Turnstile Go All Ari Aster in the Pit in Double Video for ‘Seein' Stars' and ‘Birds'
A perfect demonstration of Turnstile's dichotomy — blistering hardcore mixed with endlessly inventive melodies — the double video starts off dreamy, with a gaggle of dancers undulating to soaring vocals and Bill and Ted-esque electric guitars. Dev Hynes, a.k.a. Blood Orange, and Hayley Williams also lend vocals to 'Seein' Stars,' with the band's Brendan Yates and Pat McCrory directing the visuals.
More from Rolling Stone
Charli XCX to Star in, Produce Horror Director Takashi Miike's Next Film
Kneecap Respond to Coachella Criticism, Address Sharon Osbourne Comments
Deadmau5 Apologizes for Drunk, 'Probably Last' Coachella Set
We then cut to a verdant hill — reminiscent of Ari Aster's Midsommar — where drummer Daniel Fang leads a field full of thrashers in kicking off a mosh pit among the greenery as Yates tears into the blistering 'Birds.'
Both songs come from Never Enough, the band's long-awaited fourth studio album, following Glow On, which earned them two Grammy nods. 'I always feel like there's not really any measure of greatness when it comes to music because music can reach people in so many different ways and different scales. The impact it can leave on someone is impossible to measure,' Yates told Rolling Stone at the time. 'Once you accept that, you can look at things through a different lens. Being recognized on one scale that's a universally accepted platform — that somehow a band like ours from Baltimore is being recognized by different people from different worlds — is super cool and exciting.'
Never Enough — which was produced by Yates and features new guitarist Meg Mills — drops on June 6th.
Best of Rolling Stone
The 50 Greatest Eminem Songs
All 274 of Taylor Swift's Songs, Ranked
The 500 Greatest Albums of All Time
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
4 hours ago
- Yahoo
NEWS OF THE WEEK: Charli XCX claps back at Glastonbury 'boomer vibe comments'
The singer was unimpressed by festival-goers' hot takes about her performance, declaring them "boomer vibe comments". Fans had given Charli, 32, mixed reviews for her set, complaining the singer predominantly performed tracks from her 2024 album, Brat, and that she had been over-reliant on the use of auto-tune. "Charli xcx might as well just be an AI bot. Basic lyrics and a tonne of auto-tune. If we're classing this as talent then we might as well just succumb to the bots doing all the music.".
Yahoo
2 days ago
- Yahoo
Kesha's ‘Period': What critics are saying about the singer's first independent album
After releasing three albums to fulfill a recording contract with her accused abuser's label, Kesha has returned with Period, her first independently released album. Critics have responded generally favorably to the latest from the two-time Grammy nominee, which seems to harken back to the messy-pop days of 2010s Kesha. More from Gold Derby Michael Madsen remembered: All his Oscar-nominated films, from 'WarGames' to 'Once Upon a Time in Hollywood' The 'Jurassic' rebirth that never happened: How an Oscar-nominated screenwriter almost took the franchise in a wild new direction "It's easy to root for Kesha, which makes listening to (Period.) — her first album as an independent artist, hence its July 4 release date — such a blast," writes Rolling Stone's. "Bookended by pensive moments, (Period.) is a frisky pop record that delights in throwing things at the wall and seeing what sticks — while also getting a kick out of any mess that might result from a less-than-successful toss…. Kesha's taste for pop experimentation is in full flower on (Period.)." Similarly, Alexis Petridis of The Guardian found Kesha to be flourishing, surrounded by new collaborators who have allowed her to tap back into the kind of art she made her signature early on in her career. "The songs are all really strong, filled with smart little twists and drops, and funny, self-referential lines: 'You're on TikTok / I'm the f--king OG,'" he writes. "You get the sense of the massed ranks of collaborators – including everyone from regular Father John Misty foil Jonathan Wilson to Madison Love, who counts Blackpink and Addison Rae among her songwriting clients – really getting behind her to make Period a success. Kesha, meanwhile, plays the part of Kesha 1.0 to perfection: for all the lurid lyrical excesses, it never feels as if she's trying too hard. And why would it: she's returning to a role she originated." But while most of the critics writing about Period note its efforts to tap back into prime Kesha, some like Slant's Paul Attard characterize the album as more effortful than successful. "The title of Kesha's sixth studio album — her first to be released independently — suggests that the singer is pressing a symbolic reset button," he writes. "Throughout Period, though, Kesha seems torn between resurrecting the unruly spark of her early work or continuing in a more introspective, experimental direction, a la 2023's Gag Order. The results are, at times, perfectly listenable, but the sheer amount of visible flop sweat pouring from these 11 tracks is nothing short of distracting. Rather than sounding liberated on Period, Kesha feels caught between what the kids now call 'eras,' unsure of which bit to fully commit to." Ironically, Paste's Sam Rosenberg felt that the newly liberated Kesha had put out music that felt more constrained than her previous, more experimental efforts. "Given the media frenzy Kesha had to endure with this lawsuit, one would expect that the project she would make after finally parting ways with RCA and Kemosabe would be more daring, refined, and cathartic than anything she's made before," he writes, "It's a shame, then, that her sixth album isn't really any of those things. ... Despite being touted by Kesha herself as an embodiment of liberation, . (Period) ironically feels like an album you'd expect from an artist being pressured by their label to cater to the masses rather than one made on the artist's own terms." Period releases on July 4. Best of Gold Derby Billboard 200: Chart-topping albums of 2025 Billboard Hot 100: Every No. 1 song of 2025 The B-52s' Kate Pierson talks Rock Hall snub, influencing John Lennon, and fears a solo album would be a 'betrayal' to her band Click here to read the full article.
