
Brownstein: Satirist Roy Wood Jr. will win hearts at Just for Laughs
By
Roy Wood Jr. should touch all the bases when he hits Just for Laughs — both literally and figuratively.
One of the sharpest satirists on the continent, the former Daily show correspondent and host of CNN's Have I Got News for You news-panel series is equally adept at discoursing on American political buffoonery as he is on baseball. Audiences may even catch him sporting his beloved Expos jacket when he takes to the stage hosting a Gala, July 25 at Théâtre Maisonneuve, or when he does his solo 'experimental talk-show,' Today, Tonight … Tomorrow, July 26 at Théâtre Ste-Catherine.
Though a lifelong Chicago Cubs fan, Wood can feel our city's collective pain on the loss of the 'Spos. He makes his living taking shots at the powers-that-be, but baseball remains his holy ground, and little is more sacred to him than the power of a home run as exemplified in his new TV special, Going, Going, Gone: The Magic of the Home Run, now streaming on Roku.
Wood was in suburban Atlanta on Tuesday, both taking in the baseball All-Star Game in suburban Atlanta and commenting on the pure poetry of hitting dingers for the MLB Network. As always, Wood, who played some high-school and college ball, took his glove to the game — just in case.
'I love that old-school Expos logo and I'm also a big Andre Dawson fan,' says Wood in a Zoom interview, referring to the star outfielder known here as the Hawk, who spent most of his career with the Expos and Cubs.
Wood, like many an up-and-coming comic, got his start in the JFL New Faces series in 2006 and came back a decade later to perform in another show. But this is the first time he'll do the fest as a solo artist.
'I felt that an Expos jacket as a non-Canadian would be the safest thing to wear,' he cracks, noting he purchased the jacket in — yikes — Toronto on a JFL tour — that didn't come to Montreal — two years ago.
As a non-Canadian, he is also up to speed on the angst his president is imposing on Canadians with his ever-volatile trade tariffs.
'It's definitely a time now when as an American you're paying the price for someone else's policy,' he says, before jumping in with this chestnut: 'I just almost want that our voting results be made public so I could just go through Customs in the I-Didn't-Vote-for-Him Lane.'
'Regardless of what's happening on the federal level, Americans still have to pay close attention to state and local politics — when you look at the flash flooding that's happening in Texas that's taken over 100 lives. And when it's time to figure out who to blame, it's state and local … But I'm thankful to get up to Canada and argue with you guys about your politics,' he quips.
Anything to get his mind off the current state of affairs back home.
'It's almost surreal what's happening now. You've got one group of Americans who are basically still celebrating the (Trump) win, but still can't really tell you what they won. There's another group of Americans still fighting it. And then there is a third group who are in their own Dystopian let-me-know-when-this-is-over type situation. It's like a roller-coaster … you've got people up front with their heads down and their eyes closed, and you've got people in the back hanging on for dear life.
'People who love Trump still love him, but we will still need more time on blowback of some of his policies. It will be interesting to see what happens with his cuts on Medicaid in the next couple of years, with his spending-bill cuts. I'm not calling it 'a Big Beautiful Bill.' That's part of the problem: Americans want to give everything a title to make everything more glorious than what it is. … Stop it.
'It used to be kick-ass to be an American … now you just have to tuck your head down and go whoops and say 'sorry about that.''
The good news is American political parodists have an abundance of fodder, and Wood's career has been going gangbusters of late.
It shouldn't come as much of a surprise that with his carving skills, Wood headlined the White House Correspondents' Dinner in 2023 — under Biden as president — to its highest ratings since 2017. He also served as a Daily Show correspondent for eight years and later guest-hosted it for a period.
Apart from his baseball special, he appears in the coming film comedy Outcome, alongside Keanu Reeves and Jonah Hill. And his book memoir, The Man of Many Fathers, will be released in October.
'That book is about all the dads who helped raise me after my father passed when I was 16,' elaborates Wood, the father of a 9-year-old son. 'We all encounter various people from whom we get our values. I don't feel our parents are exclusive instructors of a child's moral core. This is a collection of stories of random people, some of whom I can't even remember their names, and others like high-school coaches and Trevor Noah, all of whom helped me in one capacity or another. I'm just thankful to all these people who saw enough in me to take me under their wing.
'And I just want my son to learn and appreciate failure, because that is the key to success.'
