
National Unity Ministry to roll out ethnic minority festival calendar in January 2026
Minister Datuk Seri Aaron Ago Dagang said the calendar would compile comprehensive information on the dates, backgrounds and descriptions of traditional festivals and ceremonies celebrated by ethnic minorities across the country.
'This calendar is not just a list of festival dates but serves as a medium for cultural education aimed at fostering mutual respect and appreciation for ethnic diversity, which is the cornerstone of Malaysia's strength,' he said when officiating the Borneo Dayak Cultural Festival (BDCF) 2025 at Dataran Tun Tuanku Bujang here last night.
Aaron said the calendar would be distributed in both printed and electronic formats to ministries, government departments, educational institutions and other stakeholders.
'With this calendar, the community will become more aware of festivals such as Irau Aco (Lun Bawang), Songkran Festival (Siamese), Kalimaran Festival (Murut), Lepa-Lepa Festival (Bajau), Magahau Festival (Rungus) and Mipis Festival (Dusun Lotud).
'We will gain a better understanding of cultural sensitivities and, more importantly, develop greater respect for one another as Malaysians,' he said.
Aaron added that national unity could not be achieved without mutual respect and cultural understanding.
'Only through understanding and accepting cultural differences can the spirit of 'Harmony in Diversity' be instilled in our daily lives,' he said.
Commenting on the BDCF, Aaron said the festival, now in its 21st edition, reflected the cultural strength and harmony among Sarawak's diverse communities, including the Dayak, Malay, Melanau and Chinese.
'This festival is unique and special, as it highlights unity in cultural diversity through artistic performances, traditional food and ethnic heritage,' he said.
Carrying the theme 'Rhythm of Borneo 2025', this year's edition also saw the introduction of a new official mascot, Engkuli, the local name for the Harimau Dahan (Neofelis diardi), which represents biodiversity preservation and the natural wealth of Borneo.
According to Aaron, Sarawak - home to over 30 ethnic groups and more than 40 dialects — was the best example of how cultural diversity could serve as a foundation for social unity and strength. — Bernama
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Malay Mail
2 hours ago
- Malay Mail
‘Too raw for today's tastes': Ipoh band Muck on 30 years of music, loyalty and the city's rock legacy
IPOH, July 13 — In an age where the popularity of American rock is fading and music trends evolve at lightning speed, one indie group from Ipoh has defied the odds. Meet Muck — a Malaysian underground rock band that has endured for over three decades. Formed in 1994, the band was born out of casual jamming sessions among four friends, and has grown into one of the longest-surviving acts in Malaysia's underground music scene. Ipoh indie rock band Muck's lineup (from left) features Fairuz, the bassist and vocalist; Myo on drums; Meor Shahrus Amir, better known as Ducktoi, on lead guitar and vocals; and Kujoi, guitarist and vocalist. — Picture courtesy of Muck Muck is made up of four passionate musicians: Meor Shahrus Amir, better known as Ducktoi, on lead guitar and vocals; Myo on drums; Kujoi on guitar and vocals; and Fairuz, who handles both bass and vocals. 'It all started just for fun,' Meor told Malay Mail in an interview. Although the four came from different schools and were playing in separate bands at the time, they were regulars at local shows in Ipoh during the early 1990s. 'There were so many shows back then. We were always attending gigs, and eventually, the idea of performing ourselves became more appealing. 'So we started jamming daily and that's how Muck was born,' he added. Why Muck never left Ipoh While many aspiring musicians head for bigger cities like Kuala Lumpur to pursue bigger opportunities, Muck chose to remain in their hometown. 'Ipoh had a thriving scene for rock music in the late 90s,' Meor said. 'Metal and hardcore shows would attract more than 2,000 people. The local community was very supportive even though there were no smartphones.' He recalled how fans and musicians alike would gather without needing social media to promote events. 'We'd gather at a place, and everyone would show up. It felt different, more real and connected,' he said. But Meor acknowledged that things have changed. 'Even for free gigs, it's hard to get 100 people now. People prefer online content or YouTube,' he said, reflecting on how the internet has reshaped how music is consumed. Despite the shrinking live audiences, Meor believes the tools for recording and producing music have never been more accessible, even in a smaller city like Ipoh. 'In terms of recording and putting out an album, it's very much doable here now. You don't need to be in a big city anymore,' he said. The 'hardcore', the 'collectors', and the 'friends' Despite the drop in physical sales and gig attendance, Muck has managed to retain a loyal fanbase, one that Meor jokingly categorises into three different groups. 'First, there are the true followers — they come to shows and buy our merch. 'Then there are merch collectors who don't show up at gigs but still support us. And lastly, there are friends who back us no matter what,' he said. But when it comes to younger listeners, Meor was candid. 