
Let This Lebanese Wedding Inspire Your Dream Day
Dodie Nachabe and Marwan Azzam first crossed paths at the Beirut hospital they were both working in. 'I was a third year medical student and Marwan was a medical resident. Once we met, we were inseparable!' recalls Lebanese American Dodie. The couple was together for the three years before Marwan who has Palestinian, Lebanese and American heritage, whisked Dodie away to Denver, Colorado to pop the question. 'He planned a trip to Boulder, where I was born, and proposed on the top of a hill in the middle of nature, overlooking the entire city – just me and him.' She was so overwhelmed she didn't even look at the ring.
Living on the other side of the world whilst planning a wedding in Lebanon didn't prove easy, so Dodie arrived one month ahead of their nuptials to 'put everything together,' she recalls. 'It was very hectic, but I enjoyed it a lot.'
The couple chose Palais du Mzar which offers up gorgeous views of Jounieh Bay, where you can see the 'real beauty of Lebanon: steep lush green mountains melting into the Mediterranean Sea,' Dodie explains.
Organising a wedding for 280 guests – 'which is relatively small for our culture,' Dodie laughs – is no easy feat. The bride-to-be leaned on her mum Naida to drive her from vendor to vendor to ensure every last detail was perfect, while Marwan's mum, Reem, 'helped with all the decision-making over the phone from Amman.' Enlisting some non-familial assistance, the couple hired Christiane and daughter Nicole from We Plan Events to ensure everything went seamlessly both before and on the day.
Knowing that she didn't want a classic ballroom event, and unable to decide on just one theme, Dodie chose several. 'There was a maximalist bar, a romantic garden room, an edgy Cala lily room, dreamy hallways with lots of candles and white peonies – my favourite flower – and a hidden photo booth that played the video of our civil marriage in Las Vegas.'
The ceremony took place outside to a backdrop of Jounieh Bay, with Dodie walking down the aisle at sunset, to the sound of Andrea Bocelli, with a Cala lily bouquet draped in pearls. While the vistas were staggering, all eyes were on the couple – and Dodie's gown by Karoline Lang. 'I wanted a timeless dress that was also modern and romantic. It took over 20 fittings to get the final look,' Dodie says, pairing it with silver Christian Louboutin Rosalie heels and a suite of diamond jewellery, a gift from her parents.
The night unfolded with a sunset saxophonist, dinner served in the courtyard – fusing 'every type of international cuisine, from a traditional kebbe naye station with Arak shots to seafood and steak' – then a grand multiple-tiered cake cutting and dancing into the early hours to a mix of Arabic and English songs.
Dodie says there's only one thing she would have done differently. 'I wish I'd arrived earlier to Lebanon to have more time to plan. I'd advise other brides to start planning as early as possible to enjoy the process and not feel rushed. Oh, and to really enjoy the moment on the big day – it goes by so fast!'
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The National
14 minutes ago
- The National
Introducing my son to Lebanon helped me heal my relationship with home
As the wheels touch down on the tarmac at Beirut's Rafic Hariri International Airport, my wife and I turn to our 20-month-old son, Dia, kiss his soft head and whisper: 'Welcome home.' Then we both cry. It's his first time in Lebanon – a trip long delayed by an interminable war. Like many Lebanese born in the diaspora, my relationship to the country has always been complicated. Raised abroad, I absorbed it through Sunday meals at Lebanese restaurants in London, family stories and summer visits. As a teenager and young adult, I would go on to live there for 10 years, turning it into a site of belonging and often heartbreak. For the past five years, I've been estranged from it. I had seen a lot during my years in Lebanon, but nothing broke me like the August 4 Beirut port explosion. I felt I lost too much that day. I almost lost my father, who was in a building by the port. We couldn't locate him for hours. I lost far less important things – our company's brand-new office, my car, work projects. After that trip, I left broken. Something had snapped in my already tense relationship with a country that was often exhausting to live in, however much I loved it. Since then, I've only returned for work, family emergencies or deaths. My relationship with Lebanon calcified into something unpleasant. But something shifted on this trip. I came back as a different person. I came back as a father. Lebanon today feels hopeful but precarious – a country both limping out of war and still staggering from the collapse of 2019. The streets are tired. Shoots of wild grass protrude from the pavements and highways. I have become obsessed with these unkempt public roads. They remind me of the way Lebanon looked at the end of the civil war. The country has the air of an aristocratic home fallen into disrepair – once proud, now crumbling, its residents unable to afford its upkeep. But still full of life and stories. But none of that matters when I see my son here. To see how he belongs to this place. He's surrounded by doting grandparents. Even the neighbours beam when they see him. He devours zaatar and stuffed vine leaves. He's wide-eyed with curiosity. As Lebanese, our link to the motherland can often be tied to the kind of nostalgia these scenes can evoke. Nostalgia is a powerful, sometimes dangerous thing. It led many in our diaspora to invest life savings in Lebanon out of duty or hope, only to watch them vanish in the banking collapse. I used to be so weary of that dangerous form of nostalgia that led people to be irrational. But I find myself understanding it this time. For me, returning to Lebanon has always carried a hint of regression. Like anyone revisiting their parents' home, you slip back into old habits, old roles. You unlearn everything that's happened in the intervening years. But this time is different. There's no regression – only transformation. I'm here not as a son, but as a father. I'm not trying to make sense of my place, I'm building a bridge for my son between his heritage and his future. In a recent therapy session, while speaking about my connection to the Mediterranean, I had a surprising realisation: it wasn't the sea I was so anchored to. It was the mountain. I wanted to see if Dia had the same connection. On a visit to Jaj – a village 1,200 metres above the historic coastal town of Byblos – my wife's aunt left some cherries unpicked in the garden just for Dia. He picked them himself, dropping them into a plastic tub with glee. Nour noticed the cherries at the top had been pecked at. 'The top of the tree is for the birds,' her aunt said. 'The bottom is for us.' One simple sentence. Centuries of understanding how to live with the land, not just on it. And now, my son is learning that wisdom. And through him, so am I. Back in Beirut, we realise the city is not exactly toddler-friendly. Pavements are often a suggestion. When they do exist, they're broken, cluttered, blocked by scooters and cars. Electrical cables dangle from poles. It's whatever the opposite of baby-proof is. One afternoon, Nour suggests we might find more space to roam by taking Dia to my alma mater – the American University of Beirut. I haven't set foot there in years. I don't often reminisce about my time there, or much else. But walking through the main gate feels like a reckoning. I tell the security guard I remember my student number – a strange fact to recall from 2001. He pulls up my record, and there it is: my old ID photo. I barely recognise the boy in the image – fresh-faced and naive. Closer in age to Dia than to me now. I'm carrying my son and pointing at the ID photo on the screen, wondering if he'll recognise me. He smiles. Maybe he does. Maybe he's just happy to be here too. As he runs around the grounds of the 19th-century campus, I remember something Nour told me recently – about mycelium networks that connect trees underground, allowing forests to share resources and nutrients. That's how I feel, watching my son plant his feet on this soil. He's connected to people he's never met, to land he's never seen. And in watching him, I realise I'm part of that network too, in a way I haven't felt in years.


