
A Ukrainian fled to Israel. An Iranian missile shattered her new life
In Israel, friends helped the 40-year-old makeup artist relaunch her career, and she slowly built a life in the coastal city of Bat Yam.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
4 hours ago
- Yahoo
Ukrainian, Iranian Docs, Kenyan Sci-Fi Set for Venice Days Lineup
Politically-charged dramas and documentaries from Ukraine to Iran, and from Mexico to Kenya will share the spotlight at the Venice film festival's Venice Days sidebar, which announced its 2025 lineup today. The diverse program ranges from the section's opening night film, the autobiographical drama Memory Ukrainian artist and filmmaker Vladlena Sandu, a survivor of the war in Chechnya, who studies her traumatic memories in order to transcend and transform them via the art of cinema; to Spanish director Gabriel Azorín's Last Night I Conquered the City of Thebes about two young men returning from the front who spend a day of confession and revelation in an ancient Roman thermal bath; to Memory of Princess Mumbi, from Kenyan filmmaker Damien Hauser that combines elements of sci-fi, mockumentary and animation to tell a dystopian fable set in an imaginary Africa in the year 2093 after an A.I.-precipitated disaster. More from The Hollywood Reporter Golshifteh Farahani to Receive Locarno Excellence Award Davide Campari 'Matthew Perry: A Hollywood Tragedy' Sets Summer Air Date on ITV in the U.K. (Exclusive) ITV Sets New Cost Cuts, CEO Talks Disney Streaming Deal and Using AI for 'Love Island' Casting The 10-film competition lineup put together by Venice Days artistic director Gaia Furrer includes 2 Iranian films about exile. The documentary Past Future Continuous from Firouzeh Khosrovani and Morteza Ahmadvand, which follows an Iranian woman who fled following the Islamic Revolution and now can only observe her parents via the security cameras installed in their home in Tehran, and Inside Amir, from director Amir Azizi, which explores his own fears and doubts when considering emigration. Venice Days' out-of-competition special events lineup includes several documentaries, including Who Is Still Alive, from Swiss filmmaker Nicolas Wadimoff, recounting the experiences of nine Palestinian refugees from Gaza; and With Writing Life, from French documentarian Claire Simon, which uses the words of Nobel Prize-winning novelist Annie Ernaux, through readings of her books by French high school students, to form a portrait of the younger generation. The sidebar also includes the 9-film out-of-competition section Venetian Nights, which highlights titles from major Italian producers. Italian director Gianni Di Gregorio, whose sleeper hit Mid-August Lunch won Venice Critics' Week's Lion of the Future prize in 2008, returns to the Lido with the comedy Damned If You Do, Damned If You Don't, in which he also stars as a retired professors whose placid and monotonous existence is shaken up by the arrival of his daughter and his rowdy grandchildren. The film will close Venice Days, running out of competition. The president of this year's Venice Days jury is Norwegian writer and director Dag Johan Haugerud, whose queer love story Dreams, the final film in his Sex, Love, Dreams trilogy, won the Golden Bear for best film at the Berlinale in February. Haugerud's breakout film, Barn premiered at Venice Days in 2019. Joining him on the jury are Italian producer Francesca Andreoli (Vermiglio), Franco-Palestinian filmmaker Lina Soualem (Bye Bye Tiberias), Tunisian cinematographer Sofian El Fani (Timbuktu), and New York's MoMA film curator Josh Siegel. Check out the full Venice Days lineup below. OFFICIAL COMPETITION Memory, dir. Vladlena Sandu (France, Netherlands) (Opening film)Gioia, dir. Nicolangelo Gelormini (Italy)Bearcave, dir. Stergios Dinopoulos, Krysianna Papadakis (Greece, UK)Short Summer, dir. Nastia Korkia (Germany, France, Serbia)A Sad and Beautiful World, dir. Cyril Aris (Lebanon, USA, Germany, Saudi Arabia, Qatar)Past Future Continuous, dir. Firouzeh Khosrovani, Morteza Ahmadvand (Iran, Norway, Italy)Memory of Princess Mumbi, dir. Damien Hauser (Kenya, Saudi Arabia, Switzerland)Vainilla, dir. Mayra Hermosillo (Mexico)Last Night I Conquered the City of Thebes, dir. Gabriel Azorín (Spain, Portugal)Inside Amir, dir. Amir Azizi (Iran) Damned If You Do, Damned If You Don't, dir. Gianni Di Gregorio (Italy, France) (Closing film, out of competition) SPECIAL EVENTS Laguna, dir. Sharunas Bartas (Lithuania, France)Writing Life – Annie Ernaux Through the Eyes of High School Students, dir. Claire Simon (France)I Want Her Dead, dir. Gianluca Matarrese (Italy)Who Is Still Alive, dir. Nicolas Wadimoff (Switzerland, France)Do You Love Me, dir. Lana Daher (France) NOTTI VENEZIANE (Venetian Nights) 6:06, dir. Tekla Taidelli (Italy)Amata, dir. Elisa Amoruso (Italy)Confession – How I found out I wouldn't make the revolution, dir. Bonifacio Angius (Italy, Poland)A near thing, dir. Loris Nese (Italy)Dom, dir. Massimiliano Battistella (Italy, Bosnia-Herzegovina)A State Film, dir. Roland Sejko (Italy)Full speed backward!, dir. Antonio Morabito (Italy)Life Beyond the Pine Curtain – America the Invisible, dir. Giovanni Troilo (Italy)Toni, my father, dir. Anna Negri (Italy) Best of The Hollywood Reporter The 40 Greatest Needle Drops in Film History The 40 Best Films About the Immigrant Experience Wes Anderson's Movies Ranked From Worst to Best Solve the daily Crossword
