logo
Scottish Colourist paintings reunited after more than 70 years ahead of auction

Scottish Colourist paintings reunited after more than 70 years ahead of auction

Samuel John Peploe's Firs At The Massif des Calanques, Cassis was displayed alongside Francis Campbell Boileau Cadell's Interior – Santa Maria della Salute, Venice at an exhibition in Edinburgh in 1949.
They will feature in Lyon & Turnbull's Scottish paintings and sculpture auction on Thursday, with each estimated to fetch between £80,000 and £120,000.
Firs At The Massif des Calanques, Cassis was painted in 1928 during the third of four trips Peploe made to the French port during a period of more than 25 years.
Cadell painted the interior of Santa Maria della Salute, a church which stands at the entrance to the Grand Canal, following a visit he made to Venice in 1910.
Both paintings featured in the Scottish Colourists exhibition at the Royal Scottish Academy's Festival Exhibition in 1949, where work by their friend Leslie Hunter was also on show.
Alice Strang, senior specialist with Lyon & Turnbull and an expert in the work of the Scottish Colourists, said: 'This is a 'friends reunited' moment.
'It is thrilling to think that the last time these two beautiful paintings, by artists who were such good friends, were in the same room was in 1949, when they were exhibited together in the Royal Scottish Academy, down the road from our saleroom.
'The Peploe transports us to the heat of Cassis, whilst the Cadell takes us to the beauty of Venice.
'Their remarkable reunion will last until the sale day this Thursday.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Ryan Reynolds won't want Wrexham signing to replicate fans incident he had to apologise for
Ryan Reynolds won't want Wrexham signing to replicate fans incident he had to apologise for

Daily Mirror

time41 minutes ago

  • Daily Mirror

Ryan Reynolds won't want Wrexham signing to replicate fans incident he had to apologise for

Wrexham will be hoping Josh Windass has learned from past mistakes after signing the ex-Sheffield Wednesday star on a free transfer ahead of their Championship campaign Wrexham secured a big coup this week by signing former Sheffield Wednesday man Josh Windass. The attacking midfielder boasts some impressive numbers after scoring 53 goals for the Owls in 182 appearances. ‌ The Welsh side didn't even have to fork out a single penny on a transfer fee for the 31-year-old after he left Hillsborough last week by mutual agreement following issues with delayed wage payments. Wrexham have had a busy summer transfer window following their promotion to the Championship at the end of last season, with manager Phil Parkinson bringing in five new players so far. ‌ The arrival of Windass will have come as music to the ears of the club's Hollywood owners Ryan Reynolds and Rob McElhenney. However, his career has not been without controversy and the two actors will be hoping he doesn't show their team in a bad light by repeating past mistakes. ‌ One notable incident occurred while was playing for Scottish giants Rangers in February 2018. Windass was forced to apologise after a controversial goal celebration during a 2-0 win over Partick Thistle. Then aged 24, he infuriated his own supporters by putting a finger to his lips in front of them after scoring the opening goal. Windass later said sorry to the Rangers faithful after seemingly getting frustrated by criticism of his performances from some sections of the fanbase. Speaking at the time, Windass told Sky Sports News: "There was no real reason or malice in the celebration, it was just a bit of instinct after I'd scored. It was just a little bit of frustration. ‌ "It was nothing to do with social media, it was just how I was playing in the game up to that point, I was a bit frustrated. I've just reacted in maybe the wrong way, but it's what happens sometimes in football. You just go for emotion." He added: "I'd forgot about it straight away, it's just other people bringing it up to me, I'll just let them talk about it and I'll just concentrate on myself." ‌ His outspoken nature landed him in hot water as recently as May this year. It came after Windass levelled scathing criticism towards a former Wednesday youth team player. He labelled defender Joey Phuthi 'p**h' after claiming the 20-year-old had compared himself to Lionel Messi. Windass made his remarks during a discussion about fitness and running stats on the Open Goal podcast. ‌ "We've got a young lad called Joey - I think he's been released. He's p**h anyway," said Windass "I was speaking to him in the canteen at football and one of our coaches said to me, 'have a word with Joey, he never runs more than 9k in a game ever'. "So I was speaking to him and I was like, 'how much do you run in a game' and he said '9km - Messi don't run'. A kid at 17, I didn't say anything to him but I was thinking, 'you're the worst player ever and you're talking about Messi - run around." ‌ Phuthi later described the criticism from Windass as 'disappointing' and claimed his comments were taken out of context. The full-back also said the row had made a tough period for him even harder. Posting on X, he said: "Not being offered a new contract at Sheffield Wednesday has been difficult to process and the last thing I expected was to be dragged into something like this. For clarity, the conversation has been completely flipped out of context." ‌ Windass is the son of former Premier League striker Dean Windass, who played for the likes of Hull, Middlesbrough and Bradford. His dad was diagnosed with dementia earlier this year, leading to an outpouring of support from the football community. Josh joins Wrexham as they prepare to play in the Championship for the first time in 43 years next season. The Red Dragons have been handed a tough start as they face Southampton away in their opening fixture on August 9. Join our new WhatsApp community and receive your daily dose of Mirror Football content. We also treat our community members to special offers, promotions, and adverts from us and our partners. If you don't like our community, you can check out any time you like. If you're curious, you can read our Privacy Notice. Sign up to our newsletter! Wrexham is the Game is great new way to get top-class coverage Wrexham AFC is the arguably the fastest-growing club in the world at the moment thanks to a certain Ryan Reynolds and Rob McElhenney. The Dragons have achieved two consecutive promotions and are cheered on by crowds from not only North Wales but also from all over the globe, thanks to the success of the Disney+ documentary 'Welcome to Wrexham'. But does it have a dedicated, quality source of information piped through to your inbox each week, free of ads but packed with informed opinion, analysis and even a little bit of fun each week? That's where Wrexham is the Game steps in... Available every Wednesday, it provides all the insights you need to be a top red. And for a limited time, a subscription to 'Wrexham is the Game' will cost fans just £15 for the first year.

