
Labour is desperate, but targeting banks would be a disaster
Mercifully she has so far left the banks largely untouched. It's one of the few positives from a Government which otherwise seems minded to bear down on wealth as hard as it reasonably can.
But for how much longer can this comparative immunity last?
One year into government, and on immigration, welfare, the public finances and much else besides, meaningful policy reform has already ground to a halt, floored by mutiny on the backbenches.
If the Government cannot even get something as innocuous as abolition of the winter fuel allowance through Parliament – what hope is there for anything else?
Ministers can faff around with fiscal rules, Laffer curves, dynamic modelling and other such mechanisms designed to show the public finances in more sustainable form than they really are.
But the bottom line is that the Government is spending a lot more than it raises in revenues. And on the present trajectory, the gap will only worsen.
With planned spending cuts falling by the wayside, the Treasury is left, like Wilkins Micawber, hoping that something will turn up. Sadly, the much more likely prospect is that it won't.
If Reeves were to be honest with the British public, she would grasp the nettle, claim that things have changed and abandon her manifesto commitment not to raise any of the main sources of taxation.
Two pence in the pound on the basic, higher and additional rate of income tax would raise around £17.2bn, all other things being equal, and overnight solve all her immediate difficulties in making the numbers add up.
But the politics of it all would, of course, be terrible. So instead, she is left flailing around in the foothills of the tax system looking for crumbs that don't breach the letter of Labour's election promises.
Banks make an obvious target, so much so that it has surprised both the City – and many of those in her own ranks – that she hasn't already attempted to tap them.
It's amazing how quickly perceptions change. Just three years ago, the European banking system, including that of the UK, was still thought of as 'uninvestable' following the traumas of the financial crisis. Few investors would go anywhere near a sector still synonymous with failure and catastrophic loss of shareholder value.
But over the past two years, something miraculous has happened. After more than a decade of near-zero interest rate famine, interest rates have normalised again, and banks are once more relatively profitable beasts, with capital and liquidity buffers restored.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Guardian
22 minutes ago
- The Guardian
Liberation review – fizzing tensions of historic Pan-African Congress
Activist movements aren't all speeches, protests and slogans. Revolutions are made by people – and those people are idealistic and messy and flawed. This is the truth at the core of Ntombizodwa Nyoni's ambitious new play marking the 80th anniversary of the Fifth Pan-African Congress in Manchester, a crucial moment in the postwar fight against colonial rule. It's a story that's both global and firmly rooted in the city, making it an ideal fit for Manchester international festival. Set in and around the Congress, Liberation follows the people behind the movement, including veteran activists George Padmore (Eamonn Walker) and Amy Ashwood Garvey (Pamela Nomvete) and future African politicians Kwame Nkrumah (Eric Kofi Abrefa), Jomo Kenyatta (Tonderai Munyevu) and Joe Appiah (Joshua Roberts-Mensah). We see their public speeches, their private discussions and their pub-room debates. There's a fizzing tension between solidarity and idealism on the one hand and ambition and interpersonal conflict on the other. Nyoni's script is alive to nuance and difficulty, staging knotty struggles between different genders, generations and regional loyalties, as well as prodding at complex ideas around political change and allyship. As young social worker Alma La Badie (an impassioned Leonie Elliott) observes, the Congress is a space of egos as much as principles, where righteousness coexists with hypocrisy. It's a play that is, by its nature, all talk. Yet Nyoni and director Monique Touko manage to inject the proceedings with some theatricality and verve, recognising that there is no true liberation without joy. Music (composed by Ezra Collective's Ife Ogunjobi) is central, soundtracking the jubilant entrance of Congress delegates and returning at key moments throughout. With so many people involved, some figures are inevitably given more space than others, but Nyoni deftly juggles the large ensemble of personalities and the strong cast flesh out even the smaller roles. Like the attractive interlocking hexagons of Paul Wills's set, evoking the worker bee designs found all over Manchester, the competing aims of the Congress eventually – if only temporarily – tesselate. In many ways, Liberation is a celebration of shared struggle, but one that makes vital room for complexity. At Royal Exchange theatre, Manchester, until 26 July


Sky News
25 minutes ago
- Sky News
Apprentice star Brady backs Reeves after Commons tears