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Toronto Sun
2 hours ago
- Toronto Sun
Chuck Mangione, dead at 84, was no hack with a horn
Published Jul 26, 2025 • 4 minute read Chuck Mangione performs at the "A Time To Care Gala" on May 13, 2004 at the Playboy Mansion in Holmby Hills, California. The gala is to benefit the ALS research. (Photo by) Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account A healthy segment of Americans knew Chuck Mangione as an object of kitsch. The shoulder-length hair and beard, the colorfully banded fedora, the warm, glossy sound of his flügelhorn (all of which he happily sent up in his self-portrayals on the animated sitcom 'King of the Hill'): Mangione represented not just a weird limbo between hipness and squareness, but an outdated one. Yet if Mangione, who died Tuesday at 84, was game to make fun of himself in that way, it was because he'd already achieved what any artist strives for: He'd made his work an indispensable part of our world. Specifically, his hit 'Feels So Good,' an instrumental pop-jazz crossover that reached No. 4 on the Billboard charts during the summer of 1978, has unexpectedly had as much staying power as 'Stayin' Alive,' 'I Will Survive' or any other anthemic tune from that era. So much so, in fact, that we didn't always notice it. Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. The melodic, ever-so-gently funky record is played in restaurants and grocery stores, in hotel lobbies and elevators. It has powered more TV and radio commercials than anyone could count. Those of us who aren't pop-music nerds, or just not old enough to remember when it reigned supreme on Top 40 radio, know 'Feels So Good's' barrage of hooks by heart without even realizing the song has a name. Those are the qualities that make it easy to mock, of course. It's catchy but toothless, inoffensively pleasant, so of course it's ubiquitous. That was part of the 'King of the Hill' bit. Mangione was a celebrity pitchman (for Mega Lo Mart, the big-box store of the show's universe) who, no matter what he played on his horn, always segued into 'Feels So Good.' This advertisement has not loaded yet, but your article continues below. Through no fault of its own, the record became a cornerstone of smooth jazz, that intersection of jazz, rock, soul and easy listening that conquered the realm of background music in the 1980s and 1990s. The genre is much despised. 'Feels So Good,' by association more than any actual element of the song, has thus taken its lumps. It wasn't because he couldn't play anything edgier. The Rochester, New York, native was a graduate, and later a faculty member, of that city's Eastman School of Music. He also did time in the mid-1960s as the trumpeter in Art Blakey's Jazz Messengers, the most prestigious finishing school in postwar jazz. Before earning those two distinctions, he and his brother Gap, a pianist, had some early-1960s success leading the hard-swinging Mangione Brothers sextet, recording an album before he was 20 years old (with two more to follow). Dizzy Gillespie was both a fan of and mentor to the trumpeter. They remained close until Gillespie's death in 1993. This advertisement has not loaded yet, but your article continues below. Chuck Mangione was no hack with a horn. But he came to jazz when it had split into two poles: a populist one, which was trending ever lighter to suit mainstream tastes, and an arty one, which was increasingly inaccessible. Mangione wanted to reach the people. He saw nothing wrong with that. But he wasn't interested in success for its own sake: 'I didn't want to record something I didn't like, because if it became a hit I wouldn't be happy playing it,' he told JazzTimes magazine. It's a sentiment that was also expressed by the likes of Paul McCartney – who, as a solo artist, had been on the receiving end of the same kind of kitsch accusations as Mangione. But it's also resulted in the horn player getting the same kind of world-class work: In 1980, for example, Mangione was invited to compose a theme song for that year's Winter Olympics. He played the resulting tune, 'Give It All You Got,' live at the Closing Ceremonies in Lake Placid, New York, for a worldwide television audience. (It was another Billboard Top 20 hit, too.) This advertisement has not loaded yet, but your article continues below. Talk about reaching the people. The comparison with McCartney is apt in another sense. Say what you will about 'Feels So Good' and its particular kind of ubiquity; it means that Mangione achieved, without exaggeration, Beatle-level cultural saturation. More people know his music than know him. He reached this point without, in his own words, having to resort to music he didn't want to play. In the wake of Mangione's passing, there will be plenty of people who are ready to pile on and crack jokes about the kitschy side of his legacy. The joke will be on them. Mangione was perfectly content with that aspect of himself. Meanwhile, he infiltrated our environment and our lives in a way that many of his critics can only dream of. Love concerts, but can't make it to the venue? Stream live shows and events from your couch with VEEPS, a music-first streaming service now operating in Canada. Click here for an introductory offer of 30% off. Explore upcoming concerts and the extensive archive of past performances. 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Winnipeg Free Press
