logo
A British Summer Dessert That Doesn't Have to Be Perfect

A British Summer Dessert That Doesn't Have to Be Perfect

New York Times17 hours ago

Culinary legend has it that Eton mess — a mixture of whipped cream, broken meringues and fresh berries — was invented in the 1920s, when an overexcited dog crushed a meringue confection at the British boarding school that shares its name with the dessert. In reality, the recipe dates back at least to the 19th century, when it appeared on a menu served to Queen Victoria as Eton Mess aux Fraises. Either way, the sweet is quintessentially British and, for the fashion designer turned ceramics artist Henry Holland, 42, a delicious reminder of his childhood in Ramsbottom, a small town near Manchester where he often made Eton mess with his mother using berries from their garden. 'You can help with it when you're really young because the whole point is making a mess,' he says.
On a warm day in June, Holland was preparing his own version — which features vanilla and orange blossom-flavored whipped cream and a sprinkle of chopped mint — for the other ceramists working at his studio in Hackney, in East London. The serving vessel, a blue-and-white platter, was from his latest collection of gingham-patterned pottery, which also includes vases named for his favorite desserts: Battenberg, Pavlova and, of course, Eton.
Holland first started working with clay when — after closing his 13-year-old fashion label, House of Holland, in 2020 — he took a class on a whim and quickly found himself 'addicted to the medium,' he says. He began posting pieces for sale on his Instagram page, and the London department store Liberty placed an order, prompting him to launch his own studio in 2021. With bold silhouettes and a bright color palette, the line is inspired by Holland's love for the Memphis Group and Art Deco design. He uses the Japanese technique of nerikomi — which involves layering and rolling together pieces of clay in various colors — to create swirling patterns.
Over the past four years, Holland has expanded his offerings to include lighting, glassware, wallpaper and fabric, and he has plans to debut furniture in the near future. Still, his schedule remains less frantic than it once was: he aims to release one new collection every eighteen months, as opposed to the four per year expected by the fashion industry. The happy result: more time to host friends at his home in London's Victoria Park neighborhood, which he shares with his husband and business partner, David Hodgson, 43. In the summer, a simple garden salad and barbecued meats are often followed by heaps of Eton mess. 'It's always well received,' he says. 'Who doesn't love a bit of cream and sugar?'
Want all of The Times? Subscribe.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Exclusive: Bonnie Blue on Feminism, Consent and Online Hate
Exclusive: Bonnie Blue on Feminism, Consent and Online Hate

