Elusive street artist Banksy reveals new artwork – in France?
In an Instagram post on Thursday, Banksy unveiled his latest piece: a traffic bollard casting a shadow of a lighthouse with the words "I want to be what you saw in me" written over it.
The post was not accompanied by a caption or location.
Within ten hours of posting, the image had collected more than 500,000 likes.
Une publication partagée par Banksy (@banksy)
While Banksy's art regularly features satire or socio-political meaning, this new artwork has fans scratching their heads.
A critique of state surveillance, perhaps?
Or maybe a commentary about modern isolation?
Or is it something more personal, a universal feeling characterised by a tinge of melancholia?
Once again, Banksy shines in taking an ordinary object and turning it into something altogether more surprising – a simple yet potent reminder that what we dismiss in daily life as mundane can take on different meanings depending on how we decide to observe it... And not take the potentially extraordinary for granted.
We all need a lighthouse, a sense of guidance and hope. We also feel the need to be seen for who we are and aspire to be a better version of ourselves... And how easier would life be if we managed to perceive ourselves through the eyes of another, and perhaps catch the reflection of the (hopefully better) person others imagine us to be?
The new artwork has also left Banksy fans frantically speculating over its location.
Geoguessers on social media have speculated that the street art may be Marseille, in the south of France.
All we know is that the piece comes five months after 'Mother and Child', the December 2024 artwork that reinterpreted the religious iconography of the "Madonna and Child" in a contemporary light, and follows the elusive artist's 2023 'Beastly London' campaign. The latter was a nine-day burst of animal-themed murals scattered across the city which featured elephants peeking from boarded windows in Chelsea and a hornyrhinoceros enthusiastically mounting a Nissan Micra in Walthamstow.
Elsewhere, Blink-182 frontman Mark Hoppus sold his Banksy painting for €5.2 million at a London auction ealier this year,
The record for a Banksy sale still stands at £18.6 million in 2021 (€27 million adjusted for inflation) for "Love is in the Bin". After Banksy installed a shredder into the frame of his 2006 painting "Girl with Balloon" and programmed it to self-destruct after an auction in 2018, the half-shredded painting was renamed and sold for the astronomical sum.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Fashion Network
2 days ago
- Fashion Network
Vogue US faces backlash over Guess ad featuring AI-generated model
Vogue US sparked major debate when it ran a Guess ad featuring artificial intelligence–generated visuals in its August 2025 issue. The campaign stirred widespread backlash from readers, image professionals, and content creators, who see it as a warning sign for creative industries. The double-page spread showed a blonde model with light eyes and full lips wearing a sky-blue top and a black-and-white patterned dress. Vogue included a footnote confirming the images came from AI, but readers flooded the magazine's social platforms with criticism. Social media users and TikTok creators expressed frustration with the decision, citing Vogue's legacy of groundbreaking photographers like Irving Penn, Lee Miller, and Erwin Blumenfeld. Critics argued that AI contradicted the magazine's artistic foundation. Although Vogue stated that the ad came from its advertising department, not its editorial team, many readers still saw it as a symbolic turning point. The placement raised bigger questions about the industry's reliance on human creativity. Seraphinne Vallora created the AI visuals Marketing agency Seraphinne Vallora designed the campaign. The company has promoted its synthetic models across Elle, Grazia, Harper's Bazaar, the Financial Times, and the Wall Street Journal. On Instagram, the agency showcases its AI-generated visuals and promotes its ability to replicate real-life models through digital scans. Brands like H&M have already used these AI body doubles, allowing real models to fulfill contracts without attending photo shoots. These avatars save time and reduce production costs. U.S. laws such as the 'right of publicity' protect personal features like a model's face or voice. Companies must obtain consent before using AI likenesses. But disputes still occur. Scarlett Johansson, for instance, accused OpenAI of using her voice without permission—sparking another legal controversy. Although the U.S., the UK, and the EU enforce laws to regulate AI-driven use of personal identity, industry professionals continue to raise concerns about the impact on makeup artists, stylists, photographers, and production crews. Creative professionals push back Many journalists and artists now use AI to streamline repetitive tasks, but this Guess campaign reignited fears that companies will use AI to replace—not support—creative professionals. On Newstalk Tech's TikTok account, correspondent Jess Kelly said, 'This puts people out of work. And creatively, a photoshoot isn't just about the model—it involves photographers, lighting crews, and an entire team working behind the scenes.' Governments and unions act on copyright To protect human-created work, unions and lawmakers are stepping in. The European Union adopted the AI Act in April 2024 to regulate synthetic media. This legislation, rolling out through 2027, requires companies to disclose AI-generated content, publish training datasets, and respect intellectual property—even when using open-source tools. In journalism, the International Federation of Journalists (IFJ) published formal recommendations in January 2025. 