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From a fun idea at 16, now Amelia Dimoldenberg has millions of fans worldwide

From a fun idea at 16, now Amelia Dimoldenberg has millions of fans worldwide

The Agea day ago
This story is part of the July 6 edition of Sunday Life. See all 13 stories.
Amelia Dimoldenberg has just got back from a hard-earned break in Brazil. 'Most places I go now on holiday I'll get recognised by different people, which is kind of amazing,' says the born-and-bred Londoner. 'My parents always think it's so crazy that people come up to me and ask me for photos.'
The trajectory of Dimoldenberg's career is, indeed, crazy. It's now more than 10 years since she launched Chicken Shop Date, the wildly popular YouTube series in which she interviews A-list actors and pop icons in fast-food chicken shops. In fact, nowadays she is often more famous than the people she's grilling over nuggets, thanks in part to her other gig – being flown around the world to deploy her blunt interviewing style on the red carpet. Think of her as a sort of quirky, more socially awkward Joan Rivers.
When we meet, she has recently hosted red-carpet interviews at the Oscars, the Brits and Saturday Night Live 's 50th anniversary event in New York, where she rubbed shoulders with everyone from Kristen Wiig to Bad Bunny. 'It was just an amazing experience for so many of my comedy heroes to come up to me and be like, 'I'm such a fan of your show,' ' she says of the Saturday Night Live gig.
The 31-year-old is squeezing our interview into a tight work schedule. 'I set myself up in … I don't want to say in prison because it's not prison, but I'm in some kind of cage of my own making,' she says, sipping tea and dressed down in jeans and a Wallace & Gromit T-shirt ('I love Wallace & Gromit 's awkward charm,' she explains). 'I'm just always working a million miles an hour, but there are so many things I want to do.'
It all started with Chicken Shop Date. Her idea to interview UK rappers in a date scenario initially began as a column in a youth club magazine called The Cut when she was 16. From there it morphed into short videos shot in harshly lit fried-chicken shops while she was also studying fashion journalism.
In 2014 her first on-screen interview was with the rapper Ghetts in a branch of Chicken Cottage. Since then, her dates have become more starry: Cher, Jennifer Lawrence, Harris Dickinson, Sabrina Carpenter, Billie Eilish. Her 2022 date with Louis Theroux has more than 12 million views; American rapper Jack Harlow has pulled in over 19 million.
To have an original idea as a teenager (and not even a media nepo-baby teenager) and then pull it off so spectacularly is astonishing. 'I've always believed in the idea, I've always thought it's going to be great. It was just a matter of getting people to watch it,' says the woman now living the Gen Z dream of turning a YouTube channel into both fame and a full-time, highly lucrative career. MrBeast, the world's most popular YouTuber, for instance, reportedly earned about $US1.1 billion ($1.7 billion) last year. Dimoldenberg may not be in that league but her annual social media income is estimated at £4 million ($8.36 million), thanks in part to the lucrative advertising lured in by the 3.1 million followers she has on YouTube, four million on TikTok and 2.6 million on Instagram.
The show's recipe, tweaked and honed over the years, is carefully balanced: awkward tone, unexpected questions ('If you were an ice-cream cone, would you rather be licked or bitten?' she asked a pink-cheeked Eilish) and a ruthless edit down to about eight minutes. Her sister, Zoe, who is 18 months younger, is sent the edited version to give feedback. 'She doesn't like to indulge me,' Dimoldenberg says. 'There'll be bits where I'll be like, 'Oh, I love it,' because the guest is complimenting me loads. She's like, 'It's unnecessary, you can take that out.' '
Zoe was on the Brazil holiday too, and the pair are close. 'We're kind of twin vibe because we have the same friends, we hang out socially, we work together, we used to live together – but now we don't because we were too co-dependent,' adds Dimoldenberg, who currently lives alone in east London. 'I'm very lucky to have someone who is so similar to me.'
Dimoldenberg grew up in central London with her mum, Linda, a retired librarian, and dad, Paul, who is a Labour councillor at Westminster City Council. Initially, being funny was just a way to make friends – at her girls-only state school she cottoned on that making people laugh would get her on the invite list. Years later, she partly credits her single-sex education for her self-confidence: 'When you're at a girls' school, you are not competing with male voices. I hung out with guys as a young person and they dictate the dynamic of the friendship group.'
In Andrew Garfield's chicken shop date he asks: 'Do you think this has f---ed up the fact that we could have actually gone on a date at some point maybe?'
