Satire is nothing without contempt
Theatre is normally the most uneven of art forms. You must sit through a few bad plays to discover a good one. But, for me, 2025 has been unusual. Everything I have seen is good. I had already caught Mark Rosenblatt's Giant before I saw Howard Brenton's lovely play about Churchill and Stalin. Then came Kyoto, centred on the 1997 climate conference; An Interrogation, by a new writer, Jamie Armitage; the brilliantly directed opera of Festen; and Robert Icke's Manhunt, an evening investigating Raoul Moat. Most original of all, Self Esteem staged her new album A Complicated Woman at the Duke of York's, in an evening which blazed with energy and warmth.
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Belfast Telegraph
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Riverdance star Michael Flatley seeking nomination to run for Irish presidency
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The Herald Scotland
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