Build up and team news for the England vs Italy Women's EUROs semi-final
Here's how England and Italy lineup for this encounter.
Italy: Giuliani, Oliviero, Di Guglielmo, Linari, Giugliano, Cantore, Girelli, Bonansea, Caruso, Lenzini, Salvai
2025-07-22T17:35:53Z
Another big crowd is expected at the Stade de Genève for this semi-final clash.
2025-07-22T17:34:52Z
The Lionesses and the Azzurre's last EUROs meeting came in 2009, where Italy ran out 2-1 winners in the group stage.
Alessia Tuttino scored a late winner in style...
2025-07-22T17:26:17Z
Hello and welcome to our live coverage of the first Women's EUROs semi-final between England and Italy in Geneva.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
The coach who develops Gloucester's future stars
When lock Arthur Clark made his international debut by starting for England on Saturday in their comprehensive win over the USA, it was a moment of personal pride. But it was also a huge success for his club Gloucester. The 23-year-old has come through the junior ranks at Hartpury College and the Cherry and Whites' academy to now having 40 games under his belt. Next season, he will be one of 14 former academy graduates in the 40-player Gloucester senior squad. Wayne Thompson is the man tasked with finding the next Clark, or Jonny May, or Lewis Ludlow, Louis Rees-Zammit or Freddie Thomas - players who have all come through the club's academy to establish themselves in the first team. A former prop, who played down the M5 motorway at Bristol for 13 years, Thompson was appointed in May 2024 when the club's academy was revamped and expanded. "The academy is one of the key strategies for the club as a whole," Thompson told BBC Radio Gloucestershire. "My remit has been to help bring players through, identify players and ensure the next generation of Gloucester talent, a streamline of players coming through." Gloucester have spent 'wisely' - Skivington The importance of Gloucester's academy has only grown in recent years as the club aims to cut its cloth and become more financially sustainable. Owner Martin St Quinton has said Gloucester's ambition is to financially break even and, as such, their reliance on developing young talent has only increased. Thompson's role as head of academy has, in many ways, never been more important. Even more so in light of wholesale changes made to its structure last summer. As part of the Professional Game Partnership agreed between the Rugby Football Union, Premiership Rugby and Rugby Players' Association announced in September, the geographical boundaries for the 10 Premiership clubs' academies were re-drawn. With Worcester and Wasps both no longer in the top flight, the boundaries of Gloucester's patch has spread and now includes Birmingham, Worcestershire, Warwickshire and as far as Shropshire and Oxford, as well as Gloucestershire. The setup for academies across the league has also altered and must encompass three phases - a foundation phase for age 15-16; a development phase for 17-18; and a confirmation phase, otherwise known as the senior academy, for those up to the age of 23. "The key thing for us as a club is having an affinity with the whole catchment now," Thompson said. "You've got a natural affinity with the local area in and around Gloucester but how do we create that cultural connection with those Midland areas, Oxford, Henley? "The more we engage with the community and the academy, through stakeholders - schools, clubs, parents, you'll start to see that grow." 'Starting to see the fruition of work' After hanging up his playing boots in 2013, Thompson spent 10 years working at Hartpury University as the junior academy manager, leading their under-18s programme Rees-Zammit, former scrum-half Stephen Varney and current Gloucester winger Josh Hathaway have all prospered under Thompson's watch during that time. "I'd always had an affiliation with Gloucester, stepping across probably has helped those links with players, and giving them playing opportunity through that Hartpury pathway," Thompson said. "We're starting to see the fruition of that with the players stepping across and up into this Gloucester senior squad and developing in the academy." Of the most recent crop of academy players, in the past year 12 have represented England at under-18, under-19 and under-20 age grades - most notably centre Will Knight, who featured in the recent World Rugby Under-20 Championship, while Caio James and Deian Gwynne represented Wales. This summer, 10 players have moved up from Gloucester's under-18s team to the senior academy - six of whom have come from the new catchment area. Yet Thompson says the real test will be how many players they have named in the England Under-20 Elite Player Pathway squad for 2025-26 when it is announced next month. "It'll be interesting to see how many of the lads that have played in that under-19s, under-18s age group this year get pulled through," Thompson said. "That for me is probably going to be the initial marker for us as an academy as to how far we've come in this last year and how much of an impact this bigger area and the work we've put in has shown through." Director of rugby George Skivington said in May that the talent coming through Gloucester this coming season is as good, if not better, than it ever has been. Thompson agreed he is "extremely excited" by the prospect of the players in the building although the challenge is to ensure they continue to progress forward. "The athletic potential of these lads, it's a different size, shape of your stereotypical Gloucester lads coming through," Thompson said. "How do we make sure that transition in the next two or three years isn't lost? And that we are seeing these lads forming the majority of the Gloucester team in four, five years."