Khaleej Times
5 hours ago
- Khaleej Times
For social media stardom on your wedding day, say yes to that second dress
On the off-chance that you are not over wedding content yet, following the $222 million (Dh815 million)-worth of media exposure generated by last weekend's Sánchez-Bezos nuptials, this week's column is dedicated to the second wedding dress. The one that isn't subject to the strictures of the ceremony, family expectation, and decades of Disney-esque conditioning that prescribes a princess aesthetic. That, or hands clasped demurely in prayer à la Sánchez. In short (and without cultural constraints or Vogue front cover deals dictating the hemline, it often is short), the bridal 'party' dress. 'Over the past five years, we've seen a clear shift, brides aren't just stopping at the wedding gown anymore. They're coming in with the after-party look already in mind,' says Juliana Romanos, CEO of Esposa Group, which has operated bridal stores in Dubai, Riyadh, and Lebanon for more than 38 years. 'What started as a trend among style-savvy brides has become a staple part of the modern bridal journey,' Romanos adds. Esposa sells dresses by designers such as Monique Lhuillier, Vera Wang, Zuhair Murad, Georges Hobeika, and Giambattista Valli, alongside its own brand, Kristie Romanos, and is shortly expanding its network of stores to Qatar. Like Sánchez, who, according to Vogue, changed from her demure high-necked (albeit corseted to Sophia Loren proportions) Dolce & Gabbana gown into a more typically – for the bride – sweetheart neckline dress for the dinner and a crystal-bedecked Oscar de la Renta cocktail dress for the party, the second dress offers brides the chance to break free from what might be deemed 'appropriate', regardless of whether the world is watching — and possibly creating memes — or not. 'There's more freedom with the second look, so brides are open to experimenting, as long as it still feels elevated,' says Romanos. 'Short dresses with bold details are definitely having a moment. Think feathers, sequins, structured corsets, or oversized bows. It's a chance to reveal a more daring or playful side.' May Martin, founder of Dubai bridal boutique Ginger & Poppy, agrees that the second dress is often aesthetically opposed to the first. 'Brides don't want the dresses to look too similar, they want to have that wow factor and change into something completely different,' she says, citing a giant bow, or Grecian streamers flowing from the shoulders. 'We're seeing more contrast [from the main dress], and it's very intentional. Brides love to tell a fashion story, maybe they start the day in a dramatic ballgown and end it in a sculpted mini. Or, switch from classic lace to something sparkly and unexpected. It's about showing different sides of who they are,' agrees Esposa's Romanos. Barbaranne Heaton, who founded the Dubai-based bespoke wedding dress atelier HOM Bridal in 2012, says: 'We are creating a lot of corseted two-piece bridal gowns this year, pairing them with cute mini-skirts to allow the bride to change her look from bridal to 'party' in the evening without losing the core essence of her dress.' A huge factor is socials — Instagram, Pinterest. People want to have their dream Instagrammable wedding, even if they don't say that" May Martin Dubai-based marketeer Lyn Jawharji recently married Tarek Aboudib during a sunset ceremony in Fujairah, overlooking Snoopy Island. Her ceremony dress was by Bariji Yokoyama, a brand created by former Rami Al Ali designers Nidal Bariji and Mariko Yokoyama. For the after-party, Jawharji changed into an embellished jumpsuit by the same designer, styled with Givenchy Shark Lock boots. 'Some brides want a wow moment with a mini-dress or a sparkle piece that feels like a fun surprise,' says Jawharji, 'Others, like me, prefer a second look that continues the story or complements the day's theme. The beauty of bridal fashion today is that it's fluid, there are no set rules, just options that let each bride feel like the best version of herself.' On the surface, the change into a second bridal dress is driven by the practicalities of wearing a look that's easier to dance in; lighter and less restrictive. Hailey Bieber teamed the first of her two reception dresses with sneakers. However, even if the bride won't admit it, the bridal industry is cognisant that it's a desire to win at social media that is really driving the rush to say yes to multiple dresses. 'A huge factor is socials — Instagram, Pinterest,' says Ginger & Poppy's Martin. 'People want to have their dream Instagrammable wedding, even if they don't say that.' Jawharji, who is currently on honeymoon, agrees that expectations to wow your guests (and those scrolling on social) are high, 'especially in Arab weddings, where grand entrances and transformation moments are such a big part of the experience. All eyes are on the bride, everyone's recording, sharing, and looking at the details. The dress becomes more than just a look, it becomes part of the story you're telling', she says. As Jawharji notes, looking stylish is no longer enough, modern brides need to make a literal fashion statement. In the absence of a billionaire groom with the media clout to narrate your love to the universe — 'Jeff reveals me' Sánchez told Vogue — the dress is tasked with doing the revealing. This can be both literal (if the bride goes short and low-cut) and spiritual (as the shackles of expectation are cast off and her inner party girl is released). 'The second look isn't just a style choice, it's emotional,' says Esposa's Romanos. 'After the ceremony, brides want to feel free, have fun, and fully enjoy the celebration, and their look should reflect that shift in energy.' Of course, no matter how exquisite the reception dress, it's the ceremony gown that does the heavy lifting and will anchor most photos, Vogue cover or not. 'I really wanted to give my wedding dress its full moment,' says Jawharji. 'I couldn't imagine only wearing it for a few hours. I stayed in the gown through the ceremony, entrance, and our first dances. That feeling of being 'the bride' was something I really wanted to hold onto. When it was time to party, I changed into the jumpsuit and danced the night away!' As HOM's Heaton says: 'Nothing can take away from that moment you walk down the aisle, in your wedding dress, and everyone sees you. No bridal mini can ever compete. So, let your wedding dress shine, and your bridal mini party.'


