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Why The Portuguese Riviera Should Be On Your Real Estate Radar

Why The Portuguese Riviera Should Be On Your Real Estate Radar

Forbes2 days ago
Glilttering, glamorous Cascais Bay. Rich in stories of intrigue, romance and, long before the 20th century served up Agent 007, fishermen's tales. Alexandre Rotenberg/Shutterstock.
From exiled royals to double agents real and imagined, the elegant Portuguese Riviera town of Cascais and its near neighbor, Estoril, harbor stories galore.
This wealthy municipality west of Lisbon was a turn-of-the-century haunt for aristocrats in search of its therapeutic thermal waters, before finding wartime fame in the 1940s as a den of espionage on both sides thanks to Portugal's neutrality.
While holed up in the Palacio Estoril and working for British Intelligence, the writer Ian Fleming invented the world's most famous spy here. Played by George Lazenby in the 1969 film On Her Majesty's Secret Service , Agent 007 emerges from the waves on Estoril's golden shore after rescuing a drowning damsel in distress. It's also where Edward, Duke of Windsor, retreated to with his own distressed damsel, Wallis Simpson, after abdicating from his short-lived stint on the British throne.
Tucked neatly between Cascais and Estoril, Monte Estoril was developed as a 19th-century resort for the well-heeled. For 21st-century wellness and pleasure-seekers, its riches lay in smart new developments. Alexandre Rotenberg/Shutterstock
Indicative of the area's modern-day desirability, it's where among the secluded pines of Quinta da Marinha on the verdant headland that sits between Cascais and the Atlantic ocean, football superstar Cristiano Ronaldo is building one of the most expensive houses in Portugal, reported to cost around €20 million (~$23.2m). His 300-square-meter (3,330 sq ft) primary suite alone could comfortably house a family mansion.
For a century or more, this edge-of-Europe location has been a safe haven. An Eden to many. And so it's fitting that today, as global wealth seeks safe harbors in uncertain times, they are gravitating to this genteel spot whose new focus for development is Monte Estoril on Cascais Bay, where the old Hotel Eden once stood.
Occupying prime position between sea and the famed Jardim dos Passarinhos, the luxury apartments—including the full-floor penthouse—at the new MyEden development sold out even before a sales brochure was produced Render courtesy Portugal Forbes Global Properties
In its place, rising from the rubble, is the 12-story MyEden, designed by the award-winning Portuguese architect Pedro Reis. His vision for the building includes draping the new Eden in greenery, creating vertical gardens that provide a seamless link between the famous grounds of the Jardim dos Passarinhos behind the old hotel and the sea in front.
Interiors and artistic direction come from the French designer with a suitably stellar name, Philippe Starck. This is his first Portuguese hotel—a five-star, boutique affair with 33 rooms. And above will be 32 apartments designed by Reis, including 'the crown jewel of Portugal,' according to Francisco Garcia, partner of Portugal Forbes Global Properties. He's referring to the penthouse that occupies the entire top floor of the building, with 500 square meters (around 5,380 sq ft) of open internal space all on one level. And the same size again in external space, where nothing but some softening foliage comes between you and the glistening ocean. 'At low tide, you can open the windows, smell the sea and hear the waves,' says Garcia.
Key to architect Pedro Reis's design for MyEden is a lush drapery of greenery—a vertical garden worthy of the new building's name. Render courtesy Portugal Forbes Global Properties
Starck—who has lived in Cascais, and works between Paris and Lisbon—is similarly mesmerized by the big blue. 'The waves. The waves. If I make a caricature, I shall say that I am here for the waves,' he rhapsodized in a speech about Cascais to a gathering of local Town Hall grandees a few years ago. 'When there is waves, there is happiness, which fills me. It's the real power of nature.'
'The demand for homes in frontline Estoril is there, but there is legislation that makes it impossible to build. Without that, we'd have a skyline like Miami to meet demand.' Francisco Garcia, Portugal Forbes Global Properties
For Cascais, the MyEden project sets a new price benchmark for this part of the Lisbon coast. Prices have been rising consistently in Cascais for the past 10 years, with Vila de Cascais and Estoril recording the highest average apartment prices across the whole market, nudging €10,000 (~$11,600) per square meter), according to property market data from Confidencial Imobiliário. At MyEden, they average €25,000 ($29,000) per square meter, and elsewhere in prime Monte Estoril, large (upwards of 250 square meters/2,690 square feet) penthouses and duplexes with sea views can command €6 million-plus.
