
Now minister says only those on 'average incomes' - around £39,000 - will be protected from tax hikes at Budget as Labour shambles deepens
Roads minister Lilian Greenwood appeared to commit to protecting those on incomes of up to £39,000 from desperate efforts to fill a black hole in the public finances.
But she gave another strong hint that the 'wealthy' will be hammered by Chancellor Rachel Reeves - saying the government thought those with the 'broadest shoulders' should pay.
The comments came as Ms Greenwood was grilled what her boss, Transport Secretary Heidi Alexander, meant when she said on Sunday that the those on 'modest incomes' would be spared pain.
She told Sky News: 'I think it means people who earn kind of around average income.'
Roads minister Lilian Greenwood appeared to commit to protecting those on incomes of up to £39,000 from desperate efforts to fill a black hole in the public finances
She gave another strong hint that the 'wealthy' will be hammered by Chancellor Rachel Reeves (pictured) - saying the government thought those with the 'broadest shoulders' should pay
Challenged that was roughly £39,000 a year, she added: 'I can't tell you exactly what the Transport Secretary had in her mind when she said that, but our promise when we came in was that we wouldn't hit working people with increases in employee national insurance, in income tax or VAT, and we've absolutely stuck to those promises.'
Pressed that she seemed to be saying there was a wealth tax coming, Ms Greenwood replied: 'Well these are decisions for the Chancellor, but clearly we've always said that we think those who've got the broadest shoulders should bear the greatest burden.'
Yesterday Ms Reeves pointedly only committed to holding rates on 'taxes that working people pay'.
Visiting a school in Wigan, she suggested that just meant no change to income tax, employee national insurance and VAT as she struggles to fill an estimated £30billion black hole.
But pushed on Labour demands for a 'wealth tax', Ms Reeves said: 'We haven't even set the date for the budget yet, so please forgive me if I don't speculate about what might happen at an event we haven't even decided a date on yet.'
Treasury Chief Secretary Darren Jones sparked a fresh bout of confusion by pointedly saying 'headline' rates of income tax, NICs and VAT will not change.
Speculation has been mounting about a 'wealth tax' - something Labour MPs have been baying for despite alarm at signs of an exodus of the rich from Britain.
Downing Street has refused to rule out a wealth tax, although Ms Reeves previously said she was 'not interested' in the idea.
The tax burden is already set to hit a new high as a proportion of GDP after the last Budget imposed a £41billion increase - the biggest on record for a single package.
But experts have suggested that the stalling economy together with spending pressures could mean Ms Reeves has a £31billion funding gap to fill.
Many believe the Chancellor will opt to extend the long-running freeze on tax thresholds.
The policy, in place since 2022, is due to end in 2028-29. By that point it will have dragged an extra 4.2million people into the tax system as wages rise.
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The National
30 minutes ago
- The National
Labour rushed to help Lindsey oil refinery. So why not Grangemouth?
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BBC News
31 minutes ago
- BBC News
BBC Studios marks a year of record revenues and creative success
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The company, which makes and distributes some of the world's most sought-after content as well as creating and nurturing iconic brands, achieved record revenues of £2.2bn (2023/24: £1.9bn) and EBITDA of £228m (2023/24: £199m) in a challenging market, driven by a diversified portfolio; strong performance for BritBox International; and its consumer products division, especially global hit Bluey. BBC Studios, the main commercial arm of the BBC Commercial group, recorded its fourth consecutive year of profit in excess of £200m, expressed as EBITDA, of £225m (2023/24: £202m), an increase of 11% year on year, despite organic investment in media & streaming, including and UKTV, which both saw audience growth. The profits generated by BBC Studios go back to the BBC to support its mission in the UK. Tom Fussell, CEO of BBC Commercial said: 'BBC Commercial has delivered a strong set of results, which show that our strategy is working and the investments made in previous years, together with a diversified portfolio, are delivering a trajectory of sustainable growth, despite ongoing global macroeconomic and geopolitical uncertainty. Together with the continuing recognition for the craft and creativity of our content studio and the demand for our content around the world, BBC Commercial is well placed to support a robust creative and entertainment industry and cement its role as a global ambassador for the best of UK content.' Over the last few years, the company has made a series of strategic investments in its routes to market, including taking full ownership of global streamer BritBox International and enhancements to digital services for UKTV. Investment in digital platforms was key in delivering a 43% growth in revenues for the media and streaming division. BritBox International's revenues were up 20% year-on-year, with popular UK titles such as Ludwig and Blue Lights drawing in North American audiences. BBC Studios' multi-channel network, UKTV, also recorded a strong performance. Its direct-to-consumer service U grew views by a third in 2024, whilst UKTV saw total viewer hours to its VOD content across its free and pay platforms grow by 56 million hours year-on-year. Drama content performed particularly well with The Marlow Murder Club becoming the network's highest rating show of 2024, watched by 2.6 million viewers. The new and BBC app have established themselves as the key digital platforms for international audiences who want trusted, impartial BBC news. saw a 15% uplift in global visitors over the year whilst registrations have grown by 78% year-on-year, demonstrating the international reputation of the BBC brand. BBC Studios' world-class creativity continued to power its success with the business winning over 150 awards. Content highlights from the most-awarded UK production company included feature film Conclave, made by wholly owned House Productions, which won four BAFTAs and an Academy Award, wholly owned Clerkenwell Films' Baby Reindeer which won six Emmys, a 20th anniversary for Strictly Come Dancing in the UK as the popularity of the international brand, Dancing with the Stars, continues. Factual title The Americas, narrated by Tom Hanks and made for NBC, became the most-watched nature documentary on US linear television for more than fifteen years, whilst in the UK, BBC Studios helped mark the 80th anniversary of D-Day with a raft of memorable programming, including the RTS Programme Award-winning D-Day 80: Tribute to the Fallen. The business has expanded and consolidated its international production portfolio, now making programmes in ten territories worldwide. 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We are taking proactive steps to address our representation through initiatives such as BBC Extend and are also working to improve our disclosure rates in order to achieve a more inclusive and representative workforce.' -Ends- For more information, please contact: About BBC Studios BBC Studios is the main commercial arm of BBC Commercial Ltd and generated revenues of £2.1 billion in the last year and profits of over £200 million for a fourth consecutive year. Able to take an idea seamlessly from thought to screen and beyond, the business is built on two operating areas: the content studio, which produces, invests and distributes TV and audio globally and media & streaming, with BBC branded channels, services including UKTV, and BritBox International and joint ventures in the UK and internationally. The business made almost 3,300 hours of award-winning British programmes last year for a wide range of UK and global broadcasters and platforms. Its content is internationally recognised across a broad range of genres and specialisms, and includes world-famous brands like Strictly Come Dancing/Dancing with the Stars, the Planet series, Bluey and Doctor Who. BBC Studios | Website | Press Office | X | LinkedIn | Instagram |


The Independent
32 minutes ago
- The Independent
Will Rachel Reeves' mortgage bombshell do more harm than good?
