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How teachers on the Blackfeet Reservation are using heavy metal to prevent suicide and process grief

How teachers on the Blackfeet Reservation are using heavy metal to prevent suicide and process grief

Inside a Browning High School classroom on an afternoon in May, about two dozen students watched a music video by Carcass, a deathgrind band formed in 1985.
Deathgrind, as instructor Charlie Speicher had explained to the class, blends elements of two heavy metal subgenres: death metal, known for its sonic and lyrical brutality, and grindcore, characterized by speed and aggression.
Watching band members scream into the mic, the students nodded their heads and tapped pencils on their desks. Robert Hall, director of Native American studies at Browning Public Schools, shook his head in an exaggerated headbang. Speicher flashed the 'rock on' hand gesture before pausing the video.
'Aw! No!' students yelled, pounding their desks in feigned anger.
'I know, I want to keep going,' Speicher said. 'But that was freaking Carcass! … There's nothing like a musical style that just goes right for your throat, right at the core of that darkness.'
Facing darkness head-on is the guiding principle of a new class offered at Browning High School and Buffalo Hide Academy, public schools on the Blackfeet Reservation. During the 18-week class, students learn about heavy music through a suicide prevention lens.
The students watch and analyze music videos and write their own songs. They hear from professional musicians. They learn to differentiate subgenres like death metal, hardcore, grindcore, doom metal and sludge metal. They also talk about suicide and how to cope with trauma and grief. Speicher encourages students to contend with distress by engaging with art.
'There's just such power there,' he told Montana Free Press in May. 'It provides us with the tools to be able to deal, to face our anguish and not just be a prisoner to it.'
The class's work will carry over into Fire in the Mountains, a first-of-its-kind heavy music festival on the Blackfeet Reservation July 25-27. The event will feature bands from all over the world alongside panels on topics including historical trauma, grief and healing. Students can earn a stipend and class credit for working with sound crews, bands, vendors and social media teams, and some students designed t-shirts for band members to wear on stage. Festival proceeds will support suicide prevention programs on the reservation.
The word for 'doctor' in the Blackfoot language, āissōkinǎkii, translates to 'singer of heavy songs.'
'The heaviness in āissōkinǎkii I think is like the power of those songs to doctor people, to heal,' Hall said.
Suicide In Montana
Montana faces one of the highest suicide mortality rates in the nation, and the crisis is even more severe in tribal communities, where residents must often rely on overburdened and underfunded systems of care.
A Centers for Disease Control and Prevention study found that suicide rates among American Indians ' consistently surpass those among all other racial and ethnic groups.' From 2015 to 2022, suicide rates nationally increased less than 1%, while rates among American Indians increased nearly 20%. In 2021, according to a different CDC report, the suicide death rate among American Indian girls age 15-19 was more than five times greater than that of their White peers.
Indian Health Service, or IHS, is the federal agency responsible for providing health care to federally recognized tribes including the Blackfeet Nation. Despite calls for investment, the agency has long been underfunded. While President Donald Trump's fiscal year 2026 budget proposal includes a $7.9 billion appropriation for IHS, a slight increase from the previous year, a workgroup composed of tribal leaders nationwide concluded that for fiscal year 2023 IHS would have needed $49.9 billion to be adequately funded.
Funding shortfalls mean the agency struggles to recruit and retain medical professionals. And patients, who may see a revolving door of providers, often face long wait times for care.
Blackfeet Reservation residents say incidents of suicide seem ubiquitous in the close-knit tribal community. A 2017 survey of 479 reservation residents found that one in three eighth-graders at Browning Middle School reported having attempted suicide, and one in three adults surveyed said they felt depressed or sad most days. Speicher said in May that the tribal community had recently seen several 'near misses' related to suicide.
'So many people experience it and have been through it,' he told MTFP. 'If you haven't had a suicidal thought at some point, you're lucky and rare.'
Karrie Monroe runs Sukapi Lodge Mental Health Center, a new youth substance-use treatment facility on the reservation that aims to help children and families in crisis. The facility is funded, in part, with $1.4 million from the 2021 American Rescue Plan Act. When the lodge first opened in November, providers worked with several young men struggling with depression and suicidal ideation.
'They were having relationship problems, they were being verbally abused, and they were becoming depressed and they didn't know how to handle it,' Monroe said. 'Because men around here are always taught, 'You don't cry. You keep it in. You don't say nothing.''
Each suicide death in the community sparks new waves of trauma and grief. And with barriers limiting access to quality mental health care, Monroe said, some may 'use alcohol to run away from the sadness,' adding another significant risk factor to the suicide-prevention equation.
The cycle of death and grief, she said, 'just keeps on repeating. … So where do we start with stopping this?'
Prior to colonization, Native American cultures had different ways of expressing and processing grief. Browning Public Schools Native American Studies Director Robert Hall said the Blackfeet would change their physical appearance — sometimes cutting off a finger, cutting their hair or wearing dirty clothes — to signal they were grieving.
'If I was gone for three weeks on a hunting trip or fasting, and I come back and see my cousin chopped her hair off, I know instantly what's going on,' Hall explained, imagining himself in a historical context. 'I know I'm going to show her some tenderness.'
As those traditions fade and a stigma surrounding suicide spreads, Speicher said, people more often hide their pain.
'We perceive ourselves as a burden and we try to conceal it,' he said. 'That's gotten us here, and it's such a tragic experience.'
The stigma surrounding suicide is one reason Speicher believes it's critical to raise awareness and talk openly about the issue. Learning to process grief and trauma in healthy ways, by connecting with others or expressing emotion for example, is an effective form of suicide prevention, studies show.
It's one reason Speicher founded Firekeeper Alliance, a nonprofit funded by grants and donations that aims to reduce suicide rates in Indian Country by encouraging at-risk groups to embrace new coping mechanisms. It's also why he encourages students to study music that 'goes towards darkness' rather than avoiding it.
He and Hall believe that engaging with music, or art of any kind, can help people identify, process and make meaning of their pain.
'If (students) love themselves, and they have some way to have a group of friends and get together and do some healthy expression, this community is going to be all the better,' Hall said.
So far, the class has been a hit.
Dylan Williams, a student at Browning High School, said heavy metal is 'honestly my favorite class.'
'This class, it's more of a free space,' he said. 'We can come in here and experience our likes and everything we love in an open environment where there's no judging.'
Sophomore Urielle Pollock said she loves the class, but noted one criticism.
'I just hate how it's only one period,' she said.
___
This story was originally published by Montana Free Press and distributed through a partnership with The Associated Press.
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SiR on his upcoming Hollywood Bowl show, his mother's passing and making a classic record
SiR on his upcoming Hollywood Bowl show, his mother's passing and making a classic record

