Ibeesoft Unveils 2025 AI Development Trends and Top 5 Platforms Shaping the Future
First, AI will be more widely used in the medical field. At present, AI has achieved certain results in medical imaging diagnosis, auxiliary technology, drug research and development, etc. In the future, with the accumulation of data and the continuous optimization of algorithms, the application of AI in the medical field will be more accurate and efficient. For example, AI can help doctors diagnose diseases more accurately by analyzing a large amount of medical imaging data; AI can also accelerate the process of drug development by simulating the operation of human organs; micro-robots can also assist doctors in surgery. These applications will greatly improve the level of medical care and enhance the health of the patient.
Second, the application of AI in the field of transportation will also be further developed. With the continuous maturity of autonomous driving technology, the future of transportation will be more intelligent and safe. AI can realize autonomous navigation and intelligent traffic management of vehicles through perception systems and decision-making systems. It will greatly reduce the occurrence of traffic accidents, improve traffic efficiency, and alleviate traffic congestion. In addition, AI can also optimize traffic flow and improve road utilization through the control of intelligent traffic lights. These applications will make future transportation more convenient and efficient.
Third, the application of AI in the field of education will also be further promoted. AI can provide students with the most suitable learning resources and learning paths according to their interests and abilities through personalized learning recommendation systems +. AI can also provide students with personalized tutoring and guidance through intelligent tutoring systems. It will make education more flexible and efficient, and improve students' learning effects and interests. In addition, AI can also monitor and evaluate students' learning in real time through automatic evaluation systems. It will provide teachers with more accurate feedback and guidance and improve teaching quality.
In addition, the application of AI in the financial field will also be further expanded. AI can realize intelligent risk assessment + and investment decision-making through big data analysis + and machine learning algorithms. AI can also provide more efficient and personalized financial services through intelligent customer service systems +. It will make the financial industry more intelligent and convenient, and improve customer satisfaction and operational efficiency.
From the above content, we can see that AI has begun to penetrate into people's daily lives. With the help of AI technology, you can quickly and efficiently obtain the data you want and improve your professional and technical level. The following are the top 5 AI platforms in the world. Which one have you used?
1) ChatGPT（chatgpt.com）
Monthly visits: 3.79 billion
Visit behavior: average 3.7 pages per visit, 6.2 minutes
As a market leader, ChatGPT has grown steadily. Its high visit volume and user stickiness show that ChatGPT is not only a chat tool, but has become a core auxiliary tool for many users' daily work.
2) Sora（openai.com）
Monthly visits: 546 million
Visit behavior: average 2.1 pages per visit, 1.7 minutes
As a text-to-scene generation tool, Sora has attracted a large number of users in the creative field. The growth rate this month is 3.9%, indicating that the market demand for AI visual generation technology remains strong.
3) Gemini (gemini.google.com)
Monthly visits: 275 million
Visit behavior: average 3.2 pages per visit, 4.6 minutes
As a new generation of AI model launched by Google, Gemini has experienced significant user loss this month (-5.7%). This phenomenon may be related to fierce market competition and users' adaptability to its core functions.
4) DeepL (deepl.com)
Monthly visits: 208 million
Visit behavior: 8.4 pages per visit, 8.9 minutes per visit on average
DeepL still maintains a high user stickiness with its high-quality translation capabilities, but the 4.2% drop in visits is worth noting. It may be due to challenges from competitors or a decline in translation demand at the end of the year.
5) Notion (notion.so)
Monthly visits: 150 million
Visit behavior: 8.9 pages per visit, 8.7 minutes per visit on average
As a multi-functional tool that integrates document management and project collaboration, Notion still has high user stickiness, but the decline in visits indicates that market demand may be in transition.
With AI, we can complete work that used to take a week or more in less than a day. Who doesn't like such a way to make work and learning more effective and efficient? Learning and using AI is bound to be the trend of life now. But one thing to note is that ensuring your data security is the first priority at all times. Though you learn the solutions with AI quicker than before, it is still risky not to back up your data regularly. After losing the important data, you will have to start from scratch again unless you know how to perform data recovery. Getting to know the AI trends is a must if you want to liver a better life in the new future.