Newsweek

timean hour ago

  • Newsweek

Exclusive: Bonnie Blue on Feminism, Consent and Online Hate

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. If you've been on the internet in the past 12 months, then you've most likely heard the name Bonnie Blue. The 26-year-old British sex worker launched her OnlyFans account in 2023 and quickly became notorious online, thanks to installing herself on college campuses in the U.K. and Australia and sleeping with what she described as "barely legal" 18- and 19-year-olds. The men in question would provide proof of age and fill in consent forms, and Blue would then upload content onto OnlyFans, an online content-sharing platform that can be used to share any kind of content, such as photos, recipes and writing, but is particularly popular among sex workers. Although the men have reached the legal age of consent, outrage has ensued. Some of the young men have lost their virginity to Blue on screen, and concerns have been raised regarding both consent in this context, and the implications of this kind of sexual activity for young men. In an exclusive interview with Newsweek, Bonnie Blue discussed consent, feminism and how she deals with online hate. In an exclusive interview with Newsweek, Bonnie Blue discussed consent, feminism and how she deals with online hate. Photo-illustration by Newsweek/Getty/Canva/Instagram Toward the end of 2024, Blue, a mere year into her adult film career, had received death threats, been deported from Fiji and faced a petition to be banned from Australia. But things hit fever pitch in January of 2025 when Blue reached the height of virality after claiming to have slept with 1,057 men in 12 hours. Since then, she's become a fixture in the tabloid press and faced mounting scrutiny online, most recently receiving a permanent ban from OnlyFans. She also made it across the pond to do a tour of America, starting out in Las Vegas and then heading to Houston to appear on The Isiah Factor Uncensored. Whether you love her or hate her, it's no secret that in an attention economy, notoriety and virality are lucrative currencies. And Blue has ensured one thing with her content: you probably know her name. But who actually is Bonnie Blue? Newsweek spoke to the woman behind the headlines for an exclusive interview, where she discussed consent, feminism and how she deals with online hate. 'I wouldn't say I'm not a feminist' Blue's ascent to fame comes at a critical and complex moment for gender politics, both online and offline. In the 2010s, the internet was dominated by so-called Girlboss feminism, body positivity and the watershed of the #MeToo movement. The 2020s though, have seen a shift toward conservatism, and the embrace of traditional gender roles for women is becoming more mainstream. Things are incredibly polarized. On one side, you'll find women who say they found ultimate peace in their role as homemaker, and the surge of the so-called "trad wife." On the other, you'll find women who say they've found ultimate empowerment through sex work. Blue sits in the latter camp. "I wouldn't say I'm not a feminist," she tells Newsweek over a video interview. "I do believe women should have a voice and they should be in control," she says. "A lot of people say I actually bring women back 100 years, but I'm a clear example of a lady that's taken full control of the body." Blue continues. "This is to a certain degree, what feminism has asked for, a woman that can take control. I don't feel intimidated by men. I'm actually paid more than guys in my industry. I have a complete voice and I don't ever feel taken advantage of." The debate over sex work is one that has long raged, but thanks to the rise of OnlyFans and stars like Blue, it's made its way out of fringe feminist circles and into the mainstream. A quick search on TikTok or Instagram will soon throw up hundreds of videos debating whether or not sex work is empowering or oppressive. Such videos regularly receive hundreds of thousands of views. So too do videos by actual sex workers. Though their income is made on content that sits behind paywalls, in 2025 we're in an era of sex work social media marketing, where sex workers build prominent profiles on platforms like Instagram and TikTok to boost engagement on their paid-for content. But while this content is booming on social media algorithms, public opinion remains split. In 2020, an analysis from left-leaning think tank Data for Progress found that 52 percent of respondents said they strongly or somewhat supported decriminalization of sex work, compared with 35 percent who opposed it and 13 percent who were unsure. As for the rise of the tradwife phenomenon? Blue told Newsweek:" I don't think you have to be submissive." Blue said she knows people whose preference is to be a stay-at-home mum, doing cooking, cleaning and being given "rules" by their partner. "As long as you enjoy that, that makes you happy. I don't care that you don't want to go to work. I don't care that you don't want to feel empowered," Blue said. "But also, if a woman wants to leave the partner because the partner's being controlling and they want to earn their own money, they want to become a sex worker or they want to become a CEO of a business, then go and do that because we're in a world where you can," she added. "Women are in power, and you need to take advantage of that," Blue told Newsweek. 