ShxtsNGigs is bringing their Daddy's Home tour to South Africa
The crew will be blessing our African soil for two days in two cities next January and you don't want to miss this!
We hope you've been saving your coins for an event like this, because tickets go on sale sooner than you think.
ShxtsNGigs is a dynamic podcast duo from the UK that features the charismatic pair James Duncan and Fuhad Dawudo. The podcast also includes Ellis and Rem. The crew have created a name for themselves with their engaging weekly podcast, where they dive into a variety of topics and share their unfiltered opinions.
ShxtsNGigs is known for James and Fuhad's undeniably chemistry and sense of humour. Their popularity has surged thanks to segments such as the ' Icks ' as well as the ' Twitter Hall of Fame .' Their engaging content has not only attracted loyal fans, who stuck by even after their public faux pas in 2023, but also led to collaborations with well-known brands like Durex .
Beyond the podcast and collaborations, the crew has cultivated a substantial following on social media platforms where they produce captivating short-form content that showcases their unique personalities and comedic flair.
James, Fuhad, Ellis, and Rem are set to bring their highly anticipated Daddy's Home tour to South Africa in January 2026.
On 24 January 2026, they will take the stage at The Golden Dome in Johannesburg. Just a few days later, they will perform at the Grand Arena, GrandWest in Cape Town.
Tickets go on sale at 09h00 on Friday, 1 August 2025 exclusively from Ticketmaster .
Fans are really eager to experience the crew's unique blend of humour and charisma live and honestly? Who can blame them. If their live performance will be anything like their podcast and other performances across the United States and Europe, it will certainly be a night to remember.
Let us know by leaving a comment below, or send a WhatsApp to 060 011 0211.
Subscribe to The South African website's newsletters and follow us on WhatsApp, Facebook, X and Bluesky for the latest news.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
IOL News
2 hours ago
- IOL News
Women's Month: meet the trailblazing female artists redefining South African music
Adelle Nqeto's artistry is quiet but radical - speaking to the messy, beautiful truths of being human. Image: Instagram Every August, South Africa pauses to honour the courage, strength and brilliance of its women - and, in 2025, the celebration feels especially resonant as a new wave of dynamic young women reshapes the music industry with unapologetic talent and fearless creativity. From soulful vocalists to genre-bending producers and sharp-tongued lyricists, these young artists are not only creating music - they are crafting culture. Whether it is the hypnotic beats of Amapiano, the healing power of gospel or the raw truth-telling of hip hop, women are commanding the mic and shifting the narrative. They are occupying space in genres traditionally dominated by men and carving out their own identities in sonic landscapes that have long lacked their voices. Here are six rising stars whose journeys, voices and artistry deserve the spotlight this Women's Month: For Thatohatsi, every song is a conversation, and every performance an offering of vulnerability and power. Image: Thabang Mathibele Sebata Thatohatsi Hailing from the tight-knit community of Payneville Springs in Gauteng, Thatohatsi's musical path began in the pews of her local church and the grassroots platforms of community arts. Her voice - both emotionally rich and technically honed - developed early, not in glossy studios, but in shared spiritual experiences and community connection. Her breakout track 'Xolele', created alongside Ntando Yamahlubi, Mphoet, Blaq Note and Jaz, became a runaway hit on TikTok, resonating deeply with a generation hungry for music that is both catchy and meaningful. But it was not just virality that defined her moment - it was her raw sincerity. Her voice does not just sing; it speaks, it reaches, it heals. Since then, she has continued her rise, impressing industry veterans not with gimmicks, but with consistency, lyrical honesty and a fierce work ethic. For Thatohatsi, every song is a conversation, and every performance an offering of vulnerability and power. Neo Dube's rise to fame has been both inspiring and uplifting. Image: Neo Dube Instagram Neo Dube Born and raised in Umlazi, Dube's journey from church choirs to major awards stages is a testament to passion, vision and soul. Music has always been a vehicle for storytelling for Dube - a way of honouring her history