
Five things to do around Boston, March 17-23
Cringe Chronicles
See
Mortified Live
at WBUR Boston. The show features people sharing real artifacts of their former teen angst — including rage-filled journal entries, poems, letters, song lyrics, schoolwork, and more. Celebrate (and cringe at) teen emotion as you get in touch with your childhood self. Show starts at 7 p.m. (doors open at 6 p.m.) at WBUR CitySpace. Find tickets — students, $10; general admission, $25 — at
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Friday-Sunday
Fear Factory
Experience a modern interpretation of a classic H.G. Wells horror story in
None Escape (The Island of Dr. Moreau)
— written by former Globe Magazine advice columnist Robin Abrahams (a.k.a. Miss Conduct). The play, performed at Unity Somerville church, follows a woman stranded on an island with a scientist conducting inhumane experiments. With additional performances next week. Find times and tickets, $25 general admission, $20 seniors and students, at
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Saturday-Sunday
Patchwork Past
See 250 years of American history sewn together at
Quilts 250: Stitching in the Spirit of Democracy,
on display at Concord Academy. To commemorate the 250th anniversary of the Battles of Lexington and Concord, the Concord 250 Celebrations Committee is showing over 200 quilts that touch on the founding and history of the United States. 10 a.m.-4 p.m. Free.
Sunday
Wool Works
Browse through the best of New England's fiber arts at
Boston Public Market FiberFest 2025.
Buy yarn, cozy goods, and more from 20-plus fiber farmers and crafters. Or, learn to needle felt, indigo dye, and make your own headbands at a series of drop-in and ticketed interactive workshops. Runs from 10 a.m. to 5 p.m. Free admission, with items available for purchase.
Adelaide Parker can be reached at
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Boston Globe
12 minutes ago
- Boston Globe
On a spirited Saturday, the Newport Jazz Festival defies labels
Other sets, too, fell squarely inside the jazz firmament. Trumpeter Terence Blanchard (whom McBride called a 'big brother') led his band through an atmospheric set on the Quad Stage inside the Fort Adams walls, drawing on his long track record as a composer for film and television. The young British saxophonist Nubya Garcia brought her big, Sonny Rollins-inspired tone and songs from her second album, 'Odyssey,' to the main stage. And the wonderfully inventive drummer Marcus Gilmore led a band in tribute to his late grandfather, the Boston-born Advertisement That ad-hoc band featured a quartet of ringers, led by alto saxophonist Kenny Garrett and supported by two Berklee College of Music faculty members, the pianist Danilo Pérez and bassist John Patitucci. Advertisement Pianist Danilo Pérez, bassist John Patitucci, alto saxophonist Kenny Garrett, and drummer Marcus Gilmore perform a tribute to Roy Haynes on Saturday at the Newport Jazz Festival. Rich Fury/Courtesy of the Newport Jazz Festival But the congenial crowd also heard plenty of sounds that stretched the boundaries of 'traditional' jazz. There was experimental chill-out music, Quiet Storm-style neo-soul, a banging DJ set from a descendant of jazz royalty, and a 75-minute finale from headliner Janelle Monáe that was heavy on the funk. Perhaps the most welcome surprise came from the Fleck, Castañeda, Sánchez Trio, which combined the virtuosic banjo playing of the restless bluegrass mainstay Béla Fleck with the superb drummer Antonio Sánchez, and the Colombian harpist Edmar Castañeda. Castañeda was a revelation. Attacking his instrument with flair and aggression, he's surely been called 'the Jimi Hendrix of the harp' elsewhere. The group call themselves the BEATrio, Sánchez explained, after their respective first-name initials. McBride and Newport Festivals Foundation executive director Jay Sweet have taken plenty of steps to acknowledge the listening habits of the younger cohort of their Newport fan base. Some in attendance seemed eager to see the mononymous Willow, the daughter of Will Smith and Jada Pinkett Smith. Anchoring the last set on the Quad Stage, she and her ferocious, mostly women band tapped into '90s nostalgia and the singer's vocal range and dexterity on her latest tracks, including 'home' (co-written with Jon Batiste) and 'symptom of life.' Willow performs on Saturday at the Newport Jazz Festival. Rich Fury/Courtesy of the Newport Jazz Festiva Wearing headphones, the young British rap/R&B singer Samm Henshaw acknowledged that he hadn't performed live in a while. 'So you're all very scary to me right now,' he joked before teeing up some new songs with the crowd-pleasing 'How Does It Feel?,' his 2018 breakthrough. Other relative newcomers included KNOWER, an experimental mashup led by a punky frontwoman (Genevieve Artadi) and a drummer (Louis Cole) who drives the band from drum-and-bass to prog metal, and Rich Ruth, the full-band project of Nashvillean multi-instrumentalist Michael Ruth. Their unusual blend, including xylophone, violin, and baritone sax, resulted in an impressionistic, spacey-slash-spiritual sound that hit a sweet spot around midday. Advertisement The jazz royalty previously mentioned was Flying Lotus, the alter ego of DJ-producer Steven Ellison, who is the grandnephew of Alice Coltrane. FlyLo, as he's known, alternated between deafening video-game glitchery and rump-shaking classics (P-Funk, Kool & the Gang, an isolated guitar rhythm that sounded like KC and the Sunshine Band) at the Fort Stage. 'I don't know if you can tell,' he boomed from atop his perch. 'I'm trying to get you all to dance.' Flying Lotus, the grandnephew of Alice Coltrane, appears at the Fort Stage of the Newport Jazz Festival on Saturday. Rich Fury/Courtesy of the Newport JAzz It worked for him. Monáe, in the day's final slot on the main stage, had to work hard to keep the crowd from streaming toward the lines for the buses and water ferries. Fronting a dapper big band, she leaned into her defiant persona (on recent tracks 'Float' and 'Champagne [expletive]') before shouting out musical greats, from Prince, Nina Simone, and Miles Davis, to Sister Rosetta Tharpe. Bits of reggae, electronica, and James Brown surfaced in her music before an inevitable encore of 'Tightrope,' her biggest hit. Fitting for the setting, she wrapped up with 'Come Alive (War of the Roses),' a song that borrows from the Cab Calloway, call-and-response era of big band jazz. 'Categorize me, I defy every label,' she'd rapped earlier in the set, on 'Q.U.E.E.N.' They could have used that as the day's tagline. NEWPORT JAZZ FESTIVAL At Fort Adams State Park, Newport, R.I., Saturday James Sullivan can be reached at .