Los Angeles Times

time2 days ago

  • Los Angeles Times

SiR on his upcoming Hollywood Bowl show, his mother's passing and making a classic record

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'But I prayed about it. I talked to my family, and we made the decision for me to finish the tour out, in honor of her.' So by the time he got to the Hollywood Palladium, where he performed back-to-back shows, he says, 'I think I was drained and I needed my support, and my wife just so happened to be there, which was just perfect for me. I'll never forget that night.' Since that emotional performance, SiR, born Sir Darryl Farris, released an extended version of 'Heavy,' subtitled 'The Light,' in April, which features six new tracks, some of which are new, such as 'Sin Again' and 'No Good,' and others that didn't make the cut on the original project. The Grammy-nominated singer, who is signed to L.A. powerhouse label Top Dawg Entertainment alongside R&B darling SZA, is set to make his headlining debut at the Hollywood Bowl on July 20 for the KCRW Festival. 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But it was surprising to see people singing the new music. I was fully prepared to go there and have to explain myself through these songs, but people were already vibing and singing along, which was great. My audience is great. I love my fans so much. What songs did you add from the 'Heavy Deluxe: The Light' project? We added 'No Good,' 'Sin Again,' 'Out of My Hands' and then, of course, 'Step Into the Light,' which we added to the end of the set. But we also have songs like 'John Redcorn' in there, which is a staple. If I don't sing 'John Redcorn,' people will come for my neck. Last August, a fan posted a video of you crying during one of your shows at the Hollywood Palladium after you saw your wife, and the comment section was filled with sweet and supportive messages. Do you mind sharing what headspace you were in that night and why you felt so emotional in that moment? That was the end of the tour, so I knew I was done, and in the middle of that tour, I actually lost my mom. 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We sold out the Palladium twice. You had a really close relationship with your mother, Jackie Gouche, who was a phenomenal artist in her own right. Have you written any songs in dedication to her since her passing? I have a song that goes: (Starts singing lyrics) Her name is Danielle, born in December but never felt the cold Chocolate skin and a heart that's made of goldA certain resemblance to someone that I know As bitter, as sweet As easy as it was to sweep me off my feet I never imagined that you may never meet I wish you could be here to watch my baby grow She's gonna to do well Her name is Danielle. It's just a song about my daughter that I wrote for her, and hopefully, I put it on the next project. Ooh. But we'll see. My mother was such a big reason why I started really writing songs and wanting to be SiR. I was a different kind of guy growing up. I was very timid. I wasn't sure about my musical abilities or gifts, and anytime I sent her songs, she would just light up and tell me how beautiful it was and give me advice, which was very important. After a while, I just kept impressing her and kept blowing her away in her own words. She was a huge part of my confidence. You've been vocal and vulnerable about your experience of dealing with addiction and all of the lifestyle changes you've made since becoming sober. Can you talk about what you've learned about yourself throughout this time? I've learned that I have an addictive personality, no matter what the drug is, and I've created some good habits. The gym is now the biggest addiction that I have. I definitely had to just learn who I was looking at in the mirror, because when you're inebriated, intoxicated all the time, you don't really know what's going on or who you are, and it's a tough place to be. It's a tough hole to dig yourself out of, but once you get out of that, you've got to navigate not falling back into the hole. It took about a year before I even got close to being sober. I'd have, like, sober weeks, and relapse after relapse and things like that. But at this point, I'm proud of where I am as a father, as a husband, and I'm trying to make sure that I just keep nourishing my artistry, because as much as I'm glad that that album came out, it took me five years to put that album out, and that shouldn't happen. I always like to think of myself as a hyper-creative, and I should be able to have an album out every year. I'm a studio rat, so we should be able to find it. But my sobriety had to be at the forefront of everything, and I'm navigating being SiR sober. This is all new, and it's definitely fun, but I definitely had to really work to get here. Since releasing 'Heavy,' you had another daughter, whom you talked about earlier, so now you're a father of two. Can you talk about how fatherhood has affected you personally and creatively? Fatherhood is like, ooh man, it's a process. It taught me a lot about myself. I'm selfish. I'm impatient. I'm getting old. [laughs] My body doesn't move and respond the same. When you have a 3-year-old who's running as fast as she can and you're trying to keep up with her, it's tough. But it also just taught me a lot about how well I was raised. My parents were sweet. They were so nice and so kind and so gentle with us, and very protective, but in the best ways. If I'm half as good of a parent to my kids as my mother was to me, I think they're going to be fine. On Sunday, you are going to headline the Hollywood Bowl for the first time. How are you feeling about the show and what are you most excited about? I can't lie, I was excited about Leon Thomas' set, but I realize now that I'm not going to be able to watch it, because I'm going to be doing my vocal warmups and getting ready for own thing. So now I'm just excited to see that sea of people. In L.A., I've done some really good shows, but it's a 17,000-cap venue, and I think we're doing good on ticket sales. This is the largest SiR audience that I've ever seen, so I'm excited to see the fans and hear them sing along. Have you met Leon Thomas before? We haven't met, but I'm a huge fan. I don't know if a lot of people [know], but Leon Thomas was a songwriter before he started putting music out on his own. Of course, everyone knows him from his acting days, but he was a part of a writing group that is based in L.A. and has been writing songs for other artists, so to see him come to the forefront of his own artistry is a beautiful thing. I think I'm on the waiting list for a Leon Thomas session. Collaborating is big right now with me, especially since things have changed and I don't work as much as I used to on my own. 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10 bands that will fill the Black Sabbath-shaped hole in your life
10 bands that will fill the Black Sabbath-shaped hole in your life