'New generation listeners? Not many. Maybe a few. Our sound is too raw or 'weird' for today's tastes,' he said. A sound of their own Although Muck is often described as an indie rock band, Meor said that their music stands apart. 'First-time listeners may find it a bit offbeat or dissonant. All our songs are played using different tunings, which is part of what makes our music unique. 'Our sound is also heavily influenced by American college rock and 90s alternative rock,' he said. Despite performing over 1,000 shows, Muck only released their first full-length album, Local Trash Heroes, in 2016 — 22 years after the band was formed. Muck's lead guitarist and vocalist Ducktoi holds up a copy of the band's first full-length album, 'Local Trash Heroes', alongside one of their split releases. — Picture by John Bunyan The album, mastered by renowned American producer Jack Endino — who has worked with international acts such as Nirvana, Mudhoney and Soundgarden — remains their only full-length release to date. 'Yeah, it took us two decades to finally release a full album. Before that, most of our songs were published through split albums, which were collaborations with two or three other bands,' he said. 'We've done split releases with UK bands and toured independently across Indonesia — especially in Bandung, Semarang, and Jogja — as well as in Singapore. 'Some of our songs are in Malay, particularly on our 2021 split album with bands from Singapore and Indonesia. For that release, we made it a rule that each band had to contribute at least one Malay-language track,' he added. Meor also shared that the band is currently working on Ubat Sakit Kepala Volume 2, another split album, potentially featuring bands from Japan, Sweden, Norway, Taiwan, and Indonesia. Although Muck has yet to collaborate with mainstream Malaysian acts, Meor noted that the band has opened for major international names such as Korn, Soulfly, and Butterfingers at large festivals. Proudest moment Meor said the band's proudest moment was when Unesco recognised Ipoh as a Creative City of Music. 'That's when we felt our work had made a real impact. 'The recognition even mentioned the 'Ipoh Sound' — a term used to describe our distinct musical style, something you don't typically find in big cities like Kuala Lumpur or elsewhere,' he said. He added that another major milestone for the band was the creation of their own independent label, which has played a key role in promoting the local music scene. 'Through our label, we've also organised gigs and festivals, produced our own merchandise, and helped other bands release their music,' he said. Secret to success and advice for next generation Meor said that the secret to their longevity and success lies in balancing personal life with passion. 'We treat it as a hobby, not a career. Everyone has their own job and family,' he said. 'We only perform when invited. The lineup has remained the same for over 30 years. No egos, no drama, just mutual understanding and flexibility.' Meor added that staying humble and building meaningful connections is crucial in the music industry. 'Be approachable. Meet organisers, attend events, and build relationships. Many of our gigs came through friends or people we've connected with over the years,' he said. Three decades in, Muck hasn't chased trends or fame. They've stayed grounded — and that might be the loudest statement of all. For younger musicians hoping to make their mark, Meor had simple advice: stay true to yourself and focus on originality. 'Create your own sound so people can recognise you for who you are. Don't give up. Just keep doing what you love, there will always be people who connect with your music.'


Malay Mail
2 hours ago
- Malay Mail
Meet FUGŌ, the ‘MCO band' rising to stardom from virtual gigs to Indonesia tour and Ejen Ali 2 OST (VIDEO)
KUALA LUMPUR, July 13 — It's safe to say Malaysian indie pop rock band FUGŌ is turning their 'world of dreams' into a reality. Formed in 2019, FUGŌ is made up of vocalist and flugelhorn player Hakim Kamal, bassist Kayrol Ami, and keyboardist and multi-instrumentalist Faizul Hakim, also known as Fai. The trio is known for their 'nu-vintage' style — blending old-school musical elements with contemporary sounds — and even their fashion pays homage to the 70s and 80s, infused with modern-day aesthetics. Malay Mail sat down with all three members to talk about their journey, from performing virtual shows during the pandemic to going on a mini tour in Indonesia, performing under strict restrictions in Kelantan, and even producing an original soundtrack (OST) for a local animated blockbuster. This is the story of FUGŌ. An MCO band — and a blessing in disguise Although FUGŌ formed in 2019, their debut single Waiting was only released in February 2020 — just a month before the government enforced the movement control order (MCO) to curb the spread of Covid-19. Little did they know the MCO would stretch throughout the year and continue in various phases until it was lifted in October 2021. 'And we literally had to do the 'waiting' after that. 