We get on to her hottest dates. In 2023, she met Cher in a chicken shop in Paris (2.3 million YouTube views). What was the legend like off camera? 'Amazing, so nice, talking to all the crew. Literally, we couldn't get her out of the shop. She was chatting to everyone.' Jennifer Lawrence (9.2 million views) was one of her favourites. 'It's amazing when they're going toe-to-toe for you, and they're funny and charming,' Dimoldenberg says. 'She literally did one piece of press [promoting a rom-com] in the UK and it was my show.'
As an interview subject, Dimoldenberg is polite and engaged but has a slight frostiness that I fail to melt. She seems unimpressed when I ask about Andrew Garfield, for instance, the Spider-Man actor with whom she's had famously fizzing chemistry on the red carpet, first at British GQ 's Men of the Year party in 2022 and at the 2023 Golden Globes. Cue fans clamouring for real-life romance to blossom. In Garfield's chicken shop date last year (11 minutes of nonstop flirting that's had 11 million views), he asks: 'Do you think this has f---ed up the fact that we could have actually gone on a date at some point maybe?'
What's the latest on their flirtationship, then? 'We're friends. I saw him at the Oscars and he's a great guy, a great person,' she says, professional hat firmly on, although she admits: 'We've got such a great dynamic.'
She relishes it when her chicken shop encounters blur the boundaries between what's real and what's not. Matty Healy, the lead singer of UK band the 1975 and Taylor Swift's one-time bad-boy squeeze, tried to kiss Dimoldenberg at the end of their YouTube date in 2022 (5.9 million views). She ended up pecking the musician's forehead instead. 'He was definitely down to kiss me,' she says, grinning.
Despite her numerous chicken shop dates, Dimoldenberg is happily single. 'I've got my whole life to be settling down with someone. My life is very fast-paced. I'm going travelling, I'm working away, I'm doing all these different things. I feel like I'm really glad to be single at this moment.'
Whenever he comes along, her ideal man is 'kind, thoughtful, intelligent', has self-confidence and, obviously, a solid sense of humour. Does Chicken Shop Date get in the way of real-life romance? 'I feel like it depends. Obviously, the guys who I'm dating need to be confident in themselves for many different reasons. I also just feel like maybe my work gets in the way of dating more broadly. I definitely want to create space in my life to meet someone but, at the same time, I don't want it to be the focus of everything.'
Right now, her focus is clearly her career. She is developing a romantic comedy film in which she'll take on the lead role ('It's me playing myself'), and another project, a drama series that Dimoldenberg wrote, is in the early development stage at the BBC. She has other acting ambitions too: 'Playing versions of myself, or in comedic roles. I don't necessarily, at this point, have an ambition to do a dramatic reading of Shakespeare.'
Going into auditions has forced her inner monologue to shift from telling herself that she definitely won't get the role to telling herself that she will get it. 'Saying I'm not going to get something is a negative mindset and I feel like often the voice in my head is so negative and critical,' she says. 'It's a good exercise to start talking to yourself positively.'
Dimoldenberg acknowledges that it's not easy being on the red carpet alongside mostly pin-thin women. 'The self-confidence thing, in terms of body image, is hard when you're having to have your photo taken, and you're literally in a line-up next to professional models, for example,' she says. Yet she vows never to have cosmetic surgery, which she believes has become normalised: 'That'd be very revolutionary of me, a celebrity, to have no surgery.'
Due to her series' near-blanket exposure over social media, endless celebrities are lining up to be her guests, but Dimoldenberg is discerning: 'Just because you're famous, you're not going to get an interview.' She knows who she wants to lure, though: Harry Styles, Beyoncé, Timothée Chalamet, Kendrick Lamar, the UK rapper Giggs and Philomena Cunk (aka the comedian Diane Morgan).
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Politicians of any stripe or level of global fame need not apply, however. At one point, Joe Biden's team reportedly reached out, as the Americans would say, but it came to nothing. 'The politics of my show is that we have a diverse range of people who are from different backgrounds and their views I appreciate,' the presenter says. 'I'm being political in the sense of the people I choose to not have on the show.'
Acting, writing, developing and chicken shop dating aside, Dimoldenberg also wants to one day launch her own youth academy to help people from varied backgrounds forge careers in creative industries. 'I hope my legacy is that I'm able to open doors or create confidence in young people and level the playing field in some way.' Her advice to up-and-comers? Crack on with your bright idea sharpish. 'I always tell them, go and do the thing.'
