Law and the City: Watch episode 10 online today; check the release date & streaming platforms for these countries
Five lawyers at a newly merged firm juggle complex cases while forging unexpected friendships. Among them are An Ju-hyeong, a skilled yet emotionally distant senior attorney, and Kang Hee-ji, an idealistic junior associate determined to make a real difference. For fans who enjoy intelligent romance, compelling characters, and emotional depth, this is a series worth watching.
Law and the City: Release date and time for Episode 10
Episode 10 airs on Sunday, August 3, 2025, at 12:20 PM (GMT) / 8:20 AM (ET) / 5:50 PM IST on tvN in South Korea. It will also be available to international viewers via simultaneous streaming on Disney+, JioHotstar, and Viki, all of which offer English subtitles to make the series accessible to a global audience.
Where to Watch Law and the City Episode 10 Online?
Episodes 10 is available to stream on Disney+, JioHotstar, and Viki - the main legal platforms offering high-quality video and English subtitles. In South Korea, the series airs on tvN. For viewers in the U.S., Canada, India, Indonesia, and the UK, Disney+ remains the top choice for watching the series.
Law and the City: Episode 10 Plot?
Cracks begin to show as pressure intensifies. Mun-jeong conceals her pregnancy, Sang-gi unravels under the weight of his mother's illness, and Hyeong-min is consumed by self-doubt. As tensions rise, Ju-hyeong pushes for honesty—especially when their latest case exposes a haunting truth: the bullying never stopped, it simply evolved, leaving behind a dangerous cycle of violence they must break before it spirals out of control.
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Law and the City episode 10: Spoilers
Here are the spoilers for Episode 10 of the Korean series Law and the City based on the YouTube preview:
The once-unshakable team of associates begins to unravel. Mun-jeong isolates herself, hiding a life-altering truth she's not ready to face. Sang-gi spirals, his emotions running raw as he confronts his mother's illness—and his own helplessness. Meanwhile, Hyeong-min sinks deeper into uncertainty, haunted by the fear of failure and unable to speak her mind.
Ju-hyeong watches the fallout unfold, pushing back against the silence. He knows the damage unspoken pain can do and pleads with his colleagues to be real with one another—before their silence swallows them whole.
Their newest case only intensifies the storm. A schoolyard incident leads to a chilling exchange between Chang-won and a defiant student. The weapon is real. The fear is realer. And yet, the student doesn't run—he asks why he hasn't been caught.
It's a trail that leads Ju-hyeong and Hui-ji to a harrowing conclusion: the abuse didn't stop. It changed form. It adapted. And if the team can't act in time, history is poised to repeat itself in ways more violent than before.
Law and the City: Cast and Characters
The series is penned by Lee Seung-hyun and helmed by director Park Seung-woo, with a stellar lead cast featuring Lee Jong-suk, Moon Ga-young, Kang You-seok, Ryu Hye-young, and Im Seong-jae.
FAQs
1. When will Episode 10 of Law and the City be released?
Law and the City Episode 10 will be released on August 3, 2025, at 12:20 PM (GMT) / 8:20 AM (ET) / 5:50 PM IST on tvN.
2. Where can I watch Episode 10 of Law and the City online?
You can stream Episode 10 on Disney+, JioHotstar, and Viki. All three platforms offer English subtitles.
3. Does Law and the City have English subtitles?
Yes, the series is fully subtitled in English on Disney+, JioHotstar, and Viki, including Episodes 10.
4. Is Law and the City available on Netflix?
No, Law and the City is not available on Netflix. It officially streams on Disney+, JioHotstar, and Viki.
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When I met Karan in the office, he thought I had a very interesting face so he offered me Student of the Year. I took it up even though I was digressing from my dream of being a director. Because me being an actor and facing the camera in my debut film really helped me direct Ibrahim when he was debuting. But the minute that was over, my focus went back to being the director. Then I AD'd on Bombay Talkies (2013) and Lust Stories (2018). I was Karan sir's associate on Takht, which never got made. And then I directed Ankahee and Sarzameen. Let's put it this way — I'm now a retired actor and a full-time director. There's a parallel between Ankahee and Sarzameen — of parents dealing with a disabled child differently. There's the mother (Shefali Shah, Kajol) asking the father (Tota Roy Chowdhury, Prithviraj) to understand their child instead of judging them. Do you know where does this theme come from? There's nothing unhappy in my household, I've to tell you first (laughs). I love interpersonal stories. One of my favourite films is Bajrangi Bhaijaan (2015). It has a large canvas and political messaging, but it's the story of a father and figuratively his daughter. It chokes me. I don't cry in life, but I cry at the movies. If you give me any subject, I get very excited by the family conflict. You'll think of Yeh Jawaani Hai Deewani (2013) as a friendship story, or Argo (2012) as a thriller, but I love the father-son stories in them because they're the soul of those films. It's not just father-son or family, but the human emotions which make the audience connect to the story. You and your father Boman Irani turned directors in the same year. He directed The Mehta Boys, also a turbulent father-son story. Then he also popped up in a small role in your directorial debut. Do you exchange notes as filmmakers back at home? Hundred percent. I read him the script and showed him the edit and he gave me feedback, and vice-versa. We are a full filmy family. My dad and I've grown up on cinema. We used to watch movies together on DVD. After watching, we'd start the movie again with the director's commentary to learn. We're a united team because we both see cinema as a temple. It's given us so much that we have to give it that respect. We're a very united family. I live alone in Bandra. My parents live in Dadar. Four times a week, I'm at their home having dinner. We sit in the living room and we chat, laugh, gossip, and reminisce. We discuss food and films. It's my happy place. My father is my lucky charm. I have to have him in all my films. This isn't a role he would've ordinarily done, but I gave him no choice here. Also Read — Sarzameen: Ibrahim Ali Khan's terrible film accidentally gets you to root for a terrorist to kill a soldier, and you can't even deny it You've been trying your hand at direction for 15 years. But like you, your father is a late bloomer. He became a film actor at 45 and a director at 65. Does his journey give you confidence to stay at it? My father started as a waiter at the Taj Mahal Hotel. He then became a shopkeeper selling wafers, then a photographer, then into theatre. He reluctantly joined movies. It wasn't something he was trying for. But what I take away from him is the man he is, not so much his achievements. In Sarzameen, there's a line that says, 'Maa se jitna bhi pyaar mile, banna wo apne baap jaisa hi chahta hai' (No matter how much love a mother can give, a son wants to be like his father). And that's very true for me. Finally, even after being launched as an actor and a director by Karan Johar's Dharma Productions, and being Boman Irani's son, how has the tag of nepotism evaded you so far? I suspected it'd happen after the release, but it hasn't. But I've worked very hard and paid my dues. The first day of my shoot, I was given a jhadu (broom) and I swept the floor at Yash Raj Studio. I didn't take anything lightly. Having said that, am I product of nepotism? Yes. Did doors open for me more easily? Yes. But now, it's my job to walk into that door and make it on my own. The audience decides what I do next. Also, I know Karan gets the brickbats for nepotism, but he's launched most first-time directors ever, and none of them come from nepotism.