'I'm not a predator, I'm not a groomer' At the time of reporting, a Google search for the term "Bonnie Blue predator," yields 1.6 million results, while "Bonnie Blue groomer," yields a further 1.3 million. Concerns that Blue is furthering rape culture, and a broader culture of violence against women, have been dominant in the media since she first rose to public prominence. But one specific incident has poured gasoline on the fire. Blue was planning to organize a "petting zoo," where she would, in her words "be tied up in a glass box" with members of the public invited to go and "use" her however they saw fit. Her aim was to break her own world record and sleep with 2,000 men. A TikTok from the account @ainsleycaresalot about the petting zoo has the text overlay "Bonnie Blue's petting zoo makes me sick. This is setting women back 100 years. Its teaching men that we are just here for their pleasure,"and has has been viewed 3 million times as of reporting. A post on X, formerly Twitter, from @paniniboy7 which referred to the petting zoo as "terrifying" and calls Blue a "danger to society" has been viewed 12.5 million times. A TikTok edit from the account @definehertruth that shows Blue speaking about the petting zoo cut next to footage of women's rights marches has been viewed over 15 million times. "I get blamed for rape culture a lot, especially at the moment," Blue told Newsweek. "There's been people that have been raped," which Blue described as "terrible" before adding that said people have "spoken out and saying they blame me for their rape." "I look at that and I'm like, I'm not responsible, I wasn't the one that raped you," she said. "I get called predator all the time, and groomer. I sleep with 18-year-olds," Blue said. "I'm not a predator, I'm not a groomer." The fallout over the petting zoo came just before Blue was permanently banned from OnlyFans. In a statement given to the British outlet Metro, an OnlyFans spokesperson said: "Extreme challenge content is not available on OnlyFans and is not permitted under our Acceptable Use Policy and Terms of Service. Any breach of our Terms of Service results in content or account deactivation... This is why it has been necessary to take this action. We always act when users breach our terms of service." Speaking to Newsweek, Blue denied having broken any of OnlyFans terms and conditions. OnlyFans did not immediately respond to a request for comment for this article. Would she ever consider creating her own platform? "Possibly," she told Newsweek. But her next step is switching to Fansly, a platform she described as being "more sex worker friendly." "Fansly will be much better suited for me short term and long term, because they're proud of the sex workers." Addressing the criticism she has faced, Blue told Newsweek: "When you're a sex worker, you get hate, regardless. 'You're disgusting, you're a prostitute, s***, w*****,' you get it all anyway." Blue also addressed a recent rumor that has circulated about her. "I've got loads of hate saying I'm transgender," she said. Google Trends data shows that searches for "Bonnie Blue trans," began in December of 2024, but skyrocketed in mid-June, after a post went viral on X from the account @BrockRiddickIFB claiming that Blue was a transgender woman and used to go by the name of Kyle Butler. "I just look at that and think, how can I be offended? How can I be taking your comments to heart? Because I'm not transgender," she said. "So why should I be bothered that so many uneducated people are just going to make up rumors?" Blue added: "If the hate comments was valid and they had facts behind them, I'd probably be offended. But when it is just coming from poorly, uneducated people that know nothing about me, I'm like, how can I be hurt by them? I just find them entertaining." When asked if her content falls into the genre of rage bait, a tactic used to elicit online outrage to increase traffic and engagement, she told Newsweek: "I'm purposely playing it for sure." "Rage bait is good because people are so stupid," Blue said. "They're so poorly educated at times that I just play off that. If more people was clever, I wouldn't be as successful as I am." Consent is the 'most important thing' Asked whether she believes what she describes as "barely legal adults" fully understand the implications of being involved in public sex work, Blue said: "Yeah, 100 percent." "18-year-olds have been brought up with the internet," she said. "They understand digital footprint." "I find it very hypocritical when the older generation say 'they don't understand the internet.'" Blue said. "But I can guarantee you the first time they have a question about the internet or online things, they're going to be asking their son or daughter because they know the younger generation have a much better understanding." "If an 18-year-old murdered someone, they'll be tried at adult court. So they're allowed to have sex. Sex is actually not a massive thing," she told Newsweek. Asked what responsibility she has to her audience, Blue told Newsweek "consent." "Discussing consent, discussing, what's OK, what's not OK," she said. "Before I've met someone, when I meet someone during the video, during any intercourse with someone, I'll be like, are you OK or you enjoying this? Are you having a good time, let me know if you're comfortable," she said. Blue told Newsweek that consent is the "most important thing."

