logo
Caught between beginning and end

Caught between beginning and end

As a student in Dunedin, I find May to be one of those strange months — caught between beginnings and endings, uncertainty and celebration.
This past weekend, many students were away from their mothers on Mother's Day, some for the first time.
The day passed quietly on campus. I am sure flowers and gifts were sent around the country, and phone calls were made while walking through the gardens. Mother's Day is one of those days that quietly reminds you that you're growing up.
The weekend before, I showed my cousin around Otago's Open Day, and I had the joy of seeing this place that is now so familiar to me through a newcomer's eyes.
It was a beautiful Dunedin day: sunny, crisp and buzzing with energy. The campus was alive with waves of prospective students clutching their University of Otago tote bags, touring the halls, listening to introductory lectures and poking around the stalls of the Market Day set up on the lawn.
Looking around the halls was a highlight; each had their unique charms and points to be added to a pros and cons list.
At the bachelor of arts information session, the speaker, Prof Ben Schonthal, head of the Religion Programme, encouraged students to "learn to love learning".
This stuck out to me. I remember hearing similar words when I was in their position — and realising they had, in a way, come true. It made me proud of my choice to study here.
Open Day isn't just about brochures and merchandise. It is about big decisions — uncertain ones.
Other universities would have put on impressive shows too, and for some, Otago might not be the right fit.
It is strange to think that while some students are just imagining their time here, others are preparing to say goodbye, from year 13s in Dunedin to proud Otago graduates.
This weekend, one of my best friends is coming down to walk in her graduation parade.
The last time I saw her, we were packing up our flat in November. This year, I also had the privilege of attending the Māori graduation ceremony, as part of Te Rōpu Whāi Putake.
The room was filled with whānau, laughter, tears and waiata tautoko to celebrate the graduates. Graduates got a chance to speak about their journeys — not just their academic journeys, their whakapapa, their resilience and what studying has meant to them.
As Patricia Grace writes in Potiki , "The past is never really gone, you know. It's always with you. It's part of the air you breathe, part of the ground you walk on."
It was moving, joyful and political all at once. It reminded me that learning isn't just intellectual — it's ancestral, emotional and deeply personal.
I feel excited for my graduation, being able to stand up supported by my friends and whānau and look back on my university education.
May hasn't just been about celebration, though — it has also been a time of speaking out.
Students, staff and locals gathered in the Octagon earlier this month to protest for transgender rights and, more recently, protested against the Pay Equity Amendment Bill.
Loud, energised and unapologetic protests are a key feature in both our student culture and our culture as a city. There is power in showing solidarity not just for ourselves, but for all people in our communities.
Being a student isn't just about preparing for the world — it's about shaping it.
Students are not just protesting for the present — they are walking on the well-trodden path of previous generations.
On a lighter note, May also marks the return of the world's longest continuously running student revue: The Capping Show.
The show had its opening night on Saturday and I will be heading along next week.
My first time watching was last year with my flatmates and it taught me never to underestimate how seriously Otago students take satire.
I expected a few low-blow jokes and a bit of organised chaos. Instead I was met with fully choreographed musical numbers, sharply edited comedy sketches, political takedowns and overwhelming creative energy.
And all the while, as students celebrate, protest and perform, the library is quietly filling up.
Exams begin on June 4 and the pressure builds day by day.
So far, May has served as a convergence of past, present and future. People arriving, people departing, yet everyone here is a part of this place for now, and that is something worth celebrating.
Kind regards,
Grace.
• Dunedin resident Grace Togneri is a fourth-year law student.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Dawn-lit dance of moon, stars
Dawn-lit dance of moon, stars

Otago Daily Times

time3 days ago

  • Otago Daily Times

Dawn-lit dance of moon, stars

If you're up early on Monday wrap up warm and step outside. Look northeast just before 6.30am and you'll see something quietly beautiful: the crescent moon drifting close to Matariki, the star cluster, also known as the Pleiades. It's a slow celestial conversation, one that unfolds above frost-covered roofs and sleeping streets. From here in Otago, with our crisp, dark winter skies, the view is magnificent. Through binoculars, the moon will appear barely five degrees from Matariki — close enough to feel intimate. And just to the right, bright Venus blazes away, unmistakable in the constellation Taurus. Jupiter, still low, will just be rising. Matariki isn't just a pretty knot of stars. It's a cluster of hot, young suns around 440 light years away, born together in a stellar nursery and now slowly drifting apart. Māori see it as a mother and her children, each with a role in sustaining life on Earth. The cluster's annual return to the dawn sky marks the New Year in the Maramataka — the Māori lunar calendar — and invites us to reflect, remember and reset. Western mythology calls them the Seven Sisters, the daughters of Atlas, pursued by Orion. To their right shines Aldebaran, a red giant star — Taurus's eye — burning steadily just 65 light years from here. Although it appears close to the Hyades star cluster, Aldebaran isn't a member. It's just passing through our line of sight. There's a quiet synchronicity in the date. Fifty six years ago, on July 21 1969 (New Zealand time), Neil Armstrong took his first steps on the moon. This same moon — now older, pocked and luminous — will be keeping company with Matariki in the still before dawn. I've seen this sky from sea and summit, city and rural, and it never fails to move me. There's something about watching the moon brush past ancient stars that puts things in perspective. So, boil the kettle, pull on your coat and look up. The universe is doing its thing, and it's worth watching.

