
This summer at the movies, superheroes, from ‘Superman' to ‘Fantastic Four,' return
Superman already has a lot on his broad shoulders. It seems unfair to add the fate of Hollywood to his worries.
But that's the kind of pressure that comes with being one of the biggest stars in the comic book universe, who is getting a grand reintroduction at a tumultuous time. Thankfully he's not doing it alone — Marvel Studios is also returning to theaters in a big way with two movies this summer, 'Thunderbolts' and 'The Fantastic Four: First Steps.'
Five years after the COVID-19 pandemic brought movie business to a halt, and two years after the strikes, the industry has yet to fully recover. Critics may have complained of superhero fatigue, but after several summers of depleted offerings, it's clear that they're a vital part of the mix — especially when they're good.
The $4 billion summer of 'Barbenheimer' may be most remembered for those two movies, but it didn't get to that number without the 'Guardians of the Galaxy' and 'Spider-Man ' movies, the second- and third-highest grossing of the season.
The filmmakers behind some of the summer's biggest movies spoke to The Associated Press about what to expect in 2025.
Summer begins early in Hollywood, on the first weekend in May. Kids might still be in school, and pools might still be closed, but that kickoff can make or break that pivotal 123-day corridor that has historically accounted for around 40% of the annual box office. Last year was the first in many that didn't launch with a Marvel movie and it showed — the business limped along for weeks until Disney came to the rescue with 'Inside Out 2' and 'Deadpool & Wolverine.'
This year, the powerful studio is back in that familiar spot with 'Thunderbolts,' which brings together misfits and antiheroes like Yelena Belova (Florence Pugh), Red Guardian (David Harbour) and Bucky Barnes (Sebastian Stan).
'It's a fun twist on what a movie like this could be,' said director Jake Schreier. 'There are some places we're gonna go that are different from what you would normally expect.'
He added: 'It's trying to be a movie about something and the moment we're in — not in a political sense, but just where everybody's at and what everyone's been going through.'
The Memorial Day weekend could also be a behemoth a few weeks later with the live action 'Lilo & Stitch' and 'Mission: Impossible – The Final Reckoning' storming theaters. With a new 'Jurassic World,' a live-action 'How to Train Your Dragon' and a Formula One movie also on the schedule through June and July, the summer 2025 season has the potential to be the biggest in the post-COVID era.
Before the pandemic, all but one summer since 2007 broke the $4 billion mark. Since 2020, only one has: 2023, led by 'Barbie.'
After three 'Guardians' movies, James Gunn knows enough to know that he doesn't have much control over whether people buy tickets for his movies. His job is to make something good, entertaining and 'worthy' of the audience.
But that's also possibly underplaying the pressure of taking on Superman and overseeing a unified DC universe that kicks off with 'Superman' on July 11. He considers it the first true superhero movie he's ever made.
'It's a personal journey for Superman that's entirely new,' Gunn said. 'It is, first and foremost, about what does Superman learn about himself. But it's also about the robots and the flying dogs and all that stuff. It's taking a very real person and putting them in the middle of this outrageous situation and outrageous world and playing with that. I think it's a lot of fun because of that.'
The film introduces a new actor to the role of Superman/Clark Kent in David Corenswet, who stars alongside Rachel Brosnahan as Lois Lane and Nicholas Hoult as Lex Luthor. Gunn said to expect different things from both.
'It was a lot of fun making a Lex that is actually going to kill Superman,' he said. 'He's pretty scary.'
The film is also 'seeding the rest of the DCU,' Gunn said. 'If it works as a movie in a basic way, that's what we need to happen, that's what I care about.'
Superman as a brand has always trailed Batman at the box office. None of the Zack Snyder films crossed $1 billion, not accounting for inflation, while both Christopher Nolan 'Dark Knight' sequels did. But Gunn isn't thinking a lot about that.
'I just want to make a decent movie that makes a little money,' Gunn said.
Superman's not the only legacy brand getting a splashy reintroduction this summer. A new Fantastic Four crew, assembled for the first time under umbrella of the Marvel Cinematic Universe and Kevin Feige, is heading to theaters July 25.