and healing the present. With roots planted in gospel harmonies and a spirit shaped by community, her sound blends soul, jazz, R&B and African folk into something deeply personal. Drawing inspiration from the likes of Sjava, Jill Scott, Busi Mhlongo, Thandiswa Mazwai and NAO, Dube creates sonic landscapes that echo with memory, resistance and love. Earlier this year, she was named Best New Artist at the Metro FM Awards - a well-deserved recognition of an artist who does not just sing songs, but tells stories that linger. Dube's music is emotionally intelligent, poetic and layered - the kind that stays with you long after the final note. And as she continues to evolve, she is not just creating music - she is shaping a legacy. Rapper, poet and cultural activist Lex LaFoy is a force of nature. Image: Johny Lex LaFoy Durban-born rapper, poet and cultural activist LaFoy is a force of nature. From her early days as a battle MC under the name Lexikon to her evolution as a genre-fusing artist, LaFoy has never shied away from the uncomfortable or the bold. She is the creator of Honey Bass, a sound that blends hip hop, trap and electronic textures with sharp lyricism and spiritual femininity. Armed with a degree in Psychology and Philosophy, she brings critical thought, introspection and activism to every bar she spits. Her projects 'Honey Bass', '22' and 'NewWorldDaughter' are more than music releases - they are statements of identity, resilience and empowerment. Adelle Nqeto's artistry is quiet but radical - speaking to the messy, beautiful truths of being human. Image: Instagram Adelle Nqeto Nqeto is a quiet storm. A folk-rooted, jazz-influenced singer-songwriter with an introspective gaze and poetic sensitivity, she crafts music that feels like a conversation with your soul. Raised on a steady diet of piano lessons, violin, church choirs and acoustic guitar, Nqeto's sound is both deeply personal and universally resonant. She began her career as part of a beloved acoustic duo performing across South Africa, and in 2015, boldly stepped into her light as a solo artist. Since then, she has released two EPs, performed in Europe and SA, and made Berlin her creative home base. Nqeto's artistry is quiet but radical - speaking to the messy, beautiful truths of being human. Her music is for those seeking refuge in melody, complexity in simplicity and comfort amid chaos. Whether performing solo or leading her band, Nobuhle Ashanti plays with the finesse of a veteran and the curiosity of a pioneer. Image: Lauren Manning Nobuhle Ashanti A classically trained violinist and a powerhouse jazz pianist, Ashanti is one of Cape Town's most exciting new musical voices. With a deep understanding of both Western classical structures and African sonic traditions, she crafts compositions that are intellectually rich and emotionally stirring. Having honed her skills through the Beau Soleil Music Centre and a host of prestigious youth programmes, Ashanti founded her project Ashanti Tribe in 2018, fusing South African jazz, R&B, jazz fusion and soul into a sound that is both innovative and rooted. Whether performing solo or leading her band, she plays with the finesse of a veteran and the curiosity of a pioneer. Her music is textured, layered and deeply intentional - the kind of sound that rewards repeated listening and reveals something new every time. Carla Franco's music is timeless - fusing classical sensibilities with modern songwriting, all wrapped in lyrical vulnerability. Image: Facebook Carla Franco Franco's journey is one of defiance and deep artistry. Born with 20-30% hearing loss and reliant on hearing aids, Franco has never let her condition define her capabilities. It has given her an extraordinary sensitivity to sound and emotion - a gift evident in every lyric she writes and every chord she plays. She began playing piano at age seven, and in 2022, released her debut album 'Chapter I' - a deeply intimate and musically sophisticated offering that marked her arrival as a bold new voice in South African pop and indie music. The album is more than just a debut; it is a mirror to the soul, exploring themes of identity, loss, growth and self-acceptance. Franco's music is timeless - fusing classical sensibilities with modern songwriting, all wrapped in lyrical vulnerability. Her resilience is not just inspirational - it's transformative. This Women's Month, we do not just celebrate them; we listen, we amplify, and we honour their work. Because in every beat, every lyric and every performance, they remind us that the most powerful revolution often begins with a song.
