
Zoos much more than entertainment, say industry leaders
"The days of when you got to a zoo or a wildlife part for entertainment, they're still there to have a day out, but it's much more than entertainment," he said."I'm very keen to get that across to people because there still is an anti-side to it, but actually the work that zoos and wildlife parks do to preserve our wildlife and habitats is vital."Particularly now under so much pressure, in terms of destruction of habitats, but also climate change."
Mr Doherty's farm and wildlife park is home to four polar bears as well as many other animals.One of the polar bears was rescued by Jimmy's Farm from Sweden as it was due to be euthanised. The park is also a part of various breeding programmes and conservation research projects.He encouraged people to find out more about all zoo's conservation work and he believed the new government legislation would ensure standards were kept high.The legislation updates rules for keeping animals in zoos, including having larger habitats for elephants, the removal of being able to touch fish and cephalopods at aquariums, and phasing out the practice of tethering birds.Animal welfare minister Baroness Hayman said the reform was "long overdue"."We're making sure all sectors have the tools they need to thrive, which is vital in our mission to deliver economic growth and make lives better for people across the country under our Plan for Change," she said.
Tyler Whitnall, a director of Hertfordshire Zoo and a trustee of Big Cat Sanctuary in Kent, said the new legislation would "bring everyone to a higher table".He added: "[It will] hold everyone to a much higher standard to protect the species in our care, but also what we're doing for conservation in terms of protecting these species in the wild."But also in terms of making sure our teams on the ground are looking after the animals, have the right information and are accountable, so we can make sure that zoos going forward are all good zoos."Without the work that good zoos are doing, most of these [endangered] species would be extinct already."
Chris Brown is the head of conservation, science and education at Sea Life, which has centres in Great Yarmouth and Hunstanton in Norfolk.He believed those in the industry were "excited" by the government's new legislation."I think we've got an incredible responsibility having animals in our aquariums and zoos, and it's really important to be able to educate the public, but also utilise our aquariums and zoos to be able to advance conservation, research and education," he said."The new zoo standards really make that easier to be able to show and evidence what we do for it."So it's something that's been done for a long time, but not always been able to show the impacts that we're having."
'Not far enough'
The RSPCA said in May that it welcomed the government's new legislation, but felt it did not go "far enough to protect every animal".Dr Ros Clubb, head of the RSPCA Wildlife Department, said the charity felt elephants did not belong in zoos, while it was still concerned for animals which were handled, including crabs and starfish, which were not included in the legislation.The charity did welcome the phasing out of tethering of birds of prey, which it said deprived them of their "freedom to fly and exercise"."A fundamental understanding of the welfare needs of all animals is so important," Dr Clubb added."Zoo visitors should be educated about animal welfare so they are encouraged and informed about how to be kind and compassionate to animals they interact with."Wildlife welfare charity Born Free said last month that "zoos can never fully provide for the complex needs of most wild animal species", and it would "continue to call for the revision of zoo licensing and inspection processes to ensure the animals that are kept are afforded the best possible care".