'Fantastic Four is a comic I've loved since I was a kid,' said director Matt Shakman. 'They are the legendary heroes of the '60s that the Marvel silver age was built on.'
Created by Stan Lee and Jack Kirby, The Fantastic Four is among Marvel's longest-running comics series. But it has not had the most distinguished history on film, including two with Chris Evans and one with Michael B. Jordan.
'The Fantastic Four: First Steps' is set in a retro-futuristic 1960s New York, where Pedro Pascal's Reed Richards is 'basically Steve Jobs meets Einstein who's creating technology that's changing the world' and Vanessa Kirby's Sue Storm is 'essentially the secretary-general of the U.N.,' Shakman said.
A television veteran with directing credits on shows like 'WandaVision' and 'It's Always Sunny in Philadelphia,' Shakman said he wants to do right by the characters, and audience.
'It's working on an incredibly large scale in terms of world building, but it's also no different from all of the great comedies and dramas that I've done,' Shakman said. 'In the end, it comes down to character, it comes down to relationships, it comes down to heart and humor.'
Plus, he feels a responsibility to the idea of the big summer movie.
'It was the joy of my childhood. ... A lot of it has to do with building worlds and entering into a place of wonder,' he said. 'That's what I felt when I saw 'Indiana Jones' when I was a kid and it's what I hope people feel when they see 'Fantastic Four' this summer.'
Studios know that superheroes alone don't make a robust theatrical marketplace and there are plenty of other options on the menu including franchises, event movies and independents: There are family pics ('Smurfs,' 'Elio,' 'The Bad Guys 2'); action and adventures ('Ballerina,' 'The Karate Kid: Legends'); horrors, thrillers and slashers ('28 Years Later,' 'I Know What You Did Last Summer,' 'M3GAN 2.0'); romances ('Materialists,' 'Jane Austen Wrecked My Life'); dramas ('Sorry, Baby,' 'The Life of Chuck'); a new Wes Anderson movie ('The Phoenician Scheme'); and comedies ('Freakier Friday,' 'Bride Hard,' 'The Naked Gun') — though one of the most anticipated, 'Happy Gilmore 2,' will be on Netflix.
'The frequency of movies, the cadence, the sheer number of them and the perceived quality and excitement surrounding this lineup is like almost like never before,' said Paul Dergarabedian, senior media analyst for Comscore. 'Draw me a blueprint of a perfect summer lineup: 2025 is it.'
One of the biggest movies of the season may be 'Jurassic World Rebirth,' the seventh movie in a $6 billion franchise. Even its poorly received predecessor made $1 billion. This time they enlisted a new filmmaker, self-proclaimed 'Jurassic Park' superfan Gareth Edwards, and the original's screenwriter for a new adventure with Scarlett Johansson, Mahershala Ali and Jonathan Bailey.
'People say, like, do you feel pressure and the most pressure I feel is from myself as a fan and to Steven Spielberg, to not disappoint him,' Edwards said. 'Weirdly what's great about doing a 'Jurassic' movie is that everybody knows deep down that like half the reason they're in this business is because of that film and Steven's work.'
It's fitting, in a way, that 2025 marks the 50th anniversary of what's considered the first summer blockbuster: 'Jaws.'
Edwards said he was born into that world of big summer blockbusters that shaped his early love of movies. Directing one, he said, 'is kind of the dream. You get the chance to swing for the fences.'
And the unstable economy might work in the industry's favor, at least when it comes to moviegoing. Even with increased ticket prices, theatrical movies remain the most affordable entertainment outside of the home and attendance tends to increase during recession years. The annual domestic box office crossed $10 billion for the first time in 2009.
More recently, the week the tariffs were announced, 'A Minecraft Movie' doubled its opening weekend projections, and all of those ticket buyers saw trailers and posters for everything to come. It was, Dergarabedian noted, one of the only positive financial stories that week.