Media Contact
Company Name: lBee Soft
Contact Person: Alex
Email: Send Email
City: New York
Country: United States
Website: http://www.ibeesoft.com
Press Release Distributed by ABNewswire.com
To view the original version on ABNewswire visit: Ibeesoft Unveils 2025 AI Development Trends and Top 5 Platforms Shaping the Future
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Reuters
37 minutes ago
- Reuters
Karen Hao on how the AI boom became a new imperial frontier
When journalist Karen Hao first profiled OpenAI in 2020, it was a little-known startup. Five years and one very popular chatbot later, the company has transformed into a dominant force in the fast-expanding AI sector — one Hao likens to a 'modern-day colonial world order' in her new book, 'Empire of AI: Dreams and Nightmares in Sam Altman's OpenAI.' Hao tells Reuters this isn't a comparison she made lightly. Drawing on years of reporting in Silicon Valley and further afield to countries where generative AI's impact is perhaps most acutely felt — from Kenya, where OpenAI reportedly outsourced workers to annotate data for as little as $2 per hour, to Chile, where AI data centers threaten the country's precious water resources — she makes the case that, like empires of old, AI firms are building their wealth off of resource extraction and labor exploitation. This critique stands in stark contrast to the vision promoted by industry leaders like Altman (who declined to participate in Hao's book), who portray AI as a tool for human advancement — from boosting productivity to improving healthcare. Empires, Hao contends, cloaked their conquests in the language of progress too. The following conversation has been edited for length and clarity. Reuters: Can you tell us how you came to the AI beat? Karen Hao: I studied mechanical engineering at MIT, and I originally thought I was going to work in the tech industry. But I quickly realized once I went to Silicon Valley that it was not necessarily the place I wanted to stay because the incentive structures made it such that it was really hard to develop technology in the public interest. Ultimately, the things I was interested in — like building technology that facilitates sustainability and creates a more sustainable and equitable future — were not things that were profitable endeavors. So I went into journalism to cover the issues that I cared about and ultimately started covering tech and AI. That work has culminated in your new book 'Empire of AI.' What story were you hoping to tell? Once I started covering AI, I realized that it was a microcosm of all of the things that I wanted to explore: how technology affects society, how people interface with it, the incentives (and) misaligned incentives within Silicon Valley. I was very lucky in getting to observe AI and also OpenAI before everyone had their ChatGPT moment, and I wanted to add more context to that moment that everyone experienced and show them this technology comes from a specific place. It comes from a specific group of people and to understand its trajectory and how it's going to impact us in the future. And, in fact, the human choices that have shaped ChatGPT and Generative AI today (are) something that we should be alarmed by and we collectively have a role to play in starting to shape technology. You've mentioned drawing inspiration from the Netflix drama 'The Crown' for the structure of your book. How did it influence your storytelling approach? The title "Empire of AI" refers to OpenAI and this argument that (AI represents) a new form of empire, and the reason I make this argument is because there are many features of empires of old that empires of AI now check off. They lay claim to resources that are not their own, including the data of millions and billions of people who put their data online, without actually understanding that it could be taken to be trained for AI models. They exploit a lot of labor around the world — meaning they contract workers who they pay very little to do their data annotation and content moderation for these AI models. And they do it under the civilizing mission, this idea that they're bringing benefit to all of humanity. It took me a really long time to figure out how to structure a book that goes back and forth between all these different communities and characters and contexts. I ended up thinking a lot about 'The Crown" because every episode, no matter who it's about, is ultimately profiling this global system of power. Does that make CEO Sam Altman the monarch in your story? People will either see (Altman) as the reason why OpenAI is so successful or the massive threat to the current paradigm of AI development. But in the same way that when Queen Elizabeth II passed away people suddenly were like, 'Oh, right, this is still just the royal family and now we have another monarch,' it's not actually about the individual. It's about the fact that there is this global hierarchy that's still in place in this vestige of an old empire that's still in place. Sam Altman is like Queen Elizabeth (in the sense that) whether he's good or bad or he has this personality or that personality is not as important as the fact that he sits at the