Yahoo
2 hours ago
- Yahoo
Keira Walsh wants more protection for players from online abuse
Keira Walsh has called for more protection against online abuse after her England team-mate Jess Carter was the target of racist vitriol on social media at Euro 2025. Carter announced she would be stepping away from the platforms for the remainder of the tournament ahead of England's dramatic 2-1 semi-final comeback against Italy to set up Sunday's final showdown with Spain. Walsh came off social media after the 2019 World Cup, when reading negative comments contributed to the midfielder genuinely entertaining the thought of quitting football. 'I think it's just a personal preference,' said Walsh, who did return to the networks, but has – bar a single post – been inactive on X since 2020. Lately, her Instagram account has solely been comprised of tagged posts by the Lionesses, or her respective current and former clubs Chelsea and Barcelona. 'I haven't had social media for the best part of four or five months, and I feel a lot better most of the time,' said Walsh. 'I don't really know what's going on outside of camp. I think at the time, with what's going on, probably more people have come off it, but I can only speak for myself. 'I think obviously the girls are smart enough to know what they should and shouldn't be looking at, and I'm sure they'll know what is going to put them in a good headspace and what isn't. 'Do I think there's enough protection on social media? No, I don't, but I'm not going to be able to change that. That's not up to me, but I think just in general, people can be more protected on social media, and I think we can do more to stop that from happening.' England defender Lucy Bronze has warned companies that athletes can 'thrive' without their services, but the reality remains that in the women's game – where new Arsenal recruit Olivia Smith just became the first £1 million player – brand-building on social media can be a lucrative tool for players earning nowhere near their male equivalents. Carter's case has now been referred to UK police, and, in a statement released Sunday, Football Association CEO Mark Bullingham vowed his organisation will 'ensure those responsible for this hate crime are brought to justice'. One feature of the Online Safety Act, which received royal assent in October 2023, places a greater onus on social media companies to protect users from illegal content. Companies can be fined up to £18 million, or 10 per cent of their global revenue, if they fail to comply with their duties, but Ofcom – which is implementing the act in a phased approach – has only been able to enforce against the Illegal Harms Codes since March 17, 2025. 'I think we would have liked it to have been stronger in some cases,' said Bullingham. 'There's a real risk that if we're not firm in how the act is implemented, it won't be as strong as we hope. 'I think now it's incumbent on Ofcom to make sure they really do bring those responsible for running social media platforms to account and I haven't seen huge progress in the last couple of years. We would like to see it now.' Foreign social media companies operating within the UK are still beholden to the act, but prosecuting individuals living outside the country responsible for abusive content – which is not uncommon – remains a huge hinderance to justice. Bullingham added: 'If you look at the prosecution, obviously we can only work with the UK police, generally. There are, when we work with some of the companies that support us, there are occasions where you can prosecute outside the UK, but it's really hard and generally really expensive.' The FA chief said his organisation has engaged in productive conversations with FIFA and UEFA, encouraging them to put pressure on social media companies to prevent harmful content from appearing in the first place. He added: 'But where there are occasions, make sure we can prosecute. And we do think that people who perpetrate these hate crimes should be prosecuted wherever they are in the world.'