Philippe Starck designed MyEden's lower three floors—a five-star-standard hotel with spa, indoor and outdoor pools, fitness facilities, restaurant and concierge. Render courtesy Portugal Forbes Global Properties
Next to MyEden, the existing InterContinental Cascais-Estoril, which also has luxury residences above its hotel rooms, 'has proven to be the most exclusive and expensive real estate in Portugal, per square meter,' Garcia says. 'The demand for homes in frontline Estoril is there, but there is legislation that makes it impossible to build. Without that, we'd have a skyline like Miami to meet demand.'
By virtue of snaring an already-developed prime beach site, however, Brazilian investment bank BTG Pactual (for whom this is their first Portuguese real estate venture) and local partner, asset managers Sostate, are creating something 'epic,' says Garcia. 'MyEden feels like a continuation of the InterContinental. It's taking that as its guide, upgrading it, making it more boutique with half the number of hotel rooms, and bringing in a internationally renowned brand in Starck.'
Luiz Godinho Lopes, director at Sostate, adds: 'We've been working on MyEden, in partnership with hospitality developer Pedro Mendes Leal, for the past 18 years. I believe the outcome reflects our hard work—I couldn't be prouder.'
"The crown jewel of Portugal" is how Francisco Garcia, partner at Portugal Forbes Global Properties, describes the 500sqm (5,382 sq ft)penthouse apartment at MyEden. Occupying the entire top floor, it has an equally generous outdoor footprint and panoramic Atlantic views. Render courtesy Portugal Forbes Global Properties
BTG have pinned their colors to the Cascais mast by already working on their second project locally, Hotel Oitavos in Quinta da Marinha, where serviced apartments will be operated by the Brazilian brand Fasano. 'With Eden as our first project in Portugal, we have set a high bar for [Hotel Oitavos]' comments Rui Ruivo, partner at BTG Pactual. Luiz Godinho Lopes, director at Sostate, adds that 'we've been working on 'My Eden' for the last 18 years and I believe the outcome reflects our hard work. We couldn't be prouder.'
The Oitavos Fasano at Quinta da Marinha is another hotel/residence answering the demand of luxury buyers and investors. Set to open in 2028, Brazil's Fasano Group will transform the current Oitavos hotel into 96 suites and 44 branded residences. Portugal Forbes Global Properties
To Portugal's super-rich, Cascais need little introduction—all of the residences in MyEden sold off-plan, even before a sales brochure was produced. 'Cascais has the biggest concentration of wealth in Portugal. If you work in Lisbon and you're wealthy, you live in Cascais,' says Garcia. The same applies if you work in London for one globally mobile commuter who lives in the InterContinental. 'He arrives by private plane on Monday and returns on Wednesday,' Garcia comments, noting that the private airstrip is just a 15-minute drive away.
A moneyed haven it may be, but this stretch of the Portuguese Riviera remains a relatively understated one (how else would it harbor all those spies?), devoid of Saint-Tropez or Marbella bling. You will need millions to live on the seafront here, but the greatest pleasures are free. 'Sunsets over Cascais Bay,' says Garcia. And the waves. The waves.
Portugal Forbes Global Properties is a member of Forbes Global Properties, the invitation-only network of top-tier brokerages worldwide and the exclusive real estate partner of Forbes.
