John Lennon's ‘smutty' love letter to future wife revealed
The Beatle, then aged just 21, wrote to art student Cynthia Powell telling her how much he missed her while the band were in the middle of their Hamburg stint in April 1962.
The letter, written over five nights of concerts in the city, touched on various themes, including the sudden death of former bandmate Stuart Sutcliffe the week earlier.
The note also featured an amusing moan from Lennon about McCartney's 'snoring' in the bunk bed above his.
In the letter, signed by Lennon and written between April 19-24 1962, he wrote: 'Paul's leaping about on my head (he's in a bunk on top of me and he's snoring) ... Shurrup Mcarntey [sic]!'
The musician then confides in Powell that he had avoided Astrid Kirchherr, Sutcliffe's German fiancee, because 'I would be so awkward'.
He then shot down Cynthia's plan to move in with Dot Rhone, McCartney's girlfriend, as it would have caused a lack of privacy when he and Powell were in bed together.
The letter said: 'I love love love you and I'm missing you like mad ... I wish I was on the way to your flat with the Sunday papers and chocies [sic] and a throbber.'
'I wonder why all the newspapers wrote about Stu … I haven't seen Astrid since the day we arrived. I've thought of going to see her but I would be so awkward.'
It went on: 'I don't like the idea of Dot moving in permanently with you cause we would never be alone really ... imagine having her there all the time when we were in bed – and imagine Paul coming all the time.
'...I love you, please wait for me and don't be sad and work hard, be a clever little Cyn Powell.'
John and Cynthia, who was a year older than him, had been in a relationship for four years, having met at Liverpool College of Art.
They married in August 1962 and had their son Julian in April 1963, weeks after 'Beatlemania' exploded with the release of the band's chart-topping first album Please Please Me.
The pair divorced in 1968 and Powell later claimed Lennon had physically abused her throughout their relationship, including slapping her face in a fit of jealousy.
The handwritten letter, described as one of the finest ever written by the singer, was sold by Powell to a Swedish collector in 1991 after she fell on hard times and needed to raise money.
It then changed hands to the Swedish vendor in 1993.
It will be on sale at Christie's auction with a £30,000 to £40,000 estimate.
Thomas Venning, the head of books and manuscripts at Christie's, said: 'Reading the letter you get the sense of two young people in love, with no idea of what was going to happen to them, which makes it really compelling and historical.
'They are very unfiltered and you can hear him using his own voice.
'There are some smutty and funny bits and you sense his personality on the page, unlike his later letters which are more guarded and preachy.
'It provides an early insight into the Beatles from their time in Hamburg which was so important to their development as a band.'
The sale takes place on July 9.
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UPI
12 hours ago
- UPI
Conjunto music pioneer Flaco Jimenez is dead at 86
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Chicago Tribune
14 hours ago
- Chicago Tribune
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Elle
14 hours ago
- Elle
Bob or Pixie? Here's How to Choose the Cut That Works Best for You
Getting the chop and trading long, lustrous tresses for a bob or a pixie cut is undeniably transformative. Both styles have graced the heads of celebrities like Emma Stone, Kim Kardashian, and Selena Gomez. The pixie cut and bob have both endured shifting trends and stood the test of time. A darling of the silver screen, Louise Brooks took the bob from a lowly marker of rebellion to the pinnacle of Hollywood glamour in the 1920s. It was in the 1950s that the pixie cut as seen in Audrey Hepburn on Roman Holiday became a sought-after style. With the current buzz around crops, you may find yourself confused as to what all the cuts, from pixies, to bixies (a hybrid pixie-bob) and bobs, actually are. We've detailed all there is to know about each style, including who best suits each, and how they differ. A bob is a classic, short-to-medium crop. '[A bob] can fall anywhere from the jawline down to just above the collarbone,' notes hairstylist Eugene Smith at John Frieda Salon Mayfair. The bob has been touted by everyone from Keira Knightley to Pamela Anderson, who paired the blunt cut with a side part and choppy bangs. The bob is no stranger to a renaissance and has adapted with each resurgence. 'It can vary in different styles, such as the graduated bob or slanted A-line bob,' says Smith. This season, the most buzzy styles include the box bob, the French bob, and the choppy bob. Becky Lennon, a stylist at Nicola Clarke hair salon, describes the bob as a renegade style. 'Despite its modern associations, it gained popularity in the 1920s as a symbol of female independence and modernity,' she explains. Given its numerous iterations, there is a bob out there for everyone. 'The bob is a very versatile hairstyle which can be adapted to suit any hair type or face shape, and can be worn at any age,' says Lennon. 'A bob is great for anyone who is looking for a chic and sophisticated look,' adds Smith. 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Hair-cutting specialist Vivienne Johns, explains: 'It's cut with no layering and no elevation, which gives it that strong, geometric, boxy shape.' The expert says it's a clean, sharp silhouette that is a failsafe way to define the jawline. If there ever was a haircut to be worn by a chic, jaded, Parisian painter's muse, it is the French bob. Joel Goncalves, senior stylist at the Nicola Clarke x John Frieda salons, says, 'It's worn in a short, bluntish line that's cut to just above the jawline. It's very relaxed and effortless.' The look is distinct in its undone, tousled appearance, and Laura Harrier is a prime reference point. The pixie cut is a bold and timeless hairstyle, full stop. A subtle tweak in finish that skews your crop on its side, will give the legacy hairdo some edge. Taylor Russell, Florence Pugh, and Taylor Hill have had their crop cut on the bias. A pixie cut with baby bangs is equal parts playful and gamine. 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