Yahoo
5 hours ago
- Yahoo
England's Euro 2022 win transformed the Lionesses' lives but it was also a ‘poisoned chalice'
Outside Oakley's Covent Garden store last September, a snaking queue had formed for the opening of the sunglasses brand's new store in one of London's most iconic locations. Some in line that afternoon had caught the first train from Birmingham for the 80-minute journey to the English capital to secure their spots, waking in the early hours for the chance of a first-come, first-served meet-and-greet with one of Oakley's brand ambassadors: Alessia Russo. The England striker is not the only Lioness whose profile has catapulted since that famous Euro 2022 victory on home soil; when a first major women's trophy was secured and old rivals Germany were defeated in front of a raucous Wembley crowd. For the country's most popular players, captain Leah Williamson, Russo, charismatic goalkeeper Mary Earps and winning goalscorer that night, Chloe Kelly, there have been invitations to fashion shows, NBA games, Formula One races and the BAFTAs, the British equivalent of the Oscars, to name just a few opportunities presented to those who are now household names. Lauren James, the 23-year-old who has been described as the most naturally gifted footballer in the country, joined Williamson as the face of this summer's Pepsi MAX and Walkers crisps advertising campaigns in the UK. Over the years, brands such as Burberry, Calvin Klein, Cadbury and Victoria's Secret have partnered with select members of the squad, while Vogue, British GQ and Women's Health, some of the world's most recognisable publications, have made Lionesses their cover stars. From movement coaches for fashion shoots to employing security at book signings, the world looks very different nowadays for England women's footballers. 'It would have been unheard of before Euro 2022,' Misha Sher, global sports marketing expert and executive at WPP Media, tells The Athletic. 'The profile and relevance of the Lionesses, especially those at high-profile clubs like Arsenal and Chelsea, have grown significantly. How many of the players would have been known outside of women's football before that tournament? Their relevance in broader culture was minimal, so why would you have them at the biggest sporting or cultural events? 'Their increase in profile means they become more relevant. That means their audience is bigger, which attracts more brands and those that appeal to broader society where they have never been seen before. 'As footballers, their relevance would be for a niche audience. We would not have the BBC producing a podcast with Ella Toone and Alessia Russo if they had not become culturally iconic as a duo.' The Tooney and Russo Show, which gives listeners an insight into the players' lives and friendship, first aired last year. But it is the Calvin Klein partnerships which particularly caught Sher's attention. Kelly modelled for the American fashion label ahead of the 2023 Women's World Cup, while Williamson featured in ads ahead of this summer's Euros. 'Calvin Klein is not speaking to football fans,' he said. 'They are a major fashion brand. They believe that some of the Lionesses have the cultural cachet to be on their billboards. Those are the moments where you just go: 'Wow'.' The Euro 2022 squad were the flag bearers, the history-makers, and brands wanted to snap them up. Such was their influence, one player agency specifically wanted to add a Lioness to their roster. A Lioness playing in the Women's Super League (WSL) was seen as the 'magic formula' which opened doors for sponsorship deals, said a representative who, like all sources in this article, wished to remain anonymous to protect relations. Some of the Lionesses receive more commercial opportunities than England men's players, a source said, and are making significantly more money via these partnerships than their club salary. The most recognisable Lionesses went from securing low-level, one-off campaigns to more meaningful and longer-term partnerships that can be worth at least six figures and rising — many times more than before Euro 2022. For non-international WSL players, however, commercial deals are much harder to come by. 'Lionesses are just on a pedestal, elevated to a completely different level,' one representative said. That impacts matters on the pitch, too. After Euro 2022, some WSL clubs factored in the 'Lioness effect' into their recruitment strategy. England players get bums on seats and eyeballs on TV. They were part of the reason 60,000 people packed the Emirates Stadium in back-to-back sell-outs in 2024 as Arsenal hosted Tottenham Hotspur and Manchester United in the WSL. The season after Euro 2022, Aston Villa's marketing strategy centred on getting fans to buy season tickets to watch their English internationals: Rachel Daly and Hannah Hampton. Commercial opportunities, however, are reserved for a small number of Lionesses, to the highest-profile players: captain, starting striker, winning goalscorer or biggest personality. It is not enough to be a Lioness — but that is often the case in most team sports. Look at the England's men's team; it is not a surprise Jude Bellingham or Harry Kane receive significantly more media and commercial interest than their team-mates. Within the Lionesses' squad, there is a huge disparity in commercial and media opportunities, and since Euro 2022 brand partnerships have not materialised even for regular members of the starting XI. Players not playing in England, for example, can miss out because brands often want to promote them in their own territory. Naturally, England players look sideways and notice what their team-mates are doing off the pitch. 