Follow Suffolk news on BBC Sounds, Facebook, Instagram and X.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
23 minutes ago
- Daily Mail
Aimee Lou Wood puts on a cosy display with boyfriend Adam Long as they party together at Glastonbury after romance was revealed
Their romance was first revealed when they were pictured kissing last month. And Aimee Lou Wood 's new romance with boyfriend Adam Long is going from strength to strength, as they partied together at Glastonbury over the weekend. The White Lotus star, 31, joined the crowds to watch live music at Worthy Farm, opting for a casual olive green cap. Adam, 34 - who is best known for his role as convict Lewis Whippey in Happy Valley - was dressed in a blue gingham shirt. The pair - who are starring together in the upcoming BBC series Film Club - were first spotted sharing a kiss last month. Aimee has liked all of Adam's social media posts since their Film Club casting was announced last November. She was also quick to praise the star after he completed a sponsored run in aid of Movember and men's mental health awareness. On a snap of the actor and his running buddies, Aimee penned: 'YOU DID IT!!!!!!! ✨' It's believed the pair met last year working on their upcoming BBC Three series, written by Aimee, in which they play a couple. The pair play lovers in the series, which follows Evie (Aimee) who sets up a film club with her best friend Noa (Nabhaan Rizwaan). A BBC synopsis reads: 'It's Friday night. 7pm. Film Club Week 198. Evie hasn't left the house in six months after a 'wobble', and tonight, things are different. 'Noa's got big news. A dream job is taking him across the other side of the country, which means that all of this is ending. That reality is hitting. That they're going to be forced to consider for the first time they might be more than just friends. 'Neither of them are the best when it comes to emotions but this time those emotions might be impossible to ignore... 'As if life weren't challenging enough already, Evie is going to be navigating this amongst the eccentricity of her family home - living with her fiercely loving single mum Suz (Suranne Jones), sister Izzie (Liv Hill), and handsome boyfriend/sometime man of the house Josh (Adam). 'Film Club is a witty and emotional show about love and family, about whether we should follow our hearts or heads, and being in love with a friend.' Speaking about the series, Aimee - who created the show with Ralph Davies - said in a statement: 'I'm thrilled that our beloved TV series Film Club, a project that Ralph and I have been writing for the past decade, starts shooting this week. 'We couldn't be more excited, and grateful, to the incredible team we have assembled with the BBC. 'To bring this to life with Nabhaan and Suranne, two exceptional actors I have always admired, is a real honour.' The series was filmed in Manchester last year and is set for release on BBC iPlayer and BBC Three later this year. Adam, who also starred in Day Of The Jackal and Waterloo Road, has not spoken publicly about his love life. Aimee's last known relationship was with her Sex Education co-star Connor Swindells, who she split from in 2020 after two years together. Connor, 28, who stars in SAS Rogue Heroes, is now married to the Peaky Blinders star, Amber Anderson, 32, who he wed last year. Discussing the reason behind their split, Aimee noted that relationships don't have to consist of a 'goodie' and a 'baddie', but sometimes the combination of two personalities in a dynamic can result in 'unhealthy themes'. She said in an interview with Grazia: 'We'd had some time apart and then we realised that maybe the relationship wasn't serving us both,' before stating that she and Connor still love each other and respect each other. According to Aimee the breakup was amicable and wasn't dramatic. She compared the moment she became single to a dam bursting wide open. She added: 'When I'm in a relationship I find it hard to maintain my sense of self. I'm very independent but also quite impressionable.' MailOnline has contacted Amy and Adam's representatives for comment. In recent months, the star has catapulted to global fame, owing to her role in HBO hit, The White Lotus. However, the actress' personal life caused more headlines than the series itself, with Aimee hitting out at Saturday Night Live for their 'mean and unfunny' parody of the show that mocked her teeth; as well as being embroiled in claims of a 'feud' with her on-screen lover. The SNL sketch featured comedian Sarah Sherman, 32, parodying Aimee's character Chelsea while using fake teeth to mock her, which prompted in widespread outrage. The sketch poked fun at her Manchester U.K. accent and her teeth, with Sarah exclaiming: 'Fluoride? What's that?' In response, Aimee took aim at the 'cheap' joke, writing on Instagram: 'Such a shame cuz I had such a great time watching it a couple weeks ago. Yes, take the p**s for sure - that's what the show is about- but there must be a cleverer, more nuanced, less cheap way?' She also shared messages of support from her followers and sister Emily, admitting she'd received 'thousands' of messages backing her up. Aimee continued: 'Last thing I'll say on the matter. I am not thin skinned. I actually love being taken the p**s out of when it's clever and in good spirits. But the joke was about fluoride. I have big gap teeth not bad teeth. 