Yahoo

time3 days ago

  • Yahoo

10 bands that will fill the Black Sabbath-shaped hole in your life

When you buy through links on our articles, Future and its syndication partners may earn a commission. So Black Sabbath have taken their final bow and the curtain has come down on the career of the most influential metal band of them all. The Back To The Beginning farewell show at Villa Park on July 5 was the perfect send-off – an all-star celebration that lived up to Tom Morello's promise of it being 'the greatest day in heavy metal history'. But if their retirement has left you feeling bereft, fear not. Such is the band's massive influence that they've spawned generations of bands who have churned out humongous, doomy riffs while sparking up a massive bifter. Here are 10 bands who will fill the Black Sabbath-shaped hole in your life. Pentagram Sabbath may be no more but fellow 70s warhorses Pentagram are still out fighting the good fight – and in the case of frontman Bobby Liebling becoming an unexpected late-life meme (you know the one). Pentagram were formed in Virginia in 1971 and were pretty much the American Sabbath – doomy riffs, wailed vocals and, in Liebling, a bug-eyed madman on the mic. Stability and success have both eluded them over the years – they've split up and reformed several times, with Liebling the only constant member, while it took until 1985 for them to release their self-titled debut album. They've not come within a hundred miles of a mainstream breakthrough, which only makes them more beloved by doom-heads. The perfect Sabbath surrogate. Saint Vitus Formed in 1978 by guitarist Dave Chandler and vocalist Scott Reagers, and named after classic Black Sabbath song Saint Vitus Dance, LA's Saint Vitus helped spark the second wave of doom that bloomed in the 80s. Like Pentagram before them, were strictly cult level, but they channelled Sabbath's dark spirit and monolithic sound. A mid-80s union with Scott 'Wino' Weinrich from The Obsessed (more on them in a sec) led to such classic albums as 1986's Born To Die and 1990's V,, but Vitus were too dark and too damn heavy for mainstream metalheads. But they're still out there, spreading their unique brand of misery – their most recent, self-titled album came out in 2019. The Obsessed The third in the holy trinity of 80s US doom lords alongside Saint Vitus and the equally brilliant Trouble, Washington DC's The Obsessed were greasy, Sabbath fixated longhairs who were embraced by their hometown's hardcore scene. They formed in the late 70s, but it took until 1990 for them to release their self-titled debut album (not helped by frontman Wino leaving on a free transfer to Saint Vitus in 1986). A brief mid-90s stint on a major label didn't turn them into the next Sabbath, but for many doom connoisseurs, they remain Ozzy and co's natural heirs. Kyuss Kyuss guitarist (and future Queens Of The Stone Age mainman) Josh Homme always insisted that the desert rock pioneers were more inspired by Black Flag than Black Sabbath – maybe that's true, but the Californian band did more than anyone to reinvent Sabbath's monumentally heavy sound for the 1990s. They made four albums between 1991 and their split in 1996, at least two of which – 1992's Blues For The Red Sun and 1994's Welcome To Sky Valley – are nailed-on classics. Josh Homme has spent most of the last 30 years batting away calls for a reunion, but his position seems to have shifted recently, saying: 'I don't have negative feelings about anybody… so, yeah, it's possible.' Exit Black Sabbath, re-enter Kyuss? We can but hope. Sleep San José's Sleep are quasi-religious Sabbath devotees, and exercise their worship through expansively slow, chasmic riffs that call to mind Iommi's same axe-slinging sorcery. Their classic second album, Sleep's Holy Mountain, served as a cornerstone