'AI cannot replace human journalists,' the report stated, 'and its production should not be considered journalism unless it undergoes proper human oversight.' INA, the French audiovisual institute, published a report outlining AI's risks and benefits in the newsroom. It praised AI for boosting speed, format diversity, and translation—but warned that it also encourages content standardization, audience detachment, and unchecked data mining. The authors argued that publishers risk prioritizing cost over quality. AI won't affect every media role equally Despite industry anxiety, some roles may adapt instead of disappearing. A 2025 report by consulting firm BearingPoint examined how generative AI could impact broadcast journalism jobs. The study flagged roles like documentalists, subtitlers, motion designers, editors, and translators as highly automatable. But BearingPoint identified other roles—such as reporters, web editors, data journalists, and community managers—that could shift toward supervising AI output, managing quality control, or using AI as a creative partner. In short, the firm believes that many image and information professionals can evolve with the technology rather than get replaced by it. Still, the reaction to Vogue's Guess ad shows that industry players view AI as a serious threat to creative labor. As Condé Nast navigates this backlash, it faces a critical choice: either establish clear rules for advertisers—or risk weakening the very ecosystem that defines its brand legacy.
Fashion Network
2 days ago
- Fashion Network
Vogue US faces backlash over Guess ad featuring AI-generated model
Vogue US sparked major debate when it ran a Guess ad featuring artificial intelligence–generated visuals in its August 2025 issue. The campaign stirred widespread backlash from readers, image professionals, and content creators, who see it as a warning sign for creative industries. The double-page spread showed a blonde model with light eyes and full lips wearing a sky-blue top and a black-and-white patterned dress. Vogue included a footnote confirming the images came from AI, but readers flooded the magazine's social platforms with criticism. Social media users and TikTok creators expressed frustration with the decision, citing Vogue's legacy of groundbreaking photographers like Irving Penn, Lee Miller, and Erwin Blumenfeld. Critics argued that AI contradicted the magazine's artistic foundation. Although Vogue stated that the ad came from its advertising department, not its editorial team, many readers still saw it as a symbolic turning point. The placement raised bigger questions about the industry's reliance on human creativity. Seraphinne Vallora created the AI visuals Marketing agency Seraphinne Vallora designed the campaign. The company has promoted its synthetic models across Elle, Grazia, Harper's Bazaar, the Financial Times, and the Wall Street Journal. On Instagram, the agency showcases its AI-generated visuals and promotes its ability to replicate real-life models through digital scans. Brands like H&M have already used these AI body doubles, allowing real models to fulfill contracts without attending photo shoots. These avatars save time and reduce production costs. U.S. laws such as the 'right of publicity' protect personal features like a model's face or voice. Companies must obtain consent before using AI likenesses. But disputes still occur. Scarlett Johansson, for instance, accused OpenAI of using her voice without permission—sparking another legal controversy. Although the U.S., the UK, and the EU enforce laws to regulate AI-driven use of personal identity, industry professionals continue to raise concerns about the impact on makeup artists, stylists, photographers, and production crews. Many journalists and artists now use AI to streamline repetitive tasks, but this Guess campaign reignited fears that companies will use AI to replace—not support—creative professionals. On Newstalk Tech's TikTok account, correspondent Jess Kelly said, 'This puts people out of work. And creatively, a photoshoot isn't just about the model—it involves photographers, lighting crews, and an entire team working behind the scenes.' Governments and unions act on copyright To protect human-created work, unions and lawmakers are stepping in. The European Union adopted the AI Act in April 2024 to regulate synthetic media. This legislation, rolling out through 2027, requires companies to disclose AI-generated content, publish training datasets, and respect intellectual property—even when using open-source tools. In journalism, the International Federation of Journalists (IFJ) published formal recommendations in January 2025. 'AI cannot replace human journalists,' the report stated, 'and its production should not be considered journalism unless it undergoes proper human oversight.' INA, the French audiovisual institute, published a report outlining AI's risks and benefits in the newsroom. It praised AI for boosting speed, format diversity, and translation—but warned that it also encourages content standardization, audience detachment, and unchecked data mining. The authors argued that publishers risk prioritizing cost over quality. AI won't affect every media role equally Despite industry anxiety, some roles may adapt instead of disappearing. A 2025 report by consulting firm BearingPoint examined how generative AI could impact broadcast journalism jobs. The study flagged roles like documentalists, subtitlers, motion designers, editors, and translators as highly automatable. But BearingPoint identified other roles—such as reporters, web editors, data journalists, and community managers—that could shift toward supervising AI output, managing quality control, or using AI as a creative partner. In short, the firm believes that many image and information professionals can evolve with the technology rather than get replaced by it. Still, the reaction to Vogue's Guess ad shows that industry players view AI as a serious threat to creative labor. As Condé Nast navigates this backlash, it faces a critical choice: either establish clear rules for advertisers—or risk weakening the very ecosystem that defines its brand legacy.
