravigli Ballroom and dramatic canal-facing grand salon feature bold frescoes, Murano glass chandeliers, and gilded décor—perfect for elegant indoor ceremonies with a dash of Venetian flair.
The hotel's spacious private terraces allow for al-fresco receptions or sunset aperitifs with guests floating by on the water. With over 110 rooms and suites blending classic Venetian styling with modern amenities, it accommodates both grand weddings and intimate gatherings. Full wedding planning support, including customized catering, floral design, and dedicated water-taxi logistics, ensures a seamless, romantic celebration from arrival to sparkler send-off.
From canal-side gardens and rooftop terraces to frescoed ballrooms and centuries-old courtyards, Venice offers a wide range of memorable wedding settings. Each venue brings something unique, whether it's a private dock, panoramic Grand Canal views, or layers of history visible in every detail.
Many properties include in-house planning, vintage boat transfers, and accommodations that make it easy for couples and their guests to settle in and celebrate without needing to look elsewhere. Whether you're drawn to a boutique palazzo, a storied luxury hotel, or a hidden garden retreat, Venice delivers a wedding experience rooted in character, beauty, and ease.
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Time Magazine
2 hours ago
- Time Magazine
Breaking Down the Twists and Reveals in the Ending of Netflix's 'Untamed'
Warning: This post contains spoilers for Untamed. The temptation is strong to classify Untamed, the new series from screenwriter Mark L. Smith and his daughter Elle Smith, as Netflix's answer to Paramount's Yellowstone. In fact, it's not wrong to at least assume as much; when one studio makes a cool $2 billion from their neo-Western surprise smash, a non-zero number of competing studios will inevitably scramble to fund their own. But if Untamed is a product of the ongoing content arms race between cable networks and streaming services, it is nonetheless a better genetic match to Top of the Lake, Jane Campion's 2013 New Zealand mystery drama, whose skeletal structure reads like the unintended template for television's modern crop of regional detective dramas. Untamed, like Yellowstone, concerns itself with one of America's best ideas: its national parks. But it's also a trim limited series rooted in the stuff of parenthood, like Top of the Lake—the sins of the father (and the mother, for good measure), self-doubt, overwhelming powerlessness, and lots of grief. No conflict is had between the old ways and the new, so to speak, not even in context with white settlers' theft of Indigenous land. Instead, the show excavates the souls of its co-leads, Kyle Turner (Eric Bana), an Investigative Services Branch (ISB) agent for the National Park Service in Yosemite; and Naya Vasque (Lily Santiago), an L.A. transplant and NPS newbie, assigned to assist Turner in following the threads of a potential murder case in the park. What they unravel from that skein cuts not only to their cores as parents, but the story's supporting characters' cores, too, from Paul Souter (Sam Neill), Turner's friend, mentor, father figure, and boss as Yosemite's chief ranger, to Jill (Rosemary DeWitt), Turner's ex-wife, who can't resist the gravitational pull of his PTSD. She has her own emotional and moral baggage, too, some that's conventional, and some that's harder to spot, like sunlight glinting off a hunting rifle's scope. Jill takes the hit… Likewise, the reveal of one Sean Sanderson's fate lands one episode too late in Untamed to make an impression on the narrative; it's a missed opportunity by the Smiths to lend Jill necessary character depth. Sanderson (Mark Rankin in a walk-on role) went missing in Yosemite about five years ago in the show's timeline, but his name is brought up frequently in its present. His family is filing a wrongful death suit against the park, and their lawyer, Esther Avalos (Nicola Correia-Damude), visits Turner and Jill alike, sniffing around for information about his disappearance. DeWitt is one of our most casually gifted actors, in that whatever role she plays in whichever medium she chooses, she constitutionally reads as at-ease in her characters; they're lived-in and breathe life through the screen. Jill is no exception. But the guarantee of a good DeWitt performance can't offset Jill's meager profile on the page. She is, like Turner, figuratively haunted by the death of their young son, Caleb (Ezra Wilson), revealed in the series opener, 'A Celestial Event,' to have tragically died prior to Untamed's events–about five years, in fact. Turner is literally haunted, per his recurring conversations with Caleb; it isn't made explicit whether he's an apparition or just a hallucination, but there is nonetheless a ghostly quality to their dialogue together. In keeping with popular male balms for spiritual suffering, Turner turns to alcohol and functions as a mollusk, socially and professionally; his stoicism is an act, one his peers pick up on, and which some openly deride. 'Christ, here comes Gary Cooper,' grouses Milch (William Smillie) when Turner strides on horseback into the scene of the crime that spurs Untamed's A-plot: the murder of Lucy Cook (Ezra Franky), met in 'A Celestial Event' when she leaps off of El Capitan and into the ropes of two climbers ascending the granite monolith—a plunge she doesn't survive. The no-nonsense lawman routine is tired, within the text as well as without—if Milch and the rest of the park staff are done with Turner's schtick, then maybe television writ large should be, too—but at least it's normal. Jill, by contrast, responds to Caleb's death another way altogether. It turns out that Sanderson—he of the missing persons case—is Caleb's killer, whose crime was caught after the fact on motion cameras set up by Shane Maguire (Wilson Bethel), Yosemite's Wildlife Management Officer and staff reprobate. Shane intended those cameras to document animal migration patterns; instead, they reflect Milch's words to Vasquez in the second episode, 'Jane