Yahoo
11 hours ago
- Yahoo
Dawn O'Porter: 'I work pay cheque to pay cheque. I'm always broke'
Dawn O'Porter is 'always broke'. Although Dawn, 46, is a successful author and TV presenter in her own right and is also married to Hollywood actor Chris O'Dowd, she admitted that money is always an issue. She told the White Wine Question Time podcast: 'I've never seen myself as a celebrity. Even though I'm married to Chris, who is quite a well-known actor, I don't think either of us have ever seen ourselves as celebrities. 'I work pay cheque to pay cheque. I'm always broke. My card got declined last week. I'm like, what the f*** is happening? When will this end? 'I guess if I was a celebrity, I'd get paid lots of money to do things that aren't necessarily my job or don't really feed what I do, but I don't. My job is writing, with the occasional little ad on Instagram to pay the rent.' Dawn – who has children Art, eleven, and Valentine, eight with Chris – also spoke about meeting Chris just as her successful TV and writing career was imploding. She said: 'Everything had fallen apart. My TV career had just gone. I was so poor. I was so upset. I had zero confidence. I didn't know what I was going to do. I'd just met Chris, and he was on this trajectory up. I thought, well maybe this is just it. I'm just a girlfriend, and that's it. 'We were living in LA and I just said to Chris, I've got to go back to London to try and claw back my career. And we came back to London for a bit and I'd go for these meetings at TV production companies and I'd been successful. 'I had my own series on Channel 4... and they'd be like, 'What do you want to do?' and I was like, 'I want to do what I do'. But no one wanted to employ me. '[Stylist magazine] sacked me. I was cool. I had my own show on Channel 4... then as my career just kind of... declined, I think they looked at me and were like, well she's just not that interesting anymore. 'It was the final blow to my confidence. I was absolutely on the floor because I always felt that writing would be the thing that saved me.'
Yahoo
a day ago
- Yahoo
Brittany Snow: I don't think I've made it in Hollywood
Brittany Snow still doesn't feel like she's "made it" in Hollywood. The 39-year-old actress has enjoyed a hugely successful career, starring in films such as The Pacifier, John Tucker Must Die, Hairspray and the Pitch Perfect franchise - but Brittany thinks she still has something to prove. She explained to People: "I don't think I've made it. "It's always a struggle. I'm always wondering what my next job is going to be or if going to 'make it,' in a way. I think that's the same for every actor — unless you're Tom Cruise or something." Brittany drew inspiration from other actresses during her younger years. She said: "I've been around since people were kids, so they grew up with me as I was growing up. "I know with the people who influenced me the most, growing up, and the actresses that I looked up to, I do feel like I know them. And when I meet them, they mean more to me than anything because they showed me what it was like to be a woman." Brittany admits to feeling particularly inspired by Claire Danes, her The Beast in Me co-star. The actress explained: "Working with Claire was probably one of the most fan-girl encounters that I've had in a long time, because I grew up with My So-Called Life. "I grew up with Romeo + Juliet, Little Women. I wanted to be Claire Danes. So, getting to work opposite of her and becoming friends with her was such an honour for me. She's always been someone I greatly admire, not only for her acting, but also for how she keeps her private life sacred." Brittany's attitude towards career success has evolved over time, and she still relishes what she does. The movie star said: "I think my idea of success when I was younger was this sort of one-track mind of needing to be Julia Roberts because as a ten-year-old girl, everyone wants to be Julia Roberts. "I think as I've gotten older, I've realised that there's so many different forms of success. Success, to me, is the fact that I'm still doing this, and I love it even more now. I remind myself all the time that I didn't give up."