
Czech international film festival opens with honors for actors Peter Sarsgaard and Vicky Krieps
Sarsgaard and Krieps are both slated to receive the Festival President's Award at the opening ceremony.
The
festival
will screen 'Shattered Glass,' a 2003 movie directed by Billy Ray, for which Sarsgaard was nominated for a Golden Globe. To honor Krieps, who received a European Film Award for best actress for her role of the rebellious Empress Sisi in 'Corsage' (2022), the movie 'Love Me Tender' (2025) will be shown at the festival.
American actress
Dakota Johnson
, who will receive the same award on Sunday, was set to present her two latest movies, 'Splitsville' and 'Materialists.'
The festival will close on July 12 with an honor for Swedish actor
Stellan Skarsgård
recognising his outstanding contribution to world cinema. He will present his new movie, 'Sentimental Value' directed by by Joachim Trier, that
won the Grand Prix
at this year's Cannes Film Festival.
In an anticipated event, Hollywood actor
Michael Douglas
arrives at the festival present a newly restored print of the 1975 Oscar-winning movie '
One Flew Over the Cuckoo's Nest
,' which was directed by the late Czech director Miloš Forman and which was produced by Douglas and Saul Zaentz.
The grand jury will consider 12 movies for the top prize, the Crystal Globe.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Business Insider
39 minutes ago
- Business Insider
K-pop giant Hybe scored big with the band Seventeen. Now, an American member is out to conquer the US.
Joshua Hong of Seventeen is one of 13 band members, but he's poised to become one of the K-pop moneymaker's most significant assets stateside yet. On Friday, Hong released his reimagining of "Love is Gone," originally by the US DJ duo Slander, featuring American singer-songwriter Dylan Matthew. The TikTok-famous heartbreak anthem went viral during the COVID-19 pandemic. "This was such a special collaboration and opportunity to work with a group of incredibly talented artists to create a brand new world for this record. The Seventeen version stays true to the emotional core, but breathes new life with fresh vocal melodies and overtones," Slander said in a press release. Hong hasn't released solo music yet, but he released the English track "2 MINUS 1" in 2021 with his Korean-American bandmate, Vernon. The latest release comes as Hong has become one of the more active group members. Two members on Seventeen's roster — Jeonghan and Wonwoo — have enlisted for South Korea's compulsory military service, with dance leader Hoshi and vocalist and producer Woozi set to join them in September. Hong is American and is exempt from serving in the Korean army. And that's just as well, because he's all over the place, from the cover of Allure Korea to releasing a perfume in collaboration with Lola James Harper. He has also inadvertently fueled the Labubu-buying frenzy in South Korea by posting snaps of him kissing the doll and being spotted at the airport with the doll clipped to his Chanel bag. To be sure, Hong isn't the only Seventeen member who's had significant solo activities. The band's leader, recently made his Met Gala debut in a gray Hugo Boss outfit that resembled a traditional Korean hanbok. The band is set to embark on another tour that kicks off on September 13 in Incheon, South Korea. Having an American member of a K-pop band being active stateside is an ongoing strategy for Hybe, the megacompany that owns Pledis, Hong's label. In June, Hybe was marked as a "buy" pick by Goldman Sachs analysts, who said they were "most bullish on HYBE's fundamentals for producing and monetizing Mega IPs." The Grammy-nominated BTS — also under Hybe — is set to return in 2026 with new music and a tour. In the meantime, Seventeen remains one of the most successful investments under Hybe's umbrella. In 2023 Seventeen, per statistics compiled by Goldman, achieved an all-time high of 4.5 million albums sold in week one of release, breaking BTS's record of 3.3 million copies. The US also holds promise for big money for groups from Hybe and beyond. Stray Kids, the mega-band under the label JYP, just wrapped up the US leg of its dominATE tour.