Cuisine Mag partnership launches food ‘expeditions' at up to $20,000 a person
Cuisine Mag partnership launches food ‘expeditions' at up to $20,000 a person

Newsroom

time6 days ago

  • Newsroom

Cuisine Mag partnership launches food ‘expeditions' at up to $20,000 a person

A new culinary travel venture backed by Cuisine and hosted by top New Zealand chefs marks the magazine's foray into 'gourmet tourism'. The Only Table offers a series of single and multi-day food and wine experiences across the country, run by founder Stacey Jones and the Cuisine team. The first trio of experiences include a day trip with Sid Sahrawat to forage for wild truffles, an experience with Kārena and Kasey Bird learning about traditional Māori food preparation, and a four-day Italian-inspired escape with Simon Gault at Ātaahua Estate in Omokoroa.

Why Raiatea, French Polynesia is a must visit for New Zealanders wanting to trace their lineage
Why Raiatea, French Polynesia is a must visit for New Zealanders wanting to trace their lineage

NZ Herald

time7 days ago

  • NZ Herald

Why Raiatea, French Polynesia is a must visit for New Zealanders wanting to trace their lineage

Roughly twice the size of Waiheke Island, Raiatea is believed to be the ancestral homeland of Māori and the starting point for migratory journeys that followed the track of Matariki – the Pleiades (Seven Sisters) constellation – and led to the settlement of other Polynesian islands, including New Zealand. Home to the most significant marae in the Polynesian Triangle, the Marae Taputaputea (a Unesco World Heritage site since 2017) it's a must-visit for Kiwis wanting to learn more about their ancestral roots. Part of Marae Taputapuatea, a Unesco World Heritage Site. Photo / Getty Images To make the most of the experience, we met with a Tahitian guide through Aroha Experiences, who took us through Marae Taputapuatea and Raiatea's surrounding natural treasures. Our guide Naiki Lutz explained a bit more about the marae, Taputapuatea - 'tapu' meaning sacred and 'atea' meaning faraway. She's guided many New Zealanders through this same journey, many of whom she says are impacted deeply by a sense of connection felt to their ancestral roots. The marae was once a centre of power where high priests and chiefs gathered, and today still has an incredible presence, commanding respect. But visiting here hasn't always been a guarantee, as Lutz said many generations before her were scared of visiting the site, which was considered taboo and a no-go zone due to a mass wave of Christianity and large-scale attempts to cull the ancestral stories that had come before it. Christian missionaries had a significant influence on Raiatea, starting in the early 19th century, leading to conflicts and even the destruction of the traditional Marae Taputapuatea in 1828. While the people of Raiatea initially resisted, Christian missionaries successfully converted many and managed to gain political influence. Now, Lutz and many others on the island are on a mission to preserve the Tahitian culture, retell the stories, regenerate the land and bring back parts of what was lost. While some of the stories and traditions may never be recovered, Raeatea is in itself a history book in landscape form. One of the beautiful lagoons of Raiatea in French Polynesia. Photo / Getty Images It is home to many amazing natural features, such as Mount Temehani and its Tiara Apetahi flower, which grows nowhere else in the world and blooms at dawn. The island also boasts its magnificent lagoon, rivers bathed in rituals, and lush, unique vegetation. Lutz took us in her truck through the centre of the mountains, stopping to pick a fresh mangosteen and visit a river, used by locals for centuries to bathe and fish. There she prepared a coconut scrub for us using fresh coconut husk and coconut meat, and we bathed in the same river many generations of Tahitians have. We took time to appreciate all that the land has to offer as we gave back to the eels and shrimp around us as they feasted on discarded coconut. For a quick snack break, we detoured to a local market and tried mapé chaude for the first time, a fruit that's gruelling to harvest and cook and looks like an organ, but is a delicacy among locals. The taste is somewhere between a kūmara and a banana. Mapé from the local market. Photo / NZ Herald Time felt slower on Raiatea; nobody was rushing, and there was a knowledge everywhere we went that this place was special. Connecting to it for a moment in time was an honour not to be taken for granted. Although less famous than its neighbours Bora Bora and Moorea, Raiatea captivated us with its mana, spectacular landscapes and stories. At the end of our time there, we wove harakeke with our guide and dropped it into the ocean as a gift to Ta'aroa (the Tahitian supreme creator god), thanking him for our time at such a special place. Checklist Raiatea, French Polynesia GETTING THERE Fly from Auckland to Tahiti with Air Tahiti or Air New Zealand daily. Tahiti to Raiatea is a short 45-minute flight with Air Tahiti or Air Moana. DETAILS New Zealand Herald Travel visited courtesy of Tahiti Tourism. Jenni Mortimer is the NZ Herald's chief lifestyle and entertainment reporter. Jenni started at the Herald in 2017 and has previously worked as lifestyle, entertainment and travel editor.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store