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‘Superman' Breakout Sara Sampaio Explains How She Captured Cinema's Most Consequential Selfies
‘Superman' Breakout Sara Sampaio Explains How She Captured Cinema's Most Consequential Selfies

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‘Superman' Breakout Sara Sampaio Explains How She Captured Cinema's Most Consequential Selfies

[This story contains spoilers for (2025).] Superman breakout Sara Sampaio knew that her Eve Teschmacher character would be misjudged until she wasn't. More from The Hollywood Reporter Filming Underway on Season 2 of Netflix's 'Geek Girl,' Layton Williams Joins Cast Netflix Earnings Preview: Price Hikes, AI and Cash Flow in Focus Venice Unveils VR Interactive Lineup When the official trailer for James Gunn's Superman arrived, the Portuguese actor understood why viewers questioned her character's decision to take selfies of a nearby attack on Metropolis. We now know that she was in the LutherCorp control room that was orchestrating said attack and that she was never in any imminent danger herself, but the inappropriateness of the act still stands given the danger to those citizens caught in the crosshairs of Lex Luthor's (Nicholas Hoult) nefarious scheme. Sampaio admits that Eve's selfie-obsessed manner is heightened for comedic effect, but the behavior is very much rooted in reality. She acknowledges that we live in a time where influencers staged photo ops for themselves during 2020's various protests before going straight home. In Poland, the Auschwitz Museum routinely pleads with visitors to stop taking selfies on the grounds where 1.1 million people were killed. When the entire global population has a camera in their pocket, lines of decency are inevitably going to be crossed. Overall, Eve's selfie fixation wasn't solely geared toward the vanity of social media. She was also protecting herself if/when she became another imprisoned ex-girlfriend of Lex Luthor. As a result, she exposed Lex's plot to manufacture a foreign war in the name of destroying Superman. 'Everyone underestimated Eve [from the start]: 'What is she even doing in the movie? Why is she taking selfies? This is so stupid,'' Sampaio recalls to The Hollywood Reporter. 'And now everyone is like, 'Oh!' She saves the day at the end, and it's a brilliant way of showing how humans and characters are not just one thing.' As a highly accomplished supermodel turned actor, Sampaio has likely faced similar forms of judgment while working tirelessly the last seven years toward pursuing her original dream. 'Modeling was never really the plan. I've just always wanted to act,' Sampaio says. 'And while I'm so thankful for the opportunity that I had with modeling, I just always felt that it wouldn't fulfill me. So acting was always in the back of my mind, but I wanted to do it well, and I didn't have time to go to classes [due to modeling]. That's when I had to make that decision to take a step back and focus on acting.' While Gunn was watching self-tapes for Eve Teschmacher, it was his wife, Jennifer Holland, who saw something in Sampaio and urged her husband to give her a closer look. 'At the premiere, I told Jennifer that I wouldn't be there if it wasn't for her pointing out my self-tape to James. I'm so thankful to her,' Sampaio says. Below, during a recent spoiler conversation with THR, Sampaio also discusses the process of taking a thousand selfies across her 20 days on set, as well as some deleted moments from the Fortress of Solitude sequence. *** Between the opening weekend box office and the reception from audiences, you likely had a very exciting past weekend. Was there a cast group chat to react to it all? Yes, we have a group chat that's called the 'Superman Gang.' The whole group chat is just us bullying Beck [Bennett]. (Laughs.) He can take it. But it's been very active this weekend; everyone is just really excited. You already had a very successful modeling career, but in 2018, you moved to L.A. to give acting a shot. Did you feel like you needed a new challenge in your life? Modeling was never really the plan. I've just always wanted to act. Even when I was going to [University of Lisbon], I wanted to study acting, but my parents convinced me to get a 'normal' degree. I then started modeling, and so I didn't do either. And while I'm so thankful for the opportunity that I had with modeling, I just always felt that it wouldn't fulfill me. There was something missing. So acting was always in the back of my mind, but I wanted to do it well, and I didn't have time to go to classes [due to modeling]. That's when I had to make that decision to take a step back and focus on acting. I was like, 'Whatever happens, happens. But if I don't try now, I'll never do it.' You eventually made a self-tape for what you knew was , and James Gunn's wife, Jennifer Holland, was actually the one who pointed you out to him. At the premiere, I told Jennifer that I wouldn't be there if it wasn't for her pointing out my self-tape to James. I'm so thankful to her. How confident were you going into the screen test? I was insanely nervous. It was Superman and a role that I obviously loved. I started acting and doing auditions when everything went to self-tape and Zoom [during the pandemic]. So I haven't had a lot of opportunities to be in the room, and I didn't know what to expect. But because the character is already so all over the place, I just put that energy into the character. My mentality going