Yahoo
2 days ago
- Yahoo
‘Trainwreck: Poop Cruise': 5 Things We Learned
You can tell a lot about people by how they behave in a crisis. And it's safe to say the voyage of the Carnival Triumph, better known as the Poop Cruise, was an icky, smelly, particularly grotesque kind of crisis — and that brought out some wild behavior. It happened way back in 2013, but chances are some of the details are emblazoned in your memory. The Triumph, set to cruise from Galveston, Texas to Cozumel, Mexico, suffered an electrical fire that knocked out the engine and air conditioning. And then, the coup de poop: the electrical toilets stopped working. This was definitely a problem with more than 4,000 passengers and crew onboard. And you thought Lord of the Flies was bad. More from Rolling Stone Watch Liam Payne Offer Guidance to Aspiring Musicians in 'Building the Band' Trailer 'Building the Band' to Premiere This Summer After Liam Payne Family Approves Footage 5 Things We Learned from 'Titan: The OceanGate Disaster' The story is told anew, and with a heaping helping of snarky humor, in the new Netflix documentary Trainwreck: Poop Cruise, part of a series that looks at mishaps of varying severity (previous installments this season have focused on the 2021 Astroworld tragedy and scandal-ridden Toronto mayor Rob Ford). Not to belittle the trauma of anyone unfortunate enough to be aboard the Triumph, but this Trainwreck, premiering Tuesday, intentionally toes the line between tragedy and comedy. Here are five lessons learned and, er, highlights: An initial press release relayed news of a fire aboard the cruise, but it was under control. A cruise ship adrift in the Gulf of Mexico, with no engine power or AC: interesting, unfortunate, but not the stuff of sensationalist headlines. Then passengers started calling in with their own grisly details, which got a lot grislier once the tugboats showed up and tilted the ship just enough to set loose the previously-somewhat-contained human waste. Voila: Poop Cruise. Former CNN anchor Brooke Baldwin recalls in the doc that then-new CNN president Jeff Zucker made the decision to go all-in on the story. 'We needed eyeballs on the screen,' she explains. Only then did we get to hear Wolf Blitzer intone that 'Sewage is dripping off the walls.' Soon the hashtag #CruiseShipFromHell was ubiquitous. Oh, the humanity. If you don't believe us, take it from Hanna, a bartender aboard the Poop Cruise and star of some of the doc's most candid moments. 'There is so much sex on the cruise ship,' she says in the doc. 'So much sex, you don't want to know.' (Oh, but we do, Hanna. We do). 'Everything is hard and fun.' (So to speak). Later, Hannah admits she was not actually in her cabin when an alarm ('Alpha team! Alpha team!') signaled the crisis. She was in the bed of another crew member. And after a couple of days adrift, when the decision was made to serve free drinks, a newlywed couple could be spotted having sex on a deck chair for all to see. To be fair, panic had long since set in. Once news of the toilet malfunction was announced, a contingency plan followed: pee in the showers, and do what most people in the doc call 'a No. 2' in little red biohazard bags. (Never will you hear so many people speak in childhood euphemisms about bowel movements.) Nobody seemed to like the bag idea. Some opted to pop Imodium. Others went the grin-and-hold-it route. Once the free drinks flowed, some drunken revelers Tossed the full red bags overboard. Meanwhile, others tried to use the out-of-service toilets. Abhi, a Triumph chef with an endearing habit of saying things were 'fucked up,' describes the toilet horror: 'People were pooping on top of toilet paper, then pooping on top of that. It was layer after layer after layer. It was like a lasagna.' At the end of the doc, we learn that Abhi 'has never looked at lasagna the same way.' Things fell apart; the center could not hold; mere anarchy was loosed upon the Poop Cruise. There was the hurling of feces bags, and open fornication, and peeing (or 'going No. 1,' if you prefer) off the side of the deck. There was also food hoarding. Passengers fought over deck chairs and deck square footage. Once again, Hanna the bartender, who grew up in the Soviet Union, delivers the goods: 'It made me think that now all these Americans somehow can feel what it was like in a dictatorship country, where shit like this happens and it doesn't surprise anyone. Welcome to the Soviet Union, people.' Once the Bible study broke out, along with full-throated hymns, the whole thing came to resemble a Cormac McCarthy novel, or maybe a Hieronymus Bosch painting. Repent, Poop Cruisers! Repent! Once the Triumph was tugged safely to Mobile, Alabama, after five days stranded at sea, Carnival insisted that the fire was an accident, that recommended actions had been taken to prevent incidents similar to previous electrical malfunctions, and that the vessel was fully compliant and had been certified to sail by regulatory bodies. The company carried out fleet-wide safety upgrades aimed at preventing engine room fires, and changed its terms and conditions, removing caveats about wholesome food, sanitary and safe living conditions, safe passage, and a sea-worthy vessel. Passengers were given a full refund, transportation expenses, and a $500 payment. They were also offered a free cruise. Carnival spent $115 million cleaning, repairing, and retrofitting the Triumph. The vessel is now called the Carnival Sunrise, should you wish to book passage. In a statement to Rolling Stone, Carnival called the ordeal a 'teachable moment' for the entire cruise industry. 'A thorough investigation following the incident revealed a design vulnerability which was corrected and led Carnival Cruise Line to invest more than $500 million across our entire fleet in comprehensive fire prevention and suppression, improved redundancy, and enhanced management systems, all in support of our commitment to robust safety standards,' they wrote. 'We are proud of the fact that since 2013 over 53 million guests have enjoyed safe and memorable vacations with us, and we will continue to operate to these high standards.' June 24, 1:20 p.m.: This article has been updated to include comment from Carnival. Best of Rolling Stone Every Super Bowl Halftime Show, Ranked From Worst to Best The United States of Weed Gaming Levels Up