'We realised we are an MCO band because even our first show was done virtually,' Hakim told Malay Mail. Fai, however, saw the MCO as a blessing in disguise. The band not only managed to release their self-titled EP in 2021 but also had the time and space to define their musical identity and direction. FUGŌ admitted that their debut album '99' has proved to be the catalyst for the band with them going on not just a national tour but a mini tour in Indonesia as well. -- Picture by Sayuti Zainudin The '99' album, Pentas Sandiwara and World War Three In August 2024, FUGŌ released their debut studio album 99, backed by a grant from MyCreative Ventures, a government-backed investment agency. The album features songs like Salleh Wakeup, 99, and Pentas Sandiwara, and resonated with listeners for its heartfelt lyrics and nostalgic melodies — a formula reminiscent of timeless hits from the 1970s and 1980s. Fai said they drew inspiration from legendary local acts such as the late Datuk Sudirman, Alleycats, Uji Rashid, and Singapore's Flybaits. 'Like Uji Rashid, all of her songs have strong melodies. No wonder so many songs from the 80s became evergreens — that's what we're aiming for, and we're still experimenting with that idea. 'I think what made the songs back then great was the sincerity in songwriting. They made music purely for the art, not to chase streaming numbers on social media,' said Fai. He added that it's important to expose younger generations to quality music from the past, encouraging them to become more critical listeners. Hakim, who is also the band's primary songwriter, revealed that Pentas Sandiwara — a track that topped Rakita's Carta Indie Kita chart multiple times and was featured in Suria FM's Hari Raya drama segment Hayati — wasn't originally intended as the lead single. While the title track 99 was supposed to front the album, Pentas Sandiwara ended up striking a stronger chord with listeners. Interestingly, the song was inspired by the Russian invasion of Ukraine in 2022. 'When I saw the news, I was overwhelmed with emotion and imagined myself in their shoes — going to war, leaving loved ones behind. 'The first line of the chorus was originally 'it's World War Three', but we later changed it to 'it's a world of dreams' to match the positive tone of the 99 album. Words are like prayers — we didn't want to put out negativity,' Hakim said. He added that the song and its title were also inspired by William Shakespeare's As You Like It, particularly the famous line: 'All the world's a stage, and all the men and women merely players.' FUGŌ in their element at the OOO Music Festival last July 1 which took place at Heritage Valley in KL. -- Picture by Sayuti Zainudin From Kelantan to Indonesia Despite a slow start, FUGŌ are now busier than ever, with more local showcases and music festival appearances lined up. Their debut album became a turning point, propelling them into a national tour across five Malaysian states and a three-city tour in Indonesia in May this year. One highlight, Kayrol said, was performing in Kota Baru, Kelantan, where they had to abide by strict Islamic laws. Restrictions included submitting song lyrics in advance for vetting, avoiding crowd singalongs, and performing before a gender-segregated audience. 'Basically, we all had to behave on stage. 'Even piercings weren't allowed, but thankfully our wardrobe was already modest and our lyrics are positive. 'Red tape aside — which we respect — performing there was truly a one-of-a-kind experience. The crowd was amazing,' Kayrol said. Another memorable moment was a sold-out show at a café in Alor Setar, Kedah. 'Some fans climbed the café's walls just to get in and see us live. 'It was raining, and we had a tent flysheet above us that kept filling with water. We were poking it throughout the show to prevent it from bursting,' he recalled. Their Indonesian tour took them to Jakarta, Yogyakarta and Solo between May 16 and 18. While they were warmly welcomed by fans, Fai said they were equally impressed by the professional live production quality. 'Over there, live shows are a norm. They have dedicated teams for everything — from technical to rigging — and it's a sustainable ecosystem. 'I wouldn't say we're lacking here, it's just a different game. In Indonesia, music is a bigger part of the culture,' he said. Ejen Ali 2 OST and what's next for FUGŌ Another career milestone came with Some Other Day, one of the OSTs for Ejen Ali The Movie 2 (EATM2) — now the highest-grossing Malaysian animated film of all time. Hakim, who also works as a composer, had collaborated with the film's music director Azri Yunus since the first Ejen Ali film in 2019 as an assistant composer. For EATM2, Azri personally asked FUGŌ to contribute an original track. Hakim said the OST took them a year to complete. Though the song appeared in the film's post-credits scene, it still made an impact. 'We still count it as a success because it brought our music to a wider, mainstream audience. 'We've seen children singing the lyrics and even parents bringing their kids to our shows to buy merchandise,' said Hakim. He added that Some Other Day also serves as a hidden FUGŌ easter egg for fans who watched the film. As for what's next, the band said they are working on expanding their brand to a wider audience — and hinted at a surprise single dropping soon. 'There's still a long way to go. Honestly, we're just getting started. We haven't truly blown up yet, but we're taking it step by step,' Hakim said.


Malay Mail
18 hours ago
- Malay Mail
Awie demands truth after being accused in Shila Amzah's alleged assault case
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