Huge sporting event faces TV blackout for first time in 70 years with no BBC deal agreed
Huge sporting event faces TV blackout for first time in 70 years with no BBC deal agreed

Daily Mirror

timean hour ago

  • Daily Mirror

Huge sporting event faces TV blackout for first time in 70 years with no BBC deal agreed

One of the big events in the sporting calendar could end up not being shown on television next year despite its long history with the BBC, with no broadcasting agreement reached yet The Commonwealth Games faces a potential television blackout in the UK. The competition, which started in 1930, is still yet to secure a broadcasting agreement, despite there being a year until its start date. ‌ Glasgow will be playing host to the competition in the summer of 2026, 12 years after hosting the event in 2014. The BBC has served as the main broadcaster of the sporting spectacle since 1954, but discussions about an arrangement for next year are still being had. ‌ It's been reported that certain BBC executives harbour doubts about the event's ongoing significance, given the declining number of nations prepared to host it. Glasgow was previously confirmed as emergency replacement hosts in September last year, after multiple cities withdrew from hosting, due to financial concerns. ‌ Before Glasgow hosted the games in 2014, chiefs at the BBC agreed a broadcasting deal in 2011. When the event was in Birmingham in 2020, an agreement was wrapped up two years prior. According to The Sun, sources close to the BBC claimed "an agreement is still some way off", with other officials at the Beeb also feeling that there is a "waning appetite" for the event. The overwhelming majority of the event's funding now stems from the £100million compensation the Australian state of Victoria provided to Commonwealth organisers following their withdrawal. Both the UK and Scottish Governments declined to guarantee the expenses of staging the event, pointing to broader strains on public spending. Phil Batty, chief executive of Glasgow 2026, offered a brighter picture of the current situation, saying: "This week we have just announced Sky New Zealand as one of our broadcast partners. We also have Channel 7 in Australia, and there will be news on a UK broadcaster later this year." A spokeswoman for the Games also told the Daily Record: "We're in positive discussions with broadcasters across the Commonwealth, including the UK, and further announcements will be made in the months ahead." Scotland First Minister John Swinney has declared his confidence that Glasgow is "well-organised and well-prepared" for a revamped Games that will spark the public's enthusiasm. He said: "All of our experience tells us that, on major events, the people of Scotland – and especially in Glasgow – get engaged." ‌ Swinney also supported Glasgow's choice to rescue an event which has faced criticism in certain circles as being an antiquated connection to Britain's colonial history. He told the BBC: "The Commonwealth is still a very important forum for international co-operation and partnership between countries. And, frankly, we need more international co-operation and friendship and collective endeavour in a world that is becoming increasingly fractured." The competition has been dramatically reduced due to financial concerns, with only 11 sports taking place across four locations. Track and field will be hosted at Scotstoun Stadium, rather than Hampden Park, whilst aquatic competitions will return to the current Tollcross facility. ‌ The total expenditure for the 2014 competition reached £543m, but this occasion will see just £114-130m allocated. Petria Thomas, chief of the Australian Commonwealth commission, said: "We're incredibly grateful and fortunate that the Scottish have stepped up to the mark here. "It was obviously highly disappointing that the Victorian government pulled out and it left the Commonwealth sport movement in a very difficult position. It's fantastic that the Games will be on in Glasgow. "Obviously a little bit of a different look to them this time with fewer sports which is a shame. But it's the reality of the position that the Commonwealth sport movement was put in, unfortunately."