into it was like, 'Do your best, present your version and have fun. It's incredible you get to even have this opportunity to do a chemistry read in front of James Gunn.' So I wasn't expecting anything, and I tried to not put too much pressure on it. I was just really grateful for the opportunity. Did you read with both Nick Hoult and Skyler Gisondo? It was just me and Skyler. Most of my scenes are with Skyler, and we had a lot of fun. But you and Nick had already been acquainted with one another through an Armani campaign years earlier? Yeah, we were both under contract with Armani at the same time, so we would always see each other out and about. So knowing that he got cast as Lex Luthor, I was like, 'Okay, at least I have someone in the cast that I know.' Nick is the nicest guy ever, and I knew that if I was feeling overwhelmed, I could ask him for advice or anything like that. But everyone in the cast ended up being so amazing, and they really just made me feel at home. There are lots of Eve Teschmachers in the world today. Did you base your performance on anyone in particular? I didn't base her on anyone in particular, but there's definitely parts of me in her. I'm sure there are parts of my friends in her as well. I was also inspired by Harley Quinn and the original Eve Teschmacher [Valerie Perrine] from the Richard Donner Superman movies. Both characters are seen as sex symbols in a way, but they also have this endearing quality that I really did not want to lose. So I really wanted to really make her grounded and believable. Between you and 's Daniela Melchior, James has had good luck with Portuguese actors. Did he ever set up a call between the two of you? Portugal's industry is not very big, so I actually knew Daniela already, and we have a lot of friends in common. I'm always so happy to see Portuguese talent succeed in anything, really, so I reached out to her and offered my congratulations when she got the role. We've kind of become friends, but I don't see her as often because she lives in Portugal. Jimmy and Lex are polar opposites. One has a full head of hair; the other is bald. One is on the shorter side; the other is very tall. One makes a modest living as a journalist; the other is a billionaire. What do you make of Eve's wide net? (Laughs.) I don't think Eve is someone who's used to hearing the word no a lot. She's used to getting what she wants. Lex is powerful, rich and handsome, and he offers this lifestyle and security that she's not super accustomed to. Above all else, security is what she craves the most, and Lex provides that for her. But knowing what he's done to all his ex-girlfriends, she has to make sure she ends up okay [by taking incriminating selfies]. But Jimmy was probably the first man to say no to her. So in her mind, she's like, 'What do you mean you don't want to be with me? Everyone wants to be with me. Now I really have to have you. I want you even more because you don't want to be with me.' It's an obsessive mentality involving conquest and cat-and-mouse games. When the first shot of Eve came out, some people wondered why she would take a selfie during an attack, but that type of behavior feels so authentic to me now. People take selfies in every situation imaginable, no matter how inappropriate. Even during the protests in 2020, influencers staged photo ops for themselves before they got back in their cars to go home. Did Eve's behavior always feel believable to you despite being a bit exaggerated? A hundred percent. She's obviously a comedic character in the movie, but James kept saying to me that she has to feel grounded. She has to feel like a real person. And what you said is true [about influencers staging photos during protests]. So Eve is also not aware of what is inappropriate. For her, it's just a great photo that would get so many likes. Her mind is more focused on what will do well on social media. She has that kind of self-obsessed thinking. But at the same time, she's not dumb, and she uses that to her own advantage. If you had to guess, how many total selfies did you take on set? I had a set phone to use as my character's phone, and I had to take selfies the whole time. So I think I took over a thousand photos, and while we shot for seven months, I was only on set for maybe 20 days. So that's a lot of selfies in that time. I keep saying that I need to get that phone back. There were some funny ones in there, for sure. Were you able to snap a few selfies on set with your own phone? Yeah, I took a few. I should have just AirDropped [the selfies from Eve's phone] to my phone, but I have a few that I took with my phone. I'll probably start posting them on my Instagram. Did James compose some of her selfies with the same detail as all the other shots in the movie? Or did you get to lead a lot of them? It was a little bit of both. There were a few selfies that had to be very specific. You had to see certain things in the background on purpose. There is one with Eve and 'Mr. Handsome.' He's the weird-looking alien that drives the [transport vehicle] in the pocket universe. We called him Mr. Handsome because he's anything but handsome. But there's this photo where Eve is on his lap, and that was just fun to do. Of course, Eve would take a selfie with him and think it's the coolest thing ever. So some of the selfies were very organic, and some needed to be very specific, so James was there to guide me. If people catch you taking selfies in public, they're inevitably going to