Jonathan Anderson's Grunge Aristocracy at Dior
Jonathan Anderson's Grunge Aristocracy at Dior

Business of Fashion

time4 hours ago

  • Business of Fashion

Jonathan Anderson's Grunge Aristocracy at Dior

PARIS — The enormous tent constructed in the Place Vauban for Jonathan Anderson's debut at Dior was printed with a silvery evocation of the past, a monochrome image of Christian Dior's decorous couture salon. Fast forward to the present, 75 years later. That tent had been exhaustively climate-controlled to allow for the hanging of two paintings by Jean Siméon Chardin, the 18th century artist who is regarded as the master of the still life. He was a favourite of Dior's, Anderson's too. The Chardins were his idea. So was the inspiration for the showspace, clad in velvet like the Gemäldegalerie in Berlin, home to one of the finest collections of European art from the 13th to the 19th century. One Chardin came from the Louvre, the other from the National Gallery of Scotland. Reflect for a moment on the logistics involved in transporting monstrously valuable works of art to a tent packed with an unruly, heatstruck audience for one hour on a Friday afternoon in Paris and you'll maybe garner some notion of the political and financial power that a fashion conglomerate like LVMH, which owns Dior, now wields. Ah yes, the present. Dior Menswear Spring/Summer 2026. (Spotlight/ And the future? Well, for that single stretch of showtime, it rested in Anderson's hands. He's been cast as Dior's saviour in a challenging market — and is the first to oversee women's, men's and haute couture collections since Monsieur Dior himself first experimented with menswear. Unsurprisingly, Anderson has been soft-pedalling expectations. 'You have to, because no one gives anyone any time anymore,' he conceded at a preview earlier this week. In another exchange, he said, 'My idea is to be slightly optimistic, it's not going to happen overnight. We have to be realistic today.' But his attempt at lowering the temperature was clearly unsuccessful. His audience was littered with pop stars, movie stars and a full platoon of fashion peers, many of whom were on their feet at show's end. Dior Menswear Spring/Summer 2026. (Spotlight/ Anderson was insistent that Dior was something alien to him. 'It's not a character that I know.' But that's what seduced him. 'It's like buying a chateau in the South of France that you saw on a website, a very British thing to do. It's beautiful, but it needs so much renovation. You have to start somewhere, and as you go, you realise, 'Wow! It's amazing what they did in the 18th century with door handles,' and then you find the next thing and the next thing.' And those 'next things' were the years of input from all the designers who have worked for Dior over the decades. To isolate the most striking carryover from the past in Anderson's debut collection: Maria Grazia Chiuri's wildly successful book tote reappears rendered as the covers of specific titles, In Cold Blood, Bonjour Tristesse, and, luridly best of all, Dracula. ('Because it's Irish,' he said archly.) He compared the learning process to doing a PhD in Dior. What did he come away with? 'I feel the name is bigger than the individual designer. It was always like that. So that was the whole idea for me.' Dior Menswear Spring/Summer 2026. (Spotlight/ There will undoubtedly be plenty of people who look at what Anderson showed on Friday and question his concept of permanence. 'My idea was to decode it to recode it,' he explained, sort of. 'That's how the collection was built.' Take the first look, practically a manifesto in one outfit. 'How I feel I'm going to tackle men,' Anderson declared. 'Formality, history, the material, Irishness.' The cargo shorts were panniered with the extravagant folds of the Delft dress from 1948, originally carved from 15 metres of duchesse satin, duplicated for today in undyed denim. The jacket featured the classic Bar silhouette, cut here from Donegal tweed. The model sported a formal stock tie. 