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TV's new golden rule? Put Megan Stalter in everything, please
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The spitting. Megan Stalter has had it with all the talk about the spitting. In the trailer for Too Much, the new Netflix series from Girls creator Lena Dunham, British actor Will Sharpe is briefly – yet evocatively – glimpsed dripping saliva into Stalter's mouth in the midst of sexual revelry. Somehow, among the choking generation, a supposedly shockless cohort that's grown up with a free-for-all smorgasbord of online pornography, the spitting has become a talking point. 'People have just been going so crazy over that scene in the trailer!' Stalter laughs. 'It's like, guys, spitting isn't that far away from kissing and you see that every day on screen.' Having watched all of Too Much ahead of our interview, I didn't even notice the spitting in the show. Did Netflix cut the scene after the intense public reaction, or did I just miss it? 'No, you saw it!' Stalter says. (She's right, it's there in the show's fourth episode.) 'You saw it and it wasn't that jarring, was it? And you liked it. And it was completely normal to be in there and it was completely tasteful and everybody needs to get on board. It's real life! People spit in each other's mouths. It's not a big deal!' Maybe, but the YouTube commenters were outraged. 'The spitting in mouth scene violated me,' was the general tone of the clip's most up-voted comments. 'It's crazy. You have to expect a little spit. It was done in one take. What's wrong with everyone?' Stalter asks with escalating faux-hysteria. 'You know what? It's fine. People like to get riled up, and it's okay. It'll make them want to see how much more spitting is in the show.' The whole saga has proved a more salient point: it shows that even eight years after ending her Millennial-defining Girls – 'the show that turned TV upside down', as The Guardian once described it – Lena Dunham, perhaps TV's most maligned comic genius, can still strike up screen controversy with a simple exchange of bodily fluids in a trailer. 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At this point, if you know Stalter from anything, it's for her breakout role on the Emmy-winning comedy Hacks, where she steals scenes as Jimmy's excitable, boundary-averse nepo baby assistant-turned-business partner Kayla Schaeffer. As Kayla, Stalter's a walking billboard for Stanislavski's showbusiness maxim that there are no small parts, only small actors. ' Hacks definitely changed my life. It was my first TV job. I'd been performing for a long time, but nobody was filming it or putting it on TV,' Stalter laughs. ' Hacks gave me my chance. It definitely started my paid career.' Before Hacks, Stalter was already known among the heavily online for absurdist character-driven sketches she posted to TikTok and Twitter. Her characters were often rambunctious and overconfident, narcissistic and performative, and the skits driven by Stalter's silly energy and ironic delivery. 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But online success – even if that included queer cult status (a 2021 TikTok in which she mocked corporate pandering during Pride month continues to go viral every year) – has a ceiling, and Stalter felt the difficulty of legitimising internet fame to mainstream opportunity. 'I think some people can see you do a bizarre, crazy character online, and if maybe they don't get it, they'll be like, that must be how she is in real life. 'That TikTok woman, she's crazy, I can't tell if she's joking or not.' Someone could even like your videos but still not know how it'll translate onto TV,' says Stalter. 'But the creators of Hacks – Paul [W. Downs], Lucia [Aniello] and Jen [Statsky] – they gave me my chance. They saw potential in me that what I do could work on TV, which was encouraging for other people to hire me! To see, okay, she is crazy online but she can behave too. She can be naughty when she's supposed to, but can make it work on set.' People have said crazy, mean, stuff about me... I think I'm lucky that I'm 34 and I already know myself so well. On Too Much, Stalter brings her immense charm to Dunham's cypher, playing Jessica, an American line producer who accepts a stint in London after a horrible breakup with her long-term boyfriend (played by The Marvelous Mrs Maisel 's Michael Zegen). Dunham wrote the role with Stalter in mind, after her friend Andrew Scott (Fleabag 's Hot Priest himself) showed Dunham Stalter's online videos. 'That's what she says!' says Stalter. 'And I did a movie called Cora Bora that she loved. I still can't believe it. I'm truly the luckiest girl in the world.' Stalter had long been a fan of Dunham's. 