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Wei Daxun Named TUMI's Asia-Pacific Ambassador For 'Uncompromisingly Light' Campaign

Wei Daxun Named TUMI's Asia-Pacific Ambassador For 'Uncompromisingly Light' Campaign

Hype Malaysia6 days ago
Yay! TUMI has revealed that esteemed Chinese actor Wei Daxun is its new Asia-Pacific Brand Ambassador! The announcement follows the opening of TUMI's new Shanghai flagship store earlier this month, both serving as key milestones in the brand's continued global expansion and commitment to the global traveller.
Recognised as one of China's most celebrated actors, Wei Daxun has captivated audiences across Asia with his versatility, charisma, and sincerity. From film and television to music and philanthropy, his multifaceted career has earned him both critical acclaim and the lasting admiration of fans. Driven by professionalism, discipline, and a relentless pursuit of excellence, Wei naturally embodies the values that have defined TUMI for the past 50 years: precision, creativity, and a spirit of constant forward motion.
Wei makes his official campaign debut in the third and final chapter of TUMI's 19 Degree Lite 'Uncompromisingly Light' campaign, which celebrates innovation, modern design, and the freedom of movement through the lens of those who live life constantly in motion. Directed by David Pun and shot by renowned photographer GK (国琨), the campaign captures the quiet intensity of Wei's lifestyle as he moves fluidly between cities, sets, and fleeting moments.
Along the way, he's equipped with travel companions that match his rhythm: the ultra-lightweight 19 Degree Lite and the dependable Alpha Bravo collection. The story highlights how 19 Degree Lite keeps pace with him—adapting seamlessly and supporting every leg of the journey – while the Alpha Bravo Navigation Backpack offers the reliability and functionality he needs as someone who is always on the move. For Wei, home isn't a place — it's a feeling. And in the consistency of what he carries, he finds the space to move with confidence and ease, no matter where he's headed.
'Wei brings an energy and authenticity that seamlessly aligns with TUMI's values,' says Creative Director Victor Sanz. 'He is a true reflection of the modern global traveller: intentional, dynamic, and always in motion.'
'It's an honour to join the TUMI family,' says Wei. 'I've long admired the brand's dedication to timeless quality and purpose. Their collections are designed for real life, and they move with me wherever I go, whatever I do.'
The brand proudly adds Wei Daxun to its prestigious and multifaceted ambassador roster alongside beloved McLaren Formula 1 Team Driver Lando Norris, LPGA Tour Professional Golfer Nelly Korda and PGA Tour Professional Golfer Ludvig Åberg. Through precision-led design, global storytelling and acclaimed talent, TUMI continues to distinguish itself as a leader in the luxury travel and lifestyle space.
Stay tuned for exclusive campaign content on @TUMITravel social channels.
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Teochew performing arts family keeps the flame of tradition alive
Teochew performing arts family keeps the flame of tradition alive

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Teochew performing arts family keeps the flame of tradition alive