5 hours ago
- Winnipeg Free Press
Canada-Mexico arrangement perfect fit for Pony Corral musician José 'Pepê' Cortes
'I usually do this one later on in the night but since I just had a request for it, here we go, off to Mexico!' It's Saturday evening at the Pony Corral Restaurant & Bar on Pembina Highway. Entertainer José 'Pepê' Cortes launches into a rollicking version of La Bamba, diners on the eatery's spacious riverside patio put down their forks and knives to clap along to the Ritchie Valens hit, which Cortes performs on guitar with the assistance of a pre-recorded backing track. Given his high-spirited delivery, one would never guess that Cortes, a summertime fixture at the Fort Garry hotspot since the mid-2000s, has sung the crowd-pleaser 'oh, about a million times,' over the years. Jose (Pepe) Cortes, who is a one-man show, performs on the riverside patio at the Pony Corral Restaurant & Bar three nights a week. 'The thing I try to remind myself is that there's always going to be somebody here for the first time who has never heard me do La Bamba, which, I suppose because I'm from Mexico, people kind of expect,' Cortes remarks later, during a break between sets. That's fine with him, he continues. His job, he feels, is to make guests forget about whatever might be troubling them, if only for an hour or two. So when he spots somebody beaming and raising their glass during La Bamba or Besamé Mucho, another Mexican standard that's part of his act, he tells himself, 'mission accomplished.' Cortes, 66, was born in Mexico City, the second eldest of five siblings. Growing up, he was a big fan of the Beatles and the Rolling Stones, he says, casually dressed in sandals, grey shorts and a pale-blue short-sleeve dress shirt . By the time he was 11, he was teaching himself to play popular songs he heard on the radio, on an acoustic guitar borrowed from a relative. Not that he always understood what he was singing about. 'We did take English in school but no, there were lots of times I didn't have a clue what the lyrics meant, I was mostly just pretending,' he says, mentioning he has answered to the nickname Pepê — even his mother calls him that — for as long as he can remember. Before long his older brother Eduardo, Lalo for short, began accompanying him on drums. Cortes guesses he was 12 or 13 when a sign went up in their neighbourhood, advertising for bands to volunteer their services for an outdoor music festival. After talking a pair of classmates into joining them, the foursome made its official debut as El Dilema, covering rock tunes by American groups such as Grand Funk Railroad, with Cortes handling lead vocals. El Dilema was well-received. Before long the group was getting booked for community dances around town, now billed as Children owing to how young they were. The band eventually expanded to seven members and by the mid-1970s, Children had become a popular nightclub draw, not just in Mexico City but in more touristy destinations, as well. Cortes was 21 in 1979 when Children was booked for a weeklong engagement at the Princess Hotel in Acapulco. Also appearing there was a band called Zig Zag, which got its start in Mexico before relocating to Minneapolis. Following one of Children's performances, the members of Zig Zag told Cortes they were impressed with his voice, especially when he sang falsetto on Bee Gees numbers. Also, would he be interested in going with them when they headed back to the States? It seemed like a great opportunity and after discussing it with his bandmates, he made the difficult decision to leave Mexico. Supplied José 'Pepe' Cortes in Mexico with the band Children 'Zig Zag mostly did classic rock — Boston, Kansas, that kind of stuff — and we used to get standing ovations for our version of Bohemian Rhapsody,' Cortes says with a laugh, adding besides the Twin Cities, they were also getting booked for shows in North and South Dakota, and, later on, in Canada. In August 1984 Zig Zag was hired for a social being held at the Canadian Forces Base in Shilo. In attendance was a pharmaceuticals rep originally from Deloraine who had relocated to Brandon. Cortes struck up a conversation with her between sets. Within a year, they were married and living in Winnipeg. Cortes continued his musical career after moving to the city. He started off with a country-rock outfit called Raven before being introduced in 1987 to Wayne Hlady, founder of the Beatles tribute act Free Ride. For the next 18 years, Cortes-as-George Harrison played guitar and sang with Free Ride. It was a lucrative gig, he says, but because the band was often booked as many as six nights a week, it caused a strain in his marriage. 