'Top Gun: Maverick' filmmaker Joseph Kosinski knows a few things about launching a pricey big screen spectacle into a turbulent marketplace. But he's feeling good about the summer and 'F1's' place within it. Warner Bros. will release 'F1' on June 27.
'This is the summer where all this product that we've all been working on for the last few years is finally coming into the marketplace, so I'm very optimistic,' Kosinski said. 'By the end of this summer, hopefully people aren't talking about being in a funk anymore and it feels like we got our mojo back and we're off to the races.'
© Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Japan Today
22 minutes ago
- Japan Today
‘Fantastic Four: First Steps' scores Marvel's first $100 million box office opening of 2025
This image released by Disney shows Pedro Pascal in a scene from "The Fantastic Four: First Steps." (Marvel/Disney via AP) By LINDSEY BAHR and ITZEL LUNA Marvel's first family has finally found box office gold. 'The Fantastic Four: First Steps,' the first film about the superheroes made under the guidance of Kevin Feige and the Walt Disney Co., earned $118 million in its first weekend in 4,125 North American theaters, according to studio estimates Sunday. That makes it the fourth biggest opening of the year, behind 'A Minecraft Movie,' 'Lilo & Stitch' and 'Superman,' and the biggest Marvel opening since 'Deadpool & Wolverine' grossed $211 million out of the gate last summer. Internationally, 'Fantastic Four' made $100 million from 52 territories, adding up to a $218 million worldwide debut. The numbers were within the range the studio was expecting. The film arrived in the wake of another big superhero reboot, James Gunn's 'Superman,' which opened three weekends ago and has already crossed $500 million globally. That film, from the other main player in comic book films, DC Studios, took second place with $24.9 million domestically. The box office success of 'First Steps' and 'Superman' means 'the whole notion of superhero fatigue, which has been talked about a lot, can I think be put to rest. I always say it's bad movie fatigue, not superhero fatigue,' said Paul Dergarabedian, senior media analyst for data firm Comscore. 'First Steps' is the latest attempt at bringing the superhuman family to the big screen, following lackluster performances for other versions. The film, based on the original Marvel comics, is set during the 1960s in a retro-futuristic world led by the Fantastic Four, a family of astronauts-turned-superhuman from exposure to cosmic rays during a space mission. The family is made up of Reed Richards (Pedro Pascal), who can stretch his body to incredible lengths; Sue Storm (Vanessa Kirby), who can render herself invisible; Johnny Storm (Joseph Quinn), who transforms into a fiery human torch; and Ben Grimm (Ebon Moss-Bachrach), who possesses tremendous superhuman strength with his stone-like flesh. The movie takes place four years after the family gained powers, during which Reed's inventions have transformed technology, and Sue's diplomacy has led to global peace. Both audiences and critics responded positively to the film, which currently has an 88% on Rotten Tomatoes and promising exit poll responses from opening weekend ticket buyers. An estimated 46% of audiences chose to see it on premium screens, including IMAX and other large formats. The once towering Marvel is working to rebuild audience enthusiasm for its films and characters. Its two previous offerings this year did not reach the cosmic box office heights of 'Deadpool & Wolverine," which made over $1.3 billion, or those of the 'Avengers'-era. But critically, the films have been on an upswing since the poorly reviewed 'Captain America: Brave New World,' which ultimately grossed $415 million worldwide. 'Thunderbolts," which jumpstarted the summer movie season, was better received critically but financially is capping out at just over $382 million globally. Like Deadpool and Wolverine, the Fantastic Four characters had been under the banner of 20th Century Fox for years. The studio produced two critically loathed, but decently profitable attempts in the mid-2000s with future Captain America Chris Evans as the Human Torch. In 2015, it tried again (unsuccessfully) with Michael B. Jordan and Miles Teller. They got another chance after Disney's $71 billion acquisition of Fox's entertainment assets in 2019. The 'Fantastic Four's' opening weekend results were a little less than some rival studio projections, Dergarabedian said. Nonetheless, the film is expected to carry movie theater earnings well into August. Holdovers dominated the top 10, but one other newcomer managed to make the chart. The dark romantic comedy 'Oh, Hi!' earned $1.1 million from 866 screens. 'Jurassic World Rebirth' landed in third place in its fourth weekend with $13 million, followed by 'F1' with $6.2 million. The Brad Pitt racing movie also passed $500 million globally. 'Smurfs' rounded out the top five with $5.4 million in its second weekend. The box office is currently up over 12% from last year. With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 'The Fantastic Four: First Steps,' $118 million. 'Superman,' $24.9 million. 'Jurassic World Rebirth,' $13 million. 'F1: The Movie,' $6.2 million. 'Smurfs,' $5.4 million. 'I Know What You Did Last Summer,' $5.1 million. 'How to Train Your Dragon,' $2.8 million. 'Eddington,' $1.7 million. 'Saiyaara,' $1.3 million. 'Oh, Hi!,' $1.1 million. © Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.


