
Record breaking BBC Sport broadcast draws 2025's largest UK audience for Women's Euro final
Online, the BBC Sport's live page pulled in a staggering 11.4 million views as fans were gripped to see which country would come out on top.
The unprecedented victory which saw the Lionesses retain their title as European Champions peaked at 11.6 million on BBC One – 59% of all TV audiences – with an additional 4.2 million streams of the match on BBC iPlayer and the BBC Sport website and app.
Overall, the tournament was streamed 15.5 million times across BBC iPlayer and the BBC Sport website & app –20% of these were from 16-35's, highlighting strong engagement from younger audiences throughout the competition. The BBC's TV coverage alone also reached 22.1 million.
With digital clips and highlights of every match, BBC Sport social media accounts were front and centre with a mammoth 231 million total views across the tournament. 45% (104m) of those views came from TikTok (the highest proportion of any platform) and the audience on BBC Sport's Women's Football TikTok account over the last four weeks was 76% under 34-year-olds (39.3% under 24s, 36.7% 25-34).
Lucy Bronze strapping her own leg in the quarter final against Sweden was the most viewed clip from the tournament with a whopping 12.5 million views across BBC Sport social channels (TikTok, Instagram and Facebook).
16 million unique users used the BBC Sport website and app to keep up to date with all the breaking news, and 10.1 million signed in accounts accessed Women's Euro content across all of the BBC's digital services (iPlayer, Sounds and BBC Sport website & app) an increase of 15% from Euro 2022.
On BBC Sounds, live commentary on Radio 5 Live and 5 Sports Extra had over 1.1 million – 122% increase from 2022.
Alex Kay-Jelski, Director of BBC Sport says: 'This final was a landmark moment in sporting history. The kind of moment people will remember exactly where they were when they watched it. The incredible Lionesses took us on an emotional rollercoaster, and millions were hooked on BBC coverage from start to finish – from live streaming post-match analysis to millions following our live page and younger audiences in huge numbers on social media.
'Just because the tournament stops there, our coverage doesn't. We've got live WSL matches every match week, highlights, clips and more from next season, and you can follow everything on our Women's Football TikTok.'
BBC Sport and ITV have also secured the rights to broadcast the FIFA Women's World Cup 2027, ensuring that the biggest tournament in women's football remains free-to-air for UK audiences.
RM4/CF
Follow for more
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Sky News
42 minutes ago
- Sky News
Thomas Partey: Ex-Arsenal player charged with rape to appear in court today
Former Arsenal midfielder Thomas Partey is due to appear in court today, charged with raping two women. The 32-year-old, who was charged four days after leaving the north London club when his contract expired back in June, faces five counts of rape and one count of sexual assault. He is accused of two counts of rape against one woman and three counts against another. The sexual assault allegation relates to a third woman, the Crown Prosecution Service has said. The alleged offences took place between 2021 and 2022. The Metropolitan Police said it first received reports of an allegation of rape in February 2022. Partey's lawyer Jenny Wiltshire has previously said the Ghanaian "denies all the charges against him" - and looks forward to the chance to "finally clear his name". Partey joined Arsenal from Spanish side Atletico Madrid in 2020 and became a regular for manager Mikel Arteta, who last month said he was "100% sure" the club followed the correct protocols. An Arsenal spokesperson previously said: "The player's contract ended on 30 June. Due to ongoing legal proceedings, the club is unable to comment on the case." Partey made 35 appearances for the Gunners last season, scoring four goals.


Times
an hour ago
- Times
Pumped galleries, rising rookies … only pundits let down Women's Open
Royal Porthcawl proved to be the perfect venue for the 25th edition of the AIG Women's Open as a major. Set on the stunning south Wales coastline, the R&A pulled off a hugely successful event, with a bumper attendance that totalled more than 47,000 and breaking records for broadcast audience share, digital reach and engagement. It was wonderful to meet overseas fans who had travelled to Wales to follow their favourite players and the entertainment provided for children was exceptional. After hosting the largest women's sporting event in Wales's history, Royal Porthcawl could be in line for more significant tournaments. Charley HullThe immensely popular Hull may have suffered another heartbreak by finishing second in a major for the fourth time, but such is her optimistic outlook on life you would not have known. Supported by huge galleries, who willed the Englishwoman to victory, she displayed grace, humour and searing honesty in equal measure after failing to chase down Miyu Yamashita. The 29-year-old's time will surely come. Japan's successIt took most people by surprise when Japanese players filled six of the top ten places after the first round. A solid junior programme and a thriving domestic tour have produced a succession of top players. Thirteen play on the LPGA, among them Yamashita, the diminutive rookie who delivered a links golf masterclass. Japan occupied three of the final top five slots. Mimi RhodesIn her rookie year on the Ladies European Tour, the 24-year-old from Somerset has stormed to three wins and after a decent finish of tied-19th, consolidated her position as the leading rookie. She engaged well with the crowds, impressing with her warm personality and easy smile. Rhodes will always be remembered for her hole in one at the par-three 5th in the final round, thanks to a fortunate nudge off her partner Steph Kyriacou's ball, which was sitting inches from the hole. Slow playThankfully, the scourge of the game failed to rear its head with players — unlike those at the Open at Royal Portrush, where rounds took up to six hours — taking well under five hours and even less at the weekend. The R&A issued official warnings as a group fell out of position and by the end of the third round had issued only one bad-time warning. Lottie WoadAfter all the hype surrounding her first major as a professional, and coming in as favourite, Woad faced a baptism of fire. The 21-year-old from Farnham, Surrey, dealt with it, using her customary composure, although by her high standards was probably disappointed with a tied-eighth finish. The crowds were privileged to witness the arrival of golf's rising star. Nelly KordaIt proved to be a dismal week for Nelly Korda, who has not won all season having collected six titles by May last year. Having reigned as the world No1 for 71 weeks, she has lost top billing to the talented young Thai Jeeno Thitikul. Korda was not the only one guilty of displaying a distracted air and a few more smiles would not go amiss. Scottish declineCatriona Matthew, who won the championship in 2009, once led a formidable array of Scottish players, among them Janice Moodie, Mhairi McKay, Dale Reid and Kathryn Imrie, but this year Gemma Dryburgh was the only one in the field and missed the cut. Louise Duncan showed huge promise as an amateur, but has struggled to break through on the Ladies European Tour. TV commentaryIt's infuriating to hear some, but not all, of the commentators constantly stating the obvious and describing what the viewers can see for themselves. Their job is to provide an insight into the difficulty of the shot, personal insights into the players or technical expertise. The adjective 'sensational' is overused, and we know it's a golf ball. Ball suffices.