'There is definitely an element of jealousy at seeing others getting deals,' said one representative. 'The Euros was amazing, but it also created some monsters. There is a generation of players who think it is easy to be a Lioness because they just win. Some of the players had a poor attitude, an ego and a swagger about them, thinking anyone can be a Lioness. But an England cap should be worth something.' Another source raised similar concerns, describing winning the Euros as a 'poisoned chalice' as it created a level of entitlement. 'It was rife going into the 2023 World Cup,' they said. 'The team's culture was to worry about who was getting which commercial deal rather than focus on the primary source of success, which was football. That attitude has changed.' For tournament debutantes, such as Michelle Agyemang, 19, and Aggie Beever-Jones, 21, they have been thrust into another world at Euro 2025. Agyemang, 'glued to the screen' as she watched Euro 2022 from home, has had to get used to the limelight, especially as it's her goalscoring from the substitutes' bench which has helped propel England to Sunday's Euro 2025 final against Spain. 'When I was younger I didn't really like the cameras,' Arsenal's teenage striker told reporters, adding that she was still learning how to communicate effectively with the fans and media. 'It's the way the women's game is growing, you will have to speak, you can't hide from the cameras. I'm working on it but I think I'm doing a good job.' Chelsea forward Beever-Jones, who made her senior international debut in July 2024, was 'in awe of everything' when she touched down in Zurich ahead of this summer's Euros and arrived at England's five-star Disney castle-esque Dolder Grand Hotel. 'It still doesn't even really feel like it's happening,' she said, admitting her hat-trick against Portugal at Wembley before the tournament still felt surreal. But the growth in women's football is a double-edged sword. Last week, England defender Jess Carter spoke out about the racial online abuse, described by her England team-mates and manager Sarina Wiegman as 'vile' and 'disgusting', that she has been subjected to throughout Euro 2025. 'The bigger the game gets, the bigger the noise becomes, the more fans there are but the more critics there are,' Lucy Bronze, the most experienced player in the squad, told reporters during the tournament. 'We're open to critics, that's why we love the sport, but we're not open to abuse. 'No player needs social media to carry on in sport but from a commercial standpoint, the more a player puts themself out there via different media and builds their brand, the more they maximise their potential earnings. But at what cost?' There are other pressures. too. After Euro 2022 and, to a lesser extent, the 2023 World Cup when England reached the final, one representative said they found the volume of requests 'overwhelming'. Players are recognised in the street and restaurants; pubs suddenly fill with fans if they visit with their families and their whereabouts are put on social media. 'Within six weeks, they became famous,' Wiegman said in 2022. 'Some players can't walk down the street anymore without being almost mobbed. That's a big thing in your private life. You need time to adapt.' The higher-profile players are used to the attention, having been exposed to it over the last few years. Some enjoy the off-pitch work. For Toone and Russo, for example, their podcast is an opportunity to spend time together and a welcome distraction from the intensity of football. Others are advised to 'smile and do their selfie', even though they may not feel entirely comfortable. But they know they have a responsibility — it comes with the job and they have a duty to honour the work of previous generations. Among the training, matches, recovery, photoshoots and media requests, managing a player's schedule is no mean feat. 'Everyone wants a piece of you,' said one representative. 'Diary management becomes really hard. An off day really needs to be an off day.' Another said they were mindful of not 'flogging' their players. 'Time with their family and friends is important. They will tell me: 'I need a day off'.' As their profile increases, players' teams get bigger; football agents, commercial agents and social media teams. Even midway through this summer's tournament, the UK's biggest radio stations and television news shows contacted players' camps to ask for their availability should England do well. Those close to the players say they remain grounded, unchanged and just want to chat about day-to-day things. There is a constant tension, however, between women's footballers becoming a walking billboard and keeping their unique selling point: authenticity and relatability. Reaching another major final has boosted the Lionesses' profiles once more. Given their soaring popularity over the past three years, matching their Euro 2022 success on Sunday would propel them to another stratosphere. Their lives will change again, for better and for worse. This article originally appeared in The Athletic. England, Soccer, International Football, Women's Soccer, Women's Euros 2025 The Athletic Media Company
