logo

Sabio's Creator Television® Named 2025 StreamTV Award Finalist

Cision Canada14-05-2025
Winner To Be Announced Live at 2025 StreamTV Show
TORONTO, May 14, 2025 /CNW/ -- Sabio Holdings (TSXV: SBIO) (OTCQB: SABOF) (the " Company" or " Sabio"), a Los Angeles-based ad-tech company specializing in helping top global brands reach, engage, and validate (R.E.V.) streaming TV audiences, announced today that Creator Television ® (Creator TV) was named a 2025 "FAST Channel of the Year" Award Finalist by the StreamTV Awards. The Awards recognize excellence in the streaming industry. Winners will be announced live at the 2025 StreamTV Show on June 11 th in Denver, Colorado.
Owned and operated by Sabio, Creator TV is the first creator-led streaming network and content studio dedicated to bringing the authenticity and energy of social media storytelling to TV. Creator TV launched its first free ad-supported streaming television (FAST) channel in January 2025 and is available to stream on Plex and Sling Freestream.
"This recognition validates our belief that creators are the future of TV. With Creator TV, we've built a network that's bringing the next generation of great storytellers to today's streaming audiences, and we're just getting started," said Joe Ochoa, General Manager and Co-founder, Creator TV. "We're grateful to be recognized by StreamTV and excited about what's next."
"We're thrilled StreamTV recognizes Creator TV's fresh and unique approach to storytelling," added Charlie Ibarra, Co-founder and Head of Content at Creator TV. "Mixing the authentic voices of the world's most entertaining social stars with the narrative structure of traditional television, we're bringing an exciting new viewing experience to FAST audiences across the world."
Creator TV stood out for its innovative approach to creator-led programming, strong audience growth, and partnerships that tap into Gen Z and millennial cultural trends. Focusing on high-quality, long-form social storytelling, Creator TV has driven meaningful engagement in a crowded and competitive space. Finalists were selected as those poised to be a significant part of the streaming TV ecosystem for years to come. The category also honors the channel that stood out from the crowd via its engagement levels, growth, creative programming, and/or other innovative strategy.
About Sabio
Sabio Holdings (TSXV: SBIO, OTCQB: SABOF) is a technology and services leader in the fast-growing ad-supported streaming space. Its cloud-based, end-to-end technology stack helps top global brands and agencies reach, engage, and validate (R.E.V.) streaming audiences. Sabio consists of a proprietary ad-serving technology platform that partners with the top ad-supported streaming platforms and apps in the world, App Science™, a non-cookie-based software as a service (SAAS) analytics and insights platform with AI natural language capabilities, and Creator Television® (Creator TV), the first creator-led streaming network and content studio dedicated to bringing the authenticity and energy of social media storytelling to TV. For more information, visit: sabio.inc
About The StreamTV Show
The StreamTV Show is where the streaming industry comes together. From strategy-packed sessions to high-level networking, it's where deals happen and the future of television takes shape. Produced by Questex and supported by StreamTV Insider, it's the largest annual event for streaming professionals. Learn more: streamtvshow.com
Forward-Looking Statements
This press release may contain certain forward-looking information and statements ("forward-looking information") within the meaning of applicable Canadian securities legislation, which is often, but not always, identified by the use of words such as "believes," "anticipates," "plans," "intends," "will," "should," "expects," "continue," "estimate," "forecasts," or the negative thereof and other similar expressions. All statements herein other than statements of historical fact constitute forward-looking information, including but not limited to statements in respect of the future benefits of Creator TV and the impact of Creator-led content. Readers are cautioned to not place undue reliance on forward-looking information. Actual results and developments may differ materially from those contemplated by these statements. The Company undertakes no obligation to comment on analyses, expectations, or statements made by third parties in respect of the Company, its securities, or financial or operating results (as applicable). Although the Company believes that the expectations reflected in forward-looking information in this press release are reasonable, such forward-looking information has been based on expectations, factors, and assumptions concerning future events that may prove to be inaccurate and are subject to numerous risks and uncertainties, certain of which are beyond the Company's control, including the other risk factors disclosed in the Company's annual information form and management's discussion and analysis (MD&A), which are publicly available on SEDAR Plus at www.sedarplus.ca. The Company has assumed that the material factors referred to herein will not cause such forward-looking statements and information to differ materially from actual results or events. However, there can be no assurance that such assumptions will reflect the actual outcome of such items or factors. The forward-looking information contained in this press release is expressly qualified by this cautionary statement and is made as of the date hereof. The Company disclaims any intention and has no obligation or responsibility, except as required by law, to update or revise any forward-looking information, whether as a result of new information, future events, or otherwise.
This news release shall not constitute an offer to sell or the solicitation of an offer to buy any securities in any jurisdiction.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Winnipeg artist's collaborations with the hive mind proved sweet
Winnipeg artist's collaborations with the hive mind proved sweet