'I don't mind caricature - I understand that's what SNL is. But the rest of the skit was punching up and I/ Chelsea was the only one punched down On... Okay end of.' To conclude, she shared a comment from a fan that read: 'It was a sharp and funny skit until it suddenly took a screeching turn into 1970's misogyny', she added: 'This sums up my view'. Aimee's rumoured feud with her White Lotus co-star Walton Goggins has also had fans talking in recent months. The rumours hit an all-time high after they unfollowed each other on Instagram. But last week the onscreen lovers put the rumours to bed, tackling the reports head on in a joint interview with Variety. 'There is no feud. I adore, I love this woman madly, and she is so important to me,' Walton insisted. Aimee proceeded to address the outrage over headlines that Goggins unfollowed her on social media, which fans perceived as a sign they did not get along. 'I think it's such a comment on where we're at culturally,' she said over the online fury. 'Why is everyone obsessing over Instagram? That is irrelevant. We don't give a s**t about Instagram.' She explained she wished more people were having 'conversations about the story' of their White Lotus characters, Rick and Chelsea, and simply enjoying the show. As well as her new role in Film Club, Aimee has been kept busy filming series two of her BBC sitcom Daddy Issues. This year will also see her star in crime-thriller film Sweet Dreams, which has been pitched as 'a British Fargo'. Adam's most recent TV role was in the ITV drama Protection, which saw him reunite with Happy Valley co-star Siobhan Finneran. His most famous role to date was in the BAFTA-winning Happy Valley, in which he played a convict who aided James Norton's Tommy Lee Royce in kidnapping the daughter of a wealthy businessman, for ransom.


The Guardian
29 minutes ago
- The Guardian
Full set of Sean Connery Bond movies heads up Edinburgh film festival programme
Andrea Riseborough, Peter Dinklage, Renée Zellweger and – inevitably – the late Sean Connery will be among the big names on show at the Edinburgh international film festival, which announced its programme today. A clutch of world premieres at the festival includes a remake of trash classic The Toxic Avenger, starring Dinklage alongside Kevin Bacon, Elijah Wood and Julia Davis, while Riseborough appears opposite Brenda Blethyn in Paul Andrew Williams's Tribeca festival hit Dragonfly. Zellweger appears in a behind-the-scenes role, with the world premiere of her directorial debut, an animated short film called They. And in what appears something of a coup, the festival will screen 4K restorations of Connery's six 'official' James Bond films: Dr No, From Russia With Love, Goldfinger, Thunderball, You Only Live Twice and Diamonds Are Forever. Connery's name is now firmly imprinted on the festival, with its main feature-film prize named after him and screenings of short films developed through the Sean Connery Talent Lab, an offshoot of the actor's foundation and the National Film and Television School Scotland. Festival director and CEO Paul Ridd said: 'The legacy of Scotland's biggest global star is central to what we're trying to do, connecting it with the future generation of film talent and all the philanthropic work the Connery Foundation do across film and various other causes is of vital importance to us. To have access to those six wonderful James Bond films and showing them on the big screen is very special.' The 2025 edition marks the third event since the dramatic collapse of the Centre of the Moving Image, the festival's then parent organisation, in October 2022, which also resulted in the closure of Edinburgh's celebrated Filmhouse cinema and its sister cinema in Aberdeen. Helped by the wider international festival that takes over the city every August, a short-notice scratch event was put together for the summer of 2023, while Ridd was installed as the head of a new organisation for 2024, which returned the festival to something comparable to its former status. And in a piece of good news for both the festival and the city itself, the Filmhouse in Edinburgh reopened in June after a high-profile campaign. Ridd says the festival is looking to consolidate its revival. 