Japan Today
2 days ago
- Japan Today
Alec Baldwin talks his love for 'Peanuts' and the 'immeasurable' effects of his trial
Alec Baldwin, left, and a person dressed as the character Snoopy from "Peanuts" poses for a portrait to promote the 75th anniversary of "Peanuts" during Comic-Con International on Thursday, July 24, 2025, in San Diego. (AP Photo/Chris Pizzello) By ANDREW DALTON Alec Baldwin says the year since his trial suddenly ended with a dismissal has been far better than the few years that preceded it, and the affect that time has had on him has been 'immeasurable.' 'Something as powerful as that happens in your life, you don't know how much it changes you,' he said. 'I can't even tell you how different I am from three-and-a-half years ago. And what I want and what I don't want, and how I want to live my life and not live my life.' The 67-year-old actor spoke to The Associated Press at San Diego's Comic-Con International, where he was part of a panel on 75 years of Charles Schulz's 'Peanuts,' whose simplicity, existential philosophy and moral outlook have been very much on his mind. Baldwin spoke while a suited Snoopy character stood nearby after posing for photos with him. In a foreword Baldwin wrote for 'The Complete Peanuts 1977-1978,' he said while reading Schulz's newspaper comic strip every day as a child, he realized Charlie Brown, more than anyone, wanted the things he wanted. Chief among those wants are 'the desire to have friends and the desire to hold your friends close to you.' That hasn't changed in the years since. 'Come on, what man my age doesn't relate to Charlie Brown? If Charlie Brown was 67 years old, he'd be me, but he wouldn't have been stupid enough to have seven (small) children,' he said with a laugh. But he aspires to the qualities of a different character. 'Lucy. I want to be Lucy. Lucy is in charge. She's got it all figured out,' he said. 'She pauses for a moment of self-awareness, but not too long.' Baldwin said he admired Schulz's simple line drawings combined with the real circumstances of the characters, embodied by real children's voices when the animated holiday specials emerged in his childhood. 'It's so complicated and simple at the same time, which is what I think makes it beautiful,' he said. And he admired Schulz's willingness to embrace melancholy, and deeper darknesses, in stories about inner struggle that needed no villains. 'A dog sitting on top of a dog house would have the same impact on you as, like, Nietzsche, he said,' looking across the room at Snoopy. 'They should have named the dog Nietzsche.' Baldwin's career has had several distinct phases. Early on he played tough husbands and boyfriends in supporting roles including 'Married to the Mob' and 'Working Girl.' He moved on to heroic leading man in 'The Hunt for Red October' and 'The Shadow.' Downshifting to memorable character parts, he showed his gift for manly speeches in 'Glengarry Glen Ross' and 'The Departed,' and his comedy prowess in seven seasons of '30 Rock' and as a constant host and guest on 'Saturday Night Live.' In July 2024 his trial in New Mexico on an involuntary manslaughter charge in the 2021 shooting death of cinematographer Halyna Hutchins on the set of the Western 'Rust' fell apart halfway through. A judge dismissed the case on allegations authorities withheld evidence. 'I can't believe that happened on that day the way it happened,' he said. 'And it couldn't have been better for us in certain terms because of the malice and so forth and everything that's embodied in that whole situation.' The next phase is uncertain. He says he's 'just trying to move forward with my wife and my family.' He and wife Hilaria and their seven small kids recently appeared on the TLC reality series 'The Baldwins.' He says he has successfully sold his young ones on 'Peanuts,' especially the Halloween and Christmas specials, as he did with his now nearly 30-year-old daughter Ireland when she was young. He notices their personalities zig-zagging between the traits of Schulz's characters. 'They're Charlie Brown, now they're Snoopy, now they're Schroeder, now they're Linus, now they're Pig-Pen,' he said. 'They're Pig-Pen most of the time, I must say.' And their house is full of themed toys. He keeps a small Snoopy figure among the things in his office, a reminder to try to maintain 'love, kindness, patience.' "Peanuts are still kind of like, in that zone," he said. 'Let's just try to be good people.' © Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.