of the genre's developing scene in the early 90s, while 2018 smoke-wreathed comeback album The Sciences –has plenty of hat-tipping moments, including hidden images of Sabbath members in the vinyl's gatefold cover, (you can spot drummer Bill Ward on a milk carton and Iommi on a piece of toast), the track Giza Butler (a play on the city of Giza and bassist Geezer Butler), and a reference to Iommi on Marijuanaut's Theme. Electric Wizard As if spawned from the loins of Tony Iommi himself in a drug-fuelled, ritualistic romp, Dorset-based Electric Wizard are arguably metal's most devoted Sabbath acolytes. Their band name alone is an ode to the Brummy rock gods, formed of the two Sabbath tracks Electric Funeral and The Wizard. At the forefront of their worship are hazy riffs deployed from drop-tuned SG's, and a deliciously evil allure. Incorporating peculiarly-distorted vocal melodies and plodding hooks, Electric Wizard are an amalgamation of their obsessions, and pay homage to not only Sabbath, but Lovecraftian horror, occultism and of course, marijuana. The Sword From their 2006 debut Age Of Winters, Texan sci-fi/fantasy enthusiasts The Sword have been making a type of bell-bottom boogie metal that crosses Sabbath's early groove-heavy hits with monolithic thrash. Although somewhat submerged under thick blankets of distortion-soaked riffing, vocalist John Cronise also shares Ozzy's same urgent, unpolished timbre. 2012's Apocryphon, which was set out to be a 'classic rock' album from the very beginning, feels their most Sabbath-stamped, highlighted by tracks like The Hidden Masters and Seven Sisters. Witchcraft Initially formed in 2000 as a one-time Pentagram tribute band, Sweden's Witchcraft have remained close to their original intentions. Possessing an unvarnished early 70s sound that basked in the smell of incense and cannabis, their first three albums – 2004's self-titled album, 2005's Firewood and 2007's Alchemist – managed to conjure that same mystical element that led Black Sabbath to be stalked by witches and banned from conservative circles. 2012's Legend was a modernised version of their earlier imitations, albeit with no vintage production, but brimming with jackhammer riffs and crooning vocals. For Paranoid-style chugging riffs, just listen to the introductory track, Deconstruction. Lucifer Berlin's Lucifer reside closer to the occult rock part of Sabbath's influence, crossing magical imagery with hard rock, a brush of 60s psychedelia and bottom-heavy riffs. Fronted by vocalist Johanna Sadonis, who sounds like a mix between Heart powerhouse Ann Wilson and Dio, Lucifer's Deep Purple, Blue Öyster Cult and Sabbath influences are easy to spot. The latter is most obvious on their 2015 debut Lucifer I, through songs such as the eerie Total Eclipse, Sabbath and Purple Pyramid. Their following album, 2018's Lucifer II, sees them rising from the underground with more radio-friendly melodies, as on Dreamer, which calls to mind Dio-era Sabbath, and more specifically, the 1980 Heaven And Hell track Children Of The Sea. Green Lung Deeply inspired by their formative surroundings – similar to Sabbath's ascent from Birmingham's industrial smog – Green Lung are a modern echo of those that came before. Driven by eccentric British tales and rural folklore, Green Lung meld Sabbath's esoteric philosophy with the floridity of Queen. Carried aloft by fantastical riffs, caterwauling vocals and charming flamboyance, their 2019 debut Woodland Rites sees their stoner, early 70s roots sprouting through the mix. 2021's Black Harvest amps up their theatrical side with plenty of fun grooves that evoke livelier Sabbath tracks like Children Of The Grave and Fairies Wear Boots. And in 2020, Green Lung even covered Sabbath's Snowblind on a compilation album in tribute to 1972's Vol.4. Solve the daily Crossword