'To me, Girls is the best show ever. I literally always felt connected and obsessed with her. She had DM'ed me on Instagram and said that she had a project in mind for me, and I freaked out for days. But I was like, okay, yes. Whatever it is, yes, of course. I didn't know it was gonna be such a major show and a life-changing role.' As with Girls, Too Much doesn't shy from the more uncomfortable, intimate and revealing corners of romantic relationships. Stalter, best known for outlandish comedy, is tasked with emotional nuance. In scenes, she casually holds her own not just alongside Dunham, who plays her older sister, but actors including Adele Exarchopoulos, Richard E. Grant and our own Naomi Watts. Stalter never went to acting school, but found support in Too Much 's intimacy coordinator Miriam Lucia, who doubled as her acting coach. 'I love Miriam so much. Every time she came to set, I would be like, 'Miriam's here!' and I don't think people knew that she was also my acting coach, so I think they just thought I was really excited to see the intimacy coordinator,' Stalter laughs. 'But she is so incredible, and it helped me so much. It makes sense that an intimacy coordinator would be an acting coach, you know? Because they think about things in such a specific way. You can approach those dramatic scenes by prioritising safety and thinking about the character and making sure everyone feels comfortable. If you're comfortable, you're able to do those harder, more dramatic things.' Dunham was a guide, too. 'Lena always said, 'If crying is in the script, you don't actually have to cry', and that took the pressure off me, where it's like, 'okay, if I don't feel like crying in the scene, maybe the character doesn't cry and it's fine!' As long as you're feeling comfortable and feeling in the character, everything's ok.' Much of Too Much' s appeal is in the charming chemistry between Stalter and Sharpe, who plays the emotionally off-kilter, delicately sober musician Felix. An internet boyfriend following his work in The White Lotus and Jesse Eisenberg's A Real Pain, Sharpe brings a certain British aloofness that's both alluring and callous, like if Girls ′ Adam Sackler (Adam Driver) was from the home counties. 'I loved getting to know his family, he got to know my girlfriend, everyone just loved each other and felt comfortable,' says Stalter of working so intimately with Sharpe. 'I think I get nervous sometimes that someone who's, like, a serious actor is gonna think I'm too naughty, crazy, playful. But he loved to be mischievous with me. It was perfect.' Considering the ire Girls consistently drew – back in the 2010s, a river of opinion pieces followed almost every episode – and Dunham's polarising reputation, did Dunham give Stalter any advice on handling any potential fallout from the series, from its frank sexuality to, yes, the spitting? 'We were just so focused on making what we wanted to make that we didn't really focus on what other people would say, and I think that was the best way to do it. Also, I'm a comedian so I've had stuff online for over 10 years. People have said crazy, mean, stuff about me. I've been picked apart. I mean, I literally have a viral set on Reddit that's like, 'Fat, white comedian does worst stand up in the world',' Stalter laughs. 'Like, I've already had it all, so it doesn't really matter to me if anybody has anything horrible to say about me. I think with negative things, you just can't, can you? I think I'm lucky that I'm 34 and that I already know myself so well. And, I mean, Lena is so confident and knows herself so well, I don't think anyone could say anything that would make her feel different about herself. Plus, of course, everyone's gonna love the show and say only compliments.' Loading If Stalter's comedy aspirations began when she moved to Chicago in her early 20s to take improv classes at the famed Second City – where she met much of the same class of comedians she now runs with in Los Angeles including Saturday Night Live 's Sarah Sherman, Benito Skinner, Mary Beth Barone and Kate Berlant – on a recent appearance on Marc Maron's WTF podcast, she discussed some unlikely beginnings to her journey becoming the internet's favourite comedian. Born and raised in Cleveland, Ohio, Stalter grew up in a deeply religious Pentecostal household. 'Even in high school, I was the kid trying to convince everyone to go to church multiple times a week,' Stalter laughs. 'My family has always loved God and gone to church, and now I feel very spiritually connected to God. I'm basically a gay Christian, but I don't have a church I go to. But I would go to church if and when I find the right one.' Are her parents still around? Will they watch this show? 'My parents are, and they will. But I think that maybe they shouldn't watch all of it,' laughs Stalter.