Yomiuri Shimbun
2 days ago
- Yomiuri Shimbun
Horror Master Kiyoshi Kurosawa to Bring Eerie Storytelling to His First Samurai Film
TOKYO (AP) — Japanese director Kiyoshi Kurosawa, known as a master of horror films set within the neurotic realism of the modern day, will bring his signature edge-of-your-seat storytelling to a genre he has never tackled before: the samurai movie. 'I do want to do it once, and it looks like it might be really happening, although things are still uncertain. I may finally be able to make my samurai film,' he told The Associated Press, noting he couldn't give much detail just yet. His upcoming samurai film will not have sword-fight scenes or action-packed outdoor shots that characterize the genre, known as 'jidaigeki.' Instead, it will be the same creepy quiet narrative of Kurosawa movies, where the action takes place almost claustrophobically, in this case, in a castle that just happens to be set in the samurai era. That concept alone is enough to pique a movie lover's interest. The horror master was just honored at this year's Japan Cuts film festival in New York. The festival presented him the Cut Above award, international recognition that follows the Silver Lion at the 2020 Venice Film Festival for 'Wife of a Spy,' centered around a troubled married couple during World War II. Kurosawa, who is not related to 'Seven Samurai' and 'Rashomon,' director Akira Kurosawa, said period pieces are difficult to make due to the extraordinary costs of sets, props and costuming. He also made it clear he isn't interested in directing science fiction, but rather pursues realism. However, he readily acknowledged that his films are all made up, in fact, 'a lie.' 'Maybe this is my weakness, or my characteristic; I want to tell my stories in a setting of a very real modern-day society, yet I want to entertain,' he said. 'And so it's a contradiction that I aim for every time,' 'You create a lie, like a horrific character (in a realistic framework),' he said. Kurosawa, who has managed to produce a film a year over his 40-year career, invests a lot of time researching the setting and backdrop of his films, including much reading, to make it as realistic as possible. In his most recent thriller, 'Cloud,' a man who is down on his luck, portrayed by Masaki Suda, makes dubious profits by reselling items he finds online at far higher prices. It starts harmless enough, except, as the plot thickens, the protagonist is confronted by victims out for revenge. Kurosawa is not one to hold back on violence, often gory and extreme but beautifully shot, sometimes almost comical in its bizarreness. 'Cure,' a 1997 film about a police detective investigating a series of gruesome murders, starring Koji Yakusho, uses continuous shots purposely without cuts to bring out the varied emotions, and the coldness of the characters, sometimes changing viscerally within the same scene, to explore madness. Despite his insistence on realism, Kurosawa, who counts Alfred Hitchcock among his influences, doesn't rule out the addition of tiny unreal elements for that perfectly subtle and eerie effect. But his movies are never happy-go-lucky, he said. 'Everything being happy is not possible if you start with the realism of modern-day Japan,' said Kurosawa. Kurosawa believes that while filmmaking is usually a giant confusing project where multiple players must work together, producers worrying about the box office and actors concerned about their roles, it is ultimately about dealing with what feels right to your deepest self. 'In the end, it all boils down to: I understand there are many opinions, but we must choose what is right. What does being right mean? To figure that out is the creator's job,' he said.