'An English stock,' Anderson explained, 'the French is looser. I like the idea of something that makes you lift your head up. There's an etherealness to the formality.' The shoes were based on the sandals he wore to school in the summer. In other words, a weird but winning fusion which spanned the decades between the Frenchman and the Irishman. Dior Menswear Spring/Summer 2026. (Spotlight/ 'For me, it's about a quiet radicalism,' Anderson said. 'For the customer, this is already going to be something that is pretty wild, but in my head, it's normal.' Why is it easy for me to imagine Christian Dior saying something similar 75 years ago? And if my proposed compatibility still seems like a bridge too far, there's their shared obsession with the 18th century. 'I got the guy who's been sourcing things for me for years to find me the best 18th century menswear, and then we meticulously recreated it. There was no point in changing the fit. When I saw it, I thought, 'That's Dior. Let's just put it up there as a thing.'' Like his own version of Martin Margiela's 'Replications' which he loved so much when he was starting out in fashion. Rebecca Mead's profile in the New Yorker earlier this year quoted Anderson saying this: 'Authenticity is invaluable. Originality is nonexistent. Steal, adapt, borrow. It doesn't matter where one takes things from. It's where one takes them to.' So Anderson showed his delicately toned, edibly alluring duplication of the jacket and waistcoat from an aristocrat's summer day look for the court of Louis XV with a dress shirt, black jeans and unlaced Dior trainers. Dior Menswear Spring/Summer 2026. (Spotlight/ Like that first look, it was a provocative encapsulation of the idea of personal style, or how you put things together to express yourself. A midnight blue velvet tail coat over chambray jeans, for instance. Or a delicately frogged white shirt over white jeans. Artistry and calculated artlessness, all of it set to a sensational Frederic Sanchez soundtrack that swung from Springsteen to Little Simz. Velvet, denim, sandals and a stock tie – 'I would love to be able to wear that,' Anderson said. 'Every time I've done a menswear show, I've always wanted to be able to do something I would love to be able to pull off. For me this is a fantasy, because it has to be. I find each person in the show equally attractive because I think they embody the 'thing.' I believe it, and if I believe it, then I want to dress like it.' Fashion as an act of faith: Anderson mastered that challenge at Loewe, and, if early reactions are any indication, he'll be able to translate that mastery to Dior. Dior Menswear Spring/Summer 2026. (Spotlight/ Finding the future in the past is not a particularly novel concept, but if I think for a moment that everything Anderson has done is almost like a movie, it clarifies how he was able to draw such an extraordinary cast of characters to Loewe and his own brand. One of them, director and frequent collaborator Luca Guadagnino, has been tracking him all week with a film crew. The designer talked about the looks in the show that were pure youthful street as his acknowledgement of Jean-Luc Godard and the nouvelle vague that transformed French cinema and French style, from New Look to New Wave. Anderson said it's also about him getting used to living in Paris, trying to work out what he loves about the city. 'I'm on Île Saint-Louis and there's something about this idea of tight grey corridors that have light at the end. No matter when you see people, they're always backlit. And everything looks great backlit. I find it fascinating because it feels like cinema somehow, and really that is how we approached the challenge.' Dior Menswear Spring/Summer 2026. (Spotlight/ The city is currently plastered with posters of artist Jean-Michel Basquiat and footballer Kylian Mbappé, the faces of the new Dior man (or, as Anderson says of Mbappé, 'a new vision of France'). 'I have to find a new language,' Anderson said. 