'We had two kids, a boy and girl. I was Mr. Mom during the day, cooking the meals and seeing them off to school, but the minute my wife got home, I'd be out the door,' he says. Free Ride definitely helped pay the bills, he goes on, but still, his wife desired a normal life, one that would enable them to socialize with family and friends on the weekend, instead of him always appearing at this bar or that. He understood her point — he even tried his hand at a 'real' job working for a local landscaping firm — but in the end they had grown too far apart. Following his divorce in 2005, Cortes made the decision to part ways with Free Ride. For a while he'd been writing songs of his own, but because Free Ride was all-Beatles, all-the-time, he knew there would never be an opportunity for him to perform his compositions in front of a live audience. One of the first places that hired him after he struck out on his own was the Pembina Highway Pony Corral. There he was encouraged to mix in original tunes alongside time-tested favourites such as Under the Boardwalk, Imagine and Brown Eyed Girl. He also returned to his roots, by sprinkling in Spanish-style songs popularized by the likes of the Gipsy Kings and Santana. By 2011, Cortes, who did three sets a night, Wednesday through Saturday, had developed a loyal following. That summer he was on Facebook when he spotted a message from a person he'd gone to school with in Mexico City. He remembered she used to be pals with his first girlfriend. Out of curiousity he asked if the two of them were still in touch. They were, she replied. SUPPLIED Free Ride as The Rolling Stones. Jose 'Pepe' Cortes is Keith Richards,, front Five minutes later, he received a second message, this time from his ex, a woman named Gabriela. 'She was like 'hi, how are you.' She told me she was living in Tequisquiapan, about three hours from Mexico City. After messaging back and forth a bit more, she said I should come for a visit, which I ended up doing that winter.' Cortes fell in love with both Gabriela and the town, notable for its quaint cobblestone streets and rustic houses. On the flight back to Winnipeg he thought if he could land a gig there, he'd probably move. Four years later he was preparing to do just that. Ahead of his imminent departure, Peter Ginakes, owner of the Pony Corral, proposed they stage a 'Farewell Pepê' concert in his honour, on the patio. That night the place was jam-packed, with lineups stretching into the parking lot. As Cortes was putting away his guitar for what he thought would be the last time at that locale, Ginakes approached him to say, 'You know, there isn't any reason we can't do this every summer.' Cortes, who has dual citizenship, refers to his current situation, which sees him living and performing in Tequisquiapan for nine months of the years, and spending June through August in Lorette with his daughter Sam and her husband, as the 'best of both worlds.' Not only does he get to see his two adult children as well as a pair of grandchildren, ages five and nine, when he's here he holds down a Las Vegas-style residency at the Pony Corral three nights a week, Thursday to Saturday. Added bonus: his son Matthew occasionally supports him on bongo drums. 'It's funny because couples who used to come see me at the Pony 20 years ago, back when they were dating, now show up with their kids to catch the show,' he says. 'The other night my own grandkids were here and the oldest one spent the whole time in one of the Tiki huts, banging away on the table like he was playing drums.' Cortes, who has recorded four CDs of original material, figures he currently has close to 150 songs in his repertoire, including what he refers to as the calypso medley, which he put the finishing touches to in Mexico, this past winter. Jose (Pepe) Cortes on the patio at the riverside Pony Corral Restaurant & Bar (Pier7) at 1700 Pembina Hwy. 'For that one, I kick off things off with Lionel Richie's All Night Long, then switch to Kokomo by the Beach Boys, September by Earth, Wind and Fire and finally Hot Hot Hot (by Buster Poindexter). If that doesn't get people tapping their toes, nothing will.' And although Gabriela has only come with him to Winnipeg once — she found it too chilly, even in June, he says with a wink — he intends to make the annual trip north for as long as Ginakes and the Pony Corral will have him. 'The only tough part is I'm not as young as I used to be,' he says, polishing off the last of his coffee. 'Lots of times customers will go, 'Pepê, it's so good to see you,' and offer to buy me a drink. I have to tell them thanks, but no thanks… or at least to wait till Saturday night, when I don't have to work the next day.' Monthly What you need to know now about gardening in Winnipeg. An email with advice, ideas and tips to keep your outdoor and indoor plants growing. David Sanderson Dave Sanderson was born in Regina but please, don't hold that against him. Read full biography Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.


Toronto Star
7 hours ago
- Toronto Star
This Toronto singer-songwriter brings musicians into prisons. Now, a jazz great is coming back for an encore
American jazz guitarist Bill Frisell is one of the gentlest, most soft-spoken musicians you're likely to ever meet, with the demeanour of a Boy Scout. He's never been convicted of a crime. But two years ago, I found myself accompanying him to prison — where he performed for inmates at Collins Bay Institution in Kingston. Frisell, 74, is an internationally renowned legend, for his solo work, his high-profile jazz collaborations and his association with the likes of Elvis Costello. He has his choice of gigs anywhere in the world. Why would he play one at a penitentiary in Ontario? Michael Barclay is the author of three books, including 'Hearts on Fire: Six Years That Changed Canadian Music 2000-05.'