TV's new golden rule? Put Megan Stalter in everything, please
TV's new golden rule? Put Megan Stalter in everything, please

The Age

time6 hours ago

  • The Age

TV's new golden rule? Put Megan Stalter in everything, please

The spitting. Megan Stalter has had it with all the talk about the spitting. In the trailer for Too Much, the new Netflix series from Girls creator Lena Dunham, British actor Will Sharpe is briefly – yet evocatively – glimpsed dripping saliva into Stalter's mouth in the midst of sexual revelry. Somehow, among the choking generation, a supposedly shockless cohort that's grown up with a free-for-all smorgasbord of online pornography, the spitting has become a talking point. 'People have just been going so crazy over that scene in the trailer!' Stalter laughs. 'It's like, guys, spitting isn't that far away from kissing and you see that every day on screen.' Having watched all of Too Much ahead of our interview, I didn't even notice the spitting in the show. Did Netflix cut the scene after the intense public reaction, or did I just miss it? 'No, you saw it!' Stalter says. (She's right, it's there in the show's fourth episode.) 'You saw it and it wasn't that jarring, was it? And you liked it. And it was completely normal to be in there and it was completely tasteful and everybody needs to get on board. It's real life! People spit in each other's mouths. It's not a big deal!' Maybe, but the YouTube commenters were outraged. 'The spitting in mouth scene violated me,' was the general tone of the clip's most up-voted comments. 'It's crazy. You have to expect a little spit. It was done in one take. What's wrong with everyone?' Stalter asks with escalating faux-hysteria. 'You know what? It's fine. People like to get riled up, and it's okay. It'll make them want to see how much more spitting is in the show.' The whole saga has proved a more salient point: it shows that even eight years after ending her Millennial-defining Girls – 'the show that turned TV upside down', as The Guardian once described it – Lena Dunham, perhaps TV's most maligned comic genius, can still strike up screen controversy with a simple exchange of bodily fluids in a trailer. Dressed in a navy silk shirt and a navy striped tie, her slick hair parted clinically down the middle, Stalter, 34, is Zooming in from London, a return trip for promotional duties after spending five months filming Too Much there last year. Produced by Working Title, the British studio famed for iconic romcoms including Notting Hill, Love Actually and Bridget Jones's Diary, the show skewers British civility through Dunham's own raucous style. Based loosely on Dunham's own post- Girls experiences – her breakup with former partner Jack Antonoff, her relocation from New York to London, and her transatlantic romance with an indie musician who eventually became her husband (Luis Felber, who is credited as the show's co-creator with Dunham) – the series marks Dunham's first scripted series in almost a decade. And at its centre is Stalter, in what's her first lead role on TV after garnering a cult audience online. At this point, if you know Stalter from anything, it's for her breakout role on the Emmy-winning comedy Hacks, where she steals scenes as Jimmy's excitable, boundary-averse nepo baby assistant-turned-business partner Kayla Schaeffer. As Kayla, Stalter's a walking billboard for Stanislavski's showbusiness maxim that there are no small parts, only small actors. ' Hacks definitely changed my life. It was my first TV job. I'd been performing for a long time, but nobody was filming it or putting it on TV,' Stalter laughs. ' Hacks gave me my chance. It definitely started my paid career.' Before Hacks, Stalter was already known among the heavily online for absurdist character-driven sketches she posted to TikTok and Twitter. Her characters were often rambunctious and overconfident, narcissistic and performative, and the skits driven by Stalter's silly energy and ironic delivery. 'When I started doing comedy, I always had something in me that was like, 'This will all work out, I just know it',' says Stalter of her early success making videos online. She recalls a video she posted in 2019, captioned 'My audition for the girl in the movie who the guy almost hooks up with before he goes after the love of his life', her spoof of romcom cliches in a blonde wig, that blew up and convinced her there was something to her online shenanigans. 'I remember that clip gaining some traction, and me being like, 'Oh yeah, this is what I should do right now.'' Views amassed, attention increased. In March 2020, as the pandemic gripped the world and our entertainment shifted online, the New York Times described Stalter as 'the most vital voice to emerge during this anxious, isolating moment'. But online success – even if that included queer cult status (a 2021 TikTok in which she mocked corporate pandering during Pride month continues to go viral every year) – has a ceiling, and Stalter felt the difficulty of legitimising internet fame to mainstream opportunity. 'I think some people can see you do a bizarre, crazy character online, and if maybe they don't get it, they'll be like, that must be how she is in real life. 'That TikTok woman, she's crazy, I can't tell if she's joking or not.' Someone could even like your videos but still not know how it'll translate onto TV,' says Stalter. 