top of this hierarchy — even if he were swapped out, he would be swapped out for someone who still inherits this global power hierarchy. In the book, you depict OpenAI's transition from a culture of transparency to secrecy. Was there a particular moment that symbolized that shift? I was the first journalist to profile OpenAI and embedded within the company in 2019, and the reason why I wanted to profile them at the time was because there was a series of moments in 2018 and 2019 that signaled that there was some dramatic shift underway at the organization. OpenAI was co-founded as a nonprofit at the end of 2015 by Elon Musk and Sam Altman and a cast of other people. But in 2018, Musk leaves; OpenAI starts withholding some research and announces to the world that it's withholding this research for the benefit of humanity. It restructures and nests a for-profit within the nonprofit and Sam Altman becomes CEO; and those were the four things that made me wonder what was going on at this organization that used its nonprofit status to really differentiate itself from all of the other crop of companies within Silicon Valley working on AI research. Right before I got to the offices, they had another announcement that solidified there was some transformation afoot, which was that Microsoft was going to partner with OpenAI and give the company a billion dollars. All of those things culminated in me then realizing that all of what they professed publicly was actually not what was happening. You emphasize the human stories behind AI development. Can you share an example that highlights the real-world consequences of its rise? One of the things that people don't really realize is that AI is not magic and it actually requires an extremely large amount of human labor and human judgment to create these technologies. These AI companies will go to Global South countries to contract workers for very low wages where they will either annotate data that needs to go into training these training models or they will perform content moderation or they will converse with the models and then upvote and downvote their answers and slowly teach them into saying more helpful things. I went to Kenya to speak with workers that OpenAI had contracted to build a content moderation filter for their models. These workers were completely traumatized and ended up with PTSD for years after this project, and it didn't just affect them as individuals; that affected their communities and the people that depended on them. (Editorial note: OpenAI declined to comment, referring Reuters to an April 4 post by Altman on X.) Your reporting has highlighted the environmental impact of AI. How do you see the industry's growth balancing with sustainability efforts? These data centers and supercomputers, the size that we're talking about is something that has become unfathomable to the average person. There are data centers that are being built that will be 1,000 to 2,000 megawatts, which is around one-and-a-half and two-and-a-half times the energy demand of San Francisco. OpenAI has even drafted plans where they were talking about building supercomputers that would be 5,000 megawatts, which would be the average demand of the entire city of New York City. Based on the current pace of computational infrastructure expansion, the amount of energy that we will need to add onto the global grid will, by the end of this decade, be like slapping two to six new Californias onto the global grid. There's also water. These data centers are often cooled with fresh water resources. How has your perspective on AI changed, if at all? Writing this book made me even more concerned because I realized the extent to which these companies have a controlling influence over everything now. Before I was worried about the labor exploitation, the environmental impacts, the impact on the job market. But through the reporting of the book, I realized the horizontal concern that cuts across all this is if we return to an age of empire, we no longer have democracy. Because in a world where people no longer have agency and ownership over their data, their land, their energy, their water, they no longer feel like they can self-determine their future.
South China Morning Post
43 minutes ago
- South China Morning Post
Huawei eyes export of AI chips to Middle East, Southeast Asia to rival Nvidia
The two Gulf nations recently struck deals for well over a million Nvidia and Advanced Micro Devices (AMD) processors over several years. Thailand's AI efforts similarly rely on advanced semiconductors from Nvidia. Huawei is offering 910B volumes in the low thousands, according to the people, though the exact number for any particular pitch remains unclear. The Shenzhen -based company is also trying to woo customers with remote access to its CloudMatrix 384 system , the people said. That is a China-based high-performance computing system built with more advanced Ascend 910C chips – which Huawei is not currently prepared to export owing to limited supplies, according to a person familiar with the company's thinking. Huawei is focused on selling 910Cs to Chinese firms that cannot access best-in-class US AI chips, the person said.
