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Dakota Johnson Teases Directorial Debut: ‘I Just Won't Let Anybody Else Do It'

Dakota Johnson Teases Directorial Debut: ‘I Just Won't Let Anybody Else Do It'

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Fresh off the success of the A24 romantic dramedy 'Materialists,' star Dakota Johnson has revealed that she is close to finalizing the deal for her feature directorial debut — a project she told reporters would star Vanessa Burghardt, with whom she worked in 2022's 'Cha Cha Real Smooth.' While appearing at the Karlovy Vary Film Festival (where she will receive the President's Award), Johnson teased that project was 'very close to her heart,' and she thought Burghardt, 'an incredible autistic actress.'
'I've always felt that I'm not ready to direct a feature,' she said. 'I don't have the confidence, but, with her, I feel very protective and I know her very well. I can see this world, so I just won't let anybody else do it. That's the real answer.'
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Johnson has directed one short film 'Loser Baby,' which premiered at TIFF TV in 2024. She has also stepped into the producer's seat on several occasions, including with 'Cha Cha Real Smooth,' as well as 'Am I OK?,' 'Daddio,' 'Splitsville,' the series 'Slip,' and the upcoming film 'Verity,' which stars Anne Hathaway.
Johnson has often expressed her opinions on the state of Hollywood filmmaking. During an appearance last month on 'Hot Ones,' Johnson decried the proliferation of remakes and reboots.
'When something does well, studios want to keep that going so they remake the same things, but humans don't want that,' she said. 'They want fresh, they want to feel new things, experience new things, see new things, so I don't know, I guess it's all just a bit of a mess right now, isn't it?'
At Karlovy Vary (via Variety), Johnson discussed how she expects a set to be run when she works on a film — previewing how her own future production might operate.
'I don't want to face people who are not willing to collaborate,' she said. 'And then there are obvious things. We all know what a toxic set is by now. We're artists, so there's room for expansive personalities, and we're working with emotions. I love a healthy argument on a set, and I also believe that the most excellent idea wins. It's not a fight. It's not a race. It's a collaboration.'
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BLACKPINK kicks off tour with new song "JUMP"
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BLACKPINK kicks off tour with new song "JUMP"

7 Jul - BLACKPINK has finally unveiled their latest single, "JUMP" after much anticipation from fans. The four members, Rose, Jennie, Lisa and Jisoo recently reunited and performed the song for the first time at the DEADLINE World Tour, which kicked off at the Goyang Stadium in Gyeonggi-do on 5 July. The upbeat dance song is a staple of BLACKPINK music, with lyrics like, "So come up with me, I'll take you high, that Primadonna spice up your life" and "Watch me running up the place I'm already starting and my girls are on the way". On the other hand, the concert also features group performances for their hit songs like "Kill This Love", "Pink Venom" and "How You Like That", as well as solo performances from every member who sang two to three songs each. This includes Lisa's "Rockstar", Jennie's "Mantra" and "Solo", Rose's "APT" and "Toxic Till the End" and Jisoo's "Earthquake". They also had their encore with songs like "Forever Young", "BOOMBAYAH", as well as the new release, "JUMP". BLACKPINK will be taking their tour to 16 cities across North America, Europe, and Asia. Check out "JUMP". YG recently teased the new song on social media: View this post on Instagram A post shared by BLΛƆKPIИK (@blackpinkofficial) (Photo Source: BLACKPINK IG, Billboard)

‘Abbott Elementary' Star Chris Perfetti Talks Style Strategy and How Last Season 'Blew the Lid Off'
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‘Abbott Elementary' Star Chris Perfetti Talks Style Strategy and How Last Season 'Blew the Lid Off'

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Ola Strandberg ushered in a new era of headless guitars – but no one is doing it like his own company
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Ola Strandberg ushered in a new era of headless guitars – but no one is doing it like his own company

When you buy through links on our articles, Future and its syndication partners may earn a commission. Ola Strandberg has shared his thoughts on the booming headless guitar market, and made clear what distinguishes his own company from those that have moved to capitalize on the trend in recent years. Headless guitars have experienced a surge in popularity over the past decade or so, and Ola Strandberg – the mastermind behind his eponymous electric guitar brand – is largely to thank for that. While the likes of Steinberger experimented with headless designs in the 1980s, such attempts were largely ill-fated, and it was only until Strandberg officially arrived on the scene over a decade ago that players began taking the concept seriously. With some game-changing innovations and a roster of all-star players in tow, Strandberg established the prestige of headless guitars, reinventing the novelty format and optimizing it in order to deliver a guitar purpose-built for the modern player. Since Strandberg's arrival, the likes of Ibanez, Kiesel, Balaguer and Schecter have all entered the headless space, offering their own take on the ever-popular design. However, Ola sees these efforts as entirely distinct from his own, owing to fundamental differences that can be found in their respective approaches. As he explains to Guitar World in a new interview, 'In terms of what you are as a brand and how you communicate your values, you can do that on tradition, or craftsmanship… we do it on innovation. We focus on creating tools that will create inspiration and not harm you in the process. 'A lot of other brands are making headless guitars, but it's just a model in the lineup,' he continues. 'I sometimes say with some level of seriousness that other people make guitars without headstocks, we make headless guitars. It's a small distinction but that's generally what they do.' As for what separates 'guitars without headstocks' from 'headless guitars', Strandberg says it's all about inception: Strandberg was distinctly created to solve a problem. 'They take conventional construction techniques, they buy some headless hardware off the shelf, and they change the design to accommodate that headless hardware,' Strandberg comments, 'so they have a guitar without a headstock. 'We really designed everything from the ground up to work together as a whole. I think that the result is greater than the sum of the parts.' Regardless of these differences, Strandberg sees the increasing popularity of headless guitars – and, by extension, the growing presence of other brands tapping into the trend – as a good thing. 'I think honestly we're still on an upward trajectory in terms of the headless guitar becoming more mainstream. I think we're all still helping to grow the market,' he notes. 'Certainly I do think the headless guitar is moving more into the mainstream and I think that's a good thing, not just because we make headless guitars but I think it's truly a better construction.' Elsewhere in his Guitar World interview, Strandberg has recalled the unlikely origins of one of his greatest innovations, and confirms he's working on a headless acoustic.

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