Daily Mail
2 hours ago
- Daily Mail
VERY fishy behaviour! Parts of Sir David Attenborough's latest series Parenthood are filmed in a TANK, BBC admit
Parts of David Attenborough 's latest series were filmed in a fish tank rather than in the wild, the BBC has admitted. The beloved British broadcaster used tanks during key scenes that featured boxer crabs, skeleton shrimps and Banggai cardinalfish across the five episodes of Parenthood. Airing its first episode on Sunday, August 1, the series promised viewers 'astonishing, never-before-seen animal behaviours in stunning ultra high definition, from the remote jungles of Bhutan to the grasslands of Botswana'. The near hour-long programme by Sir David, aged 99, focuses on animal parents that are 'having to adapt to a world that is changing rapidly', with the creatures facing 'a unique set of challenges' that they must overcome. It is the first BBC natural history series to focus on parenting, with the team using new technology to capture the weird and wonderful in the wild. However, the BBC have now revealed parts of the unique show were not filmed 'in situ', as viewers may have initially expected, but instead were shot in manufactured environments such as tanks and incubators. The decision was taken, the public broadcaster insists, due to the 'tiny scale of the animals, fragility of the environment and sensitive nature between parents and their young', The Times reported. In an article published by producers Jeff Wilson and Olly Scholey it was revealed that during the five-minute opening of an episode that showcased turtle hatchlings, filming occurred in a specialist 'incubation project' in Brazil, rather than actually underwater. The pair said that the use of the incubation project ensured that the eggs would not be disturbed while also allowing viewers to witness an 'unbelievable spectacle' that ultimately 'was crucial to the story'. In the incredible scene, described as 'a seminal moment for the film', hundreds of young turtles are shown following their mothers calls to the safety of the river, acting as a visualisation of the unpredictability of parenting in the animal kingdom. On Monday, the BBC told The Times that distributing the eggs in situ 'would've overstepped the mark'. Insisting that filming underwater 'would mean risking the survival of the young', Mr Wilson and Mr Scholey also said that the decision to use tanks was taken to 'ensure that we got the balance absolutely right'. Due to the 'incredibly fragile' animals, the filming crews sought to 'tread carefully' in order to avoid infringing on the natural wildlife. As a result, a specialist tank set in Indonesia was also used during a five-minute scene of boxer crabs shown in the opening of the show's first episode. Both Mr Wilson and Mr Scholey also acknowledged that several parts of the programme were indeed captured on location, with filming said to have taken place across locations spanning Botswana, Arizona, Tanzania, Namibia, southern Spain and Indonesia. They added that unlike on land, filming underwater presents a host of unique challenges, with water visibility changing hourly, and divers forced to wade through water in search of the story. A fascinating clip captured from the show's first instalment showed Attenborough's team as they attempt to build up a relationship with the unique silverback gorillas and their infants. Described by Max Kobl, cinematographer for the show, as 'probably the most powerful of all primates', Sir David, narrating, warns that 'it isn't going to come easy' for the film crew as they attempt to get close to the sneaky gorillas. Initially, the team face great difficulty even finding the animals, seen wading through thick swamps in order to locate them and using indicators such as the types of twigs on the ground. Commentating, one member of the crew says: 'The swamps don't pose challenges for the gorillas, the swamps pose one of many challenges for us.' In the insightful footage of their challenging trek, one member of the team is seen nearly toppling over due to the thick, knee-deep water. When asked 'you okay?', he simply responds: 'Nope'. Sir David, narrating, adds: 'The team try as best they can to keep up and just as they reach dry land, the gorilla family has other ideas'. In response, viewers took to social media to praise the 'stunning' new show, with one commenter on X gushing: 'All the contributors to Parenthood are amazing', while another added: 'Parenthood is another great programme. Congratulations once again Sir David Attenborough and the BBC'. Meanwhile, a bone chilling moment during the programme captured the moment a colony of newborn African spiders turn to hunt their own mothers. In the never before seen behaviour, a pack of African social spiders are shown hunting in packs and responding to the vibrations of their prey as they struggle in the webs. The spiders move in unison, starting and stopping at the same time, freezing together in a sinister game of musical statues. Even more disturbing, after displaying their hunting skills on their usual prey of insects, the 1,000 strong colony then turns on their own mothers and eat them alive. Parenthood also features striking footage of the lives of orangutans, elephants and cheetahs, among many others. Unique technology used across the five-part series includes military-grade infrared cameras mounted on gimbals on off-road vehicles and show hippos being chased by lions at night. The BBC was approached for comment.