Yahoo
4 hours ago
- Yahoo
Taron Egerton scared of 'jinxing' dream project
Taron Egerton doesn't want to "jinx" his dream project. The 35-year-old actor dreams of turning one of his favourite musicals into a film - but Taron doesn't want to jinx the project before he gets a green light. The Hollywood star told People: "There's a musical I love. "I daren't tell you what it is, because I don't want to jinx it. There's a really classic American musical that I really love that I would love to turn into a film. It's never been turned into a film and I think it would be amazing." Despite this, Taron admits that he'll have to overcome a series of obstacles before he can get the project off the ground. He said: "I'm really, really, really hoping that I can achieve that. It's very, very hard and the estate is super protective about it and rightly so. "If I manage it, you'll know about it and I think it would be incredible. But I will not jinx it by telling you what it is because I've been trying for some time." Meanwhile, Taron has played down talk that he could replace Daniel Craig as James Bond, insisting he's too "messy" for the role. The movie star believes there are "so many cool, younger actors" who would be better suited to the coveted role. Asked about the possibility of playing Bond, he told Collider: "I don't think I'm a good choice for it. I think I'm too messy for that. "I think I'm not — I really love James Bond and particularly Daniel Craig's tenure. But I think I wouldn't be good at it, and I think there's so many cool, younger actors who would be great for it. I think it would be wasted on me, probably." Taron also observed that leading the Bond franchise is "quite an undertaking". He said: "That's not to say that I don't have aspirations and plans and also that I wouldn't be interested in doing something that's more commercial, because of course I would. I think I'm a period in my life where, as you say, I've been probably following the things that speak to me on a creative level a little bit more, but, you know, I'm sure I won't feel that way forever. "But James Bond is quite an undertaking and I think, one, as far as I'm aware, nobody's asking me to do it."


Newsweek
6 hours ago
- Newsweek
Former NASCAR Driver Danica Patrick Reacts to Sydney Sweeney Ad Backlash
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Former NASCAR and IndyCar driver Danica Patrick gave her take on the Sydney Sweeney controversy stemming from the actress's American Eagle ad campaign. Sweeney's commercials are perceived by some as coded with racism and eugenics because of a play on words regarding "jeans" and "genes." Patrick posted a story on her Instagram account on July 30, reading, "Hilarious. Can anyone tell me what's wrong with the new AE ads?! Very confused." Also, she shared a video from content creator Kaylor Betts, which addressed the controversy. Danica Patrick looks on from the drivers parade prior to the F1 Grand Prix of Mexico at Autodromo Hermanos Rodriguez on October 27, 2024 in Mexico City, Mexico. Danica Patrick looks on from the drivers parade prior to the F1 Grand Prix of Mexico at Autodromo Hermanos Rodriguez on October 27, 2024 in Mexico City, Mexico. Photo by Jared C. Tilton/Getty Images "We have to boycott American Eagle," Betts said in the video playfully. "If you haven't heard of this yet, brace yourself. This is a trigger warning. You're not going to believe it. They had Sydney Sweeney in one of their ads. And if you don't know Sydney, she's a white girl." Patrick found humor in the controversy surrounding Sweeney's ad, but the temperature has been much higher online, with people both attacking and defending the actress. Why are people upset about Sydney Sweeney's American Eagle collaboration? Sweeney's campaign with American Eagle is titled "Sydney Sweeney Has Great Jeans." While on its face the title seems harmless, people claim the commercials refer to the "Euphoria" star's genetics as a white, blue-eyed American in a way that is coded with references to Nazism or white supremacy. "My body's composition is determined by my genes," Sweeney said as the video pans her entire body. "Hey, eyes up here." "Genes are passed down from parents to offspring, often determining traits like hair color, personality and even eye color," Sweeney says in another ad. "My jeans are blue." Sydney Sweeney x American Eagle, oh my god. — Sydney Sweeney Daily (@sweeneydailyx) July 24, 2025 Considering the backlash, many expected American Eagle to pause the collaboration, but Ashley Schapiro, the brand's vice president of marketing, said that the campaign was meant to be provocative. "During a Zoom call with Sydney, we asked the question, 'How far do you want to push it?' Without hesitation, she smirked and said, 'Let's push it, I'm game,'" Schapiro wrote in a LinkedIn post. "Our response? 'Challenge Accepted.' Infusing our own personal cheeky energy and making us as we envisioned how the world would experience the launch. "A desire to stretch beyond anything we had done before. The ideas kept building. The stunts topping themselves. Exploring media innovation that could feel like it was invented just for Syd's Jeans?"