compare you to Eve. Do you think you'll be taking a lot less of them now? (Laughs.) I really don't take many selfies in the wild, and after this movie, I don't know if I want to take a selfie anytime soon. Since they started that Instagram, 'Influencers in the Wild,' I'm scared of showing up on it; Eve would a hundred percent be on it. But if anyone wants to take a selfie with me, I'll happily do that. It's part of the character, and I'm so happy people are embracing her and her selfies. I also hope people take from this character that she's more than an influencer and some vapid person. Smart people can enjoy pink and bedazzled clothes. Humans are complex. If you look at Lex, his reasons [for being scared of Superman] are valid in a way, but the way he goes about it is completely wrong. And to somehow end up feeling a bit of empathy for the biggest villain of all, that's all James' incredible writing. Everyone underestimated Eve [from the start]: 'What is she even doing in the movie? Why is she taking selfies? This is so stupid.' And now everyone is like, 'Oh!' She saves the day at the end, and it's a brilliant way of showing how humans and characters are not just one thing. Yeah, I've seen two types of reactions to Eve. Some people are calling her the MVP/hero of the movie, while others believe that the movie is mean to her. But I keep coming back to Lois' quote to Jimmy: 'Your hot ex is a genius.' Eve played a huge role in taking down Lex and vindicating Superman. So how do you view the movie's treatment of her? I keep joking that everyone yells at Eve the whole time, and while she does do stupid things that make no sense in the moment, it was all to show the duality of people. Eve was taking selfies when she shouldn't be, but she was wisely taking care of herself at the same time. And by taking care of herself, she ended up saving the day for everyone. She used her tools and what people think of her to her own advantage. That's kind of genius. She's still an intense character who loves attention, and it was too much for someone like Jimmy. Jimmy named Eve 'Mutant Toes' in his phone. I know it was just him being a jerk, but did you ever ask James if she's potentially a metahuman? I asked James, 'What do you mean by 'Mutant Toes'?' And he was like, 'Oh, he's just being an asshole to her. He's trying to find any excuse to not like her. He doesn't like her.' And I was like, 'Okay, that makes sense because I have pretty feet.' (Laughs.) And he was like, 'He is just being a jerk.' So Jimmy is sick of Eve, and he's creating defects that don't exist just to make himself feel better about not liking her. Eve is taller than Jimmy, and at the end, she has to jump on him while wearing these huge platform heels. Was that tricky to pull off? (Laughs.) ​​I keep joking that I did my own stunts. Everyone had stunt doubles to do all their hard stunts, but that was all me running in those big heels. But because they were platform shoes, it wasn't as bad. There's also this gag that she's supposed to run weirdly, and it's because she's always wearing very tight dresses and very high heels. So she has to do little penguin steps to move fast, and I was mostly just trying to not fall down. You previously said that there's a deleted moment in which Ultraman punches Krypto. Was that during the Fortress of Solitude scene? I didn't expect that to go so crazy [viral], but yeah, that was during the Fortress of Solitude scene. There comes a point where you don't want to do things just to shock people, and James made the best decision for the movie. Is there anything else involving Eve that didn't make the cut? Not much. While I was walking towards the Fortress of Solitude, I did one little beat where I saw this monster on the snow that Krypto killed. And I, as Eve, was like, 'Ooh!' I then took a photo with it, but that didn't make it into the movie. Little things have to be cut for time, especially if they don't really inform the story. But from reading the script to seeing the movie, I don't remember much being cut, to be honest. Decades from now, when you're reminiscing about this experience, what day from will you likely recall first? It would probably be my first day on set with James and these incredible actors. We were shooting in Svalbard for the Fortress of Solitude [exterior], and it was the most insane location. It was me and Nick's first day of filming, and Gabby [de Faria] and David [Corenswet] were there. I almost forgot my line during my first take; I was just so overwhelmed and so nervous. I was like, 'Calm down. You've got this,' before we did it again. From how nervous I was, to how beautiful the location was and how much fun we all had, I'll have that in my brain forever. I was just really happy, and that was the moment where I knew I wanted to do this for the rest of my life. ***Superman (2025) is now playing in movie theaters nationwide. Best of The Hollywood Reporter The 40 Best Films About the Immigrant Experience Wes Anderson's Movies Ranked From Worst to Best 13 of Tom Cruise's Most Jaw-Dropping Stunts Solve the daily Crossword

How Portuguese Culture Makes It Easier To Parent
How Portuguese Culture Makes It Easier To Parent

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How Portuguese Culture Makes It Easier To Parent