Cosmopolitan ME
a day ago
- Cosmopolitan ME
Here's why this bride didn't wear foundation on her wedding day
Skipping foundation when going to the Mall of the Emirates is one thing, but on your wedding day? Unheard of. We sat down last week to chat with recent bride, Colette Laxton, who also happens to be co-founder of The Inkey List, about the brand's new Exosome Hydro-Glow Complex. She casually dropped into the convo that she didn't wear foundation on her wedding day. Naturally, we were blindedsided. It turns out that her bareface bridal beauty is connected to her new exosome-infused product drop. You might as well open the Sephora app now. We both know what you're about to do. Cosmo ME: What *exactly* are exosomes? Colette Laxton: Exosomes are tiny skin messengers that basically tell your cells to repair, renew, and glow up. They work incredibly hard, penetrate deep into skin, are non-irritating, and work well with other actives. Exosomes keep your skin strong, hydrated, and prepped for the long game. They provide prevention and glow, which I think is the dream. Cosmo ME: What kind of results can we expect when using exosomes? Colette Laxton: Skin will instantly have a smoother texture and glow. In the long term, it becomes stronger and more resilient skin. Cosmo ME: When are we supposed to use it? Day or night? Colette Laxton: You can use it both morning and night. I did just that every day for four months before my wedding. It's like a facial in a bottle. On my wedding day, my MUA said she wasn't putting foundation on my skin. Cosmo ME: Wait, what? Colette Laxton: My plan was always to get regular facials before my wedding. As I was using the Exosome Hydro-Glow Complex, I noticed skin was looking so glowy and smooth. Honestly, it looked the best it ever had, so I decided to skip the treatments. At my makeup trial, the artist used a thick foundation and by the end of the day, it had separated. On the wedding day, she told me she wasn't covering my skin up because it looked so beautiful. We only used just a bit of concealer under my eyes and around my redness. Cosmo ME: We need more details. What was your pre-wedding skincare routine? Colette Laxton: The same it is right now. I only use four products morning and night. They are our Milky Cleanser, which is being released in the GCC in the fall, Hyaluronic Acid, Exosome Hydro-Glow Complex, and Bio-Active Ceramide Moisturizer. Cosmo ME: Aside from being wowed by the power of exosomes, we were also stunned by your dress and its big bow. Not to mention, you married the man you founded the brand with! Spill the tea. Colette Laxton: I found my wedding dress on Instagram, of course. It's by Emilia Wickstead. The second I saw it, I knew it was for me. I wanted something strong, feminine, and unexpected. The big bow was like a power move. Supplied Mark is a microbiologist and I come from the branding side. He messaged me on LinkedIn and asked to meet for coffee. I got genius vibes from him but his communication needed some work. He had an idea for the brand and I knew if we teamed up, we could create something magical. We ended up falling in love. Cosmo ME: What a fairytale! Back to exosomes, how does The INKEY List keep consumers from getting overwhelmed by buzzy skincare ingredients? Sometimes it can be confusing if the latest ingredient is made for our skin, or not. Colette Laxton: We're all about education. Not every ingredient is meant for you. We have tools like Ask INKEY, where you can live chat with a skin expert. We also have a routine builder on our site used by over six million people. It gives you a customised routine based on your skin goals. Our packaging breaks it all down too and gives the deets on what it is, what it does, who it's for, and when to use it. The INKEY List's Exosome Hydro-Glow Complex is now available at Sephora. It's the skincare version of Colette's soft-girl power bridal gown. Want to know what other beauty products are new to the GCC? Dive into them right here.