The Guardian
an hour ago
- The Guardian
Watch the Skies to Wet Leg: your complete entertainment guide to the week ahead
Watch the SkiesOut now With the return of all things Y2K in fashion and music, it makes sense that the turn of the millennium fascination with little green men would likewise be back in vogue. But this sci-fi about a teenager teaming up with an agency that investigates paranormal phenomena is notable for its futuristic qualities too: it uses AI dubbing technology to create an English-language film from the Swedish original. SupermanOut now Superman is dead, long live Superman: wave goodbye to handsome hunk Henry Cavill's stint as the man of steel and say hello to the new era of equally handsome hunk David Corenswet, a veteran of two Ryan Murphy series on Netflix. At the helm of this reboot is James Gunn, the director behind diverse entertainments including Slither and Guardians of the Galaxy. Michael Haneke RetrospectiveVarious venues nationwide; to 30 July The Austrian director is known for making films that are often kind of a bummer, but also bona fide masterpieces. Following a major season at BFI Southbank, Haneke films are being programmed in cinemas across the country this summer, so check out your local listings for the chance to see the likes of Funny Games and the Palme d'Or-winners The White Ribbon and Amour on the big screen. Nine QueensOut now The nine queens of the title refers to a sheet of rare stamps, which a pair of hustlers (Ricardo Darín, Gastón Pauls) attempt to palm off on a wealthy collector in this new 4K rerelease of the award-winning 2000 Argentinian classic crime drama, directed by Fabián Bielinsky. Catherine Bray Emma RawiczJazz at the Palace, Buxton, 12 July Buxton's two-week arts festival features some generous jazz programming – covering the music's variations all over the world, and including a centenary celebration for late great pianist Oscar Peterson. Powerful and lyrical young UK saxophonist Emma Rawicz is an early highlight, with her A-list quartet including pianist Elliot Galvin. John Fordham Leon Bridges18 to 24 July; tour starts London Armed with an extraordinary voice, the Texan singer-songwriter's 70s-indebted soul music really comes to life on stage. Playing some of his biggest venues in the UK, expect songs from last year's Leon album, as well as breakthrough debut Coming Home, which just celebrated its 10th anniversary. Michael Cragg Lost Minds festivalExhibition Park, Newcastle, 12 July Headlined by Horny in Jericho hitmakers and happy hardcore legends Scooter, the electronic dance music festival returns to Newcastle for its fourth year. Joining the German quartet on the lineup are DJs from the veteran Cream label and Bristol trance DJ and producer Ben Nicky. MC First Night of the PromsRoyal Albert Hall, London, 18 July Although there are some real treats to come later in this year's season, the opening concert is distinctly run-of-the-mill. Sakari Oramo's programme with the BBC Symphony Orchestra and its Chorus has one relative rarity – Vaughan Williams' Sancta Civitas – but despite the premiere of The Elements, a BBC commission from Errollyn Wallen, the highlight is likely to be Lisa Batiashvili's performance of Sibelius's Violin Concerto. Andrew Clements Lubaina Himid with Magda StawarskaKettle's Yard, Cambridge, to 2 November Jim Ede's unique and poetic art collection in his house, Kettle's Yard, includes works by the early 20th-century modernist Sophie Brzeska along with her lover Henri Gaudier-Brzeska. She is the focus of an installation by Himid and Stawarska in an exhibition that also includes Himid's witty paintings. The Power of DrawingRoyal Drawing School, London, to 26 July You don't often see Tracey Emin and King Charles III in the same exhibition but they both love drawing – and the king has done a lot to nurture it with the Drawing School he founded 25 years ago. Others in this celebratory show include Tim Burton, David Hockney and Es Devlin. Victoria MortonReid Gallery, Glasgow School of Art, to 9 August It's 30 years since Morton graduated from Glasgow School of Art; this show marks the occasion with a tour of her achievements in painting, sculpture, photography and more. Her best works are her seductive abstract paintings that flow and seem to melt before your eyes in wild and convulsive colours. Duane LinklaterCamden Art Centre, London, to 21 September This Omaskêko Ininiwak artist from North Bay, Ontario questions ownership of cultural treasures, explores memory and portrays identity in installations partly created with his son Tobias Linklater, while incorporating objects created by his grandmother Ethel (Trapper) Linklater that have been borrowed from a museum. It's an exhibition haunted by colonialism. Jonathan Jones Comedy at the CastlePowderham, Devon, Friday & 19 July Once the preserve of grotty clubs and rowdy pubs, nowadays it's possible to see standup in the most bucolic and picturesque of settings. This event showcases big stars – Frank Skinner, Joel Dommett, Russell Kane, Jen Brister – in the magnificent surroundings of Powderham castle, which dates back to the 14th century. Rachel Aroesti London City BalletBlackpool Grand Theatre, 12 July; Grange Park