Winnipeg Free Press

time2 hours ago

  • Winnipeg Free Press

Winnipeg artist's collaborations with the hive mind proved sweet

Aganetha Dyck saw art in the everyday, the domestic, the small. Nowhere was that more evident than in her internationally recognized work with live honeybees. The Winnipeg-based artist would place found objects — china figurines, sports equipment, Barbie dolls, stiletto heels — in beehives, and the bees would cover them in honeycomb and wax, creating striking sculptural works that have been exhibited in Canada, the United States and Europe. WAYNE GLOWACKI / FREE PRESS FILES Aganetha Dyck poses with her pieces Wedding Guest Shoes (right) and Sports Night in Canada in 2007. WAYNE GLOWACKI / FREE PRESS FILES Aganetha Dyck poses with her pieces Wedding Guest Shoes (right) and Sports Night in Canada in 2007. Dyck always made sure to give credit to her millions of tiny, buzzing collaborators, because to her it was, indeed, a collaboration. 'They're all unionized,' she told the Free Press in 2007 after winning a Governor General's Award for visual and media arts, as well as the Arts Award of Distinction from the Manitoba Arts Council. 'I look after them well.' Dyck died on July 18. She was 87. 'As an artist, she was absolutely fearless,' says Shawna Dempsey, visual artist and co-executive director of MAWA (Mentoring Artists for Women's Art). 'She would work with any material in any way, even if no one had done it before, considered it before, or if those processes and materials were considered crafty or feminine, which, particularly in the '80s or '90s, was a real way to marginalize women artists. TOM HANSON / THE CANADIAN PRESS FILES Governor General Michaëlle Jean congratulates Aganetha Dyck after recieving the Governor General's award in visual and media arts at an awards ceremony in Ottawa in 2007. Governor General Michaëlle Jean congratulates Aganetha Dyck after recieving the Governor General's award in visual and media arts at an awards ceremony in Ottawa in 2007. 'But nonetheless, Aganetha was true to her instincts and her inner artistic voice, and so, she canned buttons in mason jars and she boiled sweaters and she put a wedding dress in a beehive.' 'There's lots of ways to describe her art, but for me, one of the ways I've been thinking about recently is that I think she reflects the rise of feminist art practice in Canada in the 1970s,' says Serena Keshavjee, a professor of art and architecture at the University of Winnipeg who has curated and written about Dyck's work. Dyck took the domestic processes of so-called 'women's work,' and elevated them to high art, but she also saw immense value in collaboration — whether it was with bees or people. 'Collaboration is a feminist methodology. She collaborated with everyone, very generously. Scientists loved her. Beekeepers loved her. Artists around town loved her. She collaborated with her son (artist Richard Dyck),' Keshavjee says. 'This is part of her personality, but it's also a methodology. She was generous and she shared and she wanted to make art with other people. So all of these things come together for me and saying she was this revolutionary feminist artist in the '70s.' Dyck, who was born in Marquette, came to art later in her life and was largely self-taught. Her artistic awakening came in her mid-30s when she was living in Prince Albert, Sask. Her husband, Peter, was transferred there in 1972. She was an executive's wife and a mother of three and thought she might do some volunteering. She chose the art gallery. But it was when she started taking drawing courses at the Prince Albert Community College that the seeds of her own artistic practice were planted. One of her teachers, George Glenn, told her to stop painting mountainscapes and start making art about her life. Dyck protested that she was a homemaker. Surely this man wasn't suggesting she make art about laundry. But, in a way, he was. 'Then make art from that,' came the reply. So she did. Her children, with whom she was very close throughout her life, started noticing a change in their mother. 'We had a kitchen that had this one blank wall,' recalls her middle daughter, Deborah Dyck. 