Conservative peer Baroness Karren Brady has told Sky News she feels 'nothing but sympathy' for the chancellor, after Rachel Reeves was seen crying in the House of Commons during Prime Minister's Questions. Ms Reeves was seen visibly crying in the chamber the morning after her government was forced into another U-turn on welfare reform by Labour backbenchers, all but wiping out any savings in spending she was hoping to achieve. The Prime Minister failed to back his chancellor until after PMQs, leading markets to question her future. The Apprentice star warned: "She will be labelled 'weak' because it's a woman crying, the first woman chancellor, and I think that's a very dangerous thing." The aide to Lord Sugar, who was elevated to the upper chamber in 2014 by David Cameron, agreed with Kemi Badenoch's statement that "the leader of the opposition called her 'a shield', which the Prime Minister is hiding behind and there's probably a bit of truth in that as well." 1:16 Baroness Brady, who has previously been critical of negative economic sentiment from the Labour government and tax hikes on business, said Ms Reeves is "a strong, diligent person doing her job to the best of her ability under incredibly difficult circumstances". Earlier this year she told a newspaper that Reeves' hikes in business taxes "lacks an understanding of how businesses operate" and that last year's rise in employers' national insurance was a "mis-step". 11:07 However, speaking at an event in the City of London, Baroness Brady expressed sympathy with the chancellor saying: "Many people cry at work, most of them can go and hide in the toilet and not be seen. "Being emotional is largely in part because you care very much about what you're doing and how you're doing it." However, she did maintain her differences of opinion on the administration's approach to the economy, but stated: "She's made some pledges, that through no fault of her own, she may not be able to deliver because the floor has changed from underneath her." Aged 23, Baroness Brady was appointed as managing director of Birmingham City FC in 1993, and in 1997 became the youngest managing director of a UK plc, when the club floated on the London Stock Exchange.


BBC News
25 minutes ago
- BBC News
Lisa Nandy 'not satisfied' with BBC response on Bob Vylan's Glastonbury set
Culture Secretary Lisa Nandy has said she is "not satisfied" with the response she's had from the BBC about the live streaming of Bob Vylan's controversial Glastonbury set. She also told the House of Commons on Thursday that she "would expect there to be accountability at the highest levels" of the duo Bob Vylan led a chant of "death, death to the IDF [Israel Defence Forces]" during their set, which was available to watch via a live stream on iPlayer. The BBC has said the comments were "utterly unacceptable" and it should have pulled the feed Vylan said on Tuesday they had been "targeted for speaking up", reiterating that they were advocating "for the dismantling of a violent military machine". The group have since had several bookings cancelled, including festival appearances in Manchester and France and a slot in and Somerset Police have launched a criminal investigation into their Glastonbury comments. On Wednesday, London's Metropolitan Police said the band are also under investigation for comments they allegedly made during a concert at Alexandra Palace in the Glastonbury live stream, which was available to watch on iPlayer for more than four hours after the comments were made, the BBC was criticised by the UK's chief rabbi Sir Ephraim Mirvis, while broadcast regulator Ofcom said the BBC had "questions to answer".In an email to the BBC's Jewish staff network on Tuesday, the corporation's director general Tim Davie said: "I was, and remain, appalled by Bob Vylan's deeply offensive and totally unacceptable behaviour during his Glastonbury set."He added that the performance had "no place on the BBC" and "there is absolutely no place for antisemitism at the BBC". On Thursday, Nandy told the House of Commons: "I have received a reply to the very many questions that were raised by colleagues on all sides [of the House]. I'm not satisfied with that and I've gone back to the BBC leadership for ask for further information."She said she was particularly concerned "about the failure to pull the live feed, the due diligence that was done prior to deciding to screen this act, and also the level of senior oversight that took place in the BBC during the Glastonbury weekend".She added: "I think the BBC leadership will hear and have heard the strength of feeling in this House about this and I expect further answers to be forthcoming imminently."Nandy also acknowledged the response from Jewish people."Given the seriousness of what happened, and particularly we heard in the House the absolute shocking stories of the impact this has had on the Jewish community in this country - given the seriousness of this, I would expect there to be accountability at the highest levels."The culture secretary's comments came days after she spoke about what she said were several recent editorial failures at the corporation is also due to publish a review into the documentary Gaza: How To Survive A Warzone, which was pulled from iPlayer in February after it emerged it was narrated by the child of a Hamas minister."When you have one editorial failure, it's something that must be gripped," Nandy said on Monday. "When you have several, it becomes a problem of leadership."In a statement on Monday, the BBC said the "antisemitic sentiments expressed by Bob Vylan were utterly unacceptable and have no place on our airwaves"."The team were dealing with a live situation but with hindsight we should have pulled the stream during the performance. We regret this did not happen," the BBC their statement, posted on Instagram on Tuesday, Bob Vylan said: "We are not for the death of Jews, Arabs or any other race or group of people. We are for the dismantling of a violent military machine".They added that "we, like those in the spotlight before us, are not the story. We are a distraction from the story, and whatever sanctions we receive will be a distraction".