
#SHOWBIZ: Perfect live adaptation for Malaysia's caped crusader
For starters, Batman became a masked vigilante by night, fighting crime in Gotham City, because criminals made him an orphan.
Keluang Man, however, did not know who his parents were as he was rescued from a child-trafficking syndicate and raised by a skilled silat master named Ahmad.
And while Batman's alter ego Bruce Wayne inherited his rich parents' vast fortune and used it to come up with state-of-the-art crime-fighting devices, Keluang Man's alter ego Borhan lives a miserable life in the mental hospital of his crime-infested city Tumpoi, a thinly veiled reference to Tampoi in Johor Baru.
An iconic superhero created by the late Kamn Ismail in the 1990s, Keluang Man was a hugely popular animated series during that decade and also had his own comics.
And it has taken Anwari, the brilliant visionary behind the 'Polis Evo' film trilogy to script and direct it for the big screen.
Keluang Man's movie stays 100 per cent true to the cartoon and depicts our hero as a man full of cheeky humour.
As in the cartoon, 'Keluang Man The Movie' follows Borhan (Nas Muammar Zar alias Nas-T of 'Kami The Movie', 'Air Force The Movie' and 'Tanda Putera' fame), a psychiatric patient who regularly escapes his asylum.
But when his past returns to haunt him, the man with dissociative schizophrenia embarks on a vengeful path, unaware that this journey will transform him into Keluang Man.
Nas, an underrated actor who has been active since the 2000s, is brilliant as Borhan/Keluang Man, for he looks like his animated character and imitates his mannerisms meticulously.
Like his animated character, Nas' Borhan breaks the fourth wall, expounds his thoughts in bubbles, takes viewers into his mind and listens to strange voices in his head.
Nas' knowledge of self-defence, which helped him greatly in 'Air Force' and 'Kami', also comes in handy for his Keluang Man role, as our hero is more physical than Batman, having learnt silat from Ahmad (Datuk Rosyam Nor).
And as a patient, Nas infuses Borhan with an awkwardness that allows him to blend in nicely with his fellow inmates.
As for Rosyam, the character of father figure Ahmad is tailor-made for him, as Ahmad is a stern yet compassionate mentor who always has Borhan's back.
Datuk Remy Ishak also has his character Shamsir tailor-made for him.
If Batman had The Joker as his formidable foe, Shamsir is Keluang Man's answer to the clown prince of crime, even if they do not resemble each other.
Shamsir is destructive, and plants explosives all over Tumpoi, just as Jack Napier/The Joker does in Gotham City.
However, Shamsir is ruggedly handsome and was once Borhan's best friend.
No Keluang Man adventure is complete without Inspector Sahab Singh and his younger sister Dr Malini, and first-timers Anwaar and Shweta are perfectly cast.
While Sahab is somewhat like Spider-Man's Jonah Jameson, who at first detests him, he gradually warms up to Keluang Man and begins to play the role of Commissioner Gordon.
Dr Malini is the only character who cares for Borhan and always motivates him to believe that he is not crazy but unwell.
As for the supporting characters, Amelia Henderson is great as Kathy, the fearless television reporter who becomes Keluang Man's ally along the lines of Teenage Mutant Ninja Turtles' April O'Neill.
The most interesting cameos are provided by Naim Daniel, a young fan who might become Borhan's sidekick Tiong Man, and Senario's Wahid Mohamad and Azlee Jaafar as two "nice" inmates.
A love letter to the generation that grew up in the 1990s, 'Keluang Man' has everything for viewers.
Filmed in the Klang Valley, Kinta Valley, Tanjung Malim and Kluang with superb cinematography, this movie is perfect.
Fans can expect many famous cameos from Malaysian movie history plus throwback hits from the 2000s.