'I came home and she was throwing plaster at the wall. I went, 'This is new.' She was so passionate about it. It was wonderful.' Their late father was also incredibly supportive of their mother, who saw the world as a canvas. 'There weren't very many surfaces that mom wouldn't start altering,' adds her eldest son, Richard Dyck. 'This increased gradually and then sometimes controversially. Flowers started showing up on my toolboxes and tools…' '…and a certain car,' her youngest son, Michael Dyck, adds. This was back in Manitoba, where the family returned in 1976. Aganetha was managing the Big Buffalo Resort at Falcon Lake, and Deborah came out one day to use the car. 'And all of a sudden, mom just popped up on the opposite side of the car, and she had felt markers in her hand,' Deborah recalls. She'd decorated it like a 1960s hippie van, using rust spots as the flowers' centres. She was fearlessly experimental, and sometimes just fearless, period. When she was working on her canned buttons project, she'd boil them in pots of boiling oil in the yard at Falcon Lake. 'It seems a little out of character when I reflect on it now because we always had fondues for Christmas dinner, and mom was always worried about the oil catching fire on the fondue, and here she was out at the lake putting these plastic buttons into pots of boiling oil,' Michael recalls. 'And it was like fireworks going off. Some of the buttons would explode, and these buttons would go flying 30, 40 feet up in the air.' 'Different rules for the dinner table,' Richard says. Dyck's art practice began taking off. She had started making sculptural works out of Salvation Army sweaters she'd taken home and purposely shrunk. 'I've seen these — the WAG has some — these miniature, shrunken, felted sweaters become very anthropomorphic. They actually become people. It's so compelling,' Keshavjee says. In Dyck's hands, buttons were reimagined as jeweled jars of preserves; cigarettes, wire and wool became sculptures. Dyck's work soon caught the eye of Carol A. Phillips, former executive director of the Winnipeg Arts Council and then a curator at the MacKenzie Art Gallery in Regina. Phillips gave Dyck her first solo show in 1976. Dyck was a huge believer in mentorship, as both a mentee and mentor. She is considered a 'founding foremother' of MAWA in 1985, and one of its original members. She was a mentor in the inaugural Foundation Mentorship Program that first year, and again in 1988, 1995, 2004, 2012 and 2014. 'Through MAWA, Aganetha provided years of formal mentorship, but she was so generous with her experience and so curious about and engaged with younger artists, she informally mentored countless more. And not just share her advice as an artist or her experience as an artist, she also was very open about her experience as a woman, as a parent, as a person in the world,' Dempsey says. MIKAELA MACKENZIE / FREE PRESS FILES Aganetha Dyck's work at an exhibition celebrating four decades of visual art education, community building, and peer support at Mentoring Artists for Womens Art (MAWA) in September 2024. Aganetha Dyck's work at an exhibition celebrating four decades of visual art education, community building, and peer support at Mentoring Artists for Womens Art (MAWA) in September 2024. Her mentorship spanned generations. Winnipeg painter Megan Krause, whose 1984 birth year puts her nearly 50 years younger than Dyck, was a mentee of Dyck's before becoming her studio assistant. Krause says that during her undergrad, her process was more rigid: she felt she needed a set theme and plan her canvasses ahead of time. 'Something I learned from her was just to play and see where it goes. I could get so paralyzed by not knowing where to start. She encouraged me to figure out the why later. Make a bunch of it and then, through that flow state, it will come,' Krause says. When they worked togther, Krause says, Dyck always prioritized the catch-up: 'First things first, we have to have coffee. We have to talk about life.' 'She was very humble, and so easy to talk to. She really was a really good friend of mine,' Krause says, her voice catching. Her kids remember her like this, too. A sounding board. They could tell her anything and be met with the same curiosity she brought to her art. 