Yahoo
40 minutes ago
- Yahoo
'Anti-American sentiment' hurts 'Superman' at the international box office, James Gunn says
The DC Universe movie opened July 11. While the latest Superman has done incredibly well at home — to the tune of $253 million so far — the DC Universe movie hasn't flown quite so high in the rest of the world. Writer-director James Gunn has some theories about why. "Superman is not a known commodity in some places. He is not a big, known superhero in some places like Batman is. That affects things," Gunn told Rolling Stone this week, after he was asked why superhero films don't seem to be connecting with international audiences the same way they are in the United States. "And it also affects things that we have a certain amount of anti-American sentiment around the world right now. It isn't really helping us." The superhero film starring David Corenswet as the "Man of Steel, Rachel Brosnahan as Lois Lane, and Nicholas Hoult as Lex Luthor, won the box office in a landslide in its second weekend in theaters. In addition to its staggering domestic haul, the DC Universe pic has raked in $173 million internationally, for a total of over $426 million globally, as of Wednesday, according to President Donald Trump's administration has shaken up the world order by, for instance, withdrawing from treaties or alliances with other countries. Last month, Pew Research Center found that overall views on the country have dimmed in his second term, although it's unclear how that plays into moviegoers' choices. But Gunn was hopeful. "We're definitely performing better domestically than we are internationally, but internationally is also rising and having really good weekday numbers in the same way we are," he said. "So obviously the word of mouth is very positive both here and everywhere else, which is the thing that we needed to do the most. At the same time, there are certain countries in which it's really performing well: Brazil and the U.K."The director of other superhero films, including Marvel's Guardians of the Galaxy and DC's The Suicide Squad, noted that Superman had already seen a lot of success. He found it "incredibly overwhelming." Gunn, who took over DC Studios alongside Peter Safran in November 2022, is rebooting the DC universe with interconnected movies and TV shows scheduled years out. The duo's master plan — dubbed "Gods and Monsters" — technically started with last year's animated series Creature Commandos on Max. Though the show isn't crucial to the bigger picture, Superman and season 2 of Max original series Peacemaker (premiering Aug. 21) are "both pretty important in terms of getting to the bigger story," Gunn told EW for our June cover feature. The next DCU film queued for release is Supergirl: Woman of Tomorrow, starring Milly Alcock as Kal-El's cousin Kara Zor-El, on June 26, 2026, and a Wonder Woman movie is "being written right now," Gunn said. Read the original article on Entertainment Weekly
Yahoo
40 minutes ago
- Yahoo
Hulk Hogan turned a generation into wrestling fans, but his legacy isn't as simple as our love for Hulkamania once was
A good friend of mine has, buried among his most precious possessions, the audio cassette version of Hulk Hogan's 1995 album, 'Hulk Rules.' Once every five years or so he'll get it out to show people at a party. On the cover you see The Hulkster in his mid-'90s uniform: yellow tank top, red bandana, blonde hair and handlebar mustache looking god-like and golden as he squats down and flexes in front of the American flag. Flip the tape over and you see a list of songs, including 'Hulkster's In The House' and 'Hulkster's Back' and 'I Want To Be A Hulkamaniac.' But the best part, my friend will tell you as he flips open the cassette, is in the liner notes. There you'll see a message to the listener that begins: 'Millions of adults and children in the United States and around the world know that Hulk Hogan is the most powerful force in the universe.' They don't believe this, mind you. They don't think he's more powerful than gravity itself. They know it. And the craziest part? If you were a kid in America in the 1980s and '90s, yeah, that seemed about right. Hogan wasn't just a superstar — he was a force of nature. Who could be bigger than him? A lot of those kids, now firmly in middle age, likely thought of this Hogan when they first heard the news of his death Thursday. Maybe they pictured that avatar of Hulkamania, flexing and posing and tearing his shirts in two. Or maybe they stuck around as wrestling fans long enough to also think of the 'Hollywood' Hogan of the WCW days, the black-bearded villain who made the unthinkable decision to go bad while doing it so good. The true lifers will also, of course, think about all the other stuff. His racist remarks. His sex tape and the ensuing lawsuit that brought down a media empire. His self-parodying right-wing, stage-prop era. His refusal to even consider what it might mean when he was getting showered by boos during a WWE cameo appearance near the very end. All those different versions of the man, stacked on top of each other like sedimentary layers in the minds of fans. Now this bit of finality with news of his death at the age of 71. No new layers will be added. Time to consider the finished product and decide for yourself what to make of it all. If you didn't live through those Hulkamania days, it's tough to fully understand the grip Hogan had on the hearts and minds of 8-to-14-year-old boys back then. More than any other single professional wrestler, he brought wrestling into the living rooms of an entire generation of fans. He was an action figure come to life. His character was big and bright and simple enough for a child to understand. Here was the good guy bringing justice and violent joy to the world on behalf of and at times directly fueled by his ocean of fans. Just the kind of thing a slack-jawed kid sitting six inches from the TV on a Saturday morning might go for. Do those kids become wrestling fans in a world without Hogan? Some of them, maybe. Not all, certainly. Hogan was the cultural phenomenon that forced mainstream America to take wrestling seriously — in a way. You could look down your nose at it all with an air of smug superiority if you wanted to, but you simply could not pretend you didn't know who Hulk Hogan was. Everybody knew him. Yes, they did. Even through the predictable series of bad movies and some bad headlines (and one bad album), the power of his celebrity remained such a force he was the lone free agent who could almost singlehandedly flip the business on its head by leaving one wrestling promotion for another. It was only later that a lot of fans asked themselves: Wait, what if it turns out I don't actually like this guy as a human being? Well, then it's as if he's not just failed them — he's actively sabotaged all those pleasant childhood memories they had of him. He's complicated the simple fun of that almost painfully wholesome character. So some people hated him for that. Some probably hate him still. But death has a way of shearing off some of those sharp edges. Well, death and time. One pulls at the sympathetic human threads dangling around the softer parts of our hearts. The other works like erosion, slowly smoothing out some of those jagged points in our memories. What Hulk Hogan meant to the wrestling business is unquantifiable. It's like asking what the electric guitar meant to rock music. Then Terry Bollea had to go and ruin that. But you look around at the headlines this week and you realize it's the Hulkster — one or two or maybe more versions of him, but still him and not so much Terry — that people are mourning. He was here. He exerted an almost supernatural force. He left the landscape so much different than he found it. And then he was gone. That evokes some complicated feelings, but complicated isn't necessarily bad. We're not 8 years old, sitting cross-legged on the carpet anymore. So fine, let it be complicated. But also let it be true. Let it tell the whole story. Then hit the music one last time and let us remember what it felt like when there was a force we all knew to be more powerful than any other, back when knowing such things was as simple and easy as Saturday morning in front of the TV.