TVS Motor Company launches the TVS NTORQ 125 Super Soldier Edition inspired by Marvel Avengers
Building on its collaboration with Marvel, the company continues its journey of re-creating legendary characters through the TVS NTORQ range. The latest Super Soldier Edition is a bold reimagination of the fan-favourite Captain America. 'Building on the successful collaboration with Marvel, the TVS NTORQ journey of re-creating legendary characters continues with the launch of the Super Soldier Edition, a bold reimagination of the fan-favourite Captain America. This edition elevates the style quotient of the TVS NTORQ with a striking camo inspired theme, designed to captivate the GenZ riders.'
TVS NTORQ 125, the first Bluetooth-connected SMART scooter (SmartXonnect™) in India, has become a preferred choice for riders for its high performance, sporty styling and tech-first features. The Captain America Edition, first introduced in 2020, had gained popularity among Marvel fans across India. The refreshed Super Squad Edition now comes with bold graphics and design elements that further enhance the scooter's dynamic appeal.
The TVS NTORQ 125 Super Soldier Edition is priced at ₹98,117 (ex-showroom Delhi) and will be available at all TVS Motor Company dealerships starting this month.
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Should Netflix Be More Like Walt Disney?
Key Points Netflix is opening Netflix Houses in select U.S. cities, which will bring its popular shows and movies to life. Disney is second-to-none when it comes to physical experiences, a segment that rakes in substantial profits. Netflix dominates the current media landscape, so a major shift in strategy isn't necessary. 10 stocks we like better than Netflix › In the past decade, Netflix (NASDAQ: NFLX) shares have soared 955%. Just this year (as of July 23), they are up 32%. With this type of stellar performance, it seems the business can do no wrong. However, there is one area Netflix has yet to tap: Theme parks. The company has become a dominant media and entertainment enterprise, but it's presence in the physical world is nonexistent. This puts Netflix behind a peer like Walt Disney (NYSE: DIS), which owns and operates seven of the 10 most visited theme parks on the face of the planet. Not to mention the cruise ships that Disney also has. Maybe Netflix is staring at an obvious opportunity here to grow its revenue and fan base. Should the top streaming stock become more like the House of Mouse? Here's how investors should view this situation from a strategic and financial perspective. Creating a flywheel Disney has unmatched intellectual property (IP), which helps support its flywheel. People might watch a new Marvel movie or series and immediately want to experience these characters in real life, so they visit Walt Disney World to ride the Guardians of the Galaxy: Cosmic Rewind roller coaster. They might also buy merchandise. It's a situation where all the pieces fortify Disney's competitive position, allowing it to develop deeper and longer-lasting connections with its fans. Creating physical experiences can help Netflix bolster its brand in the same way. For what it's worth, the company plans to launch Netflix Houses in Dallas and Philadelphia this year, and in Las Vegas in 2027. These are permanent, but small-format (about 100,000 square feet) setups located in shopping malls. There are interactive experiences, dining options, and retail stores. It's encouraging to see Netflix test the waters when it comes to physical experiences. It might not have the breadth and depth of IP that Disney has, especially when it comes to content for kids and families, but it has extremely popular shows and movies that people love. It's probably best that Netflix isn't going full steam ahead with building an actual theme park, as it likely won't be able to compete with Disney's dominance, or with Comcast's Universal Studios. Financial implications When making these kinds of strategic decisions, what matters most is the potential they can have for financial success. Disney's Experiences segment is its most profitable. In fiscal 2024 (ended Sept. 28, 2024), this division raked in $9.3 billion in operating income on $34.2 billion in revenue. Netflix reported $6.9 billion in free cash flow in 2024, with a forecast to bring in between $8 billion and $8.5 billion this year. Investing in building out theme parks would require huge capital expenditure commitments that would certainly dent Netflix's strong financial position. Return on invested capital is a key metric that management teams should think about when allocating cash to its best use. Developing physical experiences at Disney's level would take resources away from creating top-notch content that the company is known for. In September 2023, Disney announced that it was going to spend $60 billion over the next decade to expand its Experiences segment. That's a massive undertaking that Netflix can avoid. Netflix is doing just fine The media industry, which is now being driven by the streaming model, is extremely competitive. There are many businesses vying for viewer attention, so it's always important to figure out ways of standing out. But Netflix reigns supreme, with more than 300 million subscribers worldwide. It's operating from a position of strength with the upcoming launch of Netflix Houses. Netflix doesn't need to be more like Disney. The former continues to fire on all cylinders. The opposite argument holds more weight, with Disney needing to be more like Netflix -- at least when it comes to the House of Mouse's streaming segment that just became profitable not too long ago. Should you buy stock in Netflix right now? Before you buy stock in Netflix, consider this: The Motley Fool Stock Advisor analyst team just identified what they believe are the for investors to buy now… and Netflix wasn't one of them. The 10 stocks that made the cut could produce monster returns in the coming years. 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The most exciting Comic-Con announcements and wildest moments from SDCC 2025