'There was no wall. I don't know how to explain it. It's just a very, very close connection,' Deborah says In the early 1990s, Dyck began her long collaborative relationship with the bees. She recognized that they were natural architects and wanted to work with them. WAYNE GLOWACKI / FREE PRESS FILES Souvenir Winnipeg Jets hockey stick and pucks covered in beeswax from Dyck's Sports Night in Canada. WAYNE GLOWACKI / FREE PRESS FILES Souvenir Winnipeg Jets hockey stick and pucks covered in beeswax from Dyck's Sports Night in Canada. She began working with Phil Veldhuis, a beekeeper and philosophy instructor whose Phil's Honey, a St. Norbert Farmers' Market staple, is based near Starbuck. Veildhuis recalls meeting the artist through the St. Norbert Arts Centre, where she was doing some work and he had been invited to keep some bees on the property. 'I think we had coffee and she told me what she wanted to do; I said it sounded like a ton of fun, and the rest is history,' he says. JULIE OLIVER / OTTAWA CITIZEN FILES Hive Scan by Aganetha and Richard Dyck appeared in the National Art Gallery of Canada's exhibition Flora and Fauna in 2012. JULIE OLIVER / OTTAWA CITIZEN FILES Hive Scan by Aganetha and Richard Dyck appeared in the National Art Gallery of Canada's exhibition Flora and Fauna in 2012. Dyck's work with the bees spanned decades, and led to residencies with beekeepers and entomologists in Europe; it was featured on David Suzuki's The Nature of Things TV series. But in 2009, her collaboration came to an end. Dyck had a strong reaction to a bee sting and returned to working with felt, but the legacy of her honeycomb-filigreed works is long-lasting, and has taken on added resonance as bee populations become more threatened. Dyck had an influence on Veldhuis, too. 'She got me to think about my bees in a very constructive way. I grew up in a beekeeping family and so, you know, bees are kind of just another day to us. To have someone come in and work who was so excited by it all was very stimulating to me,' he says. 'I'll never forget her excitement about opening a hive and watching the bees work.' Last year, Winnipeg visual artist Diana Thorneycroft posted on Facebook. 'There is a rumour circulating that Aganetha Dyck has passed away. When I told her about it, she couldn't stop laughing. Then she beat me at arm wrestling…' Thorneycroft and fellow artist Reva Stone were studio mates of Dyck's for decades. Stone was one of her first mentees. Her laugh is one of the things both are going to miss the most about her. That, and her eye — her discerning, out-of-the-box eye. Stone recalls taking a flight to New York with Dyck. 'We're on the plane. She looks out the window and says, 'Aren't those clouds beautiful?' And I say, 'Yeah, they really are.' She says, 'Wouldn't they look gorgeous on a doily?'' Thorneycroft also benefited from Dyck's eye. She was trying to make a sculpture using a plastic horse and Sculpey, a polymer clay, in her oven at home. 'Sculpey is supposed to harden at 250 degrees, but plastic melts at a much lower temperature, so one of the horses just collapsed and fell apart, and the Sculpey kind of broke. And I thought, 'Oh God, what a mess. What a mess.'' Thorneycroft brought the mess to her studio, and later found a note from Dyck: 'You've had a breakthrough.' 'We just loved her,' Thorneycroft says. 'It was easy. She's so easy to love.' Wednesdays Columnist Jen Zoratti looks at what's next in arts, life and pop culture. Jen ZorattiColumnist Jen Zoratti is a columnist and feature writer working in the Arts & Life department, as well as the author of the weekly newsletter NEXT. A National Newspaper Award finalist for arts and entertainment writing, Jen is a graduate of the Creative Communications program at RRC Polytech and was a music writer before joining the Free Press in 2013. Read more about Jen. Every piece of reporting Jen produces is reviewed by an editing team before it is posted online or published in print – part of the Free Press's tradition, since 1872, of producing reliable independent journalism. Read more about Free Press's history and mandate, and learn how our newsroom operates. Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.

