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The Russian Center Celebrates 2025 International Women's Day

The Russian Center Celebrates 2025 International Women's Day

Pasant Elzaitony - Rana Atef
The Russian Cultural Center in Cairo headed by Arseny Matyushenko celebrated International Women's Day.
On this occasion, Matyushenko honored Russian and Egyptian women working at the Russian Cultural Center in Cairo, asserting their crucial role in promoting cultural activities at the center.
He highlighted that International Women's Day is an opportunity to express gratitude for women's immense efforts, whether at work or at home, in their roles as wives, mothers, sisters, grandmothers, or daughters which is an essential and irreplaceable contribution to society.
Matyushenko congratulated the female staff at the Russian Cultural Center for their hard work over the past season, which resulted in the successful implementation of various cultural activities both within the center and in Egypt.
With a new administration set to take over the Russian Cultural Center soon, Matyushenko wished the staff continued dedication and success in delivering the message that remains a priority in the center's programs.
He also praised their efforts, which have supported a wide range of significant activities that strengthen engagement with the Egyptian community, particularly among young people interested in the Russian language and culture.
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Abu Nuwas's poetry is occasional, he adds, in the sense that it must be imagined as having been written for specific occasions to entertain the poet's aristocratic audience. Perhaps for those coming to the poetry from an Anglophone background, a comparison might be made to the work of the early 17th-century English poet John Donne, also a master of transgression and a writer of self-consciously 'modern' poems for a coterie audience. Montgomery has translated some 120 of Abu Nuwas's hunting poems including some of uncertain attribution. Most of them are short, perhaps a couple of stanzas long, and they are written in a highly charged poetic language. For those opening the book for the first time and wondering what makes a 'hunting' poem, Montgomery provides a useful explanation. The hunting poems are not descriptions of the act of hunting itself but instead are occasioned by it. Hunting of various kinds, always with animals such as dogs or hawks, was a favourite activity of the Abbasid elite for whom Abu Nuwas wrote his poems. He specialised in elaborate verbal pictures of the animals employed in the hunt, and one can imagine some of his poems being dedicated to prize specimens. Hunting was an occasion for ritualised display, Montgomery says, and at least for its human participants it does not seem to have involved much physical effort. For those whose idea of hunting, particularly hunting with dogs, is drawn from English foxhunting, Abbasid hunting seems to have been a rather sedentary affair, though not for the hunted animals. It mostly took place in the grounds of monasteries, where the human hunters would walk or ride about until prey broke ground, after which they would unleash hawks, dogs, or even cheetahs to bring it down. Abu Nuwas's hunting dogs are described as straining at the leash, their bodies tensed with expectation and nerves and muscles working together to leap upon their prey. 'The eye exults in his beauty,' Abu Nuwas writes of one hunting dog. 'The bright blaze / on his head, his white forelegs, fire-stick / thin, his long cheek, his scissor bite.' Of another, he writes of it 'pulling on the leash / like a lunatic terrified of needles / bolting from a doctor.' There is a rather jokey poem about a spider, also engaged in a form of hunting – 'this thing, this mean and despicable trifle / the colour of dark, muddy water, with its tiny back and chest … faster than a wink / or waking with a jolt, this thing scurries about / like a heady wine sprouting from an amphora / when broached.' Rules of logic: Najm al-Din al-Katibi's The Rules of Logic (Al-Risala Al-Shamsiyya), translated by Cambridge Arabist Tony Street, takes readers out of the entertainments of the Abbasid court and into the more earnest environment of the madrassas, the mediaeval Arab schools whose curriculum of philosophy and religion was in some ways similar to their equivalents in Europe. Aristotle was the philosopher most studied in the mediaeval European schools, and he was also the basis for the philosophical parts of the mediaeval madrassa curriculum in the Arab world, though as Street suggests this was Aristotle filtered through the work of the Islamic commentators. If one man can be described as having invented logic, broadly speaking the study of argument, it was Aristotle, and Aristotle's description of the field, inspiring the mediaeval logicians in both the Islamic and the European world, survived more or less unchanged until the last century when logic was developed for modern needs and almost completely rewritten by 20th-century logicians. Al-Katibi's Rules of Logic refers to the logic established by Aristotle, modified, in the Islamic case, by Ibn Sina (Avicenna), and he begins with subjects and predicates of various types that provide the traditional groundwork for logical analysis. From there, following Aristotle, he moves onto the syllogism, attempting some classification of its different types with a view to establishing valid and invalid arguments. The treatise is divided into three parts, the first on terms and expressions, the second on propositions or sentence types, and the third on syllogisms and the rules of argument. Only if the premises are true can the conclusion of a syllogism be true, and al-Katibi sets out six forms of true proposition including those true by definition and those true by experience. He adds propositions true by 'intuition' and by 'widespread agreement,' while noting that experience, intuition, and consensus cannot yield certain knowledge. Only a syllogism taking propositions of these types as its premises can come close to yielding a true conclusion, he says, adding a list of uncertain propositions that people may nevertheless use in argument. These include 'endoxic' propositions –statements taken as true because it is convenient to do so – received propositions – arguments from authority – and suppositional propositions –jumping to conclusions. A syllogism 'built on these kinds of premises is called rhetoric,' he says, whose aim is to 'exhort the hearer' and does not have truth as its goal. As for propositions whose truth value is indeterminate – he gives the example of 'wine is liquid ruby' – their only value is in poetry. Propositions that claim to be true neither by definition nor by experience – his example is 'beyond the world is a limitless void' – are either false or meaningless. An argument built on such premises 'is called sophistry, and its goal is to silence or deceive an opponent.' Street says that while it can never be known why logic became a core subject of the mediaeval madrassas, 'there can be no doubt that [its] utility for analysing and justifying legal reasoning was a major consideration.' Even if some religious scholars 'regarded the broader logical tradition with suspicion,' owing to its non-religious origin, 'they were prepared to include the Rules among texts unobjectionable to pious concerns.' 'Few of the Rules's readers went on to formulate knowledge-claims in the propositional forms listed in the Rules,' he says, 'and still fewer went on to deduce new knowledge-claims using the inference-schemata' provided by al-Katibi. 'But all would have come away… with an appreciation of the many pitfalls of building an argument in natural language.' Abu Nuwas, A Demon Spirit: Arabic Hunting Poems, trans. James Montgomery, pp 432, Najim al-Din al-Katibi, The Rules of Logic, trans. Tony Street, pp179, both New York: New York University Press, 2024 * A version of this article appears in print in the 6 August, 2025 edition of Al-Ahram Weekly Follow us on: Facebook Instagram Whatsapp Short link:

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