NOW SHOWING
KELUANG MAN
DIRECTOR Anwari Ashraf
STARRING Nas Muammar Zar, Datuk Remy Ishak, Datuk Rosyam Nor, Shweta Sekhon, Anwaar Beg Moghal, Halim Othman, Amelia Henderson, Sham Sunder, Dennis Yin, Naim Daniel, Mierul Aiman, Nadhir Nasar, Daniella Sya, Wahid Mohamad, Azlee Jaafar, Delimawati, A Galak
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#SHOWBIZ: Sharon Paul, Rusdi Ramli ended their marriage last year
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Malay Mail
05-07-2025
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Ujang's next chapter: How Malaysia's cartoon pioneer reinvented himself after losing his creations
KUALA LUMPUR, July 6 — In the pre-social media landscape of 1980s and '90s Malaysia, entertainment often came from television cartoons, outdoor activities, and the simple joy of a good comic book. Amidst international titles, one local comic magazine truly resonated nationwide, its name still fondly remembered by those who grew up in that era: Ujang. This iconic magazine was brought to life by Malaysian cartoonist Ibrahim Anon, 59, known widely by his pen name, Ujang. A familiar name in the local cartoon scene, he was celebrated for his humour, storytelling, and art that distinctly highlighted Malaysian identity. The magazine famously introduced characters like Usop Sontorian, later adapted into a beloved animated series co-created by Ujang himself and the late Kamn Ismail. The popularity of Usop Sontorian, and later Keluang Man, is a testament to their cultural impact — as those who grew up in that period would likely attest. 'Even today, many decades later, when I attend book exhibitions or pameran kartun (cartoon exhibition) events, people still remember me as the creator of Usop Sontorian. It's not just the adults who grew up with it — even children from this generation know these characters,' Ujang said. The classic and popular 90s Ujang magazine on display, which was brought to life by Ujang himself. — Picture by Firdaus Latif Decades have passed since the series stopped airing and the Ujang magazine ceased publication. The journey has not been easy for the cartoonist, who has faced bankruptcy, lawsuits, and the loss of rights to his past creations, which are now registered under different ownership. 'Back in 1993, none of my works were registered under the Copyright Act 1987,' Ujang recalled. 'I was naive and unaware of how to protect my intellectual property, and there wasn't much awareness about it at the time.' Ujang 2.0: Life after the limelight Fast forward to 2025, Ujang has since explored diverse ventures. He partnered with MCT Official to organise Monsoon Casting, a fishing tournament held during Malaysia's monsoon season, typically in Terengganu. He has also ventured into the gold bar business, collaborating with KABGold to produce limited edition 0.5g and 1g gold bars featuring his artwork. Despite branching out, Ujang's cartoonist spirit remains undiminished. 'I still do the artwork for banners at the Monsoon Casting events,' he said. 'The same goes for my venture into gold bars; if it involves any artwork, I'll be the one drawing it.' He has also produced a five-episode anti-drug animated short titled Lebih Baik Cegah: Adiwira Penegak Keamanan. Today, he continues to draw and create animations, primarily using software like Autodesk, sharing his art on Facebook and TikTok — not as a business, but as a personal passion. Ujang's artwork when venturing into the gold bar business with KABGold. — Photo courtesy of Ujang Then vs Now: Ujang on the evolution of Malaysia's comic scene Ujang observes a growing wave of young Malaysians pursuing careers in cartooning. 'There were many aspiring cartoonists in the past, but now there are even more — because they have the facilities,' he noted. According to Ujang, digital platforms have opened new avenues for artists to build careers and publish their work independently. 'Back then, artists had the talent and the passion, but they often lacked the platform. The only way to get a comic published was through a traditional publisher, and only if it was accepted,' he explained. When asked for advice for today's local comic artists, Ujang humbly demurred. 'I believe young people today are so knowledgeable that it's no longer the older generation guiding the young, but often the other way around.' The Ghibli Effect: Why Ujang thinks anime still rules 2D for Malaysians Ujang personally feels that when it comes to 2D animation, Malaysians are often more drawn to Japanese anime, particularly the works of studios like Studio Ghibli. While 2D animation is still loved, he notes that many local animators have shifted their focus to creating 3D animation. Ujang sketches a character on the spot after an interview with Malay Mail. — Picture by Firdaus Latif 'It's not that the appreciation for 2D has vanished — rather, the success and opportunities in 3D animation have encouraged many to pursue it instead,' he explained. According to Ujang, very few local animators now specialize in 2D, with 3D having become the dominant medium, partly due to limited opportunities in traditional 2D. However, he remains optimistic, stating that today's Malaysian animation has the potential to reach Hollywood standards. Still in the picture In addition to his artistic pursuits, Ujang — no stranger to the film industry, having appeared in the 1996 film Yes Tuan — is set to play a small role in the upcoming live-action series Metaloka by Anithink Studios, scheduled for release later this year. When asked if he would ever return to being a full-time cartoonist, he replied, 'I'm tired and in a very happy place now, so I would only continue drawing for fun.' They say you should never forget those who opened doors — and Ujang was undeniably one of them. He helped pave the way for Malaysia's comic and animation scene, and he remains just as excited to see where it goes from here.


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