Wayne Wonder talks peace, the Middle Eastern music scene and Sean Kingston's legal troubles
One of Jamaica's best-known reggae and dancehall artists sang at my desk recently, sharing his call for peace in the region. He sang over a Zoom video call, but Wayne Wonder put so much energy and passion into the impromptu performance of the song White Flag, he might as well have been there in person. The No Letting Go singer was in Dubai this month to perform at the Reggae Beachfest, which has been held since 2013. More than 4,000 people attended this year's event at Barasti Beach. 'I just want to spread love and unity. Peace and love to humanity. There is so much going on right now. Love is lovely, war is ugly,' he said. He has two new singles out and performed one of them, Sweet, at the festival. He is also working on new EP with famous producer Tony Kelly, known for his collaborations with Shaggy, Sean Paul, Beenie Man, Buju Banton, Shabba Ranks and others. Wonder has been singing for more than three decades. Last year, No Letting Go was certified platinum in the UK, as the slow burner still has a following 23 years after its release. Other artists at the festival included South African Khalil Harrison, who is riding high on the viral success of his song, Jealousy. London DJ Skyla Tylaa featured Harrison, alongside Tyler ICU, Diamond Platnumz and others, on her new song Bombshell that marks her debut as a producer. Wonder said the music scene in the Middle East is booming. 'Music is growing. A new generation and the classics are rotating. It's just like a melting pot of music,' he said. "I went to the club a few nights ago, and there were all different types of music." Reggae Beachfest has evolved over the years to incorporate other genres, one of the organisers, Saif Al Naji, said. 'We've always embraced the full spectrum of Caribbean sounds – reggae, dancehall, and soca. But in recent years, we've started incorporating Afrobeats and amapiano into the mix. With its global rise and energy, it blends perfectly with our vibe and adds another layer of excitement to the festival line-up,' Al Naji added. The organisers are already working on their next event and have big dreams to turn the event into a regional fixture. 'We've been cooking up something very special for the upcoming season,' said Al Naji. 'While we can't reveal too much just yet, let's just say there are some bold moves and big names in the works. Our long-term goal is to build the biggest reggae festival in the Middle East — one that stands proudly alongside global icons like Reggae Sumfest in Jamaica, Summerjam in Germany, and City Splash in the UK. 'We're aiming for a two-day Reggae Beachfest experience with over 20,000 fans in attendance. We truly believe we're on the right track, and we're already planning toward making that vision a reality.' Jethro Nyandoro, one of the DJs who has taken part in the festival over the years, said it has hosted some of the most in-demand artists and built a loyal fan base. As Wonder performed in Dubai, another Caribbean artist, Sean Kingston, was enduring legal trouble in the US. The singer is awaiting sentencing after his conviction, along with his mother, in a $1 million federal fraud case. Wonder said there were lessons in the case for everyone. 'It's just an unfortunate situation. You just have to walk a straight line. Each and every one of us, not just artists. Just try to do your best,' he said. 'It only takes one mistake to mess you up. I tell my son all the time. One mistake can mess up your whole life.' 'In this age of social media, you've just got to be careful. You have to be skeptical of your circle, because trust is very hard to find.'
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The National
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- The National
'It's not just a big selfie': Inside the unexpected revival of old-school painted portraits
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Now, it's more just a culture of people painting people.' Connolly argues that while a portrait is definitely a luxury item, for a one-off work by a highly skilled individual, and for something that will last generations, it can nonetheless represent very good value, 'especially if you put it in the context of another bespoke item, the likes of a Savile Row suit '. Besides, portrait painters run the gamut as much in their price – from as little as Dh2,000 to much, much more – as they do in their style. Dubai artist Suzi Nassif, for example, creates portraits in surrealistic, sometimes cubist styles, with her subjects expressed more through unexpected colours and symbolism than an accurate likeness. 'They're imaginative portraits, more as I see them and not necessarily as the subjects might see themselves,' says Nassif, who, once she has got to know her subject, prefers to then work from memory. 'The power of the portrait is to examine the psyche behind the mask, and to do that I think it makes sense to use all the creative tools available to the painter.' Certainly, while for an artist who prefers to work in person, a portrait might require the sitter to give perhaps two to three hours of their time, maybe four or five times over several months, it's also increasingly commonplace for artists to work in part or entirely from photographs. For example, artist Columbus Onuoha, who also lives in Dubai, is recognised for his photorealistic portraits in oil paint. Digital photography actually helps him zoom in on the precise details that make his portraits so arresting. It also allows him to tackle the work as inspiration strikes rather than be beholden to the sitter's schedule. Far from being put off by having their image rendered in exquisitely unforgiving detail, 'clients love the honesty of the results, the transparency', reckons Onuoha. 'Though, occasionally, people of a certain age want to be represented as a little younger than they are. But a portrait should be a record of a time of life. I tell my subjects to be proud of the age they are, though I sometimes do a self-portrait to remind myself how it feels.' And how does being intimately examined, and then represented in paint, feel? Connolly, who is currently having his own portrait painted, suggests that far from being a discomforting experience 'it's very convivial, intimate without being salacious and almost like a kind of meditation. You feel like you're part of the painting process even though, of course, you're not painting the portrait.' Yet surely just having a photograph taken – even one by a professional – is faster and simpler? Yes, Onuoha agrees, but that is to miss the point of why people want to be painted. 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And why, so often, it's not the sitter who commissions the portrait for themselves, but a partner or family member. Sure, the result may never be hung in a gallery or a museum, but what better way to celebrate and immortalise an individual life than in paint?
Khaleej Times
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Khaleej Times
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