'But the creators of Hacks – Paul [W. Downs], Lucia [Aniello] and Jen [Statsky] – they gave me my chance. They saw potential in me that what I do could work on TV, which was encouraging for other people to hire me! To see, okay, she is crazy online but she can behave too. She can be naughty when she's supposed to, but can make it work on set.' People have said crazy, mean, stuff about me... I think I'm lucky that I'm 34 and I already know myself so well. On Too Much, Stalter brings her immense charm to Dunham's cypher, playing Jessica, an American line producer who accepts a stint in London after a horrible breakup with her long-term boyfriend (played by The Marvelous Mrs Maisel 's Michael Zegen). Dunham wrote the role with Stalter in mind, after her friend Andrew Scott (Fleabag 's Hot Priest himself) showed Dunham Stalter's online videos. 'That's what she says!' says Stalter. 'And I did a movie called Cora Bora that she loved. I still can't believe it. I'm truly the luckiest girl in the world.' Stalter had long been a fan of Dunham's. 'To me, Girls is the best show ever. I literally always felt connected and obsessed with her. She had DM'ed me on Instagram and said that she had a project in mind for me, and I freaked out for days. But I was like, okay, yes. Whatever it is, yes, of course. I didn't know it was gonna be such a major show and a life-changing role.' As with Girls, Too Much doesn't shy from the more uncomfortable, intimate and revealing corners of romantic relationships. Stalter, best known for outlandish comedy, is tasked with emotional nuance. In scenes, she casually holds her own not just alongside Dunham, who plays her older sister, but actors including Adele Exarchopoulos, Richard E. Grant and our own Naomi Watts. Stalter never went to acting school, but found support in Too Much 's intimacy coordinator Miriam Lucia, who doubled as her acting coach. 'I love Miriam so much. Every time she came to set, I would be like, 'Miriam's here!' and I don't think people knew that she was also my acting coach, so I think they just thought I was really excited to see the intimacy coordinator,' Stalter laughs. 'But she is so incredible, and it helped me so much. It makes sense that an intimacy coordinator would be an acting coach, you know? Because they think about things in such a specific way. You can approach those dramatic scenes by prioritising safety and thinking about the character and making sure everyone feels comfortable. If you're comfortable, you're able to do those harder, more dramatic things.' Dunham was a guide, too. 'Lena always said, 'If crying is in the script, you don't actually have to cry', and that took the pressure off me, where it's like, 'okay, if I don't feel like crying in the scene, maybe the character doesn't cry and it's fine!' As long as you're feeling comfortable and feeling in the character, everything's ok.' Much of Too Much' s appeal is in the charming chemistry between Stalter and Sharpe, who plays the emotionally off-kilter, delicately sober musician Felix. An internet boyfriend following his work in The White Lotus and Jesse Eisenberg's A Real Pain, Sharpe brings a certain British aloofness that's both alluring and callous, like if Girls ′ Adam Sackler (Adam Driver) was from the home counties. 'I loved getting to know his family, he got to know my girlfriend, everyone just loved each other and felt comfortable,' says Stalter of working so intimately with Sharpe. 'I think I get nervous sometimes that someone who's, like, a serious actor is gonna think I'm too naughty, crazy, playful. But he loved to be mischievous with me. It was perfect.' Considering the ire Girls consistently drew – back in the 2010s, a river of opinion pieces followed almost every episode – and Dunham's polarising reputation, did Dunham give Stalter any advice on handling any potential fallout from the series, from its frank sexuality to, yes, the spitting? 'We were just so focused on making what we wanted to make that we didn't really focus on what other people would say, and I think that was the best way to do it. Also, I'm a comedian so I've had stuff online for over 10 years. People have said crazy, mean, stuff about me. I've been picked apart. I mean, I literally have a viral set on Reddit that's like, 'Fat, white comedian does worst stand up in the world',' Stalter laughs. 'Like, I've already had it all, so it doesn't really matter to me if anybody has anything horrible to say about me. I think with negative things, you just can't, can you? I think I'm lucky that I'm 34 and that I already know myself so well. And, I mean, Lena is so confident and knows herself so well, I don't think anyone could say anything that would make her feel different about herself. Plus, of course, everyone's gonna love the show and say only compliments.' Loading If Stalter's comedy aspirations began when she moved to Chicago in her early 20s to take improv classes at the famed Second City – where she met much of the same class of comedians she now runs with in Los Angeles including Saturday Night Live 's Sarah Sherman, Benito Skinner, Mary Beth Barone and Kate Berlant – on a recent appearance on Marc Maron's WTF podcast, she discussed some unlikely beginnings to her journey becoming the internet's favourite comedian. Born and raised in Cleveland, Ohio, Stalter grew up in a deeply religious Pentecostal household. 'Even in high school, I was the kid trying to convince everyone to go to church multiple times a week,' Stalter laughs. 'My family has always loved God and gone to church, and now I feel very spiritually connected to God. I'm basically a gay Christian, but I don't have a church I go to. But I would go to church if and when I find the right one.' Are her parents still around? Will they watch this show? 'My parents are, and they will. But I think that maybe they shouldn't watch all of it,' laughs Stalter.

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