'It's going to take time, and I don't want to be rushed. Anything is possible. At the end of the day, it's a job. And you always have to remind yourself that you love the work and you're gonna get the job done.' Consider this debut a great appetiser for the much more complicated meal to come. Dior Menswear Spring/Summer 2026 Dior Menswear Spring/Summer 2026 look 1. (Spotlight/ Dior Menswear Spring/Summer 2026 look 2. (Spotlight/ Dior Menswear Spring/Summer 2026 look 3. (Spotlight/ Dior Menswear Spring/Summer 2026 look 4. (Spotlight/ Dior Menswear Spring/Summer 2026 look 5. (Spotlight/ Dior Menswear Spring/Summer 2026 look 6. (Spotlight/ Dior Menswear Spring/Summer 2026 look 7. (Spotlight/ Dior Menswear Spring/Summer 2026 look 8. (Spotlight/ Dior Menswear Spring/Summer 2026 look 9. (Spotlight/ Dior Menswear Spring/Summer 2026 look 10. (Spotlight/ Dior Menswear Spring/Summer 2026 look 11. (Spotlight/ Dior Menswear Spring/Summer 2026 look 12. (Spotlight/ Dior Menswear Spring/Summer 2026 look 13. (Spotlight/ Dior Menswear Spring/Summer 2026 look 14. (Spotlight/ Dior Menswear Spring/Summer 2026 look 15. (Spotlight/ Dior Menswear Spring/Summer 2026 look 16. (Spotlight/ Dior Menswear Spring/Summer 2026 look 17. (Spotlight/ Dior Menswear Spring/Summer 2026 look 18. (Spotlight/ Dior Menswear Spring/Summer 2026 look 19. (Spotlight/ Dior Menswear Spring/Summer 2026 look 20. (Spotlight/ Dior Menswear Spring/Summer 2026 look 21. (Spotlight/ Dior Menswear Spring/Summer 2026 look 22. (Spotlight/ Dior Menswear Spring/Summer 2026 look 23. (Spotlight/ Dior Menswear Spring/Summer 2026 look 24. (Spotlight/ Dior Menswear Spring/Summer 2026 look 25. (Spotlight/ Dior Menswear Spring/Summer 2026 look 26. (Spotlight/ Dior Menswear Spring/Summer 2026 look 27. (Spotlight/ Dior Menswear Spring/Summer 2026 look 28. (Spotlight/ Dior Menswear Spring/Summer 2026 look 29. (Spotlight/ Dior Menswear Spring/Summer 2026 look 30. (Spotlight/ Dior Menswear Spring/Summer 2026 look 31. (Spotlight/ Dior Menswear Spring/Summer 2026 look 32. (Spotlight/ Dior Menswear Spring/Summer 2026 look 33. (Spotlight/ Dior Menswear Spring/Summer 2026 look 34. (Spotlight/ Dior Menswear Spring/Summer 2026 look 35. (Spotlight/ Dior Menswear Spring/Summer 2026 look 36. (Spotlight/ Dior Menswear Spring/Summer 2026 look 37. (Spotlight/ Dior Menswear Spring/Summer 2026 look 38. (Spotlight/ Dior Menswear Spring/Summer 2026 look 39. (Spotlight/ Dior Menswear Spring/Summer 2026 look 40. (Spotlight/ Dior Menswear Spring/Summer 2026 look 41. (Spotlight/ Dior Menswear Spring/Summer 2026 look 42. (Spotlight/ Dior Menswear Spring/Summer 2026 look 43. (Spotlight/ Dior Menswear Spring/Summer 2026 look 44. (Spotlight/ Dior Menswear Spring/Summer 2026 look 45. (Spotlight/ Dior Menswear Spring/Summer 2026 look 46. (Spotlight/ Dior Menswear Spring/Summer 2026 look 47. (Spotlight/ Dior Menswear Spring/Summer 2026 look 48. (Spotlight/ Dior Menswear Spring/Summer 2026 look 49. (Spotlight/ Dior Menswear Spring/Summer 2026 look 50. (Spotlight/ Dior Menswear Spring/Summer 2026 look 51. (Spotlight/ Dior Menswear Spring/Summer 2026 look 52. (Spotlight/ Dior Menswear Spring/Summer 2026 look 53. (Spotlight/ Dior Menswear Spring/Summer 2026 look 54. (Spotlight/ Dior Menswear Spring/Summer 2026 look 55. (Spotlight/ Dior Menswear Spring/Summer 2026 look 56. (Spotlight/ Dior Menswear Spring/Summer 2026 look 57. (Spotlight/ Dior Menswear Spring/Summer 2026 look 58. (Spotlight/ Dior Menswear Spring/Summer 2026 look 59. (Spotlight/ Dior Menswear Spring/Summer 2026 look 60. (Spotlight/ Dior Menswear Spring/Summer 2026 look 61. (Spotlight/ Dior Menswear Spring/Summer 2026 look 62. (Spotlight/ Dior Menswear Spring/Summer 2026 look 63. (Spotlight/ Dior Menswear Spring/Summer 2026 look 64. (Spotlight/ Dior Menswear Spring/Summer 2026 look 65. (Spotlight/ Dior Menswear Spring/Summer 2026 look 66. (Spotlight/ Dior Menswear Spring/Summer 2026 look 67. (Spotlight/ Dior Menswear Spring/Summer 2026 look 68. (Spotlight/