Doe,' that when people trek into the wild, they assume no one's around to watch them, 'so they do whatever bad sh-t pops in their head.' Shane brings this information to Turner and Jill, and offers them revenge in the form of taking out Sanderson. Turner refuses; but Jill accepts. We spend most of the show assuming Turner's change in temperament, following Caleb's death, is the catalyst for his and Jill's divorce. It's a welcome change to the formula that Jill's decision to engage Shane's services is in fact what broke their marriage. If only the Smiths worked that twist into Untamed before the finale. Dropping that grenade on the audience with so little time left to feel the impact does Jill little justice, but DeWitt does, in fairness, invest great pathos in her. As much as it comes as a shock that someone so mild-mannered would turn that dark, the matter-of-factness in DeWitt's delivery reads as confrontational: given the opportunity, would you, fellow parents, make the same choice as her? …but Souter takes a fall There is, of course, another twist to accompany Jill's disclosure to her second husband, Scott (Josh Randall), as we are still awaiting resolution in the matter of Lucy Cook's death. After Turner cleverly unlocks Lucy's iPhone by applying formaldehyde to her corpse's cheeks to dupe its facial recognition biometrics, he discovers that Lucy's heretofore anonymous lover, Terces—'secret' spelled backwards—is actually Shane, and based on videos showcasing him abusing her, not to mention his pro-murder worldview, he looks like the culprit responsible for her ultimate plunge off of El Capitan. But looks are deceiving. Sure, they're not deceiving enough that we feel any kind of pity for Shane when Vasquez gets the drop on him and guns him down, saving Turner's life; unsurprisingly, Turner figures out Shane's involvement in a drug trafficking scheme in Yosemite, moving product in and out of the park through bygone mining tunnels; Shane takes the discovery badly, and nearly kills Turner in a drawn-out hunt over hill and dale. But if Shane is a monster who is guilty in the matter of how Lucy lived, as both her abusive partner and a participant in the drug ring, he is nonetheless innocent in the matter of her death. The real guilty party here is Paul Souter, who also happens to be her biological father, a truth only he and Lucy are privy to. In an abstract perspective, this makes thematic sense. Untamed is about parenthood on a molecular level: the lengths we'll go to protect our children, and the depths we plumb if we're so unfortunate as to mourn them. Vasquez' character arc involves Michael (JD Pardo), her ex-partner on the force and in life, and their son, Gael (Omi Fitzpatrick-Gonzales), whom she took with her to Yosemite for his safety; in flashbacks, we see Lucy with her mother, Maggie (Sarah Dawn Pledge), in happier times, learning about her Miwok ancestry; Paul looks after his granddaughter, Sadie (Julianna Alarcon), while his other, acknowledged daughter, who isn't seen in the show, struggles with personal demons of her own. None of this makes the screenwriting decision to put the burden of Lucy's death on Paul any more welcome or tasteful, though. It's another knife in Turner's back when he's just gotten off of bedrest, post-recovery after his grueling fight with Shane; when he connects a few stray dots that lead him to Nevada, where he meets Faith Gibbs (Hilary Jardine), whose parents fostered a slew of kids, including Lucy. Faith recalls Lucy talking about how her father, a policeman, would come for her one day, and arrest the Gibbs, who severely mistreated their various wards. The gears in Turner's head grind along as she dredges up this memory, and he confronts Paul first thing upon returning to Yosemite. All Paul can do is argue that he only meant the best by whisking her away to the Gibbses, far from her violent stepfather. It's a weak case for the character to make, given the abuse the Gibbses subjected Lucy to, and that when she comes back to the park as an adult to extort Paul, he reacts by accidentally chasing her to her death off of El Capitan–a revelation that feels quite like letting all the air out of a balloon. …and Turner moves on. Consequently, that makes a weaker conclusion for the narrative, one the series can only wrap up by having Paul use his pistol on himself and take a tumble into rushing river waters. Worse, that unceremonious and unearned end robs oxygen from Turner's own catharsis, a black flag at Untamed's last lap. Turner is the lead. His growth as a human being is what we're here for. Paul's increasingly bad decisions throw up a smoke screen around that growth, minutes before the story closes the arc of Turner's self-destructive bereavement. The pivot to Paul's complicity is especially frustrating given the wonderful foundation for Turner's ultimate closure laid out by his friend, former colleague, and Miwok community leader, Jay (Raoul Max Trujillo), in a monologue in the fifth episode, 'Terces,' about the connection he feels to his forebears through his connection to Yosemite's land. 'When it's my time to die, I will die here,' Jay says. 'But if I chose to die somewhere else, I would still have my ancestors with me, because the spirits in this valley are within each one of us.' Turner tearfully echoes the sentiment in 'All Trails Lead Here,' during a final farewell with Caleb's visage. 'No matter where I am, or where I go, you'll always be with me,' Turner chokes. When the credits roll, he's on his way out of Yosemite, the site of his anguish, for good, newly at peace and secure with the memories he has of his beloved son. Untamed incidentally reminds viewers just how vast our country is, at a moment when the world feels smaller than ever–an illusion we perform on ourselves with slavish devotion to our personal devices and social media. Paul's confession and suicide therefore strikes a sour chord on the series' driving motif. Emphasizing the bonds we hold with our loved ones, whether they're with us or not, makes a more fitting ending, for Jill, for Vasquez, and especially for Turner.