There's a great deal riding on Rachel Reeves' Mansion House speech tonight – more so than usual. Between the government's welfare reform plans being torn to shreds, the economy hitting a wall and public finances being mired in a sea of red ink, things haven't been great for the chancellor lately. Then there was her tearful appearance in the House of Commons a few weeks ago, blamed on a personal issue, and the lukewarm endorsement she received from Keir Starmer – which was swiftly reversed because the fiscally hawkish Reeves is seen in the City as greatly preferable to any of her possible replacements, and the markets reacted very badly when speculation about her future was at its height. Of course, she is not solely responsible for all of the above, but she does need to get back on the front foot – and her audience with City grandees is key to her success. As is typically the case with the annual event, large parts of its contents have been pushed out in advance – most notably the so-called 'Leeds reforms' which will tear up some of the post-financial crisis regulations that the City has been chafing against. At the centre of this are plans to make it easier for people to obtain bigger mortgages. The government is also launching a state-backed mortgage guarantor. The risks are obvious: do this and you could easily end up with more bad debt and more defaults when economic conditions turn against borrowers. Interest rates are on a downward path, and mortgage deals have been improving, which helps. But it won't always be that way, and unemployment is rising (thanks in part to Reeves increasing taxes on jobs). The new guarantor will also inevitably shift the burden of risk on to the taxpayer. Am I alone in having a problem with privatised profits and socialised losses? The City will always applaud deregulation, and quietly welcomed Labour's prodding the Financial Conduct Authority (FCA) to cool its regulatory jets and get with the programme. The Leeds reforms promise more of the same – including reform of the Financial Ombudsman, which has in recent years been functioning as a quasi-regulator. That, we are told, will end. An easing of the much hated senior managers and certification regime, another post-crisis measure, is promised. Ditto the FCA's consumer duty rules. So, too, are there are plans to boost fintech – and to ensure the Basel capital rules on banks are implemented in a way that 'supports UK competitiveness'. I suspect this means we'll find a way of cheating. A review of the ring-fencing regime – designed to protect retail banking assets (so yours and mine) from the City casino – is promised. My bet is that this will end up getting scrapped. Cross your fingers. If things go wrong again, it could get very messy. And there will be another crisis. It's in the nature of banking. City trade body UK Finance was positively gushing in response. 'We submitted a range of ideas to government to help support growth and the UK's position as a global financial centre. Across many of these key areas the chancellor has listened and delivered significant positive change,' said its CEO, David Postings. Of course he did. But here's the thing: if you take a look at the Treasury's press release, you will see that there is one very big omission. It is the one thing everyone attending tonight's shindig will want to hear about. It trumps even the most radical parts of the 'Leeds Reforms' and will ultimately be what Reeves is judged on. By now you've doubtless guessed that I'm talking about tax. Reeves has already soaked businesses by taxing jobs, with predictable results when it comes to unemployment. The City's view is that it already pays enough, contributing nearly £1 in every £10 the chancellor raises. Reeves is hoping that her reforms will spur growth, which she desperately needs. The City will tell her that it won't happen if she hits it again. That doesn't just apply to her increasing the burden on businesses. She will also be told not to hammer Britain's millionaires. With little headroom left over, her self-imposed fiscal rules and a tax-raising budget expected, Reeves has said the burden of balancing the books will fall on those whose shoulders are 'the broadest'. Most would agree that this is only fair. Many understandably find it offensive that Britain's poorest are being kicked via what remains of welfare reform while the richest employ clever accountants to cut their bills. But if she hits the uber rich too hard it turns into a zero sum game, because while some will stick around and grouse about their bills, others will just leave altogether. The result is that you don't end up raising more money – and you may, in fact, end up with less. So, how does Reeves plan to solve this problem ? I'm not sure the City will get an answer. Not yet. Reeves has made a start at re-establishing some credibility and authority, but the likely response to Mansion House will be this: 'Good start. But our verdict – and our business decisions – are on hold until the budget is in.'