The Citizen
5 hours ago
- The Citizen
Don't complain if you're part of the problem
From pirated newspapers to poor theatre etiquette, South Africans often bemoan decline while contributing to it. We get what we deserve. It's a thought that seems to miss many of those who complain the most. People complain about the paucity of newspapers, but they don't buy them, instead they're happy to pirate digital logins on WhatsApp. It's the same Karens and Kevins who moan on their social media platform of choice about main stream media (MSM) not picking up a story, ignoring the fact that it was invariably broken by MSM journalists. There's fertile ground for them to complain. The common thread is one of entitlement. There's no deeper reflection, especially not about the effort or cost that goes in to producing something, particularly in the arts and the media. It was wonderful to see the ongoing success of one of Johannesburg – and South Africa's – finest exports, the multitalented and ferociously hard-working Jonathan Roxmouth playing to another full house at the weekend. South African performers, though, have a hard row to hoe, there's little to no government support, the number of theatres we have across the country are dwindling, with those struggling to maintain sustainable runs of longer than a couple of weeks normally only in venues that are cross-subsidised in gaming-type resorts. ALSO READ: Journalism's battle for survival starts with readers who care For the arts to flourish, like so much else in this country, ordinary citizens need to support them, it's too important an asset to leave to government. But do showgoers even deserve that which they pay for? The commentariat is quick to moan about dropping standards but loathe to observe the same standards themselves. Paying for tickets to go to the theatre is one thing, but there is also a concomitant requirement to behave when the lights dim in a way that doesn't detract from the other patrons' enjoyment. If you must check your e-mails on your smartphone, you obviously don't have the time to be there. No-one needs you to live tweet the show and even less to take grainy videos or snapshots during the performance – especially not from 16 rows back. It's the same WhatsApp group that moans about corruption in the country but sees nothing wrong about slipping a cop a couple of grand to look the other way when they're caught in a roadblock over the limit on a Saturday night. If we are serious about building a South Africa fit for all, we've got to make sure we're not part of the problem we are railing against. NOW READ: Why modern cinemas are failing to keep audiences happy
IOL News
15 hours ago
- IOL News
ZULO's new EP 'Z' - a heartfelt love letter to South Africa's enduring spirit
South African rapper ZULO makes a bold comeback with 'Z', a punchy three-track EP that delivers beyond its brief runtime. Image: Supplied South African rapper and cultural commentator ZULO has made a striking return to the music scene with the release of 'Z', a tightly constructed three-track EP that packs far more than its brief runtime suggests. Blending elements of faith, cultural homage and hard-earned resilience, 'Z' is a deeply personal and political work - an introspective yet explosive project that sees ZULO claiming his place as a fully formed, unapologetic voice in South African hip hop. At first glance, the EP might seem minimal in scale, but its emotional and sonic impact is anything but. Each track is a meticulously crafted chapter in a larger story of identity, legacy, and survival. With this project, ZULO distils his years of growth - both personal and artistic - into a clear and commanding sound that is equal parts bold, vulnerable and proudly rooted in his South African upbringing. Anchoring the project is the lead single, 'Sweeter Success', a rhythmically rich, Afrobeats-inspired anthem that carries the warm glow of nostalgia. Built around a shimmering sample of UPZ's timeless 'Pure Surprise', the song captures a feeling many South Africans know well - that moment when a familiar tune cuts through the noise and anchors you to a place, a memory, a people. 'The fact that you can go to every event in the country and the DJ always drops 'Pure Surprise', that's culture,' says ZULO. 'I needed that feeling. I needed them to feel a memory when listening to this song. It's a cheat code.' At first glance, "Z" might seem minimal in scale, but its emotional and sonic impact is anything but. Image: Supplied But beneath the track's soulful bounce and catchy melodies lies something more complex. 'Sweeter Success' confronts the often-unseen emotional cost of ambition - the burnout, the sacrifice, the endless grind. Produced by ZULO himself, with contributions from Miglow and SpiceDrums, the song balances light and darkness, triumph and tension. It's both a celebration and a cry for help. The EP opens with 'God's Armour', a commanding track that blends gospel undertones with the grit of trap drums and brass instrumentation. It's a protest song - raw, righteous and rooted in spiritual resistance. ZULO isn't just rapping here; he's bearing witness, channelling divine protection while standing firmly in defiance of societal pressures and inner demons. The closing track, 'Spaan', brings the project full circle, diving into SA's unhealed wounds. Sampling Kamazu and laced with a gritty sonic palette, the song touches on the realities of addiction, generational poverty and post-apartheid disillusionment - all through the lens of Coloured South African identity. It's a fearless reckoning with the past and present, told from the perspective of someone who's lived both. 'These songs are battle cries and war journals,' ZULO explains. ''Z' is everything I've fought through to stand where I am. It's my truth. It's my fingerprint.' ZULO's musical journey began early. Born and raised in Johannesburg, he first gained attention in high school under the moniker Lil Trix, releasing no fewer than eight mixtapes before matriculating. His early work earned him radio airplay on YFM and 5FM, as well as a finalist spot on Channel O's 'ShizNiz: King of the Mixtape' - a rite of passage for many rising local hip hop stars. But as he matured, so did his artistry. Shedding the Lil Trix name, ZULO emerged with a more refined vision - one that prioritises substance over flash, and legacy over virality. His rebrand marked not only a change in name but a full creative rebirth. With this new identity, he has consistently delivered music that fuses personal narrative with cultural commentary, earning him respect as both a lyricist and a visionary. Recent singles like 'Adawise', 'JOL', 'Garden', and 'Smaak To Love (Lamza)' laid the foundation for 'Z', offering glimpses of his sonic versatility.