'We are thinking about this as year one with last year being year zero. We were really pleased with what we brought together last year, so for 2025 we are looking at what worked previously and not deviating really away from that. What's different, I guess, this year is that we've had a significantly higher volume of submissions sent to us, which is fantastic.' This year the festival's competition (for the 'Sean Connery prize for feature film-making excellence') comprises 10 world premieres, including Campbell X's 'queer road movie' Low Rider, Swedish documentary Once You Shall Be One of Those Who Lived Long Ago about a physically collapsing mining town, and In Transit, a drama about an artist and her model starring Jennifer Ehle. An Out of Competition section includes high-profile films such as the Dardenne brothers' Young Mothers, a study of a centre for pregnant teenagers, Jan-Ole Gerster's Islands, with Sam Riley as a washed-up tennis coach, and The Memory Blocks, a new film from experimental documentary-maker Andrew Kötting. The festival is also leaning into a resurgence of interest in archive and back catalogue films; alongside a retrospective of westerns by famed genre director Budd Boetticher (including 1957 classic The Tall T), Edinburgh is staging a series of screenings of films nominated by their in-person guests, all of whom will introduce their picks as well as taking part in an In Conversation event. The Last King of Scotland director Kevin Macdonald, who will appear alongside his brother, Trainspotting producer Andrew Macdonald, has chosen Soviet war classic The Cranes Are Flying; Candyman's Nia DaCosta will talk about Doug Liman's 90s drug deal comedy thriller Go; and Ben Wheatley, whose new film Bulk is leading the festival's Midnight Madness strand, has gone for Ealing comedy classic The Man in the White Suit. Equally as important as the programme was the decision to move the festival back to its August time slot, having been shifted to June in 2008 as a strategic decision by the UK Film Council, then in charge of industry policy, as a way of giving space between the Edinburgh and London film festivals (with the latter taking place in early October). This has reunited the film festival with the energy of the international and fringe festivals, as well as potentially adding some purchase in the autumn awards season. Ridd says: 'I'm very conscious that August is a strategic position for a lot of film distributors to launch their films going into that awards period. So I think August is a pure positive for us.' He adds: 'This is a beautiful city, and you've got all of this other art going on all around you. It's a unique feeling and I know what a big opportunity that represents to us, to emulate that spirit of discovery.' Sign up to Film Weekly Take a front seat at the cinema with our weekly email filled with all the latest news and all the movie action that matters after newsletter promotion Ridd says he is particularly pleased with the reopening of the Filmhouse, even if the umbilical connection between the festival and venue is no longer there. 'We're a completely new organisation, which has emerged Phoenix-like from a difficult situation. But it's obviously had a significant impact on the city, and I think everyone's very, very excited to see it back.' The Edinburgh international film festival, which previously announced Sundance hit Sorry, Baby and Irvine Welsh documentary Reality Is Not Enough as its opening and closing films, runs from 14-20 August.


The Sun
30 minutes ago
- The Sun
Ticketmaster threatened with legal action over Oasis gig ticket sales by UK watchdog
TICKETMASTER is being threatened with legal action over Oasis gig ticket sales by the UK watchdog. More than 900,000 tickets went on sale in August last year via Ticketmaster for the tour, which reunites Noel and Liam Gallagher, and is set to kick off on Friday in Cardiff. 2 2 In March, the Competition and Markets Authority (CMA) said it was worried Ticketmaster may have misled fans over the pricing of tickets when they went on sale. It said it was concerned that it had broken consumer protection law by labelling seats at Platinum despite being in the same area of the stadium and selling them for £350 instead of £150 face value. The CMA also said that Oasis fans were not told about two categories of standing tickets, with cheaper ones sold first before more expensive standing tickets were sold. It means Oasis fans waited in a queue, some for more than 12 hours, for tickets without knowing the price, then having to decide whether to pay a higher amount than expected. It did not find evidence of a 'dynamic pricing' model being used during the sale. Ticketmaster made some changes to its ticket sale process but the CMA said it'does not currently consider these changes are sufficient'. It had been trying to work with them to change their pricing and ticket information - but today in a letter to the business and trade select committee published today, the CMA it wasn't happy and it is seeking legal action. It said: 'Having carefully considered Ticketmaster's response, the CMA's view is that there is a fundamental disagreement between the CMA and Ticketmaster about whether Ticketmaster's practices infringed consumer law.' The CMA will continue to try and resolve the issue with Ticketmaster while it starts legal action. Hayley Fletcher, interim senior director of consumer protection at the CMA, said: 'All ticketing websites should check they are complying with the law and treating their customers fairly. 'When businesses get it right, consumers benefit – and that's the best outcome for everyone.' Last week, Oasis announced that they were releasing more tickets for the summer tour.