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James Gunn finally unveiled Peacemaker season 2 There might have been a shortage of big superhero movie news out of Comic-Con this year, but that's not to say DC was completely quiet. James Gunn might have been busy kicking off a whole new superhero universe, but he still had time for John Cena's bizarre vigilante Peacemaker. The trailer for season two teases lots of silliness, as well as the tantalising idea of portals between dimensions — perhaps a nod to the very confusing DCU chronology since Gunn's takeover. Read more: The Superman movies ranked worst to best according to fans (Yahoo Entertainment, 6 min read) Gunn also got something of a hero's welcome at this year's SDCC as those in attendance thanked him for shepherding Superman back to the big screen. "The reason I'm so happy to be here with you guys, is because this is the real fans here," he said on stage. 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‘The Fantastic Four: First Steps' Review: Marvel's Most Famous Family Trips Over Itself in MCU Debut
As might be inferred from its still-awkward subtitle, Matt Shakman's 'The Fantastic Four: First Steps' is a story about the mortal terror — and the profound thrill — of walking into the unknown. Here, in a movie that promises to push the Marvel Cinematic Universe out of its comfort zone before quickly retreating into a tired version of the same old schtick, only the terror shines through. It's the terror of a Hollywood film executive who's desperate to rejuvenate his sprawling mega-franchise, but deeply afraid of messing with the formula. It's also — for the best part of Shakman's film — the terror of a brilliant scientist who's dying to have a child with his wife, but petrified at the premise of an experiment that he doesn't have the power to control. More from IndieWire George Lucas Makes His First Ever Comic-Con Appearance A Casting Director Asked Steve Buscemi 'What Is Wrong with You?' in Massive Audition Fail While Fantastic Four leader Reed Richards can extend his limbs into any shape imaginable (a radiation-induced talent that 'First Steps' appears to forget about for appropriately long stretches of time), his sideburns turn grayer at the thought of living with his heart outside of his body. How do you rattle an invincible genius who can wiggle out of any problem with just a blackboard and some chalk? Give him a problem that no formula can solve. And that's exactly what 'First Steps' does with its opening act. The Fantastic Four have already established themselves as the most beloved family on Earth (well, their Earth) by the time we meet them — a shortcut that Josh Friedman, Jeff Kaplan, Eric Pearson, and Ian Springer's script will pay for down the road. Winsomely portrayed by Pedro Pascal as a worried egghead who's shelled inside his own thoughts, Reed may not be the most outspoken member of the superteam (that distinction belongs to Joseph Quinn's Johnny Storm, even if his flame is dulled to death in this film), but the fact that he's basically Tony Stark, Albert Einstein, and Bill Nye all rolled into one is still enough to make him the de facto frontman. Things are a bit shakier behind closed doors. When his wife reveals that she's pregnant after several years of trying and giving up, it's Reed who struggles to wrap his head around the known unknowns of what becoming a parent might entail. (Sue Storm is played by Vanessa Kirby, who finds any number of invisible nuances in a one-note part that largely reduces her to 'baby' in the same way that Ken's entire identity was 'beach.') Reed fights to make the retro-futuristic dimension of Earth-828 a place where it's safe for people to raise a child, but he understands his world too well to account for all of its variables; he can invent a teleportation device without breaking a sweat, but delegates the task of building a crib to his helper robot H.E.R.B.I.E. (whose 'Star Wars'-worthy design is somewhat wasted on beep-boop comic relief). In other words, Mister Fantastic is scared. As scared to have his first kid as Joel Miller was to lose his second one. And Pascal's performance is so raw and refreshing because the actor isn't afraid to lead with that fear. And for a while, the film around him isn't either. Indeed, the initial chapters of 'First Steps' are attuned to Reed's all too relatable neurosis in a way that makes it seem like the MCU is about to grow by leaps and bounds. Creating life in the face of an existential crisis requires a greater degree of magical thinking than Reed's brain was built to process, and when a naked metal Julia Garner surfs into Times Square and heralds the imminent arrival of the world-devouring space giant Galactus (Ralph Ineson), the news is like comeuppance for having the gall to bring something beautiful into a multiverse of gods and monsters. 