This is part of Reason's 2025 summer travel issue. Click here to read the rest of the issue. My baby was stolen in a Portuguese airport. The culprit was a granny who worked in the bakery there, crafting pastéis de nata. While I was sorting out the rental car booking, my husband had taken our then-9-month-old son to fetch pastries. Our son quickly disappeared—taken behind the counter by an insistent old lady who wanted to show him around and, presumably, feed him spoonfuls of custard. Who am I to object to local custom? Portuguese culture grants special privileges to children and families, and those privileges really do make a big difference. We've been to Lisbon, surf towns to the west, the Azores, and even Cabo Verde, the African island nation and former colony, where many of the same norms apply. Pregnant women, the elderly, and people traveling with young kids get special lines for airport security and customs, ushered through as fast as possible. Native Portuguese will get offended if they see you in the normal line, instructing you to go to the priority line and sometimes getting the attention of the customs officer to make sure the system is adhered to—the only time Southern Europeans have ever been rule-abiding! Though their Northern European neighbors are strict about taxi cab car seat rules and paranoid about child safety on buses (in Norway they made me use a car seat), the Portuguese are relaxed about it, allowing parents to make whatever choices they deem best. This is helpful for those of us who don't travel with car seats, preferring to use public transit wherever possible. Their playgrounds allow lots of risky play. We availed ourselves of Lisbon's Jardim da Estrela, which had plenty of climbing structures, including one extending more than 15 feet in the air, full of kids as young as 5 jousting for the top spot. Contrast this with the American approach: Our illustrious federal regulators publish the Public Playground Safety Handbook, which discourages playground designers from using free-swinging ropes (which "present a potential strangulation hazard," as they could "fray" or "form a loop") and mandates the steepness of slides. Or worse, the New York approach: padlocking certain playgrounds, such as Hudson River Park's Pier 26 and Madison Square Park's, when it gets chilly out, because God forbid children slip or fall in the event that there's ice or snow. (Better to just stay inside glued to a screen, these policies seem to suggest.) In Lisbon, the public park facilities even had a miniature bathroom for potty-training kids, but you could also freely change a diaper on a park bench. The nearby day cares dressed kids for rain or shine, and they seemed to make outdoor time a habit. The moms did not hover—a refreshing contrast to Manhattan and Brooklyn—and there was a healthy mix of moms and dads handling the kids. (To give credit where due, some Northern Europeans get good marks in these subjects. Playgrounds in Berlin are abundant and, in many cases, designed to maximize kid independence—and nasty weather rarely deters there, since active outdoor time is valued highly.) At home in New York, I keep a list of fancy restaurants that tend to be welcoming toward babies and toddlers (Bonnie's in Williamsburg, Cafe Gitane in Lower Manhattan), precisely because it feels like a rarity: Several restaurants have adopted policies disallowing children (Jean-Georges, Bungalow). In Portugal, it's standard to see families out to dinner, and out quite late. Though the families don't tend to be huge—Portugal has not been immune to the sinking-birthrate issues that have plagued the rest of the developed world—they are rebounding a bit from a 2013 low of 1.21 births per woman. Lots of cultures around the world get components of childrearing right: The American expats I met in Tamarindo, Costa Rica, let their kids roam free-range and almost universally homeschooled, seceding from the dominant parenting culture in America, the rat race, and the anxiety. (In some cases, they've deviated very far from the norm: One mom told me it's totally chill to breastfeed 8-year-olds. But I think that's just a hippie thing, not a Central American custom.) Panamanian parents in coastal towns like Playa Venao seem to let their young kids surf with abandon, unsupervised except by siblings. The aforementioned Germans have free-play areas where adults aren't allowed, such as Berlin's Abenteuerlicher Bauspielplatz Kolle 37, a playground with spots for climbing and hammer-and-nails construction and fire building. When I visited, a crowd of 9-year-olds were tending it with pokers; my toddler, not yet allowed in, seemed already to covet access to the flames. But the Portuguese in particular grasp something I fear American parents miss: You don't have to recede from society once you have children, relegated only to explicitly kid-friendly spaces. The way to get children to learn how to fly and dine in restaurants and act civilized in public is to include them, and to let them practice again and again. Of course, those reps are easier gotten when you have a surrounding culture that acts like children are a gift, not a burden. The grace with which Portuguese culture treats families makes it easier to bear when your kid inevitably messes up in public; everyone who witnesses the tantrum or the spilled glass seems to realize that this is a normal part of living alongside kids—a little cost worth bearing to have a society that's warm and friendly and growing. The post How Portuguese Culture Makes It Easier To Parent appeared first on Solve the daily Crossword

Most popular destinations for UK holidaymakers named
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