For one night only, the Teochew Puppet and Opera House brings Klang Valley audiences a rare glimpse into traditional Teochew puppetry, opera and music. The Penang-based troupe will perform Maestro Of Paper Shadows at Stage 1 theatre, Petaling Jaya Performing Arts Centre (PJPAC) tomorrow (Aug 6) – a 135-minute tribute to the 62-year legacy of Toh Ai Hwa, founder of the Kim Giak Low Choon Teochew Puppet Troupe. The show pays tribute to Toh's artistic career, which spans over six decades. Now 74, she has trained her children and grandchildren into accomplished artists, building a five‑generation legacy recognised locally and abroad. Toh Ai Hwa, matriarch of the Goh family and Teochew performing arts master. Beyond telling Toh's life story, Maestro Of Paper Shadows touches on the history and practice of traditional Teochew performing arts, particularly iron-rod puppetry, opera and traditional instruments, such as the erxian (two-string fiddle), yangqin (hammered dulcimer) and yehu (coconut-shell fiddle). The show features around 70 cast and crew, including the Malaysia Century Chinese Orchestra and Resonance Choir. Performed in Teochew, it will have English and Chinese subtitles. 'We wanted the show to be accessible to everyone, especially those unfamiliar with Teochew culture,' says Toh's daughter, Goh Hooi Ling (better known as Ling Goh) in a recent interview. 'Even many in the younger Teochew generation don't know much about our opera, music and puppetry, so it's important for us to keep these traditions alive,' she adds. Ling established the Teochew Puppet and Opera House in 2014 and founded the Iron Gang Puppet Theatre in 2022. Ling now directs the Teochew Puppet and Opera House, a museum and small school she founded in 2014 to preserve and teach traditional Teochew arts. Last year, she published the book, Toh Ai Hwa: Mistress Of Teochew Rod Puppetry, chronicling her mother's life and artistry. A living legacy Prior to becoming the matriarch of the artistically talented Goh family, Toh was born into a family of Chinese opera practitioners, particularly Teochew opera. Her grandmother, Lee Gek Hong, was a renowned actress in the 1920s, and her mother, Yeoh Cheng Im (Dua Muey), was a famous young male lead in the 1940s. Toh's third brother, Toh Ah Hock, was also a renowned old male lead. At just 12, Toh chose to diverge from the family tradition and began learning puppetry. One of the iron-rod Teochew puppets used by the Teochew Puppet and Opera House. She joined the Lao Rong Xiu Chun Puppet Troupe, ­specialising in drums and performing young and old male lead roles. Her rich, melodious singing earned her the nickname 'Malaysia's Chen Chu Hui' (after the famed Teochew opera singer). In 1989, she founded the Kim Giak Low Choon Teochew Puppet Troupe, which she still leads today. Toh was named a 'Penang Intangible Cultural Heritage Inheritor' in 2008 and received the 'George Town Knowledge Contribution and Heritage Award' in 2020. All in the family In many performing arts families, there will be at least one who follows in their parents' footsteps, but for Toh, all three of her children – Goh Lih Shan, 50; Ling Goh, 44; and Goh Lih Tat, 41 – are carrying the family's legacy in their own way. Lih Shan is the music director of the Teochew Puppet and Opera House and founded the Gaik Lai Teochew Puppet Troupe in 2014 with his wife, Goey Paik Wei. His children are also involved in the family business. 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'We hope to one day open a centre for teaching Teochew arts,' says Ling. She adds that the path to mastering the performing arts is long. 'This form of traditional art isn't just about technique – it's about knowing the history and meaning behind it. 'Chinese opera stories often carry moral lessons, so understanding them is part of the craft. Even as a master, you never stop learning,' says Ling. Carrying the torch However, Ling laments over how interest in Chinese ­performing arts has faded over time. 'We often perform at Chinese temples (in Penang and nearby states) for special occasions, such as Chinese New Year or Hungry Ghost Festival. But it's quite sad to see that fewer and fewer people are going to see these art forms. "Younger generations often view them as 'old school'. But traditional doesn't have to be dry or boring. That's why we try to find ways to push the art form beyond its boundaries by innovating and modernising in order to connect to new audiences,' says Ling. In 'Maestro Of Paper Shadows', audiences get a taste of Teochew puppetry, opera and music. In its shows, the troupe has used state‑of‑the‑art special effects and collaborated with other art forms, including Mak Yong and contemporary dance. It also often travels to Kuala Lumpur to visit high schools and universities, aiming to spark an interest in Teochew performing arts among Malaysian youths and connect with new audiences. Ling, the producer of Maestro Of Paper Shadows, hopes that those who have never experienced Teochew puppetry and opera before will come for the PJPAC show. 'My mum often says that she wants to continue practicing the arts until the very end. I hope the show will give the audience some food for thought on the kind of passion and sacrifice it takes to dedicate your entire life to the arts, especially in something as niche as Teochew puppetry and opera. 'As a family, we want to keep that fire burning – not just for ourselves, but because it is our culture, our traditions, our heritage,' she concludes. Maestro Of Paper Shadows is showing at Petaling Jaya Performing Arts Centre (PJPAC), 1Utama Shopping Centre, Petaling Jaya on Aug 6, 8pm. More info:

#SHOWBIZ: US actor Ross Butler: I'm a durian fan all the way
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Brown music for all: Vibe curator Avinash Retnam defying stereotypes to redefine Indian club music through ‘Global South'
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'But the Indian music culture in Malaysia felt very stagnant because there is no space for experimentation. 'Tamil clubs are often boxed into stereotypes: people think Indians go to a club to dance, drink, and fight. 'Such stereotypes have led to Tamil clubs being sidelined, making it harder for the music culture to evolve,' said Avinash, who has been in the live music industry for 15 years. His first major break was as a brand strategist for singer and songwriter Yuna's concert in 2015. Although Indian live concerts are thriving in Malaysia, Avinash said the concert-goers typically prefer the tested-and-tried musical repertoire over watching singers experiment on stage. He said night clubs, by contrast, provide a safe space for indie musicians to attempt bold music experiments — and that eventually allows the music to evolve and surface into the mainstream. That drive for something different and unconventional — challenging Western musical traditions and patterns — strikes a chord with the sounds of the Global South, Avinash said. Avinash Retnam (Yung Mantra), DJ Prito (Prito Itiacandy), Jambu-Jambu Asia founder Tristan Rodrigo, co-founder Nik Kaiza, and Roshan Jamrock are all part of the Global South music movement. — Picture by Sayuti Zanudin 'The Global South music is always about resistance — because of their colonial history — and it's about reclaiming their heritage and being proud of it. 'Many of the young Indians who attended the KL event said they finally feel represented in the club culture. 'And many non-brown attendees said they have never seen so many cool Indians in one place before!' he said. The overwhelming excitement also left DJ Prito in awe, especially witnessing how the Tamil culture in Malaysia has developed over generations. Like Avinash, Prito too seamlessly switches hats: from being a primary school teacher in East London on weekdays to a music producer and DJ over the weekend. A passionate advocate for underground Tamil music, Prito launched his Prito Sounds world tour this year and Global South's KL event marked his debut performance in Asia. 'For me, it's like a playground — it's me bringing in my Tamil and UK sounds, trying to find a perfect marriage with the other (Global South) sounds,' he said. As for Avinash, the Global South is just warming up to make waves internationally in the coming years. 'Yung Mantra's Global South is our way of saying: we're here, we're loud, and we're building something timeless,' he said.

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