'First Steps' might take place in a bizarro 1960s that's suspended between RKO and 'The Jetsons,' but its parental anxieties are ripped straight from our 21st century; Galactus' threat to 'Eat Reed's planet slowly while his son watches' is no different or more personal than what I hear every time a fascist opens their mouth on TV. Finally, it would seem, we're in for a Marvel movie with relatable human stakes. A Marvel movie in which a sequel doesn't feel like the only thing that's at risk. A Marvel movie in which saving the universe will require its characters to confront — and overcome — their mega-franchise's stultifying fear of change. Spoiler alert: We're not. 'First Steps' may have the good sense to sidestep — or at least speed through — the characters' hyper-familiar origin story, but it still feels like a movie we've seen 1,000 times before. In fairness, that movie has seldom looked this good. Superhero films thrive on a vivid sense of time and place, and Shakman's crew has an absolute field day with the mid-century modernism of Earth-828, every design choice of which radiates the modular optimism of a world that believes in itself. Imagine Don Draper trying to sell you a five-cent comic book: This New York City is the kind of place where anything's possible and life moves forward at the speed of a buoyant montage. Flying cars and nifty monorails zip between Bertrand Goldberg-inspired towers above ground, while Paul Walter Hauser's scene-stealing Mole Man rules over a subterranean paradise below. The skies are Pan-Am blue instead of CGI gray, and each living room comes with its own Lloyd fireplace. From its delightful props (e.g. a baby monitor shaped like an old tube TV) to its turtleneck costumes, 'First Steps' is the only MCU entry this side of 'Wakanda Forever' that feels like it actually wants to be looked at — not just watched. Alas, 'First Steps' loses its footing when it launches into space, loses the benefit of its scenery, and forces our attention on the plug-and-play jizz whizz at its core. The sky's the limit until the Fantastic Four leave Earth's atmosphere, at which point they immediately bump into the same low ceiling that makes all of the biggest Marvel movies feel like they have nowhere to grow. Galactus is quite a large boy, but the spectacle of his size — which Shakman can hardly contain in a single frame — isn't the only thing that makes the characters feel small. On the contrary, they shrink a bit more with every weightless action sequence and recycled joke, as the friction between Reed and Sue is subsumed into the stuff of garden variety special effects and 'that's all we get?' lore (Galactus wants to eat the Earth because he's very hungry, and the Silver Surfer is somehow even less nuanced). Absent the visual dynamism of Earth-828, we can't help but notice that Johnny was barely a character to begin with. Pivoting away from his legacy as a red-hot womanizer, the film tries to paint the Human Torch as a dilettante with something to prove, but it never really settles on what that something should be. (Making it appear as if Johnny is burning himself alive is just another one of the many things this movie is afraid of, and so it settles for a cartoonish fire effect that feels just a few degrees shy of the characters from 'Elemental.') His cool uncle schtick is shared with flaky rock creature Ben Grimm (Ebon Moss-Bachrach), who looks great, and brings a faint trace of upper-crust sophistication to a hero known for clobberin' anything that gets in his way, but leans way too hard on the vague loneliness that he sees in his own reflection. Ben is the strongest of the Fantastic Four, and yet even he struggles to carry the sort of smirking banter that hasn't been fresh since the first 'Avengers' (nothing suffocates the MCU like its sense of humor, which makes it all the more refreshing to see Hauser tunnel a new path towards the Mole Man's punchlines). Instead of an emotional arc, Ben has a crush on a Hebrew school teacher played by Natasha Lyonne; if only the sight of The Thing wearing a tallit were the strangest thing I've had to process as a Jew over the last few years. The Fantastic Four do eventually return to Earth-828 for the second half of the story, but at that point this film is so consumed by the usual song-and-dance — big stuff coming from above, the heroes have to zip around to stop it — that the fear of the unknown starts to feel less like a theme for 'First Steps' to to explore than an explanation for why it completely fails to do that. It doesn't help that Galactus is every bit as laughable as he is large (he was so much scarier and more compelling as a giant cloud in 2007's 'Fantastic Four: Rise of the Silver Surfer'), or that Shakman is too afraid of how silly his characters' superpowers look in live-action to have any fun with them, which is a problem 'The Incredibles' solved too well, and with too much comic ingenuity, for this movie to simply try and ignore. 'Family is about fighting for something bigger than yourself,' Sue insists. But as 'First Steps' limps to its total nothing of a conclusion, it feels less like a victory than it does a total surrender. You have to walk before you can run, but at this point the MCU is back to crawling on its knees, and at this point it seems like it might be too afraid to ever stand back up again. Grade: C Walt Disney Studios Motion Pictures will release 'The Fantastic Four: First Steps' in theaters on Friday, July 25. 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