New Edinburgh music venues land share of £14m cash pot
New Edinburgh music venues land share of £14m cash pot

The Herald Scotland

time2 hours ago

  • The Herald Scotland

New Edinburgh music venues land share of £14m cash pot

The Wolfson Foundation has agreed to support the creation of a new National Centre for Music and concert hall at the former Royal High School, one of the city's most prominent landmarks, on Calton Hill. It will also be funding Edinburgh's first purpose-built concert hall for a century, which is earmarked for a site behind a Royal Bank of Scotland building in the New Town. Read more: The two projects, which have both been in the planning for more than decade, will get a share of £14m worth of grants announced by a UK-wide charity. And it is hoped they will be able to secure further support as the projects progress in the next few years. The Dunard Centre will be Edinburgh's first purpose-built concert hall for more than a century. (Image: David Chipperfield Architects) Both projects are being largely bankrolled by Scotland's biggest arts philanthropist, Carol Colburn Grigor. Her Dunard Fund has committed at least £45m to the £69m National Centre for [[Music]] project. It recently secured a pledge of up to £5m from the National Lottery Heritage Fund and £2.85m from a separate charitable trust set up by the late British philanthropist Julia Rausing. A new National Centre for Music will be created on Edinburgh's Calton Hill under plans to transform the former Royal High School building. (Image: Supplied) The Dunard Centre, which is expected to cost more than £115m to build, has secured £80m of private support, including £35m from Ms Grigor's charity, as well as £25m from the Scottish and UK governments, and the city council. The Wolfson Foundation plans to spend more than £200m across the UK over the next five years, across arts, science, health and heritage projects. The Dunard Centre concert hall will be created in the heart of Edinburgh's New Town. (Image: Supplied) The National Centre for Music project, which has been awarded an initial £500,000 from the foundation, will see three indoor performance spaces created inside the A-listed building. The grounds of the complex, which is due to open in 2027, will become home to the first public gardens in the city since the creation of Princes Street Gardens more than 200 years ago. The Dunard Centre project, which has been allocated an initial £100,000 by the foundation, will see a 1000-capacity concert hall built off St Andrew Square, next to the new St James Quarter complex, by 2029. The new venue, which is expected to showcase all forms of music, will become a new home for the Scottish Chamber Orchestra and will be used by the Edinburgh International Festival each August. A spokesperson for the National Centre for Music said: 'This grant will help protect and save the heritage of one of the most remarkable A listed buildings in Edinburgh. 'Our project will create a home for the National Centre for Music which will offer a range of ways for people who live, work and visit the city to come together to engage with the built and social heritage, and Scottish music heritage. 'The National Centre for Music is a newly created charity which will nurture and celebrate the richness of Scotland's music making – across all genres and all levels. It will become an iconic destination – where artists come to deepen their practice, make new work and connect with others, and where audiences come to expand their passions and have uplifting experiences. 'The former Royal High School will provide an inspiring setting in which to learn, make and share music. With a flexible main hall, a suite of practice rooms and a recording studio, it will provide significant new facilities for Scotland's musicians – from top professionals to those just starting their musical learning. 'The National Centre for Music will be a city centre venue for diverse musical communities, participants and audiences. A public engagement programme is being developed that will include creative learning, heritage interpretation, and community-led activity shaped by ongoing consultation. 'Particular attention is being given to reaching groups who are often underrepresented in culture and heritage, including young people, people living in local communities of socioeconomic deprivation, and people with additional support needs." A spokesperson for the Dunard Centre said: 'This generous funding will be instrumental in supporting our ambitious vision to create a new, world-class concert hall in the heart of Edinburgh, catering for 21st century audiences and artists. 'With a mission to create an inclusive, accessible hub, the venue will be 'a hall for all', offering opportunities for people of all ages and stages to learn, participate, create and engage with the arts, as well as opening up a new, free-to-access public space. 'This inaugural grant marks the first step in our relationship with the Wolfson Foundation. 'With a shared commitment to promoting and supporting excellence, we look forward to developing our relationship as plans for Edinburgh's first concert hall in 100 years progress.' Other projects being funded in Scotland include the Angus arts centre Hospitalfield, which has secured £150,000 for a restoration of its building and a new collections study centre. Earlier this year, Wolfson Foundation chief executive Paul Ramsbottom said the charity was aware of a 'crucial need' for capital infrastructure funding for projects across the UK. He said: 'There are few other similar sources of funding and yet organisations need to keep investing in their physical infrastructure. 'A majority of our funding in the next five years will therefore be allocated for infrastructure: refurbishment, equipment and new build.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store