Fashion Network
2 days ago
- Fashion Network
Vogue US faces backlash over Guess ad featuring AI-generated model
Vogue US sparked major debate when it ran a Guess ad featuring artificial intelligence–generated visuals in its August 2025 issue. The campaign stirred widespread backlash from readers, image professionals, and content creators, who see it as a warning sign for creative industries. The double-page spread showed a blonde model with light eyes and full lips wearing a sky-blue top and a black-and-white patterned dress. Vogue included a footnote confirming the images came from AI, but readers flooded the magazine's social platforms with criticism. Social media users and TikTok creators expressed frustration with the decision, citing Vogue's legacy of groundbreaking photographers like Irving Penn, Lee Miller, and Erwin Blumenfeld. Critics argued that AI contradicted the magazine's artistic foundation. Although Vogue stated that the ad came from its advertising department, not its editorial team, many readers still saw it as a symbolic turning point. The placement raised bigger questions about the industry's reliance on human creativity. Seraphinne Vallora created the AI visuals Marketing agency Seraphinne Vallora designed the campaign. The company has promoted its synthetic models across Elle, Grazia, Harper's Bazaar, the Financial Times, and the Wall Street Journal. On Instagram, the agency showcases its AI-generated visuals and promotes its ability to replicate real-life models through digital scans. Brands like H&M have already used these AI body doubles, allowing real models to fulfill contracts without attending photo shoots. These avatars save time and reduce production costs. U.S. laws such as the 'right of publicity' protect personal features like a model's face or voice. Companies must obtain consent before using AI likenesses. But disputes still occur. Scarlett Johansson, for instance, accused OpenAI of using her voice without permission—sparking another legal controversy. Although the U.S., the UK, and the EU enforce laws to regulate AI-driven use of personal identity, industry professionals continue to raise concerns about the impact on makeup artists, stylists, photographers, and production crews. Creative professionals push back Many journalists and artists now use AI to streamline repetitive tasks, but this Guess campaign reignited fears that companies will use AI to replace—not support—creative professionals. On Newstalk Tech's TikTok account, correspondent Jess Kelly said, 'This puts people out of work. And creatively, a photoshoot isn't just about the model—it involves photographers, lighting crews, and an entire team working behind the scenes.' Governments and unions act on copyright To protect human-created work, unions and lawmakers are stepping in. The European Union adopted the AI Act in April 2024 to regulate synthetic media. This legislation, rolling out through 2027, requires companies to disclose AI-generated content, publish training datasets, and respect intellectual property—even when using open-source tools. In journalism, the International Federation of Journalists (IFJ) published formal recommendations in January 2025. 'AI cannot replace human journalists,' the report stated, 'and its production should not be considered journalism unless it undergoes proper human oversight.' INA, the French audiovisual institute, published a report outlining AI's risks and benefits in the newsroom. It praised AI for boosting speed, format diversity, and translation—but warned that it also encourages content standardization, audience detachment, and unchecked data mining. The authors argued that publishers risk prioritizing cost over quality. AI won't affect every media role equally Despite industry anxiety, some roles may adapt instead of disappearing. A 2025 report by consulting firm BearingPoint examined how generative AI could impact broadcast journalism jobs. The study flagged roles like documentalists, subtitlers, motion designers, editors, and translators as highly automatable. But BearingPoint identified other roles—such as reporters, web editors, data journalists, and community managers—that could shift toward supervising AI output, managing quality control, or using AI as a creative partner. In short, the firm believes that many image and information professionals can evolve with the technology rather than get replaced by it. Still, the reaction to Vogue's Guess ad shows that industry players view AI as a serious threat to creative labor. As Condé Nast navigates this backlash, it faces a critical choice: either establish clear rules for advertisers—or risk weakening the very ecosystem that defines its brand legacy.