Elle
11 hours ago
- Elle
Charli XCX and George Daniel Are Reportedly Married
THE RUNDOWN On Saturday, it was reported that Charli XCX and her longtime fiancé George Daniel had tied the knot. A video of the couple seemingly posing with their families in their wedding attire was shared on X, formerly Twitter. The singer could be seen wearing a white off-the-shoulder gown with ruched fabric wrapping around her waist. Her hair was down and she carried a white bouquet and had a white bow pinned in her hair. It's not clear when the footage was taken, but it was rumored in June that the couple had gotten hitched when Daniel referred to Charli as his 'wife' in an Instagram post. The 1975 drummer shared a pic of her bright green Brat album cover, writing, 'What a campaign, what an album, what a life, what a wife.' A source told The Sun earlier this month that the couple planned a ceremony in Sicily. 'Charli and George fell in love with Sicily and knew they wanted to get married there,' the insider said. 'It's incredibly secluded and romantic. There will be no expense spared. It's costing tens of thousands of pounds and visually it will be mesmerizing. Charli and George said they wanted a massive party and there are no restrictions on when the bar has to close, so it can go on all night.' The source added, 'They have both had such a busy summer with massive shows, but from mid-August they're able to slow down and focus on their big day. It's going to be pretty star-studded too, with plenty of their celeb mates making the journey over to Sicily to watch them say 'I do.' Charli and George are so excited to become man and wife.' Charli first announced her engagement in November 2023 in a now-deleted post on Instagram that included pics of an engagement ring, writing, 'Charli xcx and george daniel fucking for life!!!' The couple met in 2019 and began dating two years later. They have frequently collaborated with one another, including on Charli's track 'Spinning' and her 2022 album, Crash. Daniel was also involved with her massive hit Brat album, including the songs 'Apple' and 'Club Classics.'


New York Post
11 hours ago
- New York Post
Charli XCX marries The 1975 drummer George Daniel
From brat to bride! Charli XCX has tied the knot with The 1975's George Daniel. In a video circulating social media on Saturday, the newlyweds are seen posing with their families for pictures. The singer, 32, rocked a white, off-the-shoulder gown, while the drummer, 35, opted for a sleek, black suit. Charli had her hair down and held a bouquet of white flowers for photos. Advertisement Their ceremony comes after reports surfaced earlier this month that Charli and George wanted an Italian wedding. Charli XCX marries George Daniel. X/@infocharlixcx 'Charli and George fell in love with Sicily and knew they wanted to get married there,' an insider told The Sun on July 10. 'It's incredibly secluded and romantic. There will be no expense spared. It's costing tens of thousands of pounds and visually it will be mesmerizing.' Advertisement They added, 'Charli and George said they wanted a massive party and there are no restrictions on when the bar has to close, so it can go on all night.' Charli XCX and George Daniel on their wedding day. X/@infocharlixcx However, the source shared that the pair was aiming to plan their celebration later next month. 'They have both had such a busy summer with massive shows,' said the insider, 'but from mid-August they're able to slow down and focus on their big day. It's going to be pretty star-studded too, with plenty of their celeb mates making the journey over to Sicily to watch them say 'I do.' Charli and George are so excited to become man and wife.' Advertisement The musicians first connected in 2021 while collaborating on R&B artist No Rome's song 'Spinning.' By 2022, Charli and George had become romantically linked, while continuing to post one another on social media. The British pop star confirmed their relationship a year later, in 2023. Charli then released the song 'Welcome to My Island (Remix)' with George. Advertisement The artist belts out in the tune, 'It was love at first sight from the moment we kissed / I want a white dress, country side house, and kid.' Ten months later, the producer popped the question. The Grammy winner quietly shared the news on her private Instagram with a post of her engagement ring. Charli later announced the proposal with shots posted to her since-deleted public Instagram account. She captioned the photos, 'charli xcx and george daniel f—ing for life!!!' Months before the proposal, Charli teased beneath The 1975's tour announcement, 'Stop touring, George needs to buy a ring.'