F1's Damson Idris Just Wants To Make His Black Women Fans Proud
F1's Damson Idris Just Wants To Make His Black Women Fans Proud

Refinery29

time12 hours ago

  • Refinery29

F1's Damson Idris Just Wants To Make His Black Women Fans Proud

Damson Idris is racing straight to becoming a household Hollywood name. But no matter where his career takes him next, we can say that we saw him first. The 'we' is Black women, of course, who dubbed the British-Nigerian actor as a certified Internet Boyfriend long before his starring turn in this summer's first big blockbuster. After captivating audiences as Franklin Saint in Snowfall, Idris is shifting gears — literally — into high-octane territory with his leading role in F1, the Formula 1 racing film from director Joseph Kosinski and producer/ star Brad Pitt. Whether he's embodying a South Central kingpin or donning a racing suit opposite Hollywood heavyweights, Idris brings depth, precision, and a quiet confidence that continues to set him apart. And as Unbothered's very own Christa Eduafo found out when she sat down with him recently in New York City, the actor is well aware that his Black female fanbase bet big on Damson Idris stock early. 'I can't wait for them to go on this journey with me throughout my career,' Idris said with a smile. Here, Idris opens up about the evolution of his career, his mother's influence as both an anchor and a humbling presence (African moms stay on brand), and the unwavering support he receives from the fans who've been riding with him since day one. He also teases his upcoming role in Children of Blood and Bone, the hotly anticipated fantasy epic based on Tomi Adeyemi's bestselling novel. Between blockbuster projects and staying rooted in purpose, Idris is proving he's not just a rising star, he's shaping the future of Black storytelling, barrelling full speed towards superstardom — and we're riding shotgun. Unbothered: You're starring in what's going to be the blockbuster of the summer. Walk me through when you found out you were going to be in F1. Was it shock? Was it readiness? How did that feel? Damson Idris: Man, I was in Turks and Caicos. So I was on vacation, I was looking at the sunset, and then I got a phone call: 'Hey, do you want to be a Formula 1 driver?' And I lost my mind. I just screamed to the heavens. This is a part that I prayed for. I dreamed of this, so being able to accomplish it, and to be at this place today where I believe we made a brilliant movie, is a dream come true. View this post on Instagram A post shared by Unbothered (@r29unbothered) You mentioned prayer. You've said that you manifested this role. In a previous interview, you said you downloaded the Formula One game and named your player, Joshua Pierce, which is the name of your character in the film. So do you manifest often? DI: 100%. I understand how powerful we are as beings and with the characters that I play, I do believe that what's mine is mine. So it's really a feeling that I tend to chase. With Snowfall, I really wanted to work in the States and I loved those kinds of gangster movies, like Goodfellas, American Gangster and the like. And then with this movie, I really wanted to play an athlete because of my football background. But I was also ready and prepared for a movie that I believe was going to reach every corner of the world. So when this opportunity came, I knew it was mine and I wanted to do a really good job. So hopefully I made everyone proud. You were amazing in the film. I'm a big manifestation person as well, and it's just about knowing, just being certain, and that's really it. So between Joshua Pierce and Snowfall's Franklin, you play characters that have a lot of aura to them. So I was wondering, would you say you have aura? DI: I just learned what aura is the other day. Do I have aura? I don't know. No, I'm the worst person to ask. I'll never admit that I have aura. I'll never admit it, but I don't know. Alright, yeah, I got a little, tiny, little sprinkle of aura [laughs]. ' [My mum] is my biggest fan. When the movie comes out, the opinion that's gonna matter most to me is hers. damson idris ' You said recently that you're most excited for your mom to see this film, and that she would call to check on your safety when you were on set. What were those calls like? DI: Just her screaming in Yoruba, 'you better be safe!' She's my biggest fan. So when the movie comes out, you know, the opinion that's gonna matter most to me is hers. Your character in the film, Joshua, has such a beautifully close relationship with his mother. And I know you mention all the time that you have one with your own. So I was wondering, how does your mom keep you grounded as your star is rising? DI: I call her all the time. Every day I call her. On this career [journey] that I'm on, you know, you spend so much time in the back of a car alone, alone in a hotel room, you know, alone on a plane, so to have someone that I can call that just constantly reminds me of where I came from is so important to me. And my mom is that person. That's so valuable to have. I'm Ghanaian, so African parents can be our biggest cheerleaders, but they can also humble us lovingly. So I was wondering if you have an example of a time that your mom lovingly brought you back down to earth. DI: Oh my gosh, when I first started acting, working in a theater is this revered thing in the UK. So I would be doing plays, and my mom would come and watch the plays, and she'd be like, 'yes, theater is okay, but when are you going to be on EastEnders or Hollyoaks? Because my mom loves soaps. So in my head, funny enough, through that was how I said to myself, Man, I need to be on a screen. So, yeah, I guess my mom was a huge motivator for that. She was underwhelmed by my theater parts. ' I'm grateful that [Black women] support my work. I can't wait for them to go on this journey with me throughout my career. I always want to make Black women proud. damson idris ' You have a lot of Black female fans. You're a little bit of a heartthrob. What has that attention been like? Is that a new experience, something you pay attention to or is it just kind of background noise? DI: I don't pay attention to it but I'm grateful that they support my work and that they support my aura. I can't wait for them to go on this journey with me throughout my career. You know, I always want to make Black women proud. I was raised by one. Can you give a little message to your Black women fans? DI: To my gorgeous Black women out there who are supporting me, thank you. Thank you. Thank you. I can't wait for you to watch F1. I promise you, Joshua has aura [laughs]. ' You know exactly how we felt when we walked out of Black Panther? That's how we're going to feel with [ Children of Blood and Bone ]. We put everything into it. damson idris ' Children of Blood and Bone is next for you. It just wrapped. That was a stacked cast. You worked with a lot of members of the diaspora there. What was the most exciting part about being a part of that film? DI: So many of them are my friends that I've known for so long. In passing on this journey, we always say the same thing to each other: 'When are we going to work with each other?' So I tip my hat to Paramount and Gina Prince-Bythewood for assembling a juggernaut of a cast. We spent six months in Cape Town filming and we just wrapped. Every day, a new heavyweight would come in and just prove why they exist. You know, from Idris to Viola to Chiwetel to Regina to Cynthia. I could just say their first names and you know what time it is. But also just watching a lot of us, younger actors, find our way and own our power too. Tosin Cole and Amandla Stenberg, and Thuso Mbedu, our lead, who I just think is such a beautiful actress. I can't wait for her career to blossom too. So, I just feel really blessed. Lashana Lynch, Zackary Momoh, there was a so much great energy on set. You know exactly how we felt when we walked out of Black Panther? That's how we're going to feel with this picture. We put everything into it. We showed so much respect to Africa, and we showed so much respect to the story too.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store