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Southend: Future of iconic Kursaal building to be discussed

Southend: Future of iconic Kursaal building to be discussed

BBC News19-06-2025
The leaseholder of an iconic seaside venue has confirmed it is working on plans "for a viable future" for it. The Kursaal in Southend-on-Sea opened in 1901 and has hosted acts such as Queen and AC/DC but last year it was added to Victorian Society's top 10 list of endangered buildings after being left to deteriorate.Southend-on-Sea City Council owns the freehold of the land but London-based property group AEW has a 200-year lease on the of the Grade II-listed building. A spokesperson for AEW said it was "looking forward" to discussing the results of a public meeting on Thursday with organiser and MP Bayo Alaba.
'Exhilarating building'
The Kursaal was thought to have been the world's first purpose-built amusement park with a circus, ballroom, arcade, dining hall, billiard room, an ice rink and even its own zoo. Comedian Griff Rhys-Jones, Essex-raised and president of the Victorian Society, told BBC Essex the Kursaal was "an exhilarating building" as it was placed on its endangered list in 2024.
Bayo Alaba, the Labour MP for Southend East and Rochford, described the Kursaal as "one of the most iconic buildings in the south of England".The MP - who will chair the public meeting on Thursday 19 June at Belle Vue Baptist Church - told the BBC he had spoken with both the council and the leaseholder to "spark a conversation" about the Kursaal's future."They're keen," Mr Alaba said about AEW, adding : "They know they've got a symbolic building... they want to do something with it".Mr Alaba said he felt that the leaseholder was "serious about getting the building back into community use"."[The Kursaal] is central to the community, it's important to civic pride," he told the BBC."The fact that it's closed - it sends almost a subliminal message that Southend isn't open for business, and we need to fix that."
How the Kursaal changed over time
The venue has had many different leases of life, and was even the home of Southend United before the club moved to Roots Hall.Later it housed a casino, bowling alley, and hosted a number of major bands including Dr Feelgood, Black Sabbath and the Kursaal Flyers.The Victorian Society said the Kursaal's Wall of Death motorcycle rides were the first such spectacle in Britain.The whole complex finally closed its doors in 1986 with its ballroom demolished that year.Following years of dereliction, and millions of pounds spent on restoration, it re-opened 1998.But presently, only a Tesco Express occupies a small part of the building.
Southend-on-Sea City Council leader Daniel Cowan will also be at Thursday's meeting, which starts at 19:00 BST.Mr Cowan said the council was "keen to bring the Kursaal back into public use and we will pull every lever at our disposal to see that happen"."This icon of Southend deserves a present and future that befits its glorious past, so we're delighted to have the backing of Bayo Alaba MP in making that happen."A spokesperson for AEW said the group was "looking forward to discussing the feedback at a meeting we have arranged with Mr Alaba later this month"."We continue to work on plans for a viable future for the Kursaal, but are not in a position to comment further at this stage," they added.
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Oasis dedicate song to Ozzy Osbourne as they begin series of gigs in London

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That reminds me: the story goes that Kureishi deliberately misspelt the title as an indictment of his own education. But he scotches that rumour. 'I'm from Bromley,' he says. 'I thought that was how you spelled it.' If the film was a skyrocket for its writer, it heralded a new chapter for Frears. He had recently made his second film for cinema – the stylish, ruminative thriller The Hit starring Roth, John Hurt and Terence Stamp – 13 years after his debut, Gumshoe. Ironically, My Beautiful Laundrette, which was shot on 16mm for just £600,000, was only intended to be screened on Channel 4. But a rapturous premiere at the Edinburgh film festival, accompanied by acclaim from critics including the Guardian's Derek Malcolm, made a cinema release the only possible launchpad. Kureishi recalls that trip with fondness. 'I was in Edinburgh with Tim Bevan [of Working Title] and Dan, and we all slept in the same room. I made sure I got the bed, and the others were on the floor. Dan didn't even have a suitcase, just a toothbrush. Every night, he'd wash his underwear and his socks in the sink and put them on again the next day.' Blown up to 35mm, this low-budget TV film became a magnet for rave reviews here and in the US (the New Yorker's Pauline Kael called it 'startlingly fresh'), bagged Kureishi an Oscar nomination and helped reinvigorate Frears's movie career, paving the way for later hits including Dangerous Liaisons, The Grifters and The Queen. Neither of them has seen it recently. 'I don't watch my old films,' Frears says with a grimace. 'You either sit there thinking: 'I should have done that better.' Or else: 'That's rather good. Why can't I do that any more?'' I assure them that the picture looks better than ever, whether it's the visual panache of Oliver Stapleton's cinematography or the enchanting subtlety of Warnecke's performance, which was rather overshadowed by Day-Lewis at the time but can now be seen to chart delicately Omar's gradual blossoming. It goes without saying that My Beautiful Laundrette was ahead of its time, especially in its blase approach to queerness. When the picture was released in the UK at the end of 1985, homophobia was becoming more virulent and widespread in the media as cases of Aids escalated. The Conservative government's section 28 legislation, outlawing the 'promotion' of homosexuality by local authorities, was just over two years away. The timing of the film's re-emergence today is not lost on its author. 'It's so hard to be gay now,' says Kureishi. 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'What was above it?' demands Frears in a huff. 'Why didn't it win?' Still, both men are thrilled that the film was embraced by queer audiences. 'If Stephen and I have done anything to make more people gay, we'd be rather proud of that.' My Beautiful Laundrette is in cinemas from 1 August. Frears, Kureishi and Warnecke will take part in a Q&A following a screening on 25 July at the Cinema Rediscovered festival in Bristol

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