Taylor Swift gets lucky 13 Madame Tussauds statues
Taylor Swift gets lucky 13 Madame Tussauds statues

CTV News

time3 hours ago

  • CTV News

Taylor Swift gets lucky 13 Madame Tussauds statues

Taylor Swift arrives at the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (Photo by Jordan Strauss/Invision/AP) LONDON, United Kingdom — U.S. pop megastar Taylor Swift will be honoured with 13 waxworks of her at Madame Tussauds venues around the globe, the museum said on Wednesday. In honour of Swift's lucky number, 13 of the waxwork museum's 22 branches will each receive a statue of the 'Love Story' and 'Blank Space' singer, in what it called the 'most ambitious project' of its 250-year history. The statues were inspired by some of the 35-year-old songwriting sensation's looks from her record-shattering 'Eras Tour' from 2023 to 2024. With 149 shows across the world over nearly two years, the tour raked in US$2 billion, making it the most lucrative in music history to date. More than 40 artists worked for more than a year on the statues of Swift, one of the most acclaimed artists of her generation with 14 Grammy Awards. 'This is the most ambitious project in Madame Tussauds' 250-year history, which only feels right to reflect the stratospheric status of Taylor Swift,' said Danielle Cullen, the museum's senior figure stylist. U.K.-based Swifties are well served, with one waxwork slated for London and another for the northern seaside resort town of Blackpool. Another 10 will find a permanent home at the branches of Madame Tussauds in Amsterdam, Berlin, Budapest, Los Angeles, Hong Kong, Las Vegas, Nashville, New York, Orlando and Sydney. The thirteenth statue, which will travel around the remaining museums, will begin its worldwide walkabout with a residency at Madame Tussauds Shanghai.

All Aboard! Pirate Pak Day Returns to White Spot on August 13
All Aboard! Pirate Pak Day Returns to White Spot on August 13

Cision Canada

time6 hours ago

  • Cision Canada

All Aboard! Pirate Pak Day Returns to White Spot on August 13

For almost 60 years, the iconic Pirate Pak has been a beloved staple for millions of little mateys (aged 10 and under) across British Columbia. On August 13th, guests young and old(er!) can enjoy their meal in the famous 100% recyclable and compostable paper boat, knowing that $2 from every Pirate Pak sale goes directly to BC-based charity, Zajac Ranch; an organization dedicated to providing children and young adults with serious medical conditions and/or physical and mental disabilities unforgettable summer camp experiences. Pirate Pak Day has long solidified itself as an annual highlight in the White Spot calendar, with over 530,000 Pirate Paks sold since its inception. This includes serving over 3,500 pounds of "gold" chocolate coins and whipping up more than 1.3 million ounces of ice cream. Served in the famous buccaneers' boat, each Pirate Pak includes a limited selection of burgers and classic entrees, fresh local fries, creamy coleslaw, premium rich ice cream, and the treasured 'gold' coin. Over the years, the incredible White Spot community has participated in a variety of fundraising initiatives that have raised over $1,000,000 in support of Zajac Ranch's mission, with every single Pirate Pak Day guest having the chance to directly and positively impact hundreds of children's lives. The money raised has given many children the opportunity to participate in annual summer camps, offering activities including kayaking, horseback riding and numerous water sports (all of which are fully accessible), empowering them to enjoy childhood without barriers. "Both our White Spot employees and our guests love the Pirate Pak Day experience," says White Spot president Trent Carroll. "It brings to life our passion for family experiences and giving back to the community and we are extremely proud and excited to be able to provide families and young kids the opportunity to participate in an amazing program at Zajac Ranch. It is what makes it all meaningful and fun!"

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store