Opera, Surrey, 13 July (excerpts only), then touring Last year, London City Ballet was triumphantly revived after an almost 30-year hiatus, with a remit to be a modern ballet company dancing new works and forgotten classics. This second season's rep includes a revival of a lost George Balanchine work, and a piece by Alexei Ratmansky. Lyndsey Winship Sing StreetLyric Hammersmith, London, to 23 August Enda Walsh did a stunning job adapting John Carney's film Once for the stage – and now he's tackling the charming coming-of-age film Sing Street. Set in 80s Dublin, it's about a 16-year-old lad who starts up a band to impress a girl. Miriam Gillinson Grace PervadesTheatre Royal Bath, to 19 July Ralph Fiennes' season of work kicks off with a David Hare premiere. Directed by Jeremy Herrin, the play tells the story of Victorian stage stars Henry Irving and Ellen Terry, and their troubled but talented children. Starring Ralph Fiennes and Miranda Raison. MG Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion BookishU&Originals, Wednesday, 8pm Scratch that Sherlock itch with Mark Gatiss's new cosy, brainteasery detective series. He plays Gabriel Book, a bookshop owner (naturally) who assists police with 'the fiddly bits' in 1940s London – and also happens to be a gay man married to his best pal (Polly Walker). Mix TapeBBC Two & iPlayer, Tuesday, 9pm Adaptations of books themed around thwarted young love are TV catnip (see: Normal People, One Day). This dramatisation of Jane Sanderson's 2020 novel about Dan (Jim Sturgess) and Alison (Teresa Palmer), who reconnect after a teenage tryst in 1980s Sheffield, mines similar appeal with its blend of sweetness, mystery and nostalgia. The InstituteMGM+, 13 July Available within the Prime Video platform, MGM+ will be hoping this adaptation of Stephen King's 2019 novel about genius kids who are forcibly institutionalised – apparently for the global good – gets eyeballs on its streaming service. Newcomer Joe Freeman plays the suspicious teen protagonist, and Weeds' Mary-Louise Parker is the organisation's creepy head. UntamedNetflix, Thursday Eric Bana and Sam Neill join forces for this murder mystery with a truly awesome setting, created by father-daughter writing team Elle and Mark L Smith (The Revenant). When a body is found in Yosemite national park, Bana's special agent investigates – but is soon confronted by the frightening contours of his own past. RA Donkey Kong Bananza Out 17 July; Switch 2 The first Donkey Kong game for a decade sees our primate protagonist smashing his way through a sprawling underground lair while hunting for stolen treasure. A gorgeous 3D world and lots of side quests make this a Switch 2 must-have. Shadow Labyrinth Out 18 July; PC, Switch 1/2, Xbox, PS5 Namco has reimagined Pac-Man hundreds of times over the past 40 years, but this might be the most fascinating example: a dark 2D action platformer in which you navigate a maze-like world, consuming enemies and taking their powers. No cute ghosts and sparkly cherries this time round … Keith Stuart Wet Leg – Moisturizer Out now Now expanded to a five-piece, The Isle of Wight's finest return with this follow-up to 2022's self-titled breakthrough. More muscular than its predecessor, but no less playful, Moisturizer features the pogoing post-punk of Catch These Fists and the skewed indie shuffle of recent single Davina McCall. Burna Boy – No Sign of Weakness Out now The Grammy-winning Nigerian superstar, fresh from collaborations with the likes of Coldplay and 21 Savage, offers up more of his musical eclecticism on this eighth album. While the heartfelt Sweet Love rides a sun-kissed reggae lilt, TaTaTa, which features Travis Scott, is a heaving fusion of Afrobeats and rap. Gwenno – Utopia Out now On this fourth album from Gwenno Saunders, the follow-up to 2022's Mercury-nominated album, the Cornish-language Tresor, the Welsh singer-songwriter sings mostly in English for the first time. As cinematic and sonically rich as ever, songs such as Dancing On Volcanoes showcase Saunders' melodic sensibilities. Clipse – Let God Sort Em Out Out now Sixteen years after their last album, the Virginia rap duo, AKA Pusha T and Malice, return as if no time has passed. As with their 2006 classic Hell Hath No Fury, Let God Sort Em Out features Pharrell in the producer's chair, with single Ace Trumpets built around a skeletal, head-knocking beat. MC Baumgartner Restoration YouTube The Chicago-based fine art restorers produce in-depth videos that are part art history explainer and part ASMR accounts of soothing brushwork. Learn how decades of damage is miraculously removed, as well as how previous restorations went wrong. There's a Lot I Haven't AskedPodcast This moving new series by actor Hannah Donelan tells the story of Irish migrants to Manchester throughout the 20th century. First-hand testimony explores diaspora identity in the north and the legacy of the Troubles. Apocalypse in the Tropics14 July, Netflix A fascinating film looking at the increasing influence of Christian televangelist leaders in Brazil. Speaking to both President Lula and former president Bolsonaro, it shows how rightwing politics are being manipulated by powerful church leaders. Ammar Kalia