Black Sabbath Debuts Several Albums Following The Band's Final Concert
Black Sabbath Debuts Several Albums Following The Band's Final Concert

Forbes

time3 days ago

  • Forbes

Black Sabbath Debuts Several Albums Following The Band's Final Concert

Black Sabbath lands half a dozen successful albums on the U.K. charts this week, led by The Ultimate ... More Collection and Paranoid, following the band's farewell concert. Black Sabbath, 1970s: Geezer Butler, Tony Iommi, Bill Ward and Ozzy Osbourne (Photo by Chris Walter/WireImage) Black Sabbath said goodbye earlier this month with a farewell concert held in Birmingham, England, the very city where the band helped create the heavy metal genre. The event served as a celebration of everything the iconic group accomplished throughout the decades, and even though the band is no longer active, a quick glance at the charts in that country shows that Black Sabbath is still achieving big things in the United Kingdom. Two Black Sabbath Albums Debut Two Black Sabbath projects debut on different rankings in the U.K. this week. The Ultimate Collection arrives at No. 84 on the Official Albums Streaming chart. As that set launches, the compilation earns the band its first placement on the ranking of the most streamed albums in the country. The group's self-titled effort also reappears on a different tally, opening at No. 100 on the Official Album Downloads chart. A New Peak for Black Sabbath's Album Black Sabbath returns to the Official Rock & Metal Albums chart at No. 17 at the same time that The Ultimate Collection finally arrives on the downloads tally. That compilation can currently be found on half a dozen rankings. It reenters five of them and even hits a new peak on the Official Album Downloads list, climbing to No. 56. Several New High Points The Ultimate Collection is one of three Black Sabbath projects that reach new peaks on the Official Album Downloads chart this frame, and it's actually the lowest-ranking of the trio. Greatest Hits, a separate release from The Ultimate Collection, reappears at No. 17 in its second stay on the tally. Meanwhile, Paranoid reenters at No. 43, also a new high and also in its second frame on the list. Master of Reality and Sabbath Bloody Sabbath Both Master of Reality and Sabbath Bloody Sabbath manage to break back onto the Official Rock & Metal Albums chart, coming in at Nos. 28 and 33, respectively. In total, Black Sabbath fills half a dozen spots on that style